
Tyler Perry sued by actor on 'The Oval' for sexual assault and harassment
FILE - Tyler Perry arrives at the BET Awards on Monday, June 9, 2025, at the Peacock Theater in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File)
By ANDREW DALTON
An actor who worked on the Tyler Perry-created TV drama 'The Oval' has filed a lawsuit alleging Perry leveraged his industry power to repeatedly sexually assault and harass him while keeping him quiet.
The lawsuit filed in Los Angeles Superior Court by actor Derek Dixon, who appeared on 85 episodes of the BET series, seeks at least $260 million in damages.
'Mr. Perry took his success and power and used his considerable influence in the entertainment industry to create a coercive, sexually exploitative dynamic with Mr. Dixon — initially promising him career advancement and creative opportunities, such as producing his pilot and casting him in his show, only to subject him to escalating sexual harassment, assault and battery, and professional retaliation,' the lawsuit says.
The lawsuit was filed Friday and first reported Tuesday by TMZ.
Perry's attorney, Matthew Boyd, said its allegations are false.
'This is an individual who got close to Tyler Perry for what now appears to be nothing more than setting up a scam,' Boyd said in a statement Tuesday. 'But Tyler will not be shaken down, and we are confident these fabricated claims of harassment will fail.'
The lawsuit says that Perry first noticed Dixon in 2019 when Dixon was part of the event staff at a Perry party, and later offered an audition.
Dixon would first appear in a small role on the Perry series 'Ruthless" before getting the bigger role on the political drama 'The Oval.'
Perry soon began sending unwanted sexual text messages to Dixon, according to the lawsuit, which includes screenshots of several of them.
'What's it going to take for you to have guiltless sex?' one of the messages says.
The lawsuit says Perry offered Dixon an increasingly prominent role on the show as his sexual advances became more aggressive.
The actor says he tried to remain friendly while maintaining boundaries.
'Dixon did his best to tiptoe around Mr. Perry's sexual aggression while keeping on Mr. Perry's good side,' the lawsuit says. 'Mr. Perry made it clear to Dixon that if Dixon ignored Perry or failed to engage with the sexual innuendoes, Dixon's character would 'die.''
The lawsuit says Perry eventually sexually assaulted Dixon on 'multiple occasions," including an instance where he "forcibly pulled off Mr. Dixon's clothing, groped his buttocks, and attempted to force himself on Dixon."
Dixon clearly told Perry 'No,' but was initially ignored until he was able to de-escalate the situation and change the subject, according to the lawsuit.
The following day, Perry apologized, and told Dixon he would work with Dixon on a TV pilot Dixon was seeking to produce.
Dixon later received a raise that the lawsuit suggests was part of an attempt to keep him quiet.
He said the fear of his character dying kept him quiet as intended.
Perry also produced and bought the rights to the pilot, called 'Losing It,' but the lawsuit alleges Perry had no intention of selling the show and was using it only for leverage over Dixon.
The lawsuit describes several other assaults, including one where Dixon was staying in a guest room of Perry's house when Perry climbed into bed with him uninvited and began groping him, the lawsuit alleges.
Dixon would eventually move from Atlanta, home to Perry's production studio, to Los Angeles to put distance between the two of them.
Dixon in 2024 filed a complaint with the Equal Employment Opportunity Commission, and when that didn't result in any action from the show's producers, he quit.
The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Dixon has.
'The Oval' is one of many television series executive produced by, written by and directed by the 55-year-old Perry, who first became known as creator and star of the 'Madea' films and has since built a major production empire in TV and movies. As an actor he has also appeared in the films 'Gone Girl' and 'Don't Look Up.'
© Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Yomiuri Shimbun
2 hours ago
- Yomiuri Shimbun
Alfred Brendel, Pianist Renowned for Refined Playing of Beethoven, Dies at Age 94
AP file photo Austrian pianist Alfred Brendel performs at the piano with the Royal Concertgebouw Orchestra at the Lucerne Festival in Lucerne, Switzerland on Sept. 5, 2006. LONDON (AP) — Alfred Brendel, a pianist and poet renowned for his refined playing of Beethoven over a six-decade career, died Tuesday at his home in London. He was 94. Brendel's death was announced by the public relations agency Bolton & Quinn. Born in what is now the Czech Republic, Brendel gave his first recital in Graz, Austria, in 1948 at age 17. His final concert was with the Vienna Philharmonic at the Musikverein on Dec. 18, 2008. 'I grew up in a family that was not musically inclined, not artistically inclined and not intellectual, so I had to find out a lot of things for myself,' he said in a 2012 interview for the Verbier Festival. 'I was a young person who in the early 20s did not think I have to achieve something within five years but I thought I would like to be able to do certain things when I'm 50. And when I was 50 I said to myself I have actually done most of the things I want to do.' Brendel also was praised for his interpretations of Mozart, Schubert, Liszt and Haydn. He recorded the 32 Beethoven piano sonatas three times, and he played them over a month at New York's Carnegie Hall in 1983, among 77 recitals in 11 cities during the 1982-83 season. He repeated the sonatas again at Carnegie over three seasons in the 1990s. 'With winks to the audience and demonstrative hand movements, he has a playful manner that offsets his serious, contemplative interpretations,' The Associated Press wrote during the 1990s cycle. Born on Jan. 5, 1931, in Wiesenberg, northern Moravia, Brendel studied piano in Zagreb, Yugoslavia, with Sofia Dezelic and then at the Graz Conservatory with Ludovika von Kaan. He also took composition lessons with Artur Michl. His studies were interrupted when he and his mother fled as the Russian army invaded during World War II. 'When I turned 16, my piano teacher told me I should now continue on my own and give a first public recital,' he recalled during a lecture after his retirement. 'I should also audition for the great Swiss pianist Edwin Fischer, which I did the following year. Three of his masterclasses that I attended during the Lucerne festivals made an impact that lasts to this day. I also met Eduard Steuermann, the pupil of Busoni and Schoenberg. Apart from these encounters, I studied on my own.' Brendel had lived in London since 1971. He received 10 Grammy nominations without winning. He wrote several books, including a collection of poems called 'Cursing Bagels.' 'I used to live a double life,' he said in a 2012 interview with the Verbier Festival. 'I'm also a literary person lecturing, giving readings of my poems and teaching.'


Japan Today
6 hours ago
- Japan Today
Tyler Perry sued by actor on 'The Oval' for sexual assault and harassment
FILE - Tyler Perry arrives at the BET Awards on Monday, June 9, 2025, at the Peacock Theater in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File) By ANDREW DALTON An actor who worked on the Tyler Perry-created TV drama 'The Oval' has filed a lawsuit alleging Perry leveraged his industry power to repeatedly sexually assault and harass him while keeping him quiet. The lawsuit filed in Los Angeles Superior Court by actor Derek Dixon, who appeared on 85 episodes of the BET series, seeks at least $260 million in damages. 'Mr. Perry took his success and power and used his considerable influence in the entertainment industry to create a coercive, sexually exploitative dynamic with Mr. Dixon — initially promising him career advancement and creative opportunities, such as producing his pilot and casting him in his show, only to subject him to escalating sexual harassment, assault and battery, and professional retaliation,' the lawsuit says. The lawsuit was filed Friday and first reported Tuesday by TMZ. Perry's attorney, Matthew Boyd, said its allegations are false. 'This is an individual who got close to Tyler Perry for what now appears to be nothing more than setting up a scam,' Boyd said in a statement Tuesday. 'But Tyler will not be shaken down, and we are confident these fabricated claims of harassment will fail.' The lawsuit says that Perry first noticed Dixon in 2019 when Dixon was part of the event staff at a Perry party, and later offered an audition. Dixon would first appear in a small role on the Perry series 'Ruthless" before getting the bigger role on the political drama 'The Oval.' Perry soon began sending unwanted sexual text messages to Dixon, according to the lawsuit, which includes screenshots of several of them. 'What's it going to take for you to have guiltless sex?' one of the messages says. The lawsuit says Perry offered Dixon an increasingly prominent role on the show as his sexual advances became more aggressive. The actor says he tried to remain friendly while maintaining boundaries. 'Dixon did his best to tiptoe around Mr. Perry's sexual aggression while keeping on Mr. Perry's good side,' the lawsuit says. 'Mr. Perry made it clear to Dixon that if Dixon ignored Perry or failed to engage with the sexual innuendoes, Dixon's character would 'die.'' The lawsuit says Perry eventually sexually assaulted Dixon on 'multiple occasions," including an instance where he "forcibly pulled off Mr. Dixon's clothing, groped his buttocks, and attempted to force himself on Dixon." Dixon clearly told Perry 'No,' but was initially ignored until he was able to de-escalate the situation and change the subject, according to the lawsuit. The following day, Perry apologized, and told Dixon he would work with Dixon on a TV pilot Dixon was seeking to produce. Dixon later received a raise that the lawsuit suggests was part of an attempt to keep him quiet. He said the fear of his character dying kept him quiet as intended. Perry also produced and bought the rights to the pilot, called 'Losing It,' but the lawsuit alleges Perry had no intention of selling the show and was using it only for leverage over Dixon. The lawsuit describes several other assaults, including one where Dixon was staying in a guest room of Perry's house when Perry climbed into bed with him uninvited and began groping him, the lawsuit alleges. Dixon would eventually move from Atlanta, home to Perry's production studio, to Los Angeles to put distance between the two of them. Dixon in 2024 filed a complaint with the Equal Employment Opportunity Commission, and when that didn't result in any action from the show's producers, he quit. The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Dixon has. 'The Oval' is one of many television series executive produced by, written by and directed by the 55-year-old Perry, who first became known as creator and star of the 'Madea' films and has since built a major production empire in TV and movies. As an actor he has also appeared in the films 'Gone Girl' and 'Don't Look Up.' © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


Yomiuri Shimbun
a day ago
- Yomiuri Shimbun
When Fox Says ‘Help' in London, There's Often Ambulance on Its Way
The Associated Press Nicki Townsend of The Fox Project looks after a fox cub that was found barely alive in a garden behind a block of flats in London on May 22. PADDOCK WOOD, England (AP) — The injured fox is cornered in a cage, teeth bared and snarling at the woman trying to help it. Nicki Townsend is unfazed. Wearing only rubber gloves and an outfit suitable for a yoga class, she approaches with soothing words. 'All right, baby,' she coos as she deftly drapes a towel over his head, grabs him by the scruff of his neck, scoops up his wounded legs and moves him to a clean cage. It's not the way her day typically begins, but there's nothing routine about rescuing foxes. 'You can never predict what you're going to arrive at,' Townsend said. While not as visible as phone boxes or double-decker buses, the red fox is a fixture in London, a city not known for its wildlife. But living on the streets, alleys and back gardens of a dense urban environment can be rough, and when foxes need help, they have their own ambulance service — and Townsend may be on her way. The foxes didn't invade London so much as adapt and expand their range inward as the city spread to their habitat in the 1930s and suburbs grew. Love 'em or hate 'em But people and the bushy-tailed member of the canine family have not always lived in harmony, and the species has admirers and adversaries. For everyone enchanted seeing a fox trotting nonchalantly down their street at dusk or basking in a sunny backyard, there are plenty who see them as pests. They poop where they like, tear into garbage and the vixens in heat let out terrifying shrieks in the dead of winter when attracting a mate. 'It's like Marmite with foxes,' Townsend said, referring to the food spread that is an acquired and divisive taste. 'You either love them or hate them.' The divide between the two camps led Trevor Williams to found what became The Fox Project nearly 35 years ago. Once a bass player in the rock group Audience that opened for Led Zeppelin and Pink Floyd, Williams had been active in the campaign to stop fox hunting when he redirected his protection efforts to the city, where foxes were once routinely killed. 'Because of the myths that have occurred over the years, there's still a lot of suspicion about what foxes might be,' Williams said. 'You know, they're going to bite the baby, they're going to eat the cat, they're going to run away with your husband.' The project has since grown from providing information on deterring foxes to rescuing 1,400 a year, including 400 cubs, though only about half survive to be released. City offers unique hazards There are estimated to be 15,000 foxes in London. The project covers a swath of south London and its leafy suburbs while other organizations not devoted solely to foxes handle other parts of the city. While the omnivores survive on small animals, bugs and berries in the wild, they favor easily scavenged leftovers in the city and handouts that make them more dependent on humans. Their main urban menaces are cars, getting snagged in soccer nets or getting stuck in tight spaces. In their effort to get free, they often get nasty abrasions that can become infected. Many also suffer from mange, a parasitic infestation that leads to all kinds of problems. Townsend pilots her VW Caddy on city streets, highways and narrow lanes that roll through lush hills, responding to calls about injured or ill foxes or cubs that have lost their mothers. She's seen a bit of everything since her first humbling call 2½ years ago when the supposedly injured fox bolted. 'In my inexperience, I chased after him, which is comical because you're never going to outrun a fox,' she said. 'I just remember he ran very fast and I looked silly running after him.' Despite many challenging situations — she once managed to rescue a fox that lost its footing atop a fence and ended upside down at eye level with its paw lodged between boards — she's only been bitten once. Heartbreak with hard cases Her van carries the distinctly musky scent of foxes. The odor becomes unpleasant when an anxious passenger in a litter of cubs relieves itself en route to being delivered to a foster care pen where they will stay until being released in the wild. The Associated Press A fox has a first look around in its enclosure after being treated at the rescue hospital of The Fox Project near Tonbridge, England. 'Feel free to open the window,' said Townsend, who is accustomed to the stench. 'This is a stinky job.' On a recent day, she was dispatched to meet a heartbroken couple who found a cub with a puncture wound collapsed on their back lawn. 'We thought he was asleep at first, so we went to go and have a close look because we love them,' Charlotte English said. 'Then he just didn't move, so we knew something was wrong.' That cub had to be put to sleep, as did the adult Townsend transferred at the start of her shift. Cubs that recover are socialized in packs of five until they mature and are then released in a rural location, while the adults are freed in the neighborhoods where they were found. Foxes don't say thank you Given a second chance, it's not clear how well the foxes fare, because they are rarely tracked. A 2016 study in the journal Applied Animal Behaviour Science found that rehabilitated foxes were more likely to behave as if they had been displaced when returned to their original territory. They were tracked wandering farther away, potentially exposing them to more traffic and greater stress. 'It is a gap in the knowledge, and there's an assumption that when you release them, they thrive, and I think that assumption needs to be challenged more,' said Bryony Tolhurst, a University of Brighton honorary research fellow and lead author of the study. For Townsend, fox deaths are offset by the joy of seeing little ones venture into the unknown or an adult darting into a neighborhood it instantly recognizes. 'Sometimes they look back and people like to romanticize that they're saying thank you,' she said. 'They're just making sure we're not chasing after them.'