
The Other Side of Stardom: Athiya Shetty, Uday Chopra, Girish Kumar; Unpacking the Quiet, Complex Journeys of Star Kids
In the dazzling world of Bollywood, star kids often arrive with big names, blockbuster debuts, and sky-high expectations. With industry backing, red carpet access, and built-in media buzz, the path to fame may seem almost effortless.
But beyond the flashbulbs and fanfare lies a more nuanced reality—one where not every journey leads to superstardom.
Some, like
Athiya Shetty
,
Uday Chopra
, and Girish Kumar, quietly stepped away from acting after underwhelming debuts—not necessarily in defeat, but in pursuit of purpose, privacy, or reinvention. ETimes unpacks the lesser-known, complex paths of Bollywood star kids who redefined success on their own terms, far from the glare of the spotlight.
Bollywood Debuts That Didn't Go as Planned
Harman Baweja: Touted as the Next Hrithik Roshan
Harman Baweja, son of filmmaker Harry Baweja, made his debut with Love Story 2050 (2008), a sci-fi musical with massive promotions. While comparisons to Hrithik Roshan were rampant, the film flopped. Harman appeared in a few more films like Victory and What's Your Raashee?, but the audience never connected. He eventually shifted focus to running Baweja Studios but continues to make occasional acting appearances.
Mahaakshay (Mimoh) Chakraborty: A Legacy That Didn't Translate
Mimoh, the son of
Mithun Chakraborty
, debuted with Jimmy (2008). The film bombed, and despite trying his luck in movies like Haunted 3D, Mimoh couldn't break through. He has stayed away from mainstream films in recent years.
Jackky Bhagnani
: From Actor to Successful Producer
Launched by his father Vashu Bhagnani with Kal Kissne Dekha (2009), Jackky struggled as an actor despite multiple releases like Ajab Gazabb Love and Rangrezz. He eventually pivoted to production, backing successful films like Bell Bottom and Mission Raniganj under Pooja Entertainment.
Sikandar Kher: Finding a Second Wind in Web Series
Son of Kirron Kher and stepson of Anupam Kher, Sikandar debuted in Woodstock Villa (2008). Though his early films didn't perform, he found critical acclaim years later with roles in web series like Aarya and the international Netflix show Sense8.
Second Chances: How Some Star Kids Reinvented Themselves
Jackky Bhagnani: Thriving Behind the Scenes
After facing repeated failures at the box office, Jackky chose to focus on film production. Today, he heads Pooja Entertainment and is behind a string of commercial hits. He also launched the music label Jjust Music, giving space to new talent.
Sikandar Kher: From Struggles to Strong Supporting Roles
Sikandar reinvented himself with strong performances in ensemble films and digital shows. His role in Aarya received widespread praise, proving that success can come in unconventional ways.
Girish Kumar: Actor Turned Business Tycoon
Son of Tips Industries' Kumar Taurani, Girish Kumar debuted with Ramaiya Vastavaiya (2013) and later appeared in Loveshhuda. While he stepped away from acting, he now helps run Tips Industries, which dominates the digital music space in India.
Uday Chopra: From YRF Actor to Hollywood Producer
Uday Chopra starred in Mohabbatein and the Dhoom series, but failed to impress in solo roles like Neal 'n' Nikki. He later moved to the U.S. to focus on YRF Entertainment, producing films like Grace of Monaco. He has been open about stepping away from acting.
Athiya Shetty: Stepping Back Post Marriage
Daughter of Suniel Shetty, Athiya made her debut in Hero (2015). Her film career never took off despite appearances in Motichoor Chaknachoor. After marrying cricketer KL Rahul in 2023, Athiya has focused more on endorsements than acting.
Why Star Kids Struggle: The Weight of Expectations
For star kids, the journey into Bollywood begins under an intense spotlight—one that brings both opportunity and overwhelming pressure. With famous last names come constant comparisons, high expectations, and an unspoken demand to match or surpass the legacy they inherit. Every audition, film, and public appearance is scrutinized, often more harshly than their peers. While their entry into the industry may be smoother, sustaining a career comes with its own set of challenges.
Audiences today are discerning and unpredictable, making it clear that fame can't be inherited—it has to be earned. In such a high-stakes environment, even a minor setback can feel amplified, and the freedom to experiment or fail is often a luxury they aren't afforded.
The Nepotism Debate: Privilege with a Price
In recent years, the conversation around nepotism in Bollywood has grown louder, especially with the rise of social media and audience-driven critique.
Star kids often enter the industry with a head start—access to top filmmakers, better opportunities, and media attention from the outset. But this privilege comes with an invisible cost.
Many second-generation actors have spoken about the internal pressure of constantly having to prove themselves, not just to the audience, but to themselves. They're often caught in a lose-lose situation—where success is attributed to their lineage, and failure is amplified as proof of their lack of talent.
The scrutiny can be relentless, turning every career move into a referendum on privilege.
Aditya Narayan has often spoken candidly about the double-edged nature of legacy. Being Udit Narayan's son brought early attention but also a wave of assumptions that he had to constantly push back against. 'I wish I wasn't Udit Narayan's son, then people would've taken me seriously,' he told ETimes. Reflecting on that journey, he now sees it with more clarity: 'It was a shadow and a blessing.
Early on, I resented the comparisons, the assumptions.
But over time, I realized that true credibility doesn't come from your surname — it comes from consistency, heart, and how you treat people. Saansein is me reclaiming my voice — not in opposition to my father's legacy, but as an evolution of it.'
When
Pranutan Bahl
entered the film industry, she was fully aware of the legacy she carried — one shaped by her iconic grandmother
Nutan
and her father, actor Mohnish Bahl.
Yet, for her, the weight of that legacy was never a burden. Instead, she chose to see it as something empowering.
'I wouldn't like to say pressure as I feel it attaches a negative connotation to it,' she told ETimes in her 2020 interview. 'I would like to view it as a beautiful responsibility bestowed upon my shoulder. I always tell myself that I am going to work very hard to make myself better in every department that I can regarding my work.
I am going to use it as motivation to be better at what I do because it is a beautiful thing that I belong to such a family of artists.
There is no pressure. In fact, there is a lot of encouragement and motivation from all the members of my family, especially my parents and sister.'
For Pranutan, the process of understanding and carrying forward her family's artistic lineage began early in life. She was raised with values that emphasized humility and respect—qualities she believes are essential for anyone, regardless of background.
'As far as handling your legacy comes, it comes from a very young age where you are always told while growing up that you need to conduct yourself with a certain level of respect towards people and humility. I would like to believe that every child should be given that kind of learning and understanding.'
Her admiration for her grandmother, legendary actress Nutan, has always been a guiding force. 'I always idolized my grandmother.
I love the way she conducted herself not only professionally but also personally. She had a lot of grace and dignity. I adore and admire her for that. I am blessed to be born in this family,' she shared with heartfelt pride.
While nepotism can open doors, it doesn't guarantee longevity. In fact, it can make the journey even more emotionally taxing, especially when personal identity is overshadowed by a famous last name.
For many, the real challenge isn't getting in—it's staying in, and being taken seriously on their own merit.
Breaking the myth of guaranteed stardom,
Mahaakshay Chakraborty
opened up about facing one of the most difficult phases in his career—having no work despite being a star kid. Unlike the common perception that industry connections ensure a steady stream of roles, his journey tells a very different story.
In his 2023 interview with ETimes, he shared, "See, the thing is, I am the living proof and example that nepotism doesn't exist.
If it worked, I would have been doing every fourth or fifth film out there. But no, that's not the case. I am still struggling like anybody else and I'm very proud to say that."
Reflecting on his phase of professional uncertainty, he adds, "When I didn't get work it was because I didn't get selected in the auditions. There's nothing wrong with that. As an actor, you have to face the fact that you will get rejected and you should not take it personally. You are doing your best, right?"
Despite being born into a film family, he insists that his opportunities have come solely through merit.
"I have gone to every audition—whether it is for television, whether it's for films, whether it's for web shows, I have done all of them. But as I said, I got these three projects because of those auditions. I am very proud of the work I have received because of my own merit."
Addressing the broader debate around nepotism, he wants young actors to know that a famous last name only opens the door slightly—nothing more. "I think I should tell this to all the actors out there who believe that nepotism exists.
No, the only thing that the family from the film industry can do is that I can only go meet a director if he or she is free. I can only go meet a producer if he or she is free. And that was only once. That's it.
I can just go and introduce myself. That's the only advantage I have. Otherwise, getting work, getting a film—that's completely up to destiny."
For him, the hustle continues—with auditions, rejections, and the grind of earning every role.
"I am very proud of all the auditions I have given. And I am still giving auditions because I am an actor. And that's what is required of me."
Conclusion: Redefining Stardom on Their Own Terms
In an industry built on visibility, the decision to step away from the spotlight often invites speculation. But for many star kids, choosing a different path isn't about failure—it's about self-definition. Whether it's producing films, running successful businesses, or simply opting for a quieter, more private life, their journeys reflect that success in Bollywood isn't one-size-fits-all. Theirs are stories of strategy, reinvention, and autonomy—proof that in the ever-evolving landscape of Indian cinema, stardom is no longer confined to the silver screen.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
an hour ago
- Time of India
Does Saiyaara's opening day number prove that good music, especially in a love story will always be a crucial factor in Hindi cinema to attract the audience? Let's explore
Mohit Suri 's directorial 'Saiyaara' has sprung up a huge surprise at the box office. The film has already made a double digit number on day 1. Till friday evening the collection was around Rs 14.07 crore. If there's growth in the night shows, it may end up crossing Rs 20 crore on day 1 which is a huge number for a film with debutants. It marks the debut of Ahaan Panday and Aneet Padda . The audience is getting to see a hardcore, young love story after a while and that's perhaps what has worked in its favour. However, even good music has played a huge role in attracting the audience. The title track of the film was a earworm already and somehow the audience felt nostalgic and went back to the era of Emraan Hashmi movies and ' Aashiqui 2 '. So, does this success re-instate that good music is essential? ETimes discusses it with experts. Music is essential to Hindi cinema irrespective of the genre Speaking about the importance of good music, trade expert Taran Adarsh recalls the time when 'Choli Ke Peeche' from 'Khalnayak' was a hit. He told ETimes, "Sometimes we had movies minus the songs and it's important to have music. Many years ago, there was a film called 'Tezaab', it was a very important film. But Ek Do Teen created such a wave. Khalnayak was such a big film but that one song 'Choli Ke Peeche' took it to another level. So, never underestimate the power of good music. It takes the film to another level. Of course, the content matters eventually. But music can really add as a hook to attract the audience." Producer and film expert, Girish Johar echoes this sentiment and says, "There is a very strong connection. Music is a very critical element especially in India, in making the audience excited to come to the theatres. I don't remember any movie which has done at the box office and the songs are not hits. There are certain films where songs are added as background scores, but they do help to emotionally connect to the film. It is one of the critical elements to the film." Girish Wankhede says, "Music has always been the lifeblood of Indian cinema, serving as a powerful medium that enhances storytelling and resonates with audiences on an emotional level. However, in recent years, there has been a noticeable shift in the landscape of Indian films, with a predominant focus on action-packed narratives and high-octane spectacles. Many of these films, including numerous dubbed versions, have sidelined music in favor of adrenaline-fueled sequences, leading to a decline in the musical richness that once defined Bollywood. " He added, "Enter 'Saiyaara,' a film that represents a refreshing return to the roots of Indian cinema, where music plays a pivotal role in the narrative. Directed by Mohit Suri, known for his successful ventures in the musical genre with films like 'Aashiqui 2,' 'Murder 2,' and 'Ek Villain,' 'Saiyaara' showcases Suri's deep understanding of how music can elevate a film. His ability to weave melodies into the fabric of storytelling has garnered him a dedicated following, and with 'Saiyaara,' he appears poised to reignite the passion for music in cinema. " The overall package Adarsh further added, that more than music, in case of 'Saiyaara', it's the film on the whole which has made a huge impact. He said, "Music hamara core raha hai always. So, of course it's important. But such a love story which is so good was lacking in Hindi cinema. It was such a beautiful film. More than the numbers, I'm just happy with the way it made me feel. It stays with you for a long time and we haven't seen such a film in a while. I think this is Mohit Suri's best film and I've seen all his films. Good music, youth factor, that freshness. I think it has all disappeared. We're making masala films, we're making gangster movies, we're making larger than life films, VFX and whatnot. But the basic core, music, we have been forgetting. We are making love stories but this intense, young love story like this, had been lacking." He added that one can't just see and forget such a movie and it stays with you for a long time. Adarsh said, "Every song is so seamlessly, you know, woven into the film. I'm just singing the title track ever since I've seen the film." A great song with great picturisation is the key Earlier, during a chat with ETimes, legendary music composer Viju Shah known for his music in 'Gupt', 'Mohra', 'Tridev' and other movies chose to also give credit to the film-maker. He said, "What I feel is, in 'Gupt', music didn't draw the public. It became popular after watching the film. People think the music of 'Gupt' was ahead of its time. At that point, I remember, we had gone for a show with Mr Bachchan, Farah Khan. They heard the casette and they were numb and quiet. There was no response from everyone. I'm talking about July 97. People didn't understand the music of the film that time. For 'Gupt', I feel it's the picturisation which has taken the song to another level. I remember telling director Rajeev Rai, that he took the songs to another level." A well-made love story with fresh faces and great music has always worked One remembers the classic 'Aashiqui' which was a rage, because of its great music. It made Rahul Roy and Anu Agarwal into stars overnight. Then we saw that in even 'Aashiqui 2'. Though, both Shraddha Kapoor and Aditya Roy Kapur had done films before that, it was a love story like 'Aashiqui 2'. While this year, we saw young, fresh faces, in movies like 'Loveyapa' or 'Azaad'. a well made love story with great music, good actors and the overall package was perhaps missing. Lack of quintessential elements in Hindi cinema While everyone agrees that the elements which made Hindi cinema what it is, have been lacking strongly, Wankhede added further, "Moreover, the rise of streaming platforms has contributed to a fragmentation of musical content, often prioritizing dialogue-driven narratives over the melodic storytelling that has long been a hallmark of Indian films. This shift has led to a scarcity of memorable soundtracks, leaving audiences yearning for the musical experiences that once characterized the cinematic landscape. Saiyaara emerges as a case study in how a well-crafted soundtrack, combined with the freshness of new talent, can work wonders at the box office, drawing audiences back to theaters."


Time of India
3 hours ago
- Time of India
Vikrant Massey to play the role of spiritual leader Sri Sri Ravi Shankar in ‘White'; Shoot to begin next week
Vikrant Massey , the man whose versatility has helped him carve a niche in the industry, continues to push the envelope with each project. After portraying several layered characters in his career span, Vikrant is now set to take on another challenging role — portraying global spiritual leader Sri Sri Ravi Shankar in the upcoming biopic 'White.' Vikran Massey to play Sri Sri Ravi Shankar An independent source has exclusively shared with ETimes that 'Vikrant Massey is set to fly out next week to begin shooting for his next project, White, where he steps into the role of Shri Shri Ravi Shankar.' 'The film is being mounted on a mega scale and will be shot predominantly in Colombo, nearly 90% of it, with key technicians and experts who've previously worked on Narcos,' the source added. 'White' - Biopic on Sri Sri Ravi Shankar 'White' is said to chronicle significant milestones from the spiritual leader's life. From his teachings on peace and global harmony to his efforts in humanitarian work and conflict resolution, the film aims to present a nuanced and inspiring narrative. The production also brings on board an international crew to elevate the storytelling, further raising expectations. This marks a significant moment in Vikrant's career, not just because of the scale of the project, but also due to the responsibility of portraying such an iconic and respected figure. Earlier, the actor has brought real characters to the reel and has done a commendable job at the same time. Thus, this announcement has got the fans excited. In addition to 'White,' Vikrant Massey's upcoming slate includes several other yet-to-be-announced projects that continue to showcase his versatility and growing clout as a leading actor.


Time of India
5 hours ago
- Time of India
"We are a family," says Aamir Khan while discussing his strong bond with ex-wives Reena Dutta and Kiran Rao
They say once the heart breaks, no matter how tactfully you try to mend it, the cracks are visible. However, in the case of Aamir Khan and his ex-wives, Reena Dutta and Kiran Rao , it appears they have moved past those cracks. Speaking about his equation with his ex-wives, Aamir, in an exclusive conversation with ETimes, shared how, despite parting ways, they all are a part of each other's families. We are a family, says Aamir Khan 'Reena and Kiran are both really wonderful people. And so, the thing is that we may decide to part ways as husband and wife, but as human beings, we are still very much together,' said Aamir Khan. He continued, 'In fact, the meeting I was in just before I spoke to you was a Paani Foundation meeting where Kiran, Reena, and I, all of us, were together.' Highlighting their beautiful bond, Aamir stated, 'We are family. Reena is very much family, and so is Kiran. And I'm as much a part of Reena's family and Kiran's family, even today, as we speak.' ' Sitaare Zameen Par ' - a break from Bollywood 's action movie trend In the current times, Bollywood is cashing huge on the action genre. It is all about the high-octane fight sequences and gory blood-dripping scenes. And in the midst of it, Aamir Khan released a heartwarming movie focusing on the challenges and beauty of special kids - 'Sitaare Zameen Par.' Speaking about it, he said, 'After two or three films (action movies), people get tired of that. I think what people really want to watch is good stories, unusual stories. ' 'Original stories. Original, well, I mean, this(Sitaare Zameen Par) is technically not an original film. For India, it's an original film. Yes. So something which is new, something which is different, something they haven't seen before. And a story that really connects with their hearts. That's what I always feel. So, irrespective of genre, even if you're doing an action film, it's not enough just to have great action set pieces,' concluded the actor.