
Office worker finds genius use for standing desk as people left in stitches
One office worker took to the social media site to show people his unique use for his electric standing desk, and it's certainly captured people's attention, racking up more than 1.6million likes
There used to be a time where office desks were very standard, with 9-5 workers usually sat down for most of their day.
However, the introduction of standing desks mean many workers can stretch their legs a little bit more. Standing desks also have been found to help improve their posture, reduce back and neck pain and burn a few more calories.
However, one man found an even better way to use his electric standing desk that his company provided for him – and it's left people in stitches.
The office worker, known as @king_bashel on TikTok, took to the social media site to show people his unique use for his desk, and it's certainly captured people's attention, racking up more than 1.6million likes.
The viral video sees Beyonce fan Bashel miming the words to one of Beyonce's performances. As he does this, he sits on his electric standing desk which dramatically lifts him up while he's in the office.
Overlay text at the start of the clip read: "POV: You finally found a reason to use your standing desk."
People have been left in stitches over the clip, which has racked up more than 9,000 comments.
One person exclaimed: "NOBODY has ever used a standing desk more appropriately than you just did." While another joked: "Standing desk sales bout to go crazy."
A third joked: "My standing desk just told me to don't even try it." While another chimed in: "I can't wait to get back to work."
Other people also feared for Bashel's job after the video, as one person wrote: "HR gonna have a hell of a time tryna keep a straight face while playing the video at the termination meeting." While another added: "The CEO watching this."
However, his job can't have been that mad as Bashel has re-created the stunt several times now for different versions of the video.
One of these sees his dressed as Elphaba from Wicked as he performs Defying Gravity, while another Beyonce-themed clip sees Bashel perform in a Cowboy get-up as he writes: "POV: You WERKING this standing desk."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New Statesman
an hour ago
- New Statesman
The romantasy infatuation
Fairy tales, it seems, are out of fashion. After all, what do they have to teach a modern reader? Finding Prince Charming is passé; we should be getting comfortable with our own company. Evil stepmothers aren't such a problem when you can just go no contact. And going to sleep for 100 years no longer has to affect your career arc – we're all on our own timelines! Yet look a little closer and you might find that a new kind of fairy tale is alive and well. Because what are most of them if not love stories, set in magical worlds? Romantasy, a relatively new literary genre that offers exactly that, is, largely thanks to its popularity on TikTok, having a seismic effect on the books industry. As the name suggests, the genre combines fantasy realms, drawn from the depths of folklore, Gothic fiction and mythology, with a romantic plot – and readers cannot get enough. Science fiction and fantasy sales were up more than 40 per cent in 2024. Romantasy author Sarah J Maas, whose book A Court of Thorns and Roses was released in 2015, was the best-selling author in the US last year, selling 7.7 million copies, and Fourth Wing (2023), the first in romantasy star Rebecca Yarros's Empyrean series, was the seventh bestselling book in the UK across all genres. In January the third instalment of that series, Onyx Storm, became the fastest-selling adult title ever, selling 2.7 million copies in its first week, after people queued in bookshops at midnight dressed up as their favourite characters to buy it on its day of release. These authors find themselves in a curious position (as well as unthinkably rich). Harry Potter and true fairy tales are, of course, for children. But as much as romantasy has inherited the feverish fandom that often comes with an absorbing magical world – fans of Lord of the Rings and Star Wars are some of the most obsessive in the world – it is also the natural successor to Mills & Boon, Jilly Cooper and 50 Shades of Grey. 'Dragon porn' has become shorthand for romantasy; steamy sex, or 'spice', to use TikTok parlance, is part of the happy ending. In these fairy tales, the heroines can have it both ways, winning authority over the entire magical realm and a handsome stay-at-home fairy husband. Violet Sorrengail, the breathless narrator of Yarros's Empyrean series is a typical romantasy heroine. She's in her early 20s, studying at Basgiath War College to be a dragon rider, despite being smaller and less physically fit than others in her 'quadrant' (this is widely thought to be a nod to the fact that Yarros suffers from Ehlers-Danlos syndrome). She can 'wield' lightning, communicate telepathically with her two dragons and loves nothing more than riding them – except perhaps allowing her classmate, previously sworn enemy Xaden Riorson, to fuck her senseless. Xaden – who also rides dragons, and with whom she can also communicate telepathically due to a dragon-related loophole – is her spiritual and sexual soulmate. 'Xaden is mine,' Violet thinks. 'My heart, my soul, my everything. He channelled from the earth to save me, and I'll scour the world until I find a way to save him right back.' Such lines are unfortunately characteristic of the genre's prose. 'He hasn't kissed me like this since before the battle at Basgiath,' Violet notes. Yarros's dialogue comes thick and fast – at times it's more like reading a script than a novel. Where the authors diverge in fantastical creatures they coalesce in style: in Onyx Storm (dragons) but also A Court of Thorns of Roses (faeries) and The Serpent of the Wings of Night (vampires, by Carissa Broadbent), line breaks and full stops are used liberally for dramatic effect. ('Fast. They're too damned fast,' says Violet as she encounters some 'venin', AKA the baddies of Navarre.) Violet's warrior status, her appetite for danger, her courage, her unbridled sexual desire, put her in a different category from the hapless virgins of Disney and the Brothers Grimm who are, all these years later, still stuck in their dusty old volumes fannying about with spinning wheels and dwarfs. Feyre, the narrator of Maas's bestseller A Court of Thorns and Roses, is also a scrappy little fighter, one who carries daggers and arrows and scoffs early doors at her sisters 'chattering about some young man or the ribbons they'd spotted in the village when they should have been chopping wood'. When Feyre unknowingly kills a faerie, and is captured and taken away from her family to the dangerous faerie kingdom over the border and forced to live in the lap of luxury, she protests at the princess treatment: 'I hadn't worn a dress in years. I wasn't about to start, not when escape was my main priority. I wouldn't be able to move freely in a gown.' Both Maas and Yarros's heroines are strong and independent – and yet in both cases they are bound to the man they love, or will grow to love (most romantasy relationships begin as enemies), through life and death. 'You're the only one capable of killing me,' says Xaden, who has been infected by venin as a sacrifice for Violet. In A Court of Thorns and Roses, a loose retelling of Beauty and the Beast, Feyre must fall in love with the 'High Lord' Tamlin to break the curse on his kingdom. Their every interaction is loaded with danger: Tamlin is a shapeshifter and could, if he wanted to, tear her to shreds with the huge claws that are at risk of appearing every time he slightly loses emotional control. Similarly, in Broadbent's The Serpent of the Wings of Night, the heroine Oraya is a human always endangered in a world of vampires. Raihn, her vampire love interest, could kill her, and she has a duty to kill him. 'I could open his shirt, slide my hands over the expanse of his chest, and thrust my poison blade right here – right into his heart. He could tear away this ridiculous delicate spiderweb of a dress and cut me open,' Broadbent writes. 'The two of us could burn each other up.' Subscribe to The New Statesman today from only £8.99 per month Subscribe This violent, exaggerated language persists across the sexual scenes. 'He's kissing me like I'm the only air he can breathe'; 'nothing existed but him'; 'My entire world constricted to the touch of his lips on my skin'. Orgasms are 'fracturing', 'splintering', 'shattering', 'unravelling'. The intensity and danger is part of the sexual fantasy – but the heroine in each case is in some way just as dangerous to the man as he is her. Readers will be reminded here of Twilight, the late 2000s young adult series by Stephanie Meyer that caused a similar frenzy among teenage girls. In Twilight a normal high school girl, Bella Swan, falls in love with a vampire, the sublime Edward Cullen. Bella was dangerous to Edward because he was dangerous to her – he loved her so much that he couldn't risk endangering her by 'losing control' (read: having sex and unwittingly tearing her body to shreds). But what made Twilight so compelling to young women hoping for a perfect love was the unique power Bella had over Edward, and the fact that he did stay in control despite his potential to cause her harm. A similar dynamic pervades A Court of Thorns and Roses: 'The full force of that wild, unrelenting High Lord's power focused solely on me – and I felt the storm contained beneath his skin, so capable of sweeping away everything I was, even in its lessened state. But I could trust him, trust myself to weather that mighty power. I could throw all that I was at him and he wouldn't balk. 'Give me everything,' I breathed.' Elsewhere, though, we are reminded of Feyre's pluck: she is not powerless against Tamlin. Rather, she chooses to sleep with him when she wants to, and doesn't when she doesn't: 'Don't ever disobey me again,' he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity. Then I reconsidered his words and straightened. He grinned at me in that wild way, and my hand connected with his face. 'Don't tell me what to do,' I breathed, my palm stinging. 'And don't bite me like some enraged beast.' Though plenty of effort is taken to give gravitas to the imagined worlds they feel thinly drawn, like costumes and sets. Names for places and people lack the consistent and distinctive syntax of Harry Potter or Lord of the Rings, and immersion in the world is often reduced to crude signifiers, particularly adapted curse words. Yarros, for example, is careful only ever to refer to 'gods', plural, as in 'oh my gods' and 'godsdamn', usually deployed at moments of sexual ecstasy; occasionally she opts for 'by Malek', as in, 'by Malek, I fucking love you'. Maas goes for 'Cauldron boil me!', while Broadbent opts for 'Goddess', 'Mother', and the exclamation 'Ix's tits'. If all that feels silly, it's nothing on the fact that, despite stating at the outset of Onyx Storm that the text 'has been faithfully transcribed from Navarrian into the modern language' and yet the students of Basgiath War College still understand concepts like 'boundaries', 'overthinking' and 'hitting the gym'. You half expect them to return to their chambers from a great battle and crack open a can of Diet Coke. These are, clearly, very modern fairy tales – and, as that would suggest, full of contradictions. A handsome prince, yes, but one who does not control you, one over whom you maintain a sexual power, one who wants you to be free of the damage he could inflict on you. Intense sex, yes, but sex that is incredibly high stakes. A heroine who is powerful and independent but believes in and experiences the kind of true love that is increasingly being called into question by our rational, transactional world. That's the real fantasy: to be she who has it all. Who has the things that we once wanted and the new ones. The good bits of this and of that. The perfect man, and the perfect self. The danger and the safety. The pleasure and the pain. It's not surprising we need a magical land to imagine those things could be true. [See also: English literature's last stand] Related


Daily Record
2 hours ago
- Daily Record
Primark's 'dream' £18 midi dress gives 'holiday vibes'
The Primark dress has been labelled "gorgeous" and a "dream" by shoppers Primark customers are complimenting a "gorgeous" new dress that has caught their eye online. The popular high street retailer, renowned for its affordable fashion and homeware, seems to have introduced a new crowd-pleaser. Shoppers are eager to snap up a midi dress they've noticed. TikToker Perrie Sian (@perriesian) uploaded a video displaying a selection of the latest Primark clothing as she debated which items to keep or return. Among the many outfits shown was the Tropical Postcard Print Midi Dress, priced at £18. The clip was captioned: "Primark try on haul part 2." In the video, Perrie showed off the dress and said: "I actually really thought I wasn't gonna like this because I feel like it has, this print has zero hanger appeal, even though I very much like this sort of fruity/shell/island, sort of table cloth print that is really everywhere at the moment. "I just felt like this one was a little bit off, but actually now I've got it on, I do really like it. I love the shape of the bust area. "You've got the little rope detail on the trims, which is really nice. And yeah, it's got a shirred, elastic back. It fits like a dream. It's practically a maxi. "I actually really like it. I am surprised there's also a mini dress version in this, though, that I think I might like even more." The TikTok racked up 206k views, almost 10,000 likes and hundreds of comments from excited shoppers. Among them, one person said: "Love the tablecloth print on you!!" A second wrote: "You just make everything look stunning." A third added: "That first dress is gorgeous on you." A fourth excited shopper said: "Primark is seriously killing it," while a fifth wrote: "I have the first dress and I absolutely love it on! Looks lovely." Another added: "The first dress is a dream." The praise continued, with one shopper writing: "The first dress though. Holiday vibes! Need." A second said: "I'm just obsessed," and another wrote: "I NEED that first dress!!!" The full Primark product description reads: "Summer style is as easy as 1-2-3 with this tropical postcard print midi dress. Decorated with vibrant hibiscus flowers, palm trees and geometric tile patterns, it brings all the holiday vibes. "The fitted bodice and flared skirt create a beautiful silhouette, while the V-neckline and thin straps offer a comfy fit. Whether you're packing for a getaway or soaking up the sun at home, this midi dress is ready for it all." Primark's Tropical Postcard Print Midi Dress is priced at £18. It can be bought via Click and Collect or in stores now.


Daily Mail
7 hours ago
- Daily Mail
Australian influencer reveals EXPLOSIVE near-death sauna experience: 'It was a horror movie!'
A tranquil escape turned to horror for Dominique Elissa, who has opened up about a shocking ordeal that nearly claimed her life. The influencer, 30, shared a video to TikTok this week to reveal that she narrowly escaped death after a shocking backyard accident. Dominique revealed that she was staying at a house 30 minutes from Byron Bay where she was to host a wellness retreat the following day. However, her idyllic getaway was shattered when a sauna on the property, that she was 'minutes' away from stepping into, exploded. 'I didn't think i was going to talk about this, but I had the most crazy, traumatising near death experience the other night,' Dominique explained. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. 'I was away, 30 minutes out of Byron...I had put the sauna on to have a sauna - I was in it the night before.' Dominique went on to explain that she had turned the sauna on to heat up before cooking dinner, planning to step in after she ate. 'I finish eating dinner and I'm about to put my swimmers on to go in the sauna, and I hear "boom",' she said. 'I look up and the entire sauna exploded.' Dominique added that the explosion rose '10 to 15 metres' into the air, and caused a power outage in her remote accommodation. 'My phone was about to die and I had no reception,' she said. 'I am screaming, "Help! Somebody help me!" It was a horror movie.' Dominique was eventually able to dial 000, however, emergency services were unable to save the sauna. 'The whole sauna burnt to the ground,' she said. 'It was the most horrific thing to experience because I was a few minutes from going into that sauna.' 'I'm so grateful to be alive, so grateful to be here.' Dominique's ordeal was met with a flurry of comments from her 73,000 TikTok followers. 'This is straight out of a Final Destination movie, one follower offered, while another added a similar: 'new fear unlocked.' Others claimed that Dominique's mother, Odile Faludi, who passed away in March after battling stage four cancer, was watching over her. 'Omg Dom !! Life is so precious, your mum was there watching over you,' one follower commented, summing up the sentiment of many. Dominique's ordeal comes after she tied the knot with husband Tom Bull on March 7. The pair were married at Prince of Wales Hospital on March 7, just two weeks after getting engaged, so the bride could have the honour of having her ill mother walk her down the aisle. She revealed on Instagram she was initially 'upset, angry and a mess' when she received the news, but decided she would stop at nothing to have her mother walk her down the aisle. The pair were married at Prince of Wales Hospital on March 7, just two weeks after getting engaged, so the bride could have the honour of having her ill mother Odile Faludi walk her down the aisle Dominique then shared the heartbreaking news that her mother had died, just over a week after the nuptials Sharing images and video of the bittersweet ceremony with her followers, Dominique and Tom made the best of their union as they celebrated with their families, who met for the first time on the big day. Dominique then shared the heartbreaking news that her mother had died, just over a week after the nuptials. Sharing a video montage of her mother looking joyful at her daughter's wedding earlier this month, Dominique wrote: 'This is heartbreaking and it doesn't feel real. 'Less than two weeks ago we celebrated our wedding, and yesterday I had to say goodbye to the most incredible woman who ever walked the planet. 'My mum has always been my greatest inspiration, fighting with grace, always saying that negativity is worse than cancer.'