
Charli xcx sparks new trend after last year's Brat summer
And with that event just under a month away, the 'Apple' hitmaker may have just set off a new summer trend.
Charli turned heads at an exclusive party in Cannes by arriving with an iconic Magnum Classic Ice Cream in hand to complete her look.
The moment pays homage to the iconic 1994 runway (Image: Myles Hendrik)
The moment pays homage to the iconic 1994 runway, where models famously cracked into Magnum Classic ice creams on the Vivienne Westwood catwalk.
Now, with Charli leading the way, this playful nod to edible luxury is inspiring fashion lovers to add a touch of cool – quite literally – to their summer OOTDs.
Magnum hosted an electrifying beach party on La Croisette to launch its 2025 global campaign Crack Into Pleasure
Charli, known for her boundary-pushing style, curated the night's soundtrack with explosive DJ sets from genre-defying producer Jamie xx, DJ and producer George Daniel, and a performance by breakthrough Swedish rapper Yung Lean, igniting a high-energy atmosphere that reflected the campaign's disruptive spirit.
Guests abandoned restraint and embraced freedom in style, with Charli leading the way in a Vivienne Westwood Cafe Society ensemble.
Gabbriette, making a dramatic entrance alongside Charli, broke away from the expected conservative dress code in a baby pink Y2K-inspired two-piece, embodying the campaign's fearless edge.
Supermodel and creative Georgia May Jagger also made a statement in an ivory gown, while her iconic mother Jerry Hall commanded attention in a glittering black suit and satin red shirt.
The party was anchored by the return of the Magnum® Dipping and Spray Barexperience, where Charli xcx set the tone, creating her signature Magnum® recipe to demonstrate how true pleasure comes from rejecting the expected and defining indulgence on your own terms.
#CrackIntoPleasure marks a bold new chapter for Magnum®, inviting Pleasure Seekers around the globe to embark on an indulgent journey that pays homage to Magnum®'s original three ice cream flavour innovations: Magnum® Classic, Magnum® Almond, and Magnum® White.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Glasgow Times
5 hours ago
- Glasgow Times
BBC ‘not institutionally antisemitic', says Observer's editor-in-chief
James Harding said the perception of a 'political presence looming over the BBC' is a problem and the broadcaster needs to be 'beyond the reach of politicians'. The BBC has been criticised for a number of incidents in recent months which include breaching its own accuracy editorial guidelines and livestreaming the Bob Vylan Glastonbury set, where there were chants of 'Death, death to the IDF (Israel Defence Forces)'. Following the incident, UK Culture Secretary Lisa Nandy said ministers expect 'accountability at the highest levels' for the BBC's decision to screen the performance. Mr Harding discussed the difficulties of covering the Gaza conflict when he delivered this year's James MacTaggart Memorial Lecture at the Edinburgh TV Festival on Wednesday. He described how 'newsrooms are in a furious argument with ourselves over the coverage of Israel and Gaza', with the situation 'very hard to view dispassionately'. The Observer chief said this is true for all media organisations, particularly the BBC, and it is 'about as difficult as it gets in news'. Mr Harding said: 'This summer, Lisa Nandy has weighed in.' He said the Culture Secretary's office insists she did not explicitly ask Samir Shah, the BBC chairman, to 'deliver up' director-general Tim Davie's resignation following the Bob Vylan incident, but 'people inside the BBC were left in no doubt that was the message'. Mr Harding said: 'The place became paranoid about how the BBC itself would cover the story; people around him thought the political pressure would be too much. 'Whatever your view of the hate speech vs freedom of speech issues, an overbearing Government minister doesn't help anyone. 'The hiring and firing of the editor-in-chief of the country's leading newsroom and cultural organisation should not be the job of a politician. It's chilling. 'Political interference – and the perception of a political presence looming over the BBC – is a problem, one that we've got too accustomed to. 'It looks likely to get worse. We need to get on with putting the country's most important editorial and creative organisation beyond the reach of politicians now.' James Harding gave the James MacTaggart Memorial Lecture at the Edinburgh TV Festival (Alamy/PA) The broadcaster is also facing an Ofcom investigation into its documentary Gaza: How To Survive A Warzone after a review found it had breached the corporation's editorial guidelines on accuracy. The programme was removed from BBC iPlayer in February after it emerged the child narrator, Abdullah, is the son of Ayman Alyazouri, who has worked as Hamas's deputy minister of agriculture. Mr Harding said the BBC is not antisemitic. 'I am Jewish, proudly so,' he said. 'I'm proud, too, to have worked for the most important news organisation in the world. 'The BBC is not institutionally antisemitic. It's untrue to say it is. 'It's also unhelpful – much better to correct the mistakes and address the judgment calls that have been wrong, than smear the institution, impugn the character of all the people who work there and, potentially, undermine journalists in the field working in the most difficult and dangerous of conditions.' The UK Government and the BBC have been asked for comment. Mr Harding is co-founder of Tortoise Media, which acquired broadsheet newspaper The Observer in April. Before he co-founded Tortoise Media, Mr Harding was editor of The Times from 2007 to 2012 and was in charge of the BBC's news and current affairs programming from 2013 up until the beginning of 2018. He also co-presented On Background on the BBC World Service and wrote the book Alpha Dogs: How Political Spin Became A Global Business. A spokesperson for the Department of Digital, Culture, Media and Sport said: 'The Culture Secretary has been repeatedly clear that the role of the director-general is a matter for the BBC board. Any suggestion to the contrary is untrue. 'The BBC has itself acknowledged a number of serious failings in recent months, including the broadcasting of the Bob Vylan set at Glastonbury. 'It is entirely right that the Culture Secretary raised these issues with the BBC leadership on behalf of licence fee payers.'

Western Telegraph
6 hours ago
- Western Telegraph
BBC ‘not institutionally antisemitic', says Observer's editor-in-chief
James Harding said the perception of a 'political presence looming over the BBC' is a problem and the broadcaster needs to be 'beyond the reach of politicians'. The BBC has been criticised for a number of incidents in recent months which include breaching its own accuracy editorial guidelines and livestreaming the Bob Vylan Glastonbury set, where there were chants of 'Death, death to the IDF (Israel Defence Forces)'. Following the incident, UK Culture Secretary Lisa Nandy said ministers expect 'accountability at the highest levels' for the BBC's decision to screen the performance. Mr Harding discussed the difficulties of covering the Gaza conflict when he delivered this year's James MacTaggart Memorial Lecture at the Edinburgh TV Festival on Wednesday. He described how 'newsrooms are in a furious argument with ourselves over the coverage of Israel and Gaza', with the situation 'very hard to view dispassionately'. The Observer chief said this is true for all media organisations, particularly the BBC, and it is 'about as difficult as it gets in news'. Mr Harding said: 'This summer, Lisa Nandy has weighed in.' He said the Culture Secretary's office insists she did not explicitly ask Samir Shah, the BBC chairman, to 'deliver up' director-general Tim Davie's resignation following the Bob Vylan incident, but 'people inside the BBC were left in no doubt that was the message'. Mr Harding said: 'The place became paranoid about how the BBC itself would cover the story; people around him thought the political pressure would be too much. 'Whatever your view of the hate speech vs freedom of speech issues, an overbearing Government minister doesn't help anyone. 'The hiring and firing of the editor-in-chief of the country's leading newsroom and cultural organisation should not be the job of a politician. It's chilling. 'Political interference – and the perception of a political presence looming over the BBC – is a problem, one that we've got too accustomed to. 'It looks likely to get worse. We need to get on with putting the country's most important editorial and creative organisation beyond the reach of politicians now.' James Harding gave the James MacTaggart Memorial Lecture at the Edinburgh TV Festival (Alamy/PA) The broadcaster is also facing an Ofcom investigation into its documentary Gaza: How To Survive A Warzone after a review found it had breached the corporation's editorial guidelines on accuracy. The programme was removed from BBC iPlayer in February after it emerged the child narrator, Abdullah, is the son of Ayman Alyazouri, who has worked as Hamas's deputy minister of agriculture. Mr Harding said the BBC is not antisemitic. 'I am Jewish, proudly so,' he said. 'I'm proud, too, to have worked for the most important news organisation in the world. 'The BBC is not institutionally antisemitic. It's untrue to say it is. 'It's also unhelpful – much better to correct the mistakes and address the judgment calls that have been wrong, than smear the institution, impugn the character of all the people who work there and, potentially, undermine journalists in the field working in the most difficult and dangerous of conditions.' The UK Government and the BBC have been asked for comment. Mr Harding is co-founder of Tortoise Media, which acquired broadsheet newspaper The Observer in April. Before he co-founded Tortoise Media, Mr Harding was editor of The Times from 2007 to 2012 and was in charge of the BBC's news and current affairs programming from 2013 up until the beginning of 2018. He also co-presented On Background on the BBC World Service and wrote the book Alpha Dogs: How Political Spin Became A Global Business. A spokesperson for the Department of Digital, Culture, Media and Sport said: 'The Culture Secretary has been repeatedly clear that the role of the director-general is a matter for the BBC board. Any suggestion to the contrary is untrue. 'The BBC has itself acknowledged a number of serious failings in recent months, including the broadcasting of the Bob Vylan set at Glastonbury. 'It is entirely right that the Culture Secretary raised these issues with the BBC leadership on behalf of licence fee payers.'


Time Out
10 hours ago
- Time Out
Charli XCX will act in 8 movies. Here's your guide to all of them
After patenting Brat Summer and touring as a '3-6-5 party girl', Charli XCX is testing new waters, this time as an actress. And she is busier than expected, with eight confirmed projects, two of which she's also producing. For followers of her hyperpop auto-tune gospel, the Grammy winner's cinematic side might not come as a surprise. Even Letterboxd-addicted cinephiles worship her on-brand, cheeky one-line reviews (her username is @itscharlibb in case you were wondering). Also contributing to film soundtracks like The Fault in Our Stars, Barbie, and Bottoms, the London raver even bid adieu to Brat Summer at this year's Coachella by giving shoutouts to some top-tier filmmakers, declaring this year the summer of Darren Aronofsky, David Cronenberg, Celine Song, Paul Thomas Anderson, and many others. Then there was the time when even The Great Gatsby 's Baz Luhrmann referenced 'party4u' to evoke Gatsby's longing for his beloved Daisy. 'Gatsby, he only threw these parties for you,' the ever-flashy Australian director captioned a throwback Instagram post with Charli approving, 'That's right!' So, it only made sense for the 32-year-old to turn to acting. With a title at this year's Venice Film Festival, and projects with the who's who of Hollywood, Charli's all set to turn heads and raise eyebrows yet again. Here's your guide to every upcoming Charli XCX film. Get your Letterboxd watchlists ready. 100 Nights of Hero Premiering on closing night at Venice this year, this historical fantasy boasts an ensemble cast with Emma Corrin, Maika Monroe, Felicity Jones, and Charli XCX as Rosa. Her character details remain under the radar; a behind-the-scenes image revealed her to drape a majestic green cowl with a golden necklace. Another still features her in a blue velvety dress. 100 Nights of Hero is written and directed by Julia Jackman and is based on the graphic novel of the same name, which in itself is a queer-coded spin of One Thousand and One Nights (aka The Arabian Nights). The folklore elements, mediaeval costumes, and the talented cast mean that Charli, the movie star, is in great company. Sacrifice Next on her radar is Sacrifice, an upcoming action comedy by Romain Gavras, who previously directed the Netflix political thriller Athena. Gavras is shifting from his native French to English with a cast fronted by Anya Taylor-Joy, Chris Evans, Salma Hayek, Ambika Mod, and many more. Sacrifice follows a chaotic celeb charity event that is interrupted by a radical activist group. Charli joins the project in an undisclosed role, but the zany premise is worthy enough of drawing the 'Von Dutch' hitmaker. Sacrifice will premiere at the Toronto International Film Festival this September. Eruptcja The Toronto International Film Festival is a good launchpad for Charli's film career as much like Sacrifice, Eruptcja will also premiere here. This one's a more solemn effort with a wholesome romance and mellowed-down colours. Charli stars in this lesbian romance as a British tourist who falls for a Polish florist (Lena Góra). What makes Eruptcja all the more exciting is that it also has Charli sharing screenwriting duties with director Pete Ohs and co-star Jeremy O. Harris. Faces of Death Euphoria alumna Barbie Ferreira and Stranger Things star Dacre Montgomery star in Faces of Death, a remake of the 1978 pseudo-documentary that aims to recreate the gnarly murders and rituals of the original. Sounds campy enough for Charli, who has a supporting bit in this. And with the premise also taking on online misinformation and grainy found footage, Faces of Death is again fitting for the popstar's Y2K aesthetics. I Want Your Sex Greg Arraki, the trailblazing '90s filmmaker behind gritty, sex-fuelled teen dramas like Mysterious Skin and Totally F***ed Up, is a perfect match for Charli XCX's bratty persona. This time around, Arraki directs an erotic thriller with Olivia Wilde as a provocative artist and Licorice Pizza breakout Cooper Hoffman as her sexual muse. Charli joins the supporting cast with Daveed Diggs, Johnny Knoxville, and even veteran stand-up comic Margaret Cho. The Gallerist Another art thriller in Charli XCX's emerging filmography, Cathy Yan's The Gallerist has Natalie Portman playing the titular gallerist who plots to sell a corpse at a Miami Art Fair. The Gallerist is bound to ruffle some Gen-Z feathers as this twisted thriller pairs Charli alongside Wednesday star Jenna Ortega. No dearth of acting talent here, with This is Us 's Sterling K Brown, Oscar-winner Da'vine Joy Randolph, and Ortega's Wednesday co-star Catherine Zeta-Jones joining in. The Moment Out of all of Charli XCX's upcoming films, this A24 mockumentary seems to be the most meta and hype-worthy. Firstly, Charli gets top billing and is no longer relegated to supporting parts here. And then, she gets to play a pop star gearing up for her first headlining tour. Expect behind-the-scenes shenanigans à la Spinal Tap and social commentary that can blur the lines between Charli's larger-than-life persona and her true self. Produced by Charli's Studio's 365 banner, The Moment also stars Alexander Skarsgård, Rosanna Arquette, and Jamie Demetriou. Untitled Takashi Miike project Charli's second credit as a producer is Japanese auteur Takashi Miike's next project. The prolific director is mostly known in the west for his twisted 1999 thriller Audition and blood-soaked cult hits like Ichi the Killer and Thirteen Assassins. Plot details are under wraps, but Charli is expected to have a crucial role. A collaboration between Charli and Miike might seem unexpected at first, but it makes perfect sense given both artists' flair for stylish multi-genre projects. So…when are all the Charli XCX films releasing? Only three of the films have been completed yet, with 100 Nights of Hero closing Venice and Sacrifice and Eruptcja premiering at TIFF. As is the case with most festival titles, these films are likely to open in cinemas later this year or next. The others are still in production and will most likely eye a 2026 or 2027 release.