
Andhera Season 1 Review: A supernatural thriller that thrives on atmosphere over jump scares
Review: A good supernatural thriller doesn't always need to rely on relentless jump scares; if it can weave a sustained sense of dread that seeps under your skin, it has already done half its job. Andhera, created by Gaurav Desai and directed by Raaghav Dar, mostly succeeds in this regard. Its strength lies in atmosphere, tension, and an urban-horror aesthetic that's both intriguing and unnerving—though not without a few missteps.
The show opens with a chilling mystery. Bani Baruah (Jahnvi Rawat), desperate to contact Dr. Prithvi Sheth (Pranay Pachauri), vanishes under unexplained circumstances. Inspector Kalpana Kadam (Priya Bapat) takes charge of the case, her investigation leading her to Prithvi—now in a coma—and his younger brother Jay (Karanvir Malhotra), a troubled medical student plagued by terrifying nightmares involving Bani and other shadowy apparitions. The darkness—quite literally the andhera—seems intent on clinging to him.
Jay turns to Rumi (Prajakta Koli), a podcaster dedicated to supernatural phenomena and the only one willing to believe his story. As Kalpana, Jay, and Rumi's paths converge, they are drawn into a spiraling web of secrets. Each revelation edges them closer to a hidden, sinister presence lurking in the shadows—a force blurring the line between reality and nightmare. The further they dig, the more reality fractures, and what begins as unease soon curdles into outright terror.
At its core, Andhera is about the power of story. Its tension, slow-burn reveals, and constant shifting between the tangible and the inexplicable are what keep viewers hooked—until the narrative pivots into unexpected territory. Midway through, the investigation begins brushing against a parallel thread involving an experimental treatment for depression. By the time the climax arrives, a comic book reference is employed to explain the antagonist's origins and motive—a bizarre tonal shift that may divide audiences.
One of the show's missed opportunities lies in its supporting arcs. The character of Darius (Vatsal Sheth), built up as a figure of interest for both the police and a special bureau, makes only fleeting appearances and is ultimately reduced to a henchman for the experiment subplot. For a series that thrives on slow character reveals, this abrupt resolution feels underdeveloped.
Where Andhera excels is in its world-building. Cinematographer Huentsang Mohapatra bathes the series in a palette of shadow and muted hues, capturing Mumbai's glimmering skyline as an ominous counterpoint to its darker underbelly. The visual motif of diluted, pishach-like eyes in the possessed is deeply unsettling. Ketan Sodha's score is equally vital—its haunting notes underscore the dread, amplifying both the psychological and supernatural tension.
The writing team—Desai, Dar, Karan Anshuman, and Chintan Sarda—keeps the pace taut for much of the eight-episode run. However, the momentum does falter in the latter episodes as repetition sets in, with certain beats feeling like variations of earlier sequences. The suspense, while steady, rarely crescendos into outright terror; instead, the show leans into an ever-present unease, which may not satisfy viewers craving sharper shocks.
Performance-wise, Priya Bapat anchors the narrative with a nuanced portrayal of Kalpana Kadam—a resolute cop whose commitment to the case is shadowed by her own unresolved traumas. Karanvir Malhotra convincingly captures Jay's dual state of guilt over his brother's condition and bewilderment at his surreal experiences. Prajakta Koli is a standout as Rumi, bringing warmth, empathy, and an understated charisma to the screen; her chemistry with Jay, though brief, is affecting.
Surveen Chawla delivers a layered performance as a consultant at a healing clinic, hinting at more than meets the eye. Vatsal Sheth does well with the limited material given to Darius, even if his character's arc feels undercooked. Pravin Dabas as Dr. Sahay and Pranay Pachauri as the comatose Prithvi make their presence felt in smaller but important moments.
While Andhera stumbles in parts—particularly with certain narrative detours and underexplored character arcs—it remains an atmospheric and competently crafted supernatural thriller. Its commitment to mood, world-building, and psychological tension elevates it above many genre peers. For viewers seeking an unsettling urban horror that blends the supernatural with hints of noir, Andhera is worth stepping into… if you don't mind losing your way in the dark.
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Indian Express
7 hours ago
- Indian Express
Andhera review: This Prajakta Koli series is a juvenile mish-mash
Andhera review: The hardest thing about this show is also the easiest. Once you accept the fact that heightened hokeyness is key to both the characters and the construct, you begin admiring the straight-faced seriousness with which everyone gets with the plan, with nary an eye roll or giggle in sight. Without giving too much away, and I suppose I couldn't even if I wanted to, so outlandish is everything, the 'andhera' in the title turns out to be a malevolent entity which threatens to enslave human-kind. It has wriggly tentacles which probe and fasten, whisking victims away into a never-never land where they lie in suspension, neither dead nor alive, mere husks. Which is a good time as any to say that 'Andhera', directed by Raaghav Dar, created by Gaurav Desai, and co-written with Dar, Desai, Chintan Sarda and Karan Anshuman, should come with a tagline: suspend all disbelief, all ye enter this supernatural-horror territory. Underneath it all, though, there's the strangely persuasive idea of a gigantic entity supping hungrily on our minds, which is pretty much what AI does : suck up our intelligence so that those controlling it can fatten and then profit off of it. Also Read | Prajakta Koli on diving into horror with Andhera: 'It's good to feel uncomfortable' Part of the trouble is that it is spread over eight long episodes, during which we see fearful people flinging themselves out of high windows, or about to jump off terraces; being trussed up in strange machines in secret labs run by lackeys of evil corporations, and characters busying themselves in different aspects of the supernatural. One (Prajakta Koli) is working on a podcast on bhoot, pishach aur djinns; all made-in-India-demons, comments a wise-cracking character. Another (Karanvir Malhotra) is a self-admitted depressive, spouting words like dysthymia and progeria. Yet another (Kavin Dave) is comic-book obsessive who claims to have located the origin of the 'andhera'. Finally, it all becomes too much of a juvenile mish-mash, with elements too eager to please millennials as well as an older demographic. The convoluted plot, which keeps darting off in different directions, stays super busy: earnest cop (Priya Bapat) and swish wellness clinic owner (Surveen Chawla) meet cute, two brothers hold out stories of hope which can help dispel darkness, a greedy billionaire who will go to any extent to become 'ajar amar' (immortal), a young boy who is a perfect candidate for a sinister experiment, a doctor who is in on the project. If that is not enough, we get flashbacks of child abuse and misogynists deeming troubled women 'mad' and locking them away, and a vat of thick blackness which seethes and bubbles, and swallows humans whole. Also Read | War 2 Movie Review: Hrithik Roshan, Jr NTR, Kiara Advani spy saga is so limp, you're left looking for zing If nothing else, here's a series which throws a thicket of interesting ideas at the kitchen sink, and films it all quite vividly. But every time things begin to stick, they are made to break apart again, and you are left looking for the whole: if you get more out of 'Andhera', do enlighten me. For now, I am off to find a light bulb. Andhera cast: Priya Bapat, Karanvir Malhotra, Prajakta Koli, Pravin Dabas, Surveen Chawla, Kavin Dave, Anand Ingale, Jairoop Jewan, Vatsal Sheth, Mohit Prajapati, Priyanka Setia Andhera director: Raaghav Dar Andhera rating: Two stars


Indian Express
8 hours ago
- Indian Express
Prajakta Koli on diving into horror with Andhera: ‘It's good to feel uncomfortable'
Prajakta Koli couldn't believe her luck when she was cast in a romantic film produced by Karan Johar. In 2022, she played Ginny, the sister of Varun Dhawan and daughter of Anil Kapoor and Neetu Kapoor, in Raj Mehta's hit family comedy Jugjugg Jeeyo, backed by Dharma Productions. 'When you grow up a very filmy kid, working with Dharma and Excel is a dream you have. You've loved them, and these are people you want to work with,' she tells SCREEN in an exclusive interview. But when Farhan Akhtar and Ritesh Sidhwani's production house Excel Entertainment approached her, it wasn't for the buddy comedies they're best known for — Farhan's 2001 directorial debut Dil Chahta Hai, Zoya Akhtar's Zindagi Na Milegi Dobara (2011), and Mrigdeep Singh Lamba's Fukrey franchise. What fell in Prajakta's lap was Andhera, a horror show created by Gaurav Desai and directed by Raaghav Dar, which is now streaming on Amazon Prime Video. 'Even in Andhera, there's a lot of importance given to the relationships between characters, whether it's my character Rumi and Karanvir's (Malhotra) character Jai, or Rumi's relationship with her mom,' points out Prajakta. She plays a paranormal YouTuber who connects with Jai because of the 'andhera' that's enveloping their city Mumbai. 'Again, this is a space of not only storytelling, but also content I've never explored. I learnt a lot about creators who are actually in this space. We had the pleasure of shooting this amazing podcast Khooni Monday with Divay Agarwal, which I didn't expect I'd enjoy as much as I did,' admits Prajakta. Even though she played a content creator, much like in real life, Prajakta Koli found the experience to be very different from her zone. 'It was just weird to have scripts for your YouTube channel with very big words, like some demons from Australia,' says Prajakta, laughing. 'But when you see a production like this… I'd never shoot like this as a content creator. I'd go near the window and put my camera up there, that's it,' she adds. Andhera is also a stark departure from the show she's most famous for — Akarsh Khurana's young adult drama Mismatched on Netflix India, full of hope and sunshine. 'There's no sunshine in Andhera, that's for sure,' remarks Prajakta with a chuckle. 'There was so much communication happening during every scene we were shooting. Literally after every other take, we'd go to Gaurav or Raaghav sir because inhone toh show ghol ke peeya tha before we started shooting. We asked them for the motivations, why a character is reacting that way, what's going to follow, what happened 15 years ago that led to this. So it was made very easy for us to adapt to this new space,' she adds, heaping praises on the creator, director, and crew, who she considers the 'pillars' of the show. 'I always say, as actors, we're the last people to get involved in the process. There are writers, showrunner, and directors working on it for a lot of years. We actually got to be a part of the show when everything was laid out for us. So it became very easy for us as actors to trust everything seeing the phenomenal work everyone else has done. I feel very grateful I got to do this,' says Prajakta, who admits that in her early days as an actor, the long gestation period used to bother the content creator in her. 'This used to annoy me or make me uncomfortable five years ago. I was like, 'What do you mean we shoot for 60 days and it releases one year later?' I'd rather upload 60 videos in those 60 days,' argues Prajakta. 'But when you actually spend time on a set, you find it's the easiest for the actors because everything is put in place already. You're told when to come on set, someone does your hair and makeup, someone dresses you up, and then you even get a mark where you just have to stand and say the lines they give you. I'm not taking away from the art of the skill. Obviously, it's a collaborative effort. Now, I've spent a lot of time on set so I understand it. I just feel I've done my job, it'll come when it'll come,' she adds. However, Prajakta recalls it wasn't all hunky-dory on the set of Andhera, like it'd be on a Mismatched. 'It was very different to be on this set from the word go. Also, we just nosedived into shooting. There's nothing in this show that starts soft. Aisa nahi ki chalo, shururat mein inko thoda halke lene do so that they gel with each other. Nahi! I remember one of the first scenes we were shooting was so intense. It was very new, but as artistes, I feel it's good to feel uncomfortable when you don't expect it. We knew when we were getting into this that we'd do many scenes which we haven't done before. So it was exciting and challenging, but we're finally feeling the nerves now that it's coming out,' explains Prajakta. The woman in her is glad that Hindi entertainment has come a long way, from Andhera, Ramsay Brothers' 1975 B-horror flick, to her show Andhera, an investigative supernatural thriller with two women (Prajkta and Priya Bapat) at the forefront, laced with social messaging like Amazon Prime Video's previous horror drama Khauf. She's particularly glad that the days of the horrex (horror + sex) movies are gone. 'There've always been attempts when it comes to being progressive in telling stories, whether it's this year, 20 years ago, 50 years ago and beyond that as well. I think where it boils down to is where we've reached as consumers. We've had some brilliant stories being told where women were the protagonists without making a show of it, flagging it, or sensationalizing it. But there's a reason why the audience is the mai baap. Unhi ki vajah se chalta hai,' insists Prajkata. Also Read — 'First movie memory is watching Amitabh Bachchan laughing with blood on his back': Rohan Sippy Unlike her character in Andhera, Prajakta isn't afraid of the dark. 'I'm not scared of the dark, honestly. I find a lot of peace in it. I'll sleep in a pitch-dark room. I'll wear an eye mask even if there's a little bit of light,' reveals Prajkta, who associates darkness not with despair, but with tranquility. She even credits countless late hours for helping her become an author with the romance novel Too Good To Be True earlier this year. 'I do most of my writing after 11 pm because the world goes quiet. I love that your phone doesn't ring and nobody's knocking on your door,' she says, taking a pause, before adding, 'Unless they are, then you should get scared.'


India Today
9 hours ago
- India Today
Andhera review: Priya Bapat, Karanvir Malhotra shine in this dim series
We have all grown up listening to horror stories about sinister forces and how good conquers evil. Prime Video's latest offering, 'Andhera', starring Karanvir Malhotra, Prakajta Koli, and Priya Bapat, walks on the same Mumbai's skyline, as the city is busy grappling with its mundane life, lies a supernatural force preying on the living. A fearless cop and a haunted medical student unite to confront the encroaching darkness before it engulfs the city in the heart of Mumbai, the eight-episode series begins with a chilling hook: Bani Baruah (Jahnvi Rawat), desperate to reach Dr Prithvi Sheth (Pranay Pachauri), suddenly disappears under mysterious circumstances. Inspector Kalpana Kadam (Priya Bapat) takes on the case, tracing clues that lead her to Prithvi, now lying in a coma, and his younger brother Jay (Karanvir Malhotra), a troubled medical student tormented by disturbing nightmares involving Bani and other shadowy figures. The darkness, both literal and metaphorical, seems determined to consume him. As the story progresses, Kalpana Kadam speeds up her investigation to find missing Bani and uncovers various truths about the dark world that eventually go beyond the realm of the trailer here: Jay turns to Rumi (Prajakta Koli), the host of the popular podcast 'Into The Darkness', hoping she can help him understand the unsettling visions of Bani that haunt him. With Rumi by his side, he begins to piece together fragments of a disturbing episode three, every clue only thickens the mystery, blurring the boundaries between reality and nightmare for Kalpana, Jay, and Rumi. While the story might feel redundant given Indian filmmakers' love for the horror genre, the acting of the cast stands out in each viewers might try to understand the plotline, they will be introduced to Kalpana Kadam's dark secret about her liking for Surveen Chawla (manager of a healing centre called Aatma).The Gaurav Desi-created series is undeniably ambitious in both concept and execution. The makers tried really hard to navigate the space between supernatural horror and science fiction. However, the core idea meant to anchor these ideas feels somewhat underdeveloped, particularly the portrayal of the mysterious 'andhera' itself, and the question whether it can truly open a gateway into another realm of the human creative liberty to explain the 'andhera'(darkness) in each character's life somewhat loses its essence in between, and instead, it focusses on other topics that might hinder your these ideas to truly land, the series needed a sharper, more uncompromising script, one that pushed its characters to their breaking points so that Jay's fear and emotional detachment, in particular, felt genuinely visceral. The series wrestles not just with internal dread but also with external threats, yet it struggles to clearly define the boundary between the elements in the show will leave you intrigued and hooked onto it; however, that won't be much for long, as you will start searching for some light in this dark series (pun intended).We can say that while 'Andhera' does trigger thought-provoking questions about greed and misinformation, don't lose your patience and stay calm, as the ending of the series might leave you surprised.- Ends2.5 out of 5 stars to Andhera.