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Japan's FUJI ROCK FESTIVAL '25 Returning to Naeba With Fred again.., Vulfpeck, Vampire Weekend as Headliners

Japan's FUJI ROCK FESTIVAL '25 Returning to Naeba With Fred again.., Vulfpeck, Vampire Weekend as Headliners

Yahoo6 days ago

Japan's FUJI ROCK FESTIVAL '25 will return to the Naeba Ski Resort in Yuzawa-cho, Niigata Prefecture again this summer, with dates set for Friday, July 25 through Sunday, July 27.
Fred again.. will headline Day 1, and Vulfpeck Day 2. These festival slots will be the first time either act performs in Japan, and for the latter, one of the three shows announced for this year. On the final day, Vampire Weekend returns to Fuji Rock for the first time in three years as headliner.
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Now in its 26th year in Naeba, FUJI ROCK FESTIVAL takes place in an expanse of land 4 km long dotted with stages of various sizes, featuring over 200 artists of various genres from around the world each year. The scheduled acts from Japan this year include Ichiko Aoba, Answer to Remember, BRAHMAN, Creepy Nuts, DYGL, EGO-WRAPPIN', Hitsujibungaku, kanekoayano, Kimishima Ohzora Gasso Keitai ('ensemble form'), jo0ji, MIYAVI, Otoboke Beaver, RADWIMPS, Shintaro Sakamoto, Suchmos, Vaundy, Tatsuro Yamashita, and more.
From outside of Japan, Balming Tiger, Barry Can't Swim, CA7RIEL & Paco Amoroso, Confidence Man, Ezra Collective, Faye Webster, Fermin Muguruza, Four Tet, James Blake, Haim, HYUKOH, Mei Semones, Mdou Moctar, Night Tempo, OK Go, Perfume Genius, Royel Otis, Sunset Rollercoaster, The Hives, Tycho and more are set to perform. As in previous years, the lineup ranges from veterans to newcomers, making this a festival of music that transcends borders and genres.
The recently announced fifth lineup also includes new additions Joy Anonymous, Us, Ginger Root, Jane Remover, YHWH Nailgun, and Little Sims. ROUTE 17 Rock'n'Roll ORCHESTRA, a special band at FUJI ROCK that features unique guests each year, will include Kumiko Yamashita, Hiroto Komoto, Gen Kugiya, Us, and Liam Ó Maonlaí this year.
Tickets are 59,000 yen (approx. 413 USD) for a three-day ticket and 25,000 yen for a one-day ticket (approx. 175 USD). Friday night tickets, good from 6:00 p.m. on Friday until 5:00 a.m. the next morning, are 16,000 yen (approx. 112 USD), and Under 22 one-day tickets are available for 18,000 yen (approx. 126 USD). Fans from outside Japan can purchase tickets through e+ (e plus), FRF OFFICIAL SHOP GAN-BAN, Ticket PIA, tixCraft, Ticketmaster Singapore, ticketflap, KKTIX, and interpark. Additional informationa can be found on the festival's official website (https://en.fujirockfestival.com/ ).
An admission-free event is also scheduled for July 24, on the eve of the festival. There will be a bon dance event, a raffle, a fireworks display, a competitive eating contest, and a special gig at the RED MARQUEE stage. Check out the after movie from 2024 below.
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Beauty's Hottest New Trend: The Founder Buyback
Beauty's Hottest New Trend: The Founder Buyback

Business of Fashion

time31 minutes ago

  • Business of Fashion

Beauty's Hottest New Trend: The Founder Buyback

On Tuesday, influencer-turned-mogul Huda Kattan announced that she had regained majority ownership of her eponymous makeup brand, Huda Beauty, after buying back the minority stake private equity firm TSG Consumer Partners took in 2017, The Business of Beauty reported. The news arrived months after Kattan's sister Mona Kattan purchased Kayali, the fragrance brand she co-founded, alongside PE firm General Atlantic; that transaction set up funding for Huda Beauty's buyback. It was a sister act of multimillion dollar proportions. After last week's billion dollar acquisition of Rhode by E.l.f. Beauty and Church & Dwight's $700 million purchase of hand sanitiser label Touchland, the 2025 M&A beauty market appears to be looking up. But the arc of Huda Beauty traces along a bigger shift in the beauty industry. When the brand launched in 2013, it did so in the heat of the celebrity makeup moment; Kylie Jenner's pigmented lip kits and Rihanna's 40-shades of foundation came next. Billion dollar valuations followed for an elite set that included Kattan, Jenner and makeup artists like Anastasia Soare, Charlotte Tilbury and Pat McGrath. In the years since, some have seen their businesses flourish (see: Puig's majority acquisition of Charlotte Tilbury, valued at $1.2 billion) while others have lost their grip. In the decade since Huda Beauty's debut, a shiny new class of celebrity founders, like Bieber's Rhode and Selena Gomez's Rare Beauty, have risen to the vanguard, succeeding with direct customer relationships and outsize sales, strong operational teams and a simple but refined focus on exactly what they do well. A following is no longer enough in the cut-throat beauty business, unless you can continuously convert them to shoppers. The Social Network What does Kattan have? In addition to an estimated $450 million in annual sales as of 2024, the brand benefits from a wide international distribution and a wide array of best-sellers. But its most impressive feat may be that, despite 12 years in business — 120 years in beauty — Kattan hasn't lost her relevance online. Huda Beauty's best asset is Huda herself. As a vlogger, the US-born and Dubai-based Kattan was perhaps something of the original beauty influencer. Her own line, which she founded with her sisters Mona and Alya, was an instant hit, as her high-definition makeup looks (fluffy lashes, sleek contours) and a critic's eye toward formulas translated seamlessly into a cosmetic range that still mints regular hits, like last year's Easy Blur airbrush foundation. In 2014, four years after Instagram launched, Kattan hit 1 million followers; three years later, she had 18 million, and has 57 million today, according to the app. RivalIQ calculated that @hudabeauty's engagement rate is eight times the going average for beauty brands. If Kattan's public support of Palestinians in the Gaza war has polarised some of her audience, the tens of thousands of comments her posts draw seem only to strengthen her reach. Trends like the clean girl aesthetic and 'Euphoria' makeup may have come and gone, but Kattan's influence still powers Huda Beauty the brand; it consistently outranks others when it comes to social media performance. It was the #4 top ranked makeup brand in 2024, beating out LVMH's Dior and Fenty, said Launchmetrics. In the first quarter 2025, it was the top of CreatorIQ's list, narrowly besting Selena Gomez' Rare Beauty. Spate analyst Mathilde Riba reported that Huda Beauty charts nearly a 7 out of 10 on the firm's 'sentiment index.' Buyback to Bounce Back As a Revlon makeup artist living in opulent Dubai, Kattan's ultra-glam look hooked a generation of beauty obsessives on her cosmetics almost immediately. 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Huda Beauty and TSG may not have had the fairytale exit that Charlotte Tilbury scored with Puig, but given the glut of colour cosmetics brands currently in market, maybe it was the best outcome. The San Francisco-based TSG Consumer Partners, is known to be more of a short-term investor; the firm took a minority stake in It Cosmetics in 2012, cashing out in 2016 when the brand sold to L'Oréal for $1.2 billion. It made a similar manoeuvre with E.l.f., in which it bought a minority stake in 2011 that grew to a majority stake by 2014, two years before the line's IPO. More recently, it announced a 'strategic growth investment' in Marianna Hewitt and Lauren Ireland''s Summer Fridays, implying that influencer-fronted brands still have bright futures ahead. And what of the fierce competition? As more and more beauty brands come to market and also languish in the M&A waiting room, they'd be wise to stay close to their core. That's the thing about a once-in-a-lifetime founder: There's only one person who can see the vision through. Otherwise, they have to let it go. With additional reporting by Priya Rao. Sign up to The Business of Beauty newsletter, your complimentary, must-read source for the day's most important beauty and wellness news and analysis.

Pink's Daughter Willow Looks All Grown Up on Her 14th Birthday in Tribute from Dad Carey Hart: 'Beyond Proud of You'
Pink's Daughter Willow Looks All Grown Up on Her 14th Birthday in Tribute from Dad Carey Hart: 'Beyond Proud of You'

Yahoo

time2 hours ago

  • Yahoo

Pink's Daughter Willow Looks All Grown Up on Her 14th Birthday in Tribute from Dad Carey Hart: 'Beyond Proud of You'

Pink's husband Carey Hart posted a special tribute for his daughter Willow's 14th birthday In the Instagram, the dad of two shared a snap of his daughter now and an adorable picture from when she was younger In addition to Willow, the couple also share son JamesonGet the party started — Pink's daughter is 14! On Monday, June 2, the 45-year-old singer-songwriter's husband Carey Hart posted a tribute for their daughter Willow on Instagram to commemorate her 14th birthday. The first photo showed the teenager all grown up, wearing a baby blue sleeveless dress. The other snap was a throwback of Willow when she was younger. "My #1. I love you to the moon, around it 10,000,000 times, and back. Happy 14th kiddo," the proud dad wrote in the caption. "You are gonna change the world. I'm beyond proud of you. Love papa." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. The 'So What' singer and the former motocross competitor welcomed their daughter in 2011. Five years later, the couple welcomed their son Jameson, 8. Although becoming a mother wasn't originally something that was on the singer's 'list of to-dos,' Pink quickly adapted to the role. "I had Willow and, man, that saying of 'watching your heart go walking outside of your body.' It's truly how it feels," she told the Today show in a May 2021 interview. Opening up to PEOPLE in her February 2023 cover story, the 'Just Like Fire' hitmaker admitted that she never pictured herself having children, as she was 'terrified' she would be a 'terrible mother.' "But, oh my God, being a mom is the most incredible thing I've ever done. It's shocking how responsible I've become," she explained at the time. is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! Willow may also be following in Pink's musical footsteps. In 2018, she appeared on The Greatest Showman: Reimagined, a tribute album for the 2017 musical movie starring Hugh Jackman. Willow lent her voice to a cover of "A Million Dreams" and its reprise, respectively. She later made her Billboard chart debut at just 9 years old, thanks to her duet 'Cover Me in Sunshine' alongside none other than her mom. During its first week of release, "Cover Me in Sunshine" garnered two million U.S. streams and sold 11,000 downloads in the week ending on Feb. 18, according to Billboard. "Willow and I find comfort in music, so we're putting this song out for no other reason than that we hope it brings you sweetness, sunshine and comfort too,' Pink told PEOPLE at the time. She also joined Pink on stage at the 2024 Democratic National Convention, where they sang her mom's single, "What About Us," together Read the original article on People

Sigma Corporation Announces Aizu Prime Line, the World's First Cinema Lens Line to Feature T1.3 Across All Focal Lengths
Sigma Corporation Announces Aizu Prime Line, the World's First Cinema Lens Line to Feature T1.3 Across All Focal Lengths

Yahoo

time7 hours ago

  • Yahoo

Sigma Corporation Announces Aizu Prime Line, the World's First Cinema Lens Line to Feature T1.3 Across All Focal Lengths

Brilliant at T1.3: Forging new begins a new benchmark for filmmaking. Ronkonkoma, New York--(Newsfile Corp. - June 3, 2025) - SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is introducing the Aizu Prime Line―the world's first lineup1 of large-format cinema lenses to achieve an aperture value of T1.3 across all focal lengths. The lineup combines modern sharpness with an organic and naturally soft look, bringing rich texture and depth to visuals. Boasting unparalleled brightness, refined expression, and reliable performance, the Aizu Prime Line embodies the proven technology and quality of "Made in Aizu, Japan" establishing the new standard. The lineup of 12 lenses features a consistent T1.3 aperture across the full range from 18mm to 125mm. The initial release includes 8 lenses with focal lengths from 25mm to 75mm, covering core cinematic production needs. 1. As of June 2025, by Sigma. The first eight Aizu Prime lenses that will be available at launch. To view an enhanced version of this graphic, please visit: Available mounts: PL Mount, Sony E-mountSupplied accessories: Cover Cine Lens Cap LCC-95 II, Rear Cap LCR III, Lens Support Foot SF-61 Launch date: August 2025Retail price: $8,299 USD * Product appearance and specifications are subject to change.* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation. #Sigma #SigmaCinelens #SigmaAizuPrime KEY FEATURES Expressive power for profound beauty A consistent T1.3 across all focal lengthsThe T1.3 aperture enables exceptionally shallow depth of field and graceful bokeh, seamlessly separating the subject while preserving a natural sense of depth and dimensionality. This refined visual language draws the viewer into the frame with a subtle yet powerful presence. Optical design for the demands of cinemaAll lenses in the Aizu Prime lineup feature an optical system developed exclusively for cinema applications. While maintaining modern sharpness, they avoid rigid or harsh depictions-delivering a natural, organic look. They provide quiet elegance and depth to the image, with distortion and focus breathing carefully minimized to ensure visual consistency, even in dynamic scenes. Huge perspective range coverageThe Aizu Prime Line is designed as a system to cover a wide range of focal lengths from 18mm to 125mm. Initially, 8 core lenses ranging from 25mm to 75mm are being released, followed by 18mm and 21mm wide-angle lenses, and 100mm and 125mm telephoto lenses. This comprehensive system, covering from ultra-wide-angle to telephoto, is adaptable to diverse scenes and compositions. Completely consistent lookConsistency of color balance, contrast, and flare characteristics ensures seamless integration between scenes, bringing a high level of harmony to the entire visual narrative across the lineup from 18mm to 125mm. ⌀46.3mm image circleThe large ⌀46.3mm image circle ensures full coverage not only for full-frame and Super 35 formats, but also for the latest large-format cameras such as the ARRI ALEXA LF Open Gate and VistaVision. This capability enables uncompromised filmmaking across a diverse range of projects. High-impact close-up expressionThe short minimum focusing distance enables striking close-up shots. By getting closer to the subject, the Aizu Prime lenses create visual tension and dramatic effects, adding impactful depth to the imagery. Compact. Precise. Reliable. A compact design that unleashes creativityDespite being built for large-format coverage and featuring an ultra-fast T1.3 aperture, the Aizu Prime lenses remain remarkably lightweight. This rare balance of exceptional speed and mobility offers the flexibility and creative freedom demanded by modern productions-from dolly and Steadicam to gimbal and handheld operation. Precise operation and durabilityThe Aizu Prime lenses offer precise control, exceptional durability, and ease of maintenance. Despite its compact housing, it delivers unwavering reliability in demanding shooting environments. Every mechanical detail-from the wide focus rotation angle to the equal-pitch aperture ring-embodies the engineering expertise cultivated through the Sigma High Speed Prime series. Supports ZEISS eXtended DataThe Aizu Prime lenses support ZEISS eXtended Data, offering real-time lens metadata during shooting. It also enables the export of distortion and shading correction data, streamlining workflows for VFX productions. KEY SPECIFICATIONS [Common Specifications] Available mounts: PL Mount, Sony E-mount Image circle: 46.3mm Product Name Close Focus Front Diameter Length* Weight* 18mm T1.3 LF TBD 21mm T1.3 LF TBD 25mm T1.3 LF 0.31 m / 1'0 95 mm / 3.7" 125 mm / 5" 1.7 kg / 3.6 lb 27mm T1.3 LF 0.33 m / 1'1 95 mm / 3.7" 125.4 mm / 5" 1.7 kg / 3.6 lb 32mm T1.3 LF 0.34 m / 1'2 95 mm / 3.7" 128.5 mm / 5.1" 1.7 kg / 3.7 lb 35mm T1.3 LF 0.35 m / 1'2 95 mm / 3.7" 128.6 mm / 5.1" 1.6 kg / 3.6 lb 40mm T1.3 LF 0.38 m / 1'3 95 mm / 3.7" 128.8 mm / 5.1" 1.6 kg / 3.5 lb 50mm T1.3 LF 0.48 m / 1'7 95 mm / 3.7" 126.3 mm / 5" 1.7 kg / 3.7 lb 65mm T1.3 LF 0.61 m / 2'0 95 mm / 3.7" 125 mm / 5" 1.6 kg / 3.6 lb 75mm T1.3 LF 0.73 m / 2'5 95 mm / 3.7" 128.1 mm / 5.1" 1.7 kg / 3.8 lb 100mm T1.3 LF TBD 125mm T1.3 LF TBD *The figures are for PL Mount Product Codes Feet Metric 25mm T1.3 LF PL Mount 0085126 942502 0085126 942519Sony E-mount 0085126 942526 0085126 942533 27mm T1.3 LF PL Mount 0085126 942540 0085126 942557Sony E-mount 0085126 942564 0085126 942571 32mm T1.3 LF PL Mount 0085126 942588 0085126 942595Sony E-mount 0085126 942601 0085126 942618 35mm T1.3 LF PL Mount 0085126 942625 0085126 942632Sony E-mount 0085126 942649 0085126 942656 40mm T1.3 LF PL Mount 0085126 942663 0085126 942670Sony E-mount 0085126 942687 0085126 942694 50mm T1.3 LF PL Mount 0085126 942700 0085126 942717Sony E-mount 0085126 942724 0085126 942731 65mm T1.3 LF PL Mount 0085126 942748 0085126 942755Sony E-mount 0085126 942762 0085126 942779 75mm T1.3 LF PL Mount 0085126 942786 0085126 942793Sony E-mount 0085126 942809 0085126 942816 Accessories (Supplied: Common to 25-75mm) Cover Cine Lens Cap LCC-95 II0085126 942823 Rear Cap LCR III PL Mount 0085126 941673Sony E-mount 0085126 941635 Lens Support Foot SF-610085126 942830 Accessory (Optional) Mount Converter MC-310085126 938192 CONTACT US Inquiries contact: Michael Dioguardi mdioguardi@ Christine Moossmann cmoossmann@ INFORMATION Sigma Corporation: Cine Lens: To view the source version of this press release, please visit Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

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