Who is Opal Lee? 'Grandmother of Juneteenth' to skip Walk for Freedom march this year
For the first time since 2016, Opal Lee will remain absent from the Walk for Freedom march this year. The 'Grandmother of Juneteenth' will not be participating in the event due to a recent hospitalization. The 98-year-old has remained a part of the event since it was started in 2016 in Fort Worth, Texas.
In May, it was reported that Lee was admitted to hospital while she was on her way to receive the International Freedom Conductor Award at the National Underground Railroad Freedom Center in Ohio.
Speaking to the Fort Worth Report on June 17, Lee's granddaughter, Dione Sims, said that the retired counselor is now 98 and the family 'really wants to keep her in.'
Further, Sims told WFAA that while her grandmother's health prevented her from leading the Walk for Freedom, she was still planning to take part in it. The family has assured that the retired teacher will attend it virtually.
Also read: What's open and closed on Juneteenth: Details on stock market, banks, post offices, Costco, Starbucks, Walmart and more
Born on October 7, 1926, in Texas' Marshall, Opal Lee is a retired educator and counselor. Her parents relocated their three children to Fort Worth when she was 9. While growing up, she learned about Juneteenth from the annual celebrations in her neighborhood.
She finished high school at 16 and later graduated in 1953 with a Bachelor's Degree in Education and a Minor in English from Wiley College in Marshall. She returned to university to get a Master's Degree in Educational Counseling and Guidance.
According to the National Women's History Museum, her home was destroyed by a mob of around 500 people in 1939 during one such celebration.
She decided most of her life to preserve the history of Juneteenth. She came into the spotlight in 2016, when she kickstarted a 1,400-mile trek from Fort Worth to Washington, D.C. at the age of 89. This was done to recognize Juneteenth as a national holiday.
In 2021, then US President Joe Biden officially declared Juneteenth a federal holiday. Last year, Lee was awarded the Medal of Freedom, recognizing her pivotal role in the establishment of Juneteenth as a federal holiday in the US.
Juneteenth is being observed on Thursday, June 19, this year.
She taught within the Fort Worth Independent School District for a total of 15 years.
She is 98 years old.
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'It is also worth mentioning that in two works, the name of the translator is not even printed on the front cover, i.e., Manzoori and Parsay translations. In other words, the mentioned pattern prioritises the importance of each item: first the work, then the author, and last the translator. These covers also don't provide specific information in the book for introducing the translator or his/her other translated works to the interested readers', the paper says. In the Indian publishing industry the scene has changed. Urvashi Butalia, publisher, teacher and activist, says, 'There is greater acknowledgement and this is evident in all the things such as larger fonts, better placement, and also in including translators in media events. By contrast, I've not seen many reviews that mention names of translators, although again I could be wrong'. Ms. Mukherjee says credit is very important. She states that a simple act of giving credit to the translator on the cover of the book, and yes, equal weightage inside the book, has gone a long way, in her personal experience. Ms. Mukherjee also says we should expand that credit in a broader sense: include the translator in all marketing and publicity details, retail campaigns, and general discussion about the book. She emphasizes giving the translator the visibility they deserve across festivals and awards. According to Ms. Mukherjee, if we want to give visibility to translators, we must do so collaboratively, across all stakeholders. Promoting translated literature Translators are being acknowledged as co-creators in the literary process and not as secondary personas. There is a drive for better visibility of translators through book publicity campaigns, panel discussions, and other media. 'However, broader industry support and consistent credit across marketing, media, and events are still needed. I do think it's not enough for a few publishers and award ceremonies to promote translation literature. We need more publishing groups, more juries, and certainly, more of the mainstream media, supporting and recognising the significance of literature in translation', says Dharini Bhaskar, Associate Publisher, Literary at HarperCollins India. It helps to keep translation central to all conversations to do with books and literature. For instance, on World Book Day, Harper Collins had a full translation panel—which included Mini Krishnan, Sheela Tomy, Jayasree Kalathil, and Ministhy—and they spoke about the challenges faced by translators and the space translation literature occupies in the literary firmament. On how they bridge this gap, Ms. Bhaskar says, 'For one, we give literature in translation as much prominence as the poems and novels, and non-fiction originally published in English. Translation literature not only gets equal editorial care and attention but also has the full support of both the sales and marketing teams. We promote our works of translation—and not just when they're nominated for awards—and back translator and author equally. For they're a team. The book belongs to both of them'. Ms. Mukherjee says their publicity campaigns include the translator along with the author; this is without exception, and they will never have it any other way. She states that they make it clear at the outset to the author as well as the agent that the translator is going to be equally involved in the editing process, in planning publicity, and even on decisions pertaining to the cover of the book. Ms. Mukherjee says the translator has equal space (and equal say) on the journey of the book, both during and after its publication. Zubaan recently began a translation collaboration with Ashoka University called Women Translate Women. Every event for the books in this series has had translators present. Ms. Butalia says, 'This is also the case with many other publishers – in fact, several mainstream publishers now employ editors whose main task is to source translated manuscripts. This is a very positive development'. Are readers more willing to buy translated books? Publishers say winning the International Booker does drive sales of translated works. Though publishing houses have been increasingly taking steps to highlight the work of the translator alongside the author, the media lags in giving translators due credit. Readers, too, are increasingly open to buying translations, though Western approval still influences Indian buying habits. Ms. Bhasthi says there has been a lot of love that the translation of Heart Lamp has received, apart from the stories, and she is very grateful for that. She highlights the importance of the International Booker Prize giving equal emphasis to both the writer-translators and the writers from the original language. 'So, I think that attention is very important for translations and writer translators as well', she says. Talking about the media coverage Heart Lamp received, Ms. Bhaskar says there is immediate media coverage once a book is longlisted or shortlisted for a prestigious award, and such coverage doubles if the book wins. She adds that this kind of visibility has a direct impact on sales. 'This, in turn, has a direct impact on sales', she says. Ms. Bhaskar says they have seen sales numbers of books spiralling the moment they win prestigious awards. She notes that the ripples spread far, and that major wins typically benefit all literature coming out in a certain language. She emphasizes that such recognition also helps literature in translation overall, and sometimes even specific genres like poetry or short fiction. It also bodes well for literature in translation (as a whole), and sometimes, it bodes well for certain genres. Ms. Bhaskar points out that very often, in India, readers look for approval abroad before buying a book published locally. She stresses the need for Indian readers to start recognising the wealth of literature already available in the country—in English, in translation, and in regional languages—and to start supporting these books without necessarily waiting for validation from the West. Ms. Butalia says readers are more willing to buy translated works in general, perhaps this is because translated books are also more visible now, both in offline and in online bookshops. And they are better marketed, as books in their own right and not as poor cousins of an original. Ms. Bhasthi says that compared to other literary fiction, translated fiction is still not as widely read as it should be in a diverse country like India. She expresses hope that readers show more interest in translated fiction, and specifically mentions Kannada as one of the more under-translated languages in South India. Ms. Bhasthi says'I hope more translators bring forth some of the extraordinary works that we have in my language.'
