Shop Dua Lipa's Belted Black With Jéan Dress
Swipe ^ but also here you go:
And happy news: not only is this dress still available in most sizes, it's from Australian brand With Jéan (a fave of Dua's) and is under $200.
It's also available in more sizes over at Revolve.
Real quick before you abandon us to go buy that dress, here's that aforementioned photo of Dua and Callum being adorable:
These two tend to be relatively private about their relationship (minus plenty of pics), but back in 2024 a source dished to Us Weekly that "Callum is really the first serious relationship she's had in the past few years." They added that "Dua and Callum spend almost all their time together and are nearly inseparable. They have a very balanced energy and Dua couldn't be happier than she is with Callum."
The couple also made a rare and very loved-up red carpet appearance at the Met Gala earlier this month (click below for pics), but have yet to confirm their rumored engagement. Though, honestly, the giant ring on Dua's finger kinda speaks for itself!
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Newsweek
2 hours ago
- Newsweek
Tiny Dog Can't Contain Excitement at Realizing Where She's Going—'Grandma'
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Hearts have melted at a dog's sheer joy at realizing she was going on vacation—to grandma's house. Dani and her fiancée, Tyler, own 7-year-old toy Australian shepherd, Chloe, who Dani proudly described as her "soul dog." As a young couple, Dani and Tyler enjoy traveling when they get the chance. For some dog owners, this can cause guilt or stress when it comes to figuring out what their pet is going to do when they're gone. But luckily for Dani, Tyler and Chloe, it's Dani's mom, Cindy, to the rescue. Chloe "loves going to grandma's house in Idaho, especially because she lives on a big farm with horses, cows, cats, and other dogs," Cindy told Newsweek. As a miniature Australian shepherd, it's no wonder Chloe loves the farm: Aussies were bred to be herding dogs, and toy versions are still bright, motivated workers, with a particular affinity for horses, according to the American Kennel Club (AKC). "She is very spoiled when she's there," Dani admitted, but said the biggest part of her joy is that Chloe "loves being on the farm." A recent video posted to Dani's TikTok account, @danilyndesign, on August 13, showed just how excited Chloe is to go to grandma's "massive farm," as she realized what was happening when they drove to their designated "drop off spot." Chloe gets excited when she realizes they're at their usual drop-off spot. Chloe gets excited when she realizes they're at their usual drop-off spot. TikTok @danilyndesign "I live in Salt Lake and my mom lives in southern Idaho, so we meet about halfway," Dani explained to Newsweek. "My dog knows exactly what is happening as soon as we get off the exit." And sure enough, the video shows Chloe whimpering, jumping and licking her lips in excitement as they pull in to their usual drop-off spot, the tiny dog walking back and forth across her owner's laps to get a better view of grandma's car. When they park right next to Cindy's car and Chloe gets a full view of her face, the tiny dog loses it completely, the whimpering becoming full-on whines and barks, her entire body moving from the force of her wagging tail. Cindy gets out of the car, and her daughter doesn't even waste time opening her own door—she simply winds the window down, and Chloe jumps out of the window and right into grandma's arms. Chloe jumps right into grandma Cindy's arms. Chloe jumps right into grandma Cindy's arms. TikTok @danilyndesign "As soon as I ask if she wants to go to the farm with grandma she starts spinning in a circle and barking," Dani told Newsweek. "It makes me feel better about being away, knowing it's a vacation for both of us!" TikTok users adored the video, awarding it more than 23,000 views, as one commenter pointed out "the lil jump with no hesitation," and another loved "the full body wag." "Grandma knows the drill," another laughed, adding that it "melted my heart." "I love this so much! And she jumped in her arms! So much trust," another wrote. And one joked Chloe was saying: "Thanks for bringing me, you can leave now." Dani told Newsweek: "I'm glad Chloe brought as much joy to people as she brings to me every day." Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend and they could appear in our Pet of the Week lineup.
Fox News
3 hours ago
- Fox News
Priced out in Las Vegas? 5 costly steaks that can cut into tourists' wallets
Tourism in Las Vegas has dropped this summer relative to recent years, with visitors griping about Sin City's high prices, including exorbitant resort fees. But for some tourists, Vegas is still the ultimate place for indulgent amenities, drinks and – above all – once-in-a-lifetime meals. Jackie Dadas-Kraper, a Las Vegas-based publicist and vice president at Interdependence Public Relations, said the city's steak dinners can be "a performance, a status symbol and a story all in one." "Tourists are willing to spend three or even four figures on steak because this city elevates dining into an experience," she told Fox News Digital. "Here, a steakhouse meal is more than just food. It's a celebration of taste, travel and unforgettable moments." But are the unforgettable moments worth the price? Below are some examples of high-priced steaks that can cut into your wallet after just one dinner. This steakhouse's signature showpiece is a $1,000 spectacle known as "The Beef Case." It's exclusively available at the glitzy Papi Steak, inside the Fontainebleau hotel. The dish features a 55-ounce Australian wagyu tomahawk steak. It has a marbling score of 9 – the highest possible rating. To complete the over-the-top experience, the steak has been known to arrive inside a custom-designed diamond-studded suitcase. At nearly 3.5 pounds, the steak is built for sharing. John Travolta once ate the famed dish at the restaurant's Miami Beach location, as People and other sources reported. Fox News Digital reached out to Papi Steak for more information. The "Tomahawk Feast" at One Steakhouse features dry-aged U.S. Department of Agriculture (USDA) Prime tomahawk steaks, weighing a hefty 18 pounds. The feast also comes with six sides, ranging from forest mushrooms to lobster macaroni and cheese. Priced at $1,500, it serves 10 to 12 guests and is carved at the table. But there's a catch. The tomahawk must be ordered 72 hours in advance, so that the beef can be sourced and adequately prepared, according to the restaurant. The "Taste of Japan" at the Wynn's Carversteak features a selection of traditional Japanese A5 wagyu, along with a 5-ounce Miyazaki wagyu striploin. Accompaniments include black garlic‑mirin mushrooms, shishito peppers and tare sauce. Yuzu kosho, a Japanese citrus-chili paste, is also added. At a cost of $300, there is a 4-ounce minimum and every additional ounce is $75, according to the restaurant's menu. The restaurant also offers less-expensive American wagyu, though that is still priced as high as $145. The Four Sixes Ranch Steakhouse at the Wynn offers a "Japanese Purebred Freedom Wagyu Tomahawk" dish. It weighs a hefty 48 ounces and is priced at $999.90. The beef, which is sourced from Freedom, Wyoming's Grazing Star Ranch, is carved tableside. The dish also features beef tallow raclette cheese popovers and is served with a side of bordelaise sauce. "Vaca vieja" means "old cow" in Spanish. The dish, inspired by Spanish cuisine, according to Bazaar Meat's website, offers a more mineral-rich flavor than younger beef. The per-pound price costs about $90, meaning that a bone-in cut could shoot upwards of $750. "The Bazaar team works with Mindful Meats in California, where they source whole, live 8- to 10-year-old Jerseys and Holsteins from certified-organic, non-GMO ranches in Marin and Sonoma counties for this dish," according to the menu. If you just want to try it, a tasting portion is $64. But you'll need to time it just right. The restaurant reopens at the Venetian Resort's Palazzo on Sept. 4.
Los Angeles Times
5 hours ago
- Los Angeles Times
Why Rüfüs Du Sol's Rose Bowl concert marks the peak of the band's L.A. journey
In a Burbank rehearsal studio, loaded almost wall-to-wall with electronics and travel cases, the three musicians of Rüfüs Du Sol are in the final hours of rehearsal for the biggest tour of their lives. As they run through a variety of songs on synthesizers and acoustic drums, the main question still to be answered is just how much of themselves to give. It's a rainy day back in March, as the Australian trio work through different live sets for different situations — festivals, arenas, large amphitheaters and, most significantly, their own slate of stadium headline shows. For the latter, Rüfüs Du Sol is prepared with a super-sized set list that singer-keyboardist Tyrone Lindqvist calls 'the Behemoth,' and drummer James Hunt describes as 'the Beast, the Hulk.' 'We've had so much love from our fans and consistent people coming to the shows,' says Lindqvist, blond and dressed in black behind his synth station. 'Our show sits at two hours and 10 minutes in this demoed version, and we're like, is this too long? At what point are we doing too much? Sometimes less is more, and finding that sweet spot is a little tricky. 'You're grappling with the extreme love that you have from people and trying to find the balance.' The Australian band is not new at this. The last time Rüfüs Du Sol headlined in Los Angeles, the band played three sold-out nights at the 22,000-capacity Banc of California Stadium in 2021. Now, they're headed to the Rose Bowl this Saturday, capping off the North American leg of their 2025 tour in support of the band's latest album, 'Inhale / Exhale.' With keyboardist Jon George, they are three stylish men in black who founded their alternative electronic dance music, or EDM, trio in Sydney, Australia, back in 2010 and have since taken their music to major venues around the world. The Rose Bowl show in Pasadena will be their biggest headline show ever, with close to 60,000 fans. In concert terms, Rüfüs Du Sol has become one of the top-selling EDM acts in the world. The trio also fits in easily at both major dance events and at multi-genre festivals like Coachella and this year's Lollapalooza. Rüfüs Du Sol always identifies itself as a live EDM act, which is an important distinction to the band, reflecting its own history and the influences that have led it here. Among those inspirations is the Chemical Brothers, who mixed samples with live synths and other instruments to lead the 'Big Beat' EDM movement beginning in the mid-1990s. 'Our show is a spectacle. It's a live experience and there's humanity in it. There's human error. From night to night, the performance might be slightly different,' says Hunt. 'The interaction of technology with humanity has always been at the heart of the project.' 'Inhale / Exhale,' released last October, reached No. 2 on the Billboard dance music album chart. Its festive first single, 'Music is Better,' was meant as a kind of throwback to an early 2000s House sound. And 'Lately' was written in Ibiza and informed by Hunt and George's sideline performing DJ sets under the Rüfüs Du Sol name, mingling subtle drama with gospel house vocals. It was among the first songs to emerge from the new album's writing sessions. The band's last album, 'Surrender,' won a Grammy in 2022 for best dance/electronic recording for the single 'Alive.' The band is three studio albums into an ongoing relationship with Warner Records (along with several remix collections). The trio was signed to the label by Jeff Sosnow, executive vice president of A&R, and he was again marveling at their massive crowds at two July stadium dates in New Jersey. 'I looked around and I'm watching 25,000 people a night singing every word to every song in a rapturous manner,' says Sosnow. 'These are people who have bought in and they are quite passionate.' Sosnow sees potential growth still ahead for the trio, as an EDM act that incorporates some traditional songwriting structures into its dynamic electronic mix. 'They love what they do, and they are as accomplished producers as I've been around,' he adds. 'They are meticulous record makers and very hard self-critics and visionaries in their own ecosystem. They're going to probably find ways to challenge themselves, like many great artists and groups have done. They're not resting on their laurels.' When the 2025 shows began quickly selling out, band members were almost too busy finishing their album to enjoy the experience. 'I didn't think about it, I'll be honest,' says Lindqvist with a smile. 'We're pretty all-consumed in the thing that we're doing at the time. Like, right now it's the live show. But around that point, it was about finishing the album.' The band's trajectory as a live act passing through Los Angeles began with its first appearance at Echoplex in 2014, followed by the Fonda that same year, three nights at the Wiltern in 2016, three shows at the Shrine Expo Hall in 2018 — playing to 3,000 people a night — and then a headline show for 21,000 at Los Angeles State Historic Park in 2019. 'We've built this thing very incrementally, gradually,' says Hunt. 'I think that is a really cool thing to have developed, because then there are people who have listened to our music for like 10 years or have gotten married to it or have grieved a friend to it. They've had all these life experiences. It seems to be very meaningful.' The Australian trio's connection to Los Angeles runs even deeper. As they had done in other cities before — setting themselves up for a time in a house in Surrey, England, and then in Berlin — Rüfüs Du Sol spent years of quality time in L.A. after relocating to a mid-century house in Venice. Attached to the home was a garage converted into a professional recording studio, and it's where the band recorded the 2018 album 'Solace.' They remained in that house for a few years, and created a new record label named for their Venice neighborhood street: Rose Avenue Records. 'It was really good,' says Hunt of the setup. 'We could be playing drums at 6 in the morning and no one could hear it.' During that time, the trio also immersed itself in the local culture of Venice. 'It's a hub of so many artists and creatives that it had an exciting energy to it,' says Lindqvist. 'We didn't have many responsibilities outside of the band, so we moved over and it was a really cool experience.' By the time Rüfüs Du Sol got to work on what would become 'Inhale / Exhale,' the members' personal lives had gone through some major changes. They had already given up alcohol together, and now lean into a wellness lifestyle. Then Lindqvist moved to North San Diego County with his wife and young child, while Hunt and George relocated to Miami. That meant their new album was the first to be written and recorded while band members no longer resided in the same city. To reconnect creatively, the trio took several writing trips together for two weeks at a time, traveling to Austin, Texas, L.A. and Ibiza to compose new material. 'There was also an air of uncertainty at the start because we'd never done it before,' says Lindqvist. 'I was definitely nervous and you didn't know how a new record was going to come about being separate, but we obviously love making music, we love working with each other. Those two-week blocks really made it happen.' At the same time that band members scattered to different cities, they also began therapy as a group, at the suggestion of their manager. The 2004 Metallica documentary 'Some Kind of Monster' famously depicts a band struggling through therapy together, with scenes of arguments, slammed doors and much gnashing of teeth, but things were far less dramatic for Rüfüs Du Sol. 'We definitely weren't like that,' George says with a smile. 'We've been able to use it in a really cool way for ourselves to be able to just open up lines of communication and learn better practices. It's an ongoing thing for me personally and for us as a band.' Lindqvist adds, 'We'd been in a band for a lot of years, so there's been a cumulative amount of change and growth between each of us and ruptures and maybe a lack of repairs and resentments that were probably there. We all were aware that there was enough to talk about and work through.' An important step in finalizing the new album came late in the process, when the band gathered with friends and team members for a listening session at Open, the breathing, yoga and meditation studio in Venice. Guests heard the band's newest work-in-progress while wearing blindfolds. From that experience came the album's title, and the sequencing that had the album open with the ethereal, percolating track 'Inhale,' and then close with the hopeful, romantic 'Exhale.' 'Sharing those things is always vulnerable, especially when it's beyond your immediate friends,' says Hunt of revealing new music for the first time. 'So that was a really cool experience for us to hear some of these ideas almost for the first time again.' Five months after rehearsals in Burbank, Hunt and Lindqvist are on a video call from their hotel in Toronto. The band is just days away from a headline performance at Lollapalooza in Chicago, while the Rose Bowl is still looming and just a couple of weeks after that. The 'behemoth' set list has been fine-tuned since the first weeks of the tour. They are ready for Pasadena. Still, playing to ever bigger audiences has been exciting but can also be disorienting. 'Past a certain point, it's kind of hard to fully grasp how many thousands of people difference it is, at least for me,' says Hunt. 'When it comes to the showtime, there is that pressure because there's 20,000 to 30,000 people per night, which we thrive on.' For Lindqvist, the experience is both a natural step for a popular EDM act, and is unimaginably far beyond the band's beginnings in Sydney, when their goal was only to play the 500-capacity local underground venue Oxford Art Factory. 'We'd seen a lot of bands there, so playing there was like the dream,' the singer says wistfully of those early days. 'And then it kept growing. It's definitely surpassed what we had ever imagined.'
