
Eurovision icon Sam Ryder's emotional message to Remember Monday ahead of final
Ahead of Remember Monday's attempt to bring the UK to Eurovision victory once again, former contestant Sam Ryder has given them some words of advice. The singer-songwriter came a hair's breadth from winning the competition in 2022, with his single Space Man.
And with the grand final of this year's massive international music competition just hours away, Sam had a few words of encouragement for the country-pop three-piece. Speaking with Magic Radio presenter Gabby Roslin, he told the girls to "smash it".
Host Gabby asked Sam: "OK, so the girls, how are they gonna be feeling right now?" He replied: "They're gonna be buzzing. I'm sending them all my love and I'm sending every single person that has the nutrients to get on that stage and look down the camera lens at 180m people or something like that."
Sam added: "Yep. All of them are going to be going through the same human emotions that are basically 'what on earth is this? What is happening?' And this is completely the opposite of natural, so yeah, shine completely brightly and remember you're putting on the shirt for your country. So just smash it."
The 35-year-old became the highest-scoring UK entrant, earning the country 466 points with his TikTok hit in 2022. He came second to Ukraine, whose rap-folk act Kalush Orchestra won the vote with 631 points, amid their country's conflict with Russia.
Sam's second place was a welcome turnaround for the UK, which had previously seen a dramatic decline in its Eurovision success. The UK hadn't even had a top 10 spot since Jade Ewen came fifth in 2009. In 2019 and 2021, the UK came last on the scoreboard, coincidentally when 52% of the country voted to leave the EU in the Brexit referendum.
Fans were thrilled with Sam's Eurovision efforts, with Graham Norton saying it was a "fairytale ending to an incredible evening". At the time, Sam told the BBC: "This is the tip of an iceberg. The UK is going to be a force next year. It's gonna be mad."
Despite the UK's high hopes, Remember Monday, made up of Lauren Byrne, Holly-Anne Hull and Charlotte Steele, have been given some disappointing news ahead of the final in Basel tonight. The country-pop trio have been slammed by bookies who say they are more likely to come last than they are to win.
The news will be a huge disappointment to British Eurovision fans, whose dream of a win for the first time in 27 years could be looking unlikely. Hoping to take home the glass microphone trophy - and help to redeem the country's Eurovision reputation - Remember Monday will perform at the 69th Eurovision Song Contest.
Ladbrokes have ranked the act at just 66/1 to take home the trophy tonight, with the odds of them coming in last are just 3/1. The chance of them scoring 'nul points' sits at 12/1.
Having been given an automatic guaranteed place in the final, the trio performed their song What The Hell Just Happened? this week. It got mixed reviews from fans.
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Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Lowther believes more musical theatre hopefuls will turn to social media. In June, it was announced that TikTok star Maddie Grace Jepson, who has 1.9 million followers, will make her West End debut in Back to the Future: The Musical, while Love Island winner Amber Davies (1.2 million followers on Instagram) has since starred in countless shows, including the current run of The Great Gatsby. This is a marked change from the more traditional path actors usually take: many will spend years working their way up through off-West End roles, understudying and attending endless auditions before getting a big break. Today, casting directors and producers increasingly see a strong online following as part of a performer's value: their fans, it is assumed, are a ready-made audience. For some, this is a welcome levelling of the playing field that helps regional or working-class performers who lack industry connections. But there are concerns. If you're expected to perform in an eight-show week, proper training and stamina are essential – and not always something guaranteed by social media popularity. And this all arguably creates a hierarchy of another kind. Actors have spoken out against being asked about their follower count in the smallest non-speaking roles. In 2019, a casting call for a commercial asked actors to have 'more than 5,000 followers on Instagram' went viral, leading to broader criticism in the industry. Everybody's Talking About Jamie star Hayley Tamaddon said she was asked, at the end of a West End audition, about the number of followers she had on X (the role went to someone with 20,000 more followers). Despite her time at drama school, it is clear that it's TikTok that has opened doors for Lowther. She now hosts a theatre podcast, How Very Hannah (the podcast's own TikTok account has more than 52,800 followers) which is going on a UK tour this autumn. 'We play silly games, I give advice to people who send in questions, I chat with guests and try to remove any snootiness around theatre,' she says. That personal audience gives Lowther something many other young actors don't have: leverage. She doesn't have to wait to be cast to engage an audience, promote her work or generate income; she has built her own stage. It's a powerful position. Does creating a public-facing brand ever get in the way of being taken seriously as a stage actor? 'By trade, I am an actress,' she says cautiously, but she reveals that some people in the industry have initially turned up their noses at her influencer life. Why does Lowther think people are so keen to follow her life? She pauses. 'It's a weird one. As cheesy as it is to say, I try to be as authentic as possible … I try to show the lows, the highs and all the bits in between.' Lowther's appeal does seem to be rooted in her honesty. She posts videos of her crying after failed auditions, hosts chats from her dressing room, and answers questions about how much actors really get paid. Part of the draw is that she isn't too flashy or aloof. Her relatability offers other young performers a sense of hope: maybe, if they throw themselves into social media, they could have a career like hers too. Of course, out of the many people who post on TikTok, only a few will end up in the spotlight. Lowther is more than aware of this, and is determined not to fall behind. She still posts regularly on TikTok and feels a responsibility to make content that's honest, joyful and rooted in her love of musical theatre. She has big dreams of being in a movie musical – 'something like the Wicked movie' – but, ultimately, the theatre has her heart. 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