
Huge 301,390-square foot Demon Slayer anime rice paddy art project planned, Tanjiro will be eaten
Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train turned out to have the momentum of a runaway locomotive at the box office. Despite being released during the pandemic, the theatrical anime adaptation of Demon Slayer's Mugen Train arc went on to become the highest-grossing film ever in Japan, bringing in more than 40 billion yen in ticket sales and surpassing Studio Ghibli's Spirited Away and Titanic in the all-time charts.
So suffice it to say that the next Demon Slayer anime movie, subtitled Infinity Castle , is going to be a very big deal when it releases at theaters in Japan this summer. And to gear up for that very big deal, there's some very big Demon Slayer public art planned. However, this gigantic depiction of protagonist Tanjiro isn't going to be an oversized poster or skyscraper projection mapping, and is instead going to be made out of rice.
Yes the town of Gyoda, located about an hour north of downtown Tokyo, has chosen Tanjiro as their muse for the city's annual rice paddy art project. You might be wondering how you turn a rice paddy into art, and the trick is to plant different strains of rice in a carefully determined pattern, based on the color different stalks take on as they grow, so that each one becomes a purposeful part of a mosaic-like whole. It's a technique that lends itself especially well to Tanjiro and his iconic checkerboard-pattern costume, since rice stalks range in color from light green to dark, almost-black brown, like we saw when Gyoda showed off its Dragon Quest rice paddy art a few years back.
Gyoda isn't the only town in Japan that does rice paddy art, but it does have the official Guinness World Record for the largest rice paddy artwork. The exact length and width of the rice Tanjiro haven't been announced, but the organizers say it will cover an area of 28,000 square meters (301,390 square feet), or 2.8 hectares (6.9 acres) if you feel agricultural units are the most appropriate way to measure it.
▼ One of Gyoda's previous rice paddy art projects
The Demon Slayer rice paddy art should reach its most beautiful coloring in late July, right around Infinity Castle's July 18 release date.
▼ An example of a rice paddy art planting map.
As you can probably guess, the precision nature of the planting means that it's not something that can be entrusted to machinery. Rice paddy art has to be planted by hand, and to that end Gyoda is looking for Demon Slayer fans and/or rice enthusiasts interested in volunteering to help. Organizers are seeking a total of 300 people to plant on June 14, gathering at 8:30 a.m. and working until 'the work is finished,' with applications being accepted between now and April 25 online here. There's no pay or participation expense involved, but you will get a sack of rice mailed to you in December after the rice is harvested, making this an opportunity to not only make anime rice art, but to eat it too.
Just make sure you double-check the spelling if you end up working on part of the project's text.
Source: Gyoda City via Japaaan
Top image: Gyoda City
Insert images: Gyoda City, SoraNews24
● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Nikkei Asia
2 days ago
- Nikkei Asia
Used ethically, AI can open doors for indie film creators
Studio Ghibli's Kenichi Yoda displays a T-shirt of the animated film "The Boy and the Heron" alongside Goro Miyazaki at the 77th Cannes Film Festival in Cannes, France, on May 20, 2024. The film was directed by Goro's father, Hayao Miyazaki, who has been critical of AI-generated animation. © Reuters Riki Ohkanda is an award-winning TV and film director based in Tokyo. Some of her notable works include "Aibo," "Sugar Sugar Honey" and "Chin Ton Shan." Ohkanda's projects focus on Japanese arts within a historical and sociological perspective. Her current film in production is about the role of sake in creating modern culture.


Japan Today
3 days ago
- Japan Today
There are now zero Japanese live-action films in the country's top 10 highest earning movies, but why?
By Casey Baseel, SoraNews24 You could be forgiven for not being sure just how big of a hit "Demon Slayer: Kimetsu no Yaiba–The Movie: Infinity Castle" was going to be. Yes, the last "Demon Slayer" theatrical anime, 2020's "Mugen Train," is the highest-grossing movie ever at Japanese theaters, but it owes part of its it status to the pop cultural phenomenon momentum it built up as it approached the record, and its mid-pandemic release meant it didn't have a lot of competition at the time, either in movies specifically or entertainment options in general. Also, while "Mugen Train" itself debuted a few months after the "Demon Slayer" manga finished, it's now been more than five years since the source material concluded, and in the meantime the hype around the series had quieted down a fair bit. But "Infinity Castle," which premiered in Japanese theaters on July 18, has turned out to be an undeniable smash hit. It's broken both Japan's all-time opening day and single-day box office records, and took only 8 days to surpass 10 billion yen, also a Japanese record. After just 17 days, it's total earnings reached approximately 17.64 billion yen, and "Infinity Castle" has now ascended into the top 10 highest-grossing movies ever in Japan. ▼ Preview video for "Infinity Castle" In reaching the top 10, "Infinity Castle" has pushed 2003's "Bayside Shakedown 2," part of the "Odoru Daisosasen" franchise, down to number 11 on the list. "Bayside Shakedown 2" is a police story, but more significantly, it's a live-action film, and it was the final Japanese live-action movie in the top 10 earners at Japanese theaters. With "Infinity Castle" now taking its place, the 10 highest-grossing movies at Japanese theaters are all either anime or foreign films. Since "Infinity Train" still sits atop the list, "Demon Slayer" now commands 1/5 of the top 10 list, Studio Ghibli accounts for another 30 percent, and the "One Piece" franchise and director Makoto Shinkai each one representative too. Disney also has a spot, and the remaining two movies, both non-Japanese productions, are "Titanic" and the first "Harry Potter." ● Highest-grossing films at Japanese box office "Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train": 40.75 billion yen "Spirited Away": 31.68 billion yen "Titanic": 27.77 billion yen "Frozen": 25.5 billion yen "Your Name": 25.17 billion yen "One Piece Film: Red": 20.34 billion yen "Harry Potter and the Philosopher's Stone": 20.3 billion yen "Princess Mononoke": 19.7 billion yen "Howl's Moving Castle": 19.6 billion yen "Demon Slayer: Kimetsu no Yaiba–The Movie: Infinity Castle": 17.64 billion yen Not only are there no longer any Japanese live-action movies in the top 10, there are only three in to the top 50: "Bayside Shakedown 2" at number 11, 1983's "Antarctica" at number 38, and the original "Bayside Shakedown" movie, from 1998, at number 47. Filtering out the non-Japanese films in the top 50 leaves 21 Japanese productions, with anime occupying all of the top 7 spots and 17 of the top 19, with the first "Bayside Shakedown" bringing up the rear. ▼ It's also worth noting that though "Antarctica" (titled Nankyoku Monogatari in Japanese) is live-action, in the eyes of many Japanese fans it's the dogs that are the real stars of the picture, not the humans. The lack of domestically made live-action works amongst the top 10 highest-grossing movies in Japan isn't necessarily a sign that Japan has no interest in the format, so much as a reflection of market and societal conditions that make it difficult for Japan to produce live-action blockbusters or epics. In the modern era, Japanese moviegoers have never had any widespread aversion to foreign films, and the difference in market sizes mean that Japan's live-action movie industry generally can't compete with Hollywood studios in terms of budgets and production values in crafting fantasy realms or sci-fi worlds for live-action movies. As for grounded movies set in the present day, Japan's low crime levels and generally peaceful, stable day-to-day life don't lend themselves to thrilling action and suspense. Pumping out big-screen spectacles, the sorts of movies that pull in record-setting-size crowds, is a tall order for Japanese live-action studios, and so creators and producers looking to make blockbusters generally turn to the anime format instead. In contrast, live-action studios more commonly focus on lower-key character-driven stories, which often bring in more modestly sized audiences. It's also interesting to note that of the top 10 highest earners at Japanese theaters, nine of them are fantasy movies, with "Titanic" the only outlier. Meanwhile, the top 10 list for theaters in the U.S. and Canada is dominated by the science-fiction genre (assuming we include superhero movies in the category), with four Marvel movies, two from the "Avatar" franchise, one each from "Star Wars" and "Jurassic Park," and the list rounded out by "Top Gun: Maverick" and "Titanic," the latter being the only movie on both the Japan and U.S./Canada lists. It remains to be seen if "Infinity Castle" will have the legs to pass "Mugen Train," but it's already selling tickets as a faster pace than the previous "Demon Slayer" did, and it just might end up becoming Japan's biggest movie ever. Source: Oricon News via Livedoor News via Jin Read more stories from SoraNews24. -- Demon Slayer: Kimetsu no Yaiba is 'jacking' everyone's seat at the movies in Japan -- Demon Slayer Mugen Train about to do something no Japanese movie has done in U.S. in over 20 years -- Demon Slayer breaks Spirited Away's record, becomes number-one movie of all time in Japan External Link © SoraNews24


SoraNews24
3 days ago
- SoraNews24
Studio Ghibli produces first-ever commercial for company it's been working with for 31 years【Video】
Cofounder Toshio Suzuki, animation director of The Boy and the Heron create cozy anime short for a company that's all about making cozy textiles. The company Marushin was founded in Nagoya in 1966, and they've been quietly making towels ever since. I say 'quietly' because even though they've been in business for almost 60 years, until now Marushin has never had a commercial. So you might expect that for their very first foray into the field, Marushin would go with something simple and low-key, and yes, that's very much the tone of their commercial. As a matter of fact, it wasn't even produced by an advertising agency, although that probably has less to do with Marushin's lack of experience working with ad execs, and more to do with the fact that none other than Studio Ghibli animated the commercial for them. Set to a tender piece of piano music, the video starts with an adorable dog taking a nap atop a folded towel. Another piece of terrycloth comes drifting by in the breeze, and as it catches a stronger gust of wind, it transforms into a series of animals and vehicles, each animated with simple lines but the distinct expressiveness and attention to detail that Ghibli's anime artists always put into depictions of both the natural and mechanical worlds. The pup gives chase, and when he finally catches up to the towel, the narrator, rakugo performer and radio personality Hakuzan Kanda, intones 'The dog looks to the west and his tail points to the east. Make your towels Marushin.' ▼ An especially charming touch is that instead of a plain white background, the animation is layered over a towel texture. Producing the video wasn't a task that Studio Ghibli project that Studio Ghibli shuffled off onto some third-string staff members, either. The video's concept comes from veteran producer Toshio Suzuki, one of Ghibli's original cofounders, and serving as animation director was Takeshi Honda, character designer for Ghibli's most recent theatrical anime, The Boy and the Heron, as well as the Hayao Miyazaki-directed anime short Boro the Caterpillar. Honda's resume also includes animation direction for two of the Rebuild of Evangelion movies and key animation credits for multiple Ghibli films, plus classic anime franchises such as Bubblegum Crisis and Fatal Fury. The video's music, meanwhile, comes courtesy of award-winning pianist Hayato Sumino. ▼ A shorter version of the video But how did Marushin convince Japan's most prestigious anime studio to make a commercial for them? Because the two already have a working relationship. Those beautiful towels they have at Ghibli specialty store Donguri Kyowakoku, like the ones of Totoro gazing up at the moon or featuring Princess Mononoke's Forest Spirit? They're made by Marushin, who's been producing Ghibli artwork towels since 1994, and whose Nagoya head office isn't far from the Ghibli Park theme park in Aichi Prefecture. So after years of Marushin making soft and fluffy towels for Ghibli, it makes sense that Ghibli would be the ones to make such a cozy commercial for Marushin. Source, images: Marushin ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!