Mermaiding magic offers a playful escape
The tails - fabric and silicone, purple and gold, some dotted with sequins or lined with seashells - swaddled the lower bodies of the swimmers, adorned with seashell crowns and necklaces, bright blue wigs and colorful streams of tinsel flowing through their hair.
In a suburban Maryland swimming pool, amid scuba divers practicing with oxygen tanks and young children wearing floaties while holding paddle boards, more than a dozen technicolored mermaid tails glittered through the surface in the nine-foot deep end.
In an era of escalating stress where live action role-playing and other forms of cosplay are a popular escape, mermaiding is gaining popularity in the area.
Although there is no official census, the mermaids of the Washington area estimate that they have the second-highest population in the country, behind Florida. In 2023, their community was featured heavily in the Netflix docuseries 'MerPeople,' which focused on several aspiring mermaids' volatile journeys to earn admittance into elite pods, such as the Circus Siren Pod in Laurel, Maryland.
'Living here is fast; everything is fast. There's traffic. There's so many people, and it feels so suffocating sometimes,' said Montara Hewgill, a Gaithersburg resident who does supply-chain work for a company that makes space equipment. 'But, to escape into something magical, anything as far from this reality as you can, feels really nice, even if it's just for a couple of hours.'
Amid an era of escalating stress in which live-action role-playing and other forms of cosplay are a popular escape, 'mermaiding' is spreading through the Washington region - its lure attracting merfolk who are either looking for a unique form of exercise, a deep sense of community or something to take them out of their everyday human lives.
They then swam in pairs from one end of the Merritt Clubs swimming pool in Eldersburg to the other while a photographer filmed underwater, their fluttering tails creating what looked like an underwater kaleidoscope.
The Metro MerFolk group, which was founded in 2017 and now has nearly 1,000 members, includes women, men and nonbinary people who enjoy getting together to swim as 'a pod' at pools across the D.C. region.
Colleen McCartney, a.k.a. the Celtic Siren, created the Facebook group after being wonderstruck by a pod of mermaid performers at a fantasy convention. She decided to shimmy into a tail and see what it was like. Soon, once she located some pools willing to let swimmers wear tails, she started hosting weekly meetups with a friend.
A few months later, McCartney, who runs a marketing agency, founded a convention known as MerMagic Con for the budding community of mermaids to keep the momentum going.
'It was just creating space for people to have fun,' McCartney said. 'There's also a lot of people who needed a place to feel accepted, whether they were neurodivergent or they were the alphabet mafia, the LGBTQIA - finding a place that you can let your guard down and actually get in touch with your inner child and play. That's not a space that exists very often.'
The group quickly became a refuge from the stressors of work and other aspects of everyday life for dancers, swimmers, government workers, military spouses and parents. For a few hours a week, they could slip on their 'mersona,' take some 'shellfies' with friends and let their creativity flow just for the sake of the enjoyment of playing.
But some are also professional mermaids. For example, Hewgill runs the Sugar Sirens pod, whose 13 members perform at Renaissance festivals and events across the mid-Atlantic.
Those in the community suspect that the D.C. region's pressure-cooker environment and number of residents with enough disposable income to spend on tails that can cost several thousand dollars contribute to the popularity of mermaiding so far from the ocean.
Leigh Targaryen, a member of the Circus Siren Pod who lives in Elkton, Maryland, and works as a dance costume designer and dance teacher, said the allure is intangible.
'There's no other way to describe it other than euphoric,' said Targaryen, who legally changed her last name about 15 years ago to that of the 'Game of Thrones' royal family and also goes by SeaLeigh the Blue Dragon Mer (age: 878).
For professional mermaids such as Targaryen and Hewgill, who goes by Mermaid Montara, the meetups provide a welcome reprieve from the physically and financially taxing life of a professional mermaid.
At meetups, they're not worrying about evading hypothermia in enormous fish tanks full of frigid water that stings their eyes. They're also not stressing over making the next payment for their specialized insurance covering dangerous performance-oriented jobs, which can range from about $350 to $600 a year. Or, navigating a difficult economy in which event hosts are becoming hesitant to spring for 'luxury' features such as mermaid performers, Hewgill said.
At the meetups, all they have to do is play, she said.
'Playing - it keeps the magic alive. It keeps us young. It's one of the things that makes life worth living,' Hewgill said.
And for nonprofessional mermaids such as Emerick, it's just a chance to shed any artifice used to get through the real world and transform - through costume, fins, makeup, hair and nails - into something that feels more authentic.
'It's one place that I feel comfortable in my own - would you say skin, or in my own scales?' said Emerick, an organizer for Metro MerFolk who described her occupation as a technical writer for the federal government, without providing specifics. 'You can don that persona that you, maybe in your everyday life, do not feel as comfortable doing, whether you want to be more of a sultry siren or if you want to be a bubbly mermaid. You get to explore those different things.'
At the Merritt Clubs pool in Eldersburg, Emerick called out to the group.
'Hey, everyone, we're going to take a 'shellfie' really quick,' she said as she sidled onto the pool deck in her tail and lifted herself onto her knees.
Mermaids gathered behind her and smiled for the photo before breaking back into smaller groups, doing flips underwater, helping one another unfasten corsets decorated with images of octopus tentacles and swimming, hand in hand underwater, toward the shallow end.
As the sunlight danced on the pool's rippling surface and off their brightly colored scales, they shimmered.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

IOL News
3 hours ago
- IOL News
Grief meets grit in 'Untamed', a taut and emotional thriller helmed by Eric Bana
Eric Bana as Kyle Turner in 'Untamed'. Image: Ricardo Hubbs/Netflix © 2025 Eric Bana's absence from the TV landscape is over; he's back, helming Netflix's mystery thriller 'Untamed'. Through his role as Kyle Turner, a National Park Service Investigative Services Branch (ISB) special agent at Yosemite National Park, he proves why he is revered as one of Hollywood's finest actors. The six-part series takes viewers on an emotional rollercoaster with its characters navigating a delicate balancing act between their personal demons and professional responsibilities. Set in Yosemite National Park, it homes in on the investigators looking into a murder, with their work cut out for them as they face political pressure within their ranks. The series opens with Kyle enjoying some downtime with his son Caleb until it is cut short by a call about a young woman's body being found. Rushing to the scene, Kyle's examination of the area and the body leads him to believe there was foul play involved, much to the frustration of the park's rangers, who believe that she fell to her death after being attacked by an animal. However, Kyle is determined to prove that the case is anything but cut-and-dried, and he gets rookie ranger Naya Vasquez (Lily Santiago) to assist him. A single mother, looking to put down new roots by escaping her abusive ex, Naya welcomes the opportunity. The writers cement the character's strength and vulnerability early on. Eric Bana as Kyle Turner and Lily Santiago as Naya Vasquez in 'Untamed'. Image: Ricardo Hubbs/Netflix © 2025 It is quickly established that Caleb isn't alive and that Kyle, since his son's passing six years ago, has been turning to the bottle to numb his pain. His mentor and friend, Paul Souter (Sam Neill), who is the chief park ranger, has shielded him from any flak during this time. His soft spot for Kyle doesn't go unnoticed by the other staff members, especially Lawrence Hamilton (Joe Holt), the park superintendent, who wants the case put to bed to avoid further public damage. Kyle's investigation stirs a hornet's nest as he tries to find out the victim's identity and more about her past. It makes a lot of people wary, including some of the squatters in the park who become suspects, and those secretly working for an illegal drug operation, which links to Shane Maguire (Wilson Bethel), a wildlife management officer and former army ranger. The rugged yet peaceful backdrop of the series exemplifies the atmosphere and mood of the series. Kyle's unruly attitude is underpinned by honourable intentions. The case, in a strange way, saves him from himself. His ex-wife, Jill Bodwin (Rosemarie DeWitt), is also grappling with the loss of their son and is consumed by guilt over a rash decision she made several years ago. Sam Neill as Paul Souter and Eric Bana as Kyle Turner in 'Untamed'. Image: Ricardo Hubbs/Netflix © 2025 Neill's character brings calm to the chaos. His composed and protective nature is endearing. Fans of the sci-fi 'Le Brea' will recall Santiago, who starred in all three seasons. An industry newcomer, she holds her own against Bana, who is truly a marvel to watch. Although his character, Kyle, appears to be a solitary and unpleasant individual, he acts quite differently with Naya. He displays a protective side towards her, which is connected to her being a single mother. The writers have done well in developing the characters while maintaining a sense of mystery throughout the series. 'Untamed' is a raw and emotional journey through family, love, grief and duty - all seen through the complicated lens of violence, heartache and regret. Rating: *** solid and enjoyable, though not groundbreaking. Below are worthy offerings in a similar vein: 'The Waterfront' In this Netflix crime drama, which gives you Ozark vibes, the prominent Buckley family find their lives derailed by their attempts to save their North Carolina fishing empire and restaurant from shutting down. Their questionable associations with corrupt officials and a ruthless drug crime boss upend their lives. The stellar cast, compelling script and deft direction will leave you hooked from start to finish. 'Mare of Easttown' This Showmax whodunit centres on a detective from Pennsylvania, who tries her best to prevent her life from falling apart while investigating a mysterious murder. This series is helmed by Kate Winslet, delivering a compelling performance as the fallible lead.


Mail & Guardian
5 hours ago
- Mail & Guardian
In Akin Omotoso's Marked, crime becomes the only cure
Making their mark: Scenes from the new Netflix series Marked, directed by Akin Omotoso. Picture: Netflix In about 2006, SABC 1's A Place Called Home was my introduction to Akin Omotoso's sensitive eye for creating drama on screen. At that time, a few other emerging African filmmakers were also exploring cinematic creativity in shows like Gazlam, Tsha Tsha, Intersexions and Yizo Yizo. Drawing on his illustrious career, Omotoso returns to the Netflix sphere with the gripping six-part heist series Marked, which is layered with themes of moral dilemma, motherhood and corruption. The series follows cash-in-transit security guard Babalwa, played by Lerato Mvelase, a woman cornered by circumstances who is fighting to protect what matters most — her daughter's life. Living with a life-threatening condition, her illness takes a turn for the worse. With no medical aid, no savings and no lifeline in sight, desperation takes hold and what begins with quiet prayers and small loans soon escalates into an uneasy alliance with criminal gangs and desperate church members. For filmmakers to explore a weighty social topic, the choice of genre is essential. The artistic vehicle to examine such themes could be comedy — or even horror. Omotoso and his team chose the heist genre to explore their misgivings about the South African healthcare system. 'Marked was inspired by a genuine concern. As it stands, there are over 30 000 people on waiting lists for life-saving surgeries. And a lot of them end up passing away without getting any help,' he says. 'The idea of waiting for salvation that never comes is heartbreaking, so we decided to dramatise this and take the audience on a journey.' Commanding cast and action scenes In the series, which was shot over a period of three months, Omotoso takes viewers on a thrilling journey with a commanding cast. Some of South Africa's most celebrated screen icons, including Bonko Khoza, Jerry Mofokeng, Mduduzi Mabaso and S'Dumo Mtshali keep audiences on edge of their couches from the first episode. Alongside casting director Ayanda Sithebe, Omotoso speaks with pride about the ensemble cast which is gracing global screens. 'The cast's ability to bring to life characters that are complex and nuanced, where everyone has a backstory and no one is either an angel or pure evil, was a blessing to witness.' Instead of the typical male lead most heist shows have, Marked flips the script to give us a female lead. Exploring universal themes of motherhood, religion and the effects of crime on a community, Omotoso says Mvelase was perfect in the role of Babalwa. 'We see the show through her eyes and Lerato takes us on a roller coaster of emotions as Babalwa wrestles with her decisions and choices. It's amazing to witness.' The star-studded cast is balanced with the massive explosions, stunts and gunshots scenes synonymous with any heist show. Besides blown up bank vaults and outrageous demands, Marked delivers the roar of automatic rifles and toppling of armoured vehicles in broad daylight. Along with my own star-struck moment — getting to interview one of my favourite African film directors — Omotoso's dream of working with stunt coordinator Oliver Bailey was also fulfilled. Like any great heist job, Omotoso and Bailey took time to effectively plan and execute shooting the action scenes on the streets of Joburg. 'The major action sequences were shot over a series of weeks and the fight sequences were rehearsed for weeks before we shot. We were incredibly blessed and we look forward to the audience experiencing and enjoying the action.' Heist genre in South Africa One can't discuss heist films without mentioning the classics: Heat, Italian Job, Spike Lee's Inside Man and Netflix's popular Money Heist franchise. Marked adds to the lean examples of the genre in South African film and television, joining the likes of iNumber Number, Big Nunu's Little Heist and Charlie Vundla's How to Steal 2 Million. Marked's focus on cash-in-transit heists echoes Soon Comes Night — a series based on real events, following fictional freedom-fighter-turned-heist-king Alex Shabane. 'As a team, we immersed ourselves in the heist genre by watching 60 heist films. 'We were inspired by the story we wanted to tell, so we wanted to honour it every day we worked on it.' Omotoso says. He adds that it was important for the team to pay homage to the genre — aligned with their own creative perspectives. 'From the wonderful writing team led by Sydney Dire, to the director of photography Fahema Hendricks and the production designer Marna Heunis, and all the departments, we came together to create this story. It was a beautiful process.' Marked by moral grey zones Given that South Africa is one of the most unequal societies in the world, Marked offers local audiences a moral conundrum. I wondered if the series — as entertaining as it is — might inspire those in desperate situations to turn to crime for salvation. The bottom half of working adults in South Africa earn roughly R12 300 a year, the top 10% earn more than 60 times that at around R780 300, according to the 2022 World Inequality Report. The top 10% in South Africa, it states, earn more than 65% of the total national income and the bottom 50% just 5.3% of the total. In light of these economic inequalities — and subsequent disproportionate access to critical health services — for some, this might encourage criminal solutions to alleviate financial pressure. Balalwa and company's choices are a case in point. Like many women across the country, she is trapped by her circumstances, fighting to save her daughter. But as the pressure mounts, the line between right and necessity begins to blur. Sure, there could have been other ways to raise capital, as witnessed in the first episode when Babalwa asks her wealthy employer to help — but to no avail. Regarding people in Babalwa's situation, do we excuse criminal acts due their righteous reasoning or do we condemn them? The series also poses questions about faith. How grounded in faith does one have to be before losing hope and turning to dangerous alternatives? The final episode, for instance, makes us wonder if perhaps we are too impatient in our faith as praying warriors. With a star-studded cast and talented crew, Omotoso's immaculate cinematic eye delivers a raw and emotionally charged six-part crime drama, taking viewers into a world of moral grey zones and high-stakes schemes, where compelling characters put everything they believe on the line.

TimesLIVE
10 hours ago
- TimesLIVE
Junior Video Producers: Arena Broadcast
Position: Junior Video Producer x2 Reporting to: Executive Producers Department: Arena Broadcast (The Home Channel and Ignition TV) Position type: One year contract Location: Johannesburg If lifestyle content is your passion and you have at least one year of video creation experience, this is your opportunity to join a dynamic, creative team where growth and fresh opportunities await. Main Responsibilities Direct and produce inserts Write scripts Come up with great stories ideas Be able to edit on Adobe Premier Required to create and repackage content for our Instagram, Facebook and YouTube platforms Stay abreast with industry trends, audience preferences, and emerging technologies to innovate good content Skills and experience Personal skills Attention to detail Well organised Enthusiastic Creative Team orientated Excellent English with other language skills and can-do attitude Requirements Tertiary qualification in media or related field Versatile show reel and a valid driver's licence required The closing date is: 18 August 2025