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Tommy Wirkola Returning to Direct ‘Violent Night 2' (Exclusive)

Tommy Wirkola Returning to Direct ‘Violent Night 2' (Exclusive)

Yahooa day ago

Tommy Wirkola is back in the sleigh for Violent Night 2, the sequel to its Christmas-themed action movie released in 2022, sources tell The Hollywood Reporter.
The studio on Wednesday dated the sequel for a Dec. 4, 2026 unwrapping.
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David Harbour is back as the icepick-stabbing, skate-slashing Santa Claus, who in the first movie was a bitter drunk headed towards turning back on the holiday until a little girl shows him the light.
It's unclear if his lucidity will remain intact for the second outing. Also unclear is if the new story will include Mrs. Claus, briefly mention in the first movie. Universal is eying a September start of production in Winnipeg.
Kelly McCormick and David Leitch of 87North are back as producers as are screenwriting team Pat Casey and Josh Miller.
Violent Night proved to be a solid hit, gifting the studio a $50 million domestic haul on a budget of around $20 million. It took in an additional $25.9 million from international markets.
Wirkola's previous credits include the Norwegian horror hit Dead Snow and relationship action comedy The Trip.
In 2022, the filmmaker told The Hollywood Reporter he and the writers were already talking of a sequel that could incorporate ideas they couldn't fit into the first movie. 'We don't see the North Pole, we don't see Mrs. Claus and we don't see the elves,' Wirkola said. 'There were also a few ideas that we loved in the script, but we had to cut them because we couldn't afford to shoot them.'
Wirkola is repped by CAA and Untitled Entertainment.
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USA Today

time4 hours ago

  • USA Today

'HBD, 'Jaws': You're 50! How to watch special TV presentation with Steven Spielberg

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‘Andy Kaufman Is Me' Review: Solid but Unrevelatory Doc Uses Puppetry to Tackle the Iconic Comic

Yahoo

time5 hours ago

  • Yahoo

‘Andy Kaufman Is Me' Review: Solid but Unrevelatory Doc Uses Puppetry to Tackle the Iconic Comic

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Tweel's point of entry is Kaufman's semi-autobiographical novel The Huey Williams Story, seeds of which feature heavily in the 84 hours of personal tapes the director was able to acquire. The book was published as a work-in-progress by his brother in 1999, but Tweel treats it as a snapshot into Kaufman's brain, one that can only be captured through puppetry by the Bob Baker Marionette Theater. The use of dead-eyed versions of Kaufman and Clifton is suitably eerie and alienating, suggesting that the best way to learn the truth about Andy Kaufman might be to view him through another artificial and fictional remove. The puppetry is whimsical and creepy, connecting well with the ABC special in which Kaufman met Howdy Doody, a pure and beautiful moment that both recent documentaries correctly assess as a mid-career Rosetta Stone. It's a worthwhile aesthetic swing for Tweel to take, but I'm not sure the attempt to give Andy Kaufman Is Me a four-act structure that semi-mirrors the hero's journey in the book adds much, and it never becomes as confrontationally surreal as Kaufman's writing clearly aspired to be. It isn't like Tweel is fully committed to the puppetry and structure anyway. At some point, the documentary just pauses its forward momentum to let people like David Letterman (another executive producer here), Eric Andre and Tim Heidecker explain why Andy Kaufman was influential, which is both completely accurate and completely self-evident in this context. I will never object to spending 100 minutes remembering Kaufman's defining sketches and marveling at the ambitions that his death left unfulfilled. It's time, though, for documentarians to take a break from offering interpretations of Kaufman's life that claim to be unprecedented — at least until one truly is. 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