Travis Scott and Cactus Jack officially announce 'JACKBOYS 2' with exciting teaser
Travis Scott is officially in album mode, and fans are getting more than they expected—confirmation of JACKBOYS 2. The highly anticipated sequel to his 2019 collective album has now been teased with a striking announcement.
Projected onto the side of a building, bold text flashed in a jittery pattern, reading: "JACKBOYS 2 is on the way." Accompanied by audio booming over the speakers with the phrase, "What the fck is we doing?"* the teaser has set the internet ablaze.
Scott's JACKBOYS imprint, featuring Don Toliver, Sheck Wes, and SoFaygo, dominated the charts with their self-titled compilation, becoming the first No. 1 album of the 2020s. Now, fans are eager to see how the group's sound has evolved over five years.
This isn't the first time Scott has hinted at a sequel. During his 2024 performance at Lyrical Lemonade Summer Smash, he gave credit to his labelmates, saying: "I'm nothing without Sheck Wes, I'm nothing without Don Toliver, I'm nothing without SoFaygo… We've been thinking about doing a 'JACKBOYS 2'."
Don Toliver also fueled speculation earlier this year by reposting the original JACKBOYS trailer on Instagram, leading fans to believe an announcement was near. Months later, Scott has finally delivered.
With his recent statement about pushing the boundaries of hip-hop, JACKBOYS 2 could mark another sonic evolution for the collective. Now, all eyes are on Scott and his team as fans anticipate the next chapter of JACKBOYS' reign.
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Express Tribune
2 hours ago
- Express Tribune
The fall of Bollywood's conscience
In the great theatre of the subcontinent, many roles are played. The diplomat with his pocket square, ever so cautious, so vary of his words; the journalist with his war drum baritone and breaking news ticker; the general adorned in ranks, with his maps, military insights and strategically placed metaphors. But perhaps the most watched performers, the ones that garner the most eyeballs, are the stars, the celebrities, the legends of celluloid — those silken, sculpted, social-media-verified wonders of Indian cinema, who, in times of tension, often hold more sway over the hearts of their fans than even actual heads of state. So, when the most recent diplomatic domino between Pakistan and India began to fall, sparked by a tragic incident in Kashmir and snowballing into a full-blown chest-thumping war mongering chaos, eyes obviously turned to the borders. For the latest updates and bulletins, eyes turned to the news. And for everything in between, they turned to mobile screens. While the news cycle monopolised missile updates and water cooler conversations stoked further trepidation, it was on social media, Facebook and Instagram pages, and Threads of the world that we witnessed, some with a shrug and others with resignation, a curtain fall. The fanfare of nationalist fervour is nothing new. We have seen it before — during surgical strikes, border standoffs, even high-stake cricket matches. But this time, it felt different. The air itself had a simmering quality to it. This time, it was the power corridors of Bollywood that stood in a staunch and ignoble salute. Fan favourite stars from the lauded Bollywood pantheon, like Akshay Kumar, whose recent filmography reads like a defence ministry-sponsored resume, wasted no time. His message was swift: unwavering support for the Indian response, patriotic hashtags, and a pixel-perfect picture of the tri-coloured flag. Quick on his heels was the ever-so-predictable Kangana Ranaut, Bollywood's resident Rottweiler of righteousness. Never known for subtlety, Ms Ranaut deemed it appropriate to post that Pakistan was a 'terrorist nation' and called for the 'cleansing' of traitors. 'These [insert PC term for insects known for their signature infestations and filth] should be nuked' she said. And in doing so India will actually be doing the entire world a huge favour. Even the usually discreet monoliths — Hrithik Roshan, Ajay Devgan, and Shahid Kapoor chimed in with near-identical messages support for the armed forces, for the government, for decisive action. A methodical barrage of copy-paste nationalism. Who would have thought that the modern face of digital diplomacy could be achieved in 280 characters or less? Citizens of a proud nation simply supporting their sovereign nation? That wasn't jarring really. Why would anyone assume otherwise? Why wouldn't the slumbering nationalism be kindled by the horns of war? But what truly unsettled fans, particularly across this side of the border, was how quickly this nuance petered out. And in that silence, there seemed to be no room for peace, no space for reflection. The world's biggest democracy was suddenly rendered to be nothing more than an echo chamber. Perhaps the most painful silence was from those who once told stories that made these very borders blur. Alia Bhatt, beloved on both sides of the Wagah gate, posted a vaguely-worded graphic: 'Strength. Solidarity. Resilience.' It was the PR version of nodding solemnly and exiting stage left. And then there was the illustrious Karan Johar whose popularity spikes are the bread and butter of the expat South Asian demographic (in its gargantuan entirety) posted an Indian flag. No caption, no context. Just 'vibes'. A hard one to reconcile was the bard of Bollywood, Javed Akhtar, also known as the poet of peace and author of anthems. The same man whose verses once melted hostility into harmony, proclaimed 'I'd rather go to jahannum (hell) than go to Pakistan'. Not a great commendation for his own nation in which he currently was, observed one keen eyed netizen. For Pakistani fans, this was nothing short of watching your favourite uncle suddenly flip the dining table during Eid lunch. Praise be, all was not lost. Amidst this morbid uniformity, a few voices of dissent also joined in on the chorus; one such unexpectedly (but most welcomingly) from Sonakshi Sinha. While others laced up their patriotic boots, she dared to 'run amok' on Instagram. 'The Indian media has lost the plot. This isn't journalism, it's dangerous fiction.' No flags. No warmongering. Not a battle cry. Just a slice of honesty. A whisper in fact. Of course, Ms Sinha was swiftly trolled, memed, accused of being 'anti-national,' and told to go to Pakistan (a favourite insult, it seems, for anyone who suggested peace in that time). But she reminded us of something crucial: bravery isn't always about standing tall. Sometimes, it can just be about not sitting down when everyone else has. While India's celebrity class was actively engaged in staging their synchronised salute, the world also had the pleasure (read titillation) of tuning into a very different performance, one that took place on Piers Morgan Uncensored. There, sat across from each other, were Barkha Dutt and Hina Rabbani Khar. One Indian. One Pakistani. One a journalist. One a former foreign minister. Both articulate, accomplished women; razor-sharp, and blessedly allergic to nonsense. Khar, with her characteristic calm and poise, spoke of nuance, context, and the inherent dangers of nationalist hysteria. Barkha, no stranger to war reporting, put on a grand show, pushing back at every notch she possibly could. For a brief moment outside the 'theatricality', the screens became a classroom. One where nobody yelled 'Jai ABC' or 'Death to XYZ', and everyone simply listened. What a contrast to Instagram's red carpets of conformity it truly was. For Pakistanis, Indian cinema has been primarily for entertainment, but additionally, it has also been a companion. A cultural mirror that everyone in the south Asian region can glom onto seeking valid representation and actually 'be seen' by the rest of the world. Bollywood to Pakistanis has been a secret rebellion against political bitterness. From DDLJ and Devdas posters adorning every other inner-city salon in major urban locales to Arijit Singh, Shreya Ghoshal and Diljit Dosanjh being played at almost every wedding function and celebration, Bollywood has always held an intimate and fortified place in our hearts. It is reasonable then that this moment in history did not go over too well with the Pakistani audience. It felt much like, to perhaps the uninitiated, being ghosted by someone who you had once loved unconditionally. To see your once revered icons tweet in unison about severe military action against your homeland with such brazen callousness was unmistakably heartbreaking. Especially when you factor in how the majority of it all actually appeared performative — as opposed to genuine patriotism. And what of the audiences who always consumed Indian cinema with rose-tinted nostalgia? Many now found themselves confused, disappointed, and quietly (but profoundly) wounded. It wasn't just that stars didn't advocate for peace, it was that they didn't seem to care really. No acknowledgement of the mutual love they received across the border. No reminder that their music was the soundtrack of Pakistani childhoods, their dialogues recited in college hallways. Instead, silence. And silence, when given a platform, can be very, very loud. Why did this happen? Why didn't more stars speak out for peace? Well, it's not just about courage. It is also about contracts. Since 2014, Indian cinema has become increasingly aligned with the political establishment du jour. Films like The Kashmir Files are tax-exempt. Directors with the 'right' politics get easier approvals, cheaper insurance, state PR. Meanwhile, those with inconvenient opinions get labelled 'urban naxals' or 'tukde tukde gang.' Ask Deepika Padukone, who showed up at a student protest in 2020. She said nothing, just stood there. But that silence cost her millions in brand deals and led to calls for a boycott of her film. The writing on the wall was quite clear: dare to speak against the tide, and you shall be made to disappear. Even the once mighty and untouchable Khans, Shah Rukh, Salman, Aamir, have faced the wrath of their fanatical home-grown audience, and have been left with no choice but to play it safe and stay 'mum'. Not long ago, SRK's son was jailed under suspicious circumstances with King Khan jolting from lawyers' chambers to police stations as an inconsequential and lowly civilian. Aamir was attacked for his wife's comments on rising intolerance and his movie 'Laal Singh Chadda' was massacred in the box office for his alleged (and somewhat imagined) anti-state rhetoric. Even Salman who has always kept his alliances clear has become a prisoner of the gallows, living in anguish under the ever-looming threat of the Bishnoi gang. We know, we understand and feel empathy for these stars. But not all was lost. Anurag Kashyap, never one to bow, tweeted cryptically about how 'conformity is not the same as unity.' Another personality, often chastised for her exceptionally 'woke' stances, Swara Bhasker shared an article on the need for empathy, adding: 'Peace isn't weakness. Hate isn't strength.' These voices were barely audible, drowned out by hashtags and hyperbole. But they mattered. Because resistance doesn't always come with fireworks. Sometimes, it just comes with a spine. This could have been a moment. A cinematic plot twist. Imagine if Shah Rukh had posted a throwback clip from Main Hoon Na. Or if Madhuri had tweeted 'Peace is patriotic.' If Priety Zinta had only quoted a line from her famous Veer Zaara song 'Aisa Des Hai Mera'. If Ranveer Singh had just... danced it out? But no. All we got brand-safe statements, media-managed mentions, and a whole lot of silence. What a story it could have been. What a script we missed. There was a time when Indian films imagined a better world. When screenwriters flirted with forbidden love across borders, when a song could soften suspicion, and when a poem could become protest. Today, those scripts are shelved, their authors quiet, their protagonists, for all intents and purposes, neutered by eagle-eyed publicists and spectres of political correctness. So here we are, popcorn in one hand, a tear stained handkerchief in the other, looking at the silver screen, waiting for someone, anyone, in this great theatre of the subcontinent, to play the role of the artist again. To remind us that before they were influencers, stars were simply storytellers. That their job was not just to reflect power, but to sometimes question it. And perhaps one day, they will. When it's safer. When the script changes. When bravery is back in vogue. Until then, we are left with silence. Polished. PR-approved. Politically correct. But silence nonetheless. Shahzad Abdullah is a PR and communications strategist, cultural curator and director of communications at Media Matters All facts are information are the sole responsibility of the
Express Tribune
17 hours ago
- Express Tribune
Bakhtawar Bhutto shares Eidul Azha family photos with sacrificial lambs
Listen to article Bakhtawar Bhutto-Zardari, the eldest daughter of Benazir Bhutto and President Asif Ali Zardari, marked Eidul Azha by sharing family photographs that quickly went viral on social media. Posting on Instagram, Bakhtawar shared a series of festive images alongside her husband, Mahmood Chaudhry, their three sons, and two sacrificial lambs, extending Eid greetings to her followers. In the photos, she is seen wearing a light brown outfit, while her husband and sons twinned in traditional white shalwar kameez paired with black waistcoats. The pictures also featured two prominently displayed lambs, indicating that the family performed Eidul Azha's traditional animal sacrifice. Bakhtawar married Mahmood Chaudhry, a Dubai-based businessman of Pakistani origin, on January 29, 2021. The couple now has three sons: Mir Hakim, Mir Sujawal, and the youngest, Mir Zulfiqar.
Express Tribune
2 days ago
- Express Tribune
Ayeza Khan under fire for 'insensitive' statement
Following the murder of 17-year-old influencer Sana Yousaf, Ayeza Khan joined her fellow celebrities and the internet in speaking out about the issue. However, her priorities didn't quite align with what netizens were expecting from her. Instead of condemning the murder or the perpetrator, Ayeza chose to discuss the repercussions of sharing one's personal life on social media. "Let's all understand the pros and cons of social media, especially when it comes to our security. Keep your addresses, car numbers, regular spots, and children's details private," she wrote. "It's not safe. It's just not safe. Share less. Times have changed," she emphasised. "Recognise that the audience you have today isn't the one you personally chose. It's from all over the world." The Meray Paas Tum Ho actor believes that it is one's own responsibility to guard what they put out in the digital world. "Let's take responsibility for what we share," she said. Adding a prayer, she concluded, "May Allah protect us all and keep us in good company. Ameen." 'Tone deaf much?' Although Ayeza's sentiments stemmed from a place of concern for the detrimental impact of social media on one's life, netizens called out her statement for lacking sensitivity and veering towards victim blaming. "Someone lost their life because some man had a similar toxic ideology as the roles your husband plays in every single drama he stars in, and your main takeaway is 'let's protect ourselves'? Tone deaf much?" an Instagram user questioned. The user didn't mince their words, urging Ayeza to tell her actor-husband Danish Taimoor to stop romanticising toxic masculinity in his drama serials and have empathy for the family who lost their young girl. "You should at least have some form of the humanity that you were preaching a few weeks ago, telling others to not victim blame," the user continued. "You seriously need to check yourself first and then hire a decent PR team because every statement you make is the most ridiculous, tone-deaf, and insensitive thing ever." A different netizen suggested that the Humraaz actor is hypocritical for having an active Instagram account and still putting out such statements. "While your whole life is on your social media account, you still have the guts to shape cold-blooded murder into a lack of self-protection. Please come out of the fancy clothes and glamorous shoots. The victim was not at fault at all. Maybe tell your dear husband to not choose scripts like he does all the time and stop normalising abuse on screens." Other criticism ranged from speaking out against male privilege to hoping to de-platform celebrities who perpetuate harmful ideas that influence the wrong minds. Many argued that the problem is not social media but the entitlement that criminals have to commit such heinous crimes without the fear of being watched or punished. As per the BBC, a 22-year-old man confessed to murdering Sana after being arrested. Authorities believe that Umar Hayat murdered the influencer at her home in Islamabad after she rejected his "offers of friendship". They informed the BBC that he broke into her house, fired two shots, and fled with her phone. Sana's family gathered in Chitral for her burial. Her father, Syed Yousaf Hassan, shared that she was his only daughter a "very brave" one at that. He added that she had never mentioned Umar or reported any threatening behaviour before her life was taken on Monday.
