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Kourtney Kardashian Has the Perfect Response to Pregnancy Speculation

Kourtney Kardashian Has the Perfect Response to Pregnancy Speculation

Yahoo19-07-2025
Originally appeared on E! Online
Kourtney Kardashian is keeping up with these rumors—and shutting them down.
The Kardashians star clapped back at speculations she may be pregnant after sharing a selfie in a swimsuit while vacationing in Portofino, Italy.
Kourtney commented on the July 17 Instagram post that, instead of expecting another child, she is 'breastfeeding, eating gelato, focaccia, pasta, not working out and living my best damn life baby!'
The reality star—who shares 20-month-old son Rocky Thirteen Barker with husband Travis Barker, as well as Mason Disick, 15, Penelope Disick, 13, and Reign Disick, 10, with ex Scott Disick—is focusing on enjoying life postpartum. It's a mindset that has become a priority with each pregnancy.
'The most important thing is to listen to your body and to do what you're doing for you, not for society's standards of getting your body back, because they are unrealistic,' she wrote on the Poosh website. 'This was my journey. It wasn't until Reign was probably 4 months old that I felt this desire to be in the best shape of my life.'
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After welcoming a baby, the Lemme founder—who is also stepmom to Travis and ex Shanna Moakler's kids Landon Barker, 21, Alabama Barker, 19, and Atiana De La Hoya, 26—shared how her relationship with her body changed in an open letter to her fellow 'new mommies.'
"Your body is beautiful at all stages," the 46-year-old wrote in an April Instagram Stories message. "During pregnancy, as we are glowing and growing, postpartum, as we are healing and shrinking, and then that period I find the hardest, as our bodies are still adjusting. And if you're breastfeeding, that's a whole other part of it."
"I try to be kind to myself as my body finds a new normal," she continued. "The pressure put on us to bounce back when everything is new and different isn't realistic. Life is too beautiful, you are beautiful. Just a little reminder (for me too ;)."
Despite the complicated postpartum journey, Kourtney is loving her life as a mom. As she gushed on Instagram in March during a family trip to Australia, 'Feeling so grateful for every single second of time with my babies. Rare to get 2 full weeks of 24/7 time as they get older.'
Now, keep reading to see a closer look at Kourtney and Travis' rocking family moments.
A Fashionable FamilyMom & Me Mirror SelfieAustralian SummerKravis Down UnderBoys ClubGirl GangHere Comes the BrideMeet the Kardashian-BarkersFront RowCelebrating DadAlabama and PenelopeBirthday BunchMagic KingdomThe Three MouseketeersA Portrait by PenelopeFamily PortraitsFun and GamesThe Sweetest Age of AllTikTok FunWelcome to the FamAmusement Park FunAll the Halloween ActivitiesFrankenstein FriendsCostume Cutie
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A' International Interaction Design Awards Call for Entries
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Inside the home of Pauline Karpidas, the art-world ‘grand dame' who could be the last of her kind
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CNN

time41 minutes ago

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Fischer noted her 'larger-than-life' presence: She's often in striking hats, cigarette in hand, and has the tendency toward telling grand stories and scrawling, multi-page handwritten letters, he said. 'When I think of any memory of her, she's always at the center of a place — she's not the person on the periphery,' he recalled. Karpidas, originally from Manchester, was introduced to art collecting through her late husband, Constantine Karpidas, known as 'Dinos,' whose own eye was fixed on 19th-century art including Pierre-Auguste Renoir and Claude Monet. Then by meeting the art dealer Alexander Iolas, Karpidas found her own path. Iolas, nearly retired by that point, had been a formidable dealer of major 20th-century artists, particularly Surrealists, and his approach was the 'blueprint' for international mega-galleries such as Gagosian and Hauser & Wirth today, according to Barker. But with Karpidas' financial means and determination, he worked with her to build a singular collection of 20th-century art. Karpidas is part of the lineage of 'grande dames,' Barker said — the affluent 20th-century women who built social networks across the most prominent artists, fashion houses and designers of the time — and she may be the last of her kind, he noted. She was close friends with Andy Warhol and frequented his parties at The Factory, she was dressed by Yves Saint Laurent, and her homes were the efforts of prominent interior designers Francis Sultana and Jacques Grange. She's been compared to the late, great female patrons Peggy Guggenheim and Dominique de Menil, both of whom she knew. But though her counterparts' collections have become important cultural instructions, accessible to the public at institutions, through Sotheby's, the bulk of Karpidas' collection will be disseminated across the art market. In her London residence, Fischer said, 'the whole space became one artwork. Every fragment of that apartment has its own little story.' While he's been in many homes of affluent collectors over the years, Karpidas' apartment stands out for how personal and exuberant it is. 'In some way, it's probably a mirror of her interest and her psyche,' he said. 'It's not just like a wealthy person's home. It's like a firework.' Barker explained that Karpidas' acquisitions have not only been the result of her financial means, but her judicious timing, too. She was well-positioned in 1979 for the record-breaking sale of the collector and artist William Copley's personal collection, netting a 1929 painting by the French Surrealist Yves Tanguy, which will be resold in September. Many works owned by Karpidas have been passed down through famous hands, such as Surrealism founder André Breton, poet Paul Éluard, gallerist Julian Levy, and the family of Pablo Picasso. 'She was not only there at the right time, but she was choosing the right works,' Barker said. Important patrons have often become subjects themselves, and the same is true of Karpidas. In 2023, Fischer depicted her in an ephemeral piece, with a lifespan of a single gallery show. On the floor of LGDR (now Lévy Gorvy Dayan) in New York, he cast a sculpture of the collector gazing at a reproduction of the 2nd-century 'Three Graces,' an iconic Ancient Greek statue symbolizing beauty and harmony in art and society, which Karpidas purchased in 1989 before selling it to the Metropolitan Museum of Art. In Fischer's version, he rendered the three female nudes, as well as Karpidas, as life-size wax candles. All white except her dark oversized jewelry, the wax effigy of Karpidas looked to the sculpture she'd purchased decades before, all of the figures' wicks' aflame. Eventually, like many of Fischers' works, they all melted down, the fire winking out.

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