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Secure the base: Ngũgĩ's last lesson for a continent under siege

Secure the base: Ngũgĩ's last lesson for a continent under siege

TimesLIVE3 days ago

'Don't yet rejoice in his defeat ... the bitch that bore [Hitler] is in heat again.' — Bertolt Brecht, in The Resistible Rise of Arturo Ui
Last week, the world awoke to the devastating news of the passing of the eloquent wielder of words, Ngũgĩ wa Thiong'o. His death has robbed us of a principled voice of conscience that refused to compromise with the colonial project and its treacherous offspring of neocolonialism.
Ngũgĩ was more than an author. He was a sentinel, constantly sounding the alarm, translating the subtle currents of global power into a language accessible to his audience. His work transcended literature and became a foundational text for understanding the intricate dance between culture, language and power. His departure leaves a void that can only be filled by a renewed commitment to the very principles he championed.
Eight years ago, Ngũgĩ strode onto the stage at Wits University's Great Hall and fused two of his essay collections to reiterate his lifelong commitment to: 'Secure the Base: [and] Decolonise the Mind'. It was a masterclass in strategic thinking disguised as a lecture in literature, a magisterial critique of 21st century Africa and a battle call to the masses of our continent to rise to the occasion for our liberation. This simple yet powerful call encapsulates the dual, inseparable imperative for Africa's true emancipation.
With incandescent clarity, Decolonising the Mind, which first hit the shelves in 1986, reminded us that a people who speak in borrowed tongues soon think in borrowed hierarchies. Ngũgĩ meticulously argued that language is not merely a tool for communication but a carrier of culture, values and memory. To abandon one's indigenous language for that of the coloniser, is to accept an intellectual slavery, to view the world through a prism designed by others to one's own detriment.
This profound insight extends beyond linguistic choice; it challenges the very frameworks through which we understand history, economic development and even our own identities. Decolonising the mind means dismantling the psychological infrastructure of colonialism — internalised inferiority and an uncritical acceptance of Western paradigms as universal truths and the systemic denigration of African knowledge systems and practices. It calls for a radical re-centering of Africa, an affirmation of our diverse cultures and a conscious effort to rebuild narratives from our own perspectives.
The abstract discussions of Ngũgĩ's work have found chilling, concrete manifestation with Donald Trump's swagger back to the Oval Office, bringing with him the deplorable hound of white supremacy.
Then in 2016, Ngũgĩ published Secure the Base in which he sketched the geopolitical map we now inhabit — a world where financialised capitalism, digital extraction and militarised mercantilism treat Africa as a quarry, an open pit mine, not partner. This book moved beyond the cultural realm to address the very political economy — or material conditions — of African existence. Ngũgĩ understood that intellectual liberation must be paired with concrete, economic and political autonomy. He saw how global capital, untethered by ethical considerations, exploits African resources and labour without equitable returns. He warned against the illusion of aid that often masked mechanisms of debt and dependence.
Secure the Base is a call to consolidate African power, protect our land, resources, labour and data from external predation. The message is simple: protect your cultural nerve-centre or watch the body politic collapse. Among others, this means developing robust institutions, fostering genuine regional integration and building economies that serve the needs of African people, not merely the demands of global markets.
The Empire Strikes Back ... again
The abstract discussions of Ngũgĩ's work have found chilling, concrete manifestation with Donald Trump's swagger back to the Oval Office, bringing with him the deplorable hound of white supremacy. His first term offered a preview; his return is witnessing what will hopefully not amount to a wreckage of the world and humanity as a whole.
Consider his meeting with President Cyril Ramaphosa. Trump understands South Africa's cross-racial crime problem through the point of view of race. ' But the farmers are white,' he said continually. This was not an off-the-cuff remark. It was a calculated dog-whistle, a classic demonstration of weaponised racial grievance. The subtext was as crude as Ian Smith's 'kith-and-kin' plea in then Rhodesia, later Zimbabwe, which sought to garner international sympathy for a white minority regime: black suffering is background noise, white discomfort is a global emergency! It is selective empathy that has long defined the Global North's perception of African problems and challenges.
This obsession with a mythical 'white genocide' and 'farm attacks' did not hatch in Washington. It is parroted in discussions, but when confronted with actual situation reflected in official crime statistics that show a comprehensive picture of violence affecting all communities, their retort is chillingly consistent: 'But the killers are black.' The implicit message is clear: barbarism is tolerable so long as it stays in its lane! Violence in Africa is a tribal problem — confirming a savagery that has always been known — unworthy of global outrage, unless white bodies enter the frame!
This narrative, meticulously crafted and widely disseminated, actively erases the vast majority of crime victims in South Africa, who are black, and ignores the complex socioeconomic roots of violence. For context, while farm crimes are a serious concern, they constitute a small percentage of overall crime. Farm crimes affect individuals of all racial backgrounds, yet the narrative often focuses solely on white farmers, creating a racialised panic that serves specific political agendas.
Gavin Evans' timely new book, White Supremacy: A Brief History of Hatred, provides an essential framework for understanding this dangerous resurgence. He traces this hierarchy of grief back to the poisonous well of Victorian pseudoscience, through eugenics, Nazism and Apartheid. Evans reveals how the concept of race was weaponised, not as a biological reality, but as a sociopolitical construct designed to justify exploitation and domination.
Trump merely pours the vintage into a new MAGA — Make America Great Again — flask, repackaging ancient prejudices for a digital age, normalising what should be anathema and emboldening supremacist movements globally. His rhetorical strategy serves to reaffirm the US, under his influence, as a spiritual vanguard for global white supremacy, leveraging the immense power of a global superpower to legitimise racist narratives.
Brecht's bastard is on the march, clothed in new guises but animated by the same ancient hatreds.
Brecht's warning buzzes in our ears — the hydra of fascism simply sprouts a fresh head when the old one falls. We witnessed a collective sigh of relief when Trump left office the first time, but that relief was premature. The underlying conditions that birthed him — economic anxieties, racial prejudice that lurks in the periphery and centre of the imagination of many Westerners and a deep-seated distrust of democratic institutions — were never fully addressed. It is doing so now, in digital misinformation farms, where algorithms amplify division; in new Cold-War militarism, as major powers scramble for influence and resources, often at Africa's expense; in financial sanctions dressed up as human-rights clauses, which disproportionately affect vulnerable populations while serving geostrategic interests. South Africa and the entire African continent cannot Tweet our way out of this storm. We urgently need a fundamental shift in strategy, a proactive defence against these multipronged assaults.
Secure the base, or lose the future
Africa's greatest strategic depth lies in our demographic and cultural dynamism. We are the youngest continent, brimming with potential, creativity and diverse knowledge systems. Yet both are under siege from climate collapse engineered elsewhere, which devastates our agriculture and displaces our communities, trade wars we did not declare but distort our markets nonetheless and limit our growth to data mining we scarcely regulate, allowing global tech giants to extract invaluable information from our citizens without fair compensation or privacy safeguards.
In Ngũgĩ's lexicon, 'the base' is not mere territory, it is the physical and intellectual space where collective imagination meets material power. It is the sovereignty to determine our own destiny, to control our own narratives and to build economies that serve our people, not just global capital. Lose that, and we become spectators in our own drama, condemned to react rather than create, to follow rather than lead.
The implications of failing to secure this base are dire. The continent's vast mineral wealth, which should be a source of prosperity, often fuels conflict and external exploitation. The youth bulge, a demographic dividend, risks becoming a ticking time bomb if opportunities for education, employment and meaningful participation are not created. The scramble for rare earth minerals in the Congo, the ongoing geopolitical machinations in the Sahel and the continued desperate redlining of African refugees at Europe's borders all reminds us the empire never packed its bags. It merely changed tactics. The language may be softer, the methods more insidious, but the underlying drive for control and extraction remains.
Ngũgĩ's death is therefore not an elegy but a deadline. It is a powerful reminder that the struggle for true liberation is ongoing and requires constant vigilance. We either decolonise the mind or we rent it out, cheap. This choice is stark — or is it Starlinked? Failure to do so leaves us vulnerable to narratives imposed from without, narratives that often serve to divide and conquer, to justify continued exploitation.
Brecht's bastard is on the march, clothed in new guises but animated by the same ancient hatreds. We owe it to Ngũgĩ, and to ourselves, to ensure that his legacy lives on, not just in libraries, but in the vibrant, unified and self-determining Africa he so passionately envisioned. All Africans dare not forget his final note: 'Secure the base'!

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Secure the base: Ngũgĩ's last lesson for a continent under siege
Secure the base: Ngũgĩ's last lesson for a continent under siege

TimesLIVE

time3 days ago

  • TimesLIVE

Secure the base: Ngũgĩ's last lesson for a continent under siege

'Don't yet rejoice in his defeat ... the bitch that bore [Hitler] is in heat again.' — Bertolt Brecht, in The Resistible Rise of Arturo Ui Last week, the world awoke to the devastating news of the passing of the eloquent wielder of words, Ngũgĩ wa Thiong'o. His death has robbed us of a principled voice of conscience that refused to compromise with the colonial project and its treacherous offspring of neocolonialism. Ngũgĩ was more than an author. He was a sentinel, constantly sounding the alarm, translating the subtle currents of global power into a language accessible to his audience. His work transcended literature and became a foundational text for understanding the intricate dance between culture, language and power. His departure leaves a void that can only be filled by a renewed commitment to the very principles he championed. Eight years ago, Ngũgĩ strode onto the stage at Wits University's Great Hall and fused two of his essay collections to reiterate his lifelong commitment to: 'Secure the Base: [and] Decolonise the Mind'. It was a masterclass in strategic thinking disguised as a lecture in literature, a magisterial critique of 21st century Africa and a battle call to the masses of our continent to rise to the occasion for our liberation. This simple yet powerful call encapsulates the dual, inseparable imperative for Africa's true emancipation. With incandescent clarity, Decolonising the Mind, which first hit the shelves in 1986, reminded us that a people who speak in borrowed tongues soon think in borrowed hierarchies. Ngũgĩ meticulously argued that language is not merely a tool for communication but a carrier of culture, values and memory. To abandon one's indigenous language for that of the coloniser, is to accept an intellectual slavery, to view the world through a prism designed by others to one's own detriment. This profound insight extends beyond linguistic choice; it challenges the very frameworks through which we understand history, economic development and even our own identities. Decolonising the mind means dismantling the psychological infrastructure of colonialism — internalised inferiority and an uncritical acceptance of Western paradigms as universal truths and the systemic denigration of African knowledge systems and practices. It calls for a radical re-centering of Africa, an affirmation of our diverse cultures and a conscious effort to rebuild narratives from our own perspectives. The abstract discussions of Ngũgĩ's work have found chilling, concrete manifestation with Donald Trump's swagger back to the Oval Office, bringing with him the deplorable hound of white supremacy. Then in 2016, Ngũgĩ published Secure the Base in which he sketched the geopolitical map we now inhabit — a world where financialised capitalism, digital extraction and militarised mercantilism treat Africa as a quarry, an open pit mine, not partner. This book moved beyond the cultural realm to address the very political economy — or material conditions — of African existence. Ngũgĩ understood that intellectual liberation must be paired with concrete, economic and political autonomy. He saw how global capital, untethered by ethical considerations, exploits African resources and labour without equitable returns. He warned against the illusion of aid that often masked mechanisms of debt and dependence. Secure the Base is a call to consolidate African power, protect our land, resources, labour and data from external predation. The message is simple: protect your cultural nerve-centre or watch the body politic collapse. Among others, this means developing robust institutions, fostering genuine regional integration and building economies that serve the needs of African people, not merely the demands of global markets. The Empire Strikes Back ... again The abstract discussions of Ngũgĩ's work have found chilling, concrete manifestation with Donald Trump's swagger back to the Oval Office, bringing with him the deplorable hound of white supremacy. His first term offered a preview; his return is witnessing what will hopefully not amount to a wreckage of the world and humanity as a whole. Consider his meeting with President Cyril Ramaphosa. Trump understands South Africa's cross-racial crime problem through the point of view of race. ' But the farmers are white,' he said continually. This was not an off-the-cuff remark. It was a calculated dog-whistle, a classic demonstration of weaponised racial grievance. The subtext was as crude as Ian Smith's 'kith-and-kin' plea in then Rhodesia, later Zimbabwe, which sought to garner international sympathy for a white minority regime: black suffering is background noise, white discomfort is a global emergency! It is selective empathy that has long defined the Global North's perception of African problems and challenges. This obsession with a mythical 'white genocide' and 'farm attacks' did not hatch in Washington. It is parroted in discussions, but when confronted with actual situation reflected in official crime statistics that show a comprehensive picture of violence affecting all communities, their retort is chillingly consistent: 'But the killers are black.' The implicit message is clear: barbarism is tolerable so long as it stays in its lane! Violence in Africa is a tribal problem — confirming a savagery that has always been known — unworthy of global outrage, unless white bodies enter the frame! This narrative, meticulously crafted and widely disseminated, actively erases the vast majority of crime victims in South Africa, who are black, and ignores the complex socioeconomic roots of violence. For context, while farm crimes are a serious concern, they constitute a small percentage of overall crime. Farm crimes affect individuals of all racial backgrounds, yet the narrative often focuses solely on white farmers, creating a racialised panic that serves specific political agendas. Gavin Evans' timely new book, White Supremacy: A Brief History of Hatred, provides an essential framework for understanding this dangerous resurgence. He traces this hierarchy of grief back to the poisonous well of Victorian pseudoscience, through eugenics, Nazism and Apartheid. Evans reveals how the concept of race was weaponised, not as a biological reality, but as a sociopolitical construct designed to justify exploitation and domination. Trump merely pours the vintage into a new MAGA — Make America Great Again — flask, repackaging ancient prejudices for a digital age, normalising what should be anathema and emboldening supremacist movements globally. His rhetorical strategy serves to reaffirm the US, under his influence, as a spiritual vanguard for global white supremacy, leveraging the immense power of a global superpower to legitimise racist narratives. Brecht's bastard is on the march, clothed in new guises but animated by the same ancient hatreds. Brecht's warning buzzes in our ears — the hydra of fascism simply sprouts a fresh head when the old one falls. We witnessed a collective sigh of relief when Trump left office the first time, but that relief was premature. The underlying conditions that birthed him — economic anxieties, racial prejudice that lurks in the periphery and centre of the imagination of many Westerners and a deep-seated distrust of democratic institutions — were never fully addressed. It is doing so now, in digital misinformation farms, where algorithms amplify division; in new Cold-War militarism, as major powers scramble for influence and resources, often at Africa's expense; in financial sanctions dressed up as human-rights clauses, which disproportionately affect vulnerable populations while serving geostrategic interests. South Africa and the entire African continent cannot Tweet our way out of this storm. We urgently need a fundamental shift in strategy, a proactive defence against these multipronged assaults. Secure the base, or lose the future Africa's greatest strategic depth lies in our demographic and cultural dynamism. We are the youngest continent, brimming with potential, creativity and diverse knowledge systems. Yet both are under siege from climate collapse engineered elsewhere, which devastates our agriculture and displaces our communities, trade wars we did not declare but distort our markets nonetheless and limit our growth to data mining we scarcely regulate, allowing global tech giants to extract invaluable information from our citizens without fair compensation or privacy safeguards. In Ngũgĩ's lexicon, 'the base' is not mere territory, it is the physical and intellectual space where collective imagination meets material power. It is the sovereignty to determine our own destiny, to control our own narratives and to build economies that serve our people, not just global capital. Lose that, and we become spectators in our own drama, condemned to react rather than create, to follow rather than lead. The implications of failing to secure this base are dire. The continent's vast mineral wealth, which should be a source of prosperity, often fuels conflict and external exploitation. The youth bulge, a demographic dividend, risks becoming a ticking time bomb if opportunities for education, employment and meaningful participation are not created. The scramble for rare earth minerals in the Congo, the ongoing geopolitical machinations in the Sahel and the continued desperate redlining of African refugees at Europe's borders all reminds us the empire never packed its bags. It merely changed tactics. The language may be softer, the methods more insidious, but the underlying drive for control and extraction remains. Ngũgĩ's death is therefore not an elegy but a deadline. It is a powerful reminder that the struggle for true liberation is ongoing and requires constant vigilance. We either decolonise the mind or we rent it out, cheap. This choice is stark — or is it Starlinked? Failure to do so leaves us vulnerable to narratives imposed from without, narratives that often serve to divide and conquer, to justify continued exploitation. Brecht's bastard is on the march, clothed in new guises but animated by the same ancient hatreds. We owe it to Ngũgĩ, and to ourselves, to ensure that his legacy lives on, not just in libraries, but in the vibrant, unified and self-determining Africa he so passionately envisioned. All Africans dare not forget his final note: 'Secure the base'!

Sad farewell to Kenya's Tolstoy
Sad farewell to Kenya's Tolstoy

IOL News

time29-05-2025

  • IOL News

Sad farewell to Kenya's Tolstoy

Kenyan writer and activist Ngugi wa Thiong'o died this week aged 87. Image: File During his imprisonment, Kenyan author Ngugi wa Thiong'o decided he would never write in English again, a defiant move that helped put literature in African languages firmly on the map. Ngugi died at the age of 87 on Wednesday, his daughter announced on Facebook. "It is with a heavy heart that we announce the passing of our dad, Ngugi wa Thiong'o this Wednesday morning," wrote Wanjiku Wa Ngugi. "He lived a full life, fought a good fight." Widely regarded as east Africa's most influential writer, Ngugi sought to forge a body of literature reflecting the land and people from which he came, and not follow in the footsteps of Western tradition. "I believe so much in equality of languages. I am completely horrified by the hierarchy of languages," he told AFP in an interview in 2022 from California, where he lived in self-imposed exile. His decision in the 1970s to abandon English in favour of his native Kikuyu, as well as Kenya's national language Swahili, was met with widespread incomprehension at first. "We all thought he was mad... and brave at the same time," said Kenyan writer David Maillu. "We asked ourselves who would buy the books." Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Yet the bold choice built his reputation and turned him into an African literary landmark. The softly-spoken writer also lived a life as dramatic as his novels. His criticism of post-colonial Kenya - describing the violence of the political class and the newly rich as "the death of hopes, the death of dreams and the death of beauty" - brought him into frequent conflict with the authorities. Born James Ngugi into a large peasant family in Kenya's central Limuru region on January 5, 1938, he spent the first 25 years of his life in what was then a British settler colony. His early works were heavily influenced by his country's battle against colonial rule and the brutal Mau Mau war of 1952-1960. In his first collection of essays, "Homecoming", he described himself as a "stranger in his home country". But his anger would later extend to the inequalities of post-colonial Kenyan society, incurring the wrath of the government. In 1977, Ngugi and fellow writer Ngugi wa Mirii were jailed without charge after the staging of their play "Ngaahika Ndeenda" ("I Will Marry When I Want"). It was then that he decided to write his first novel in Kikuyu, "Devil on the Cross", which was published in 1980. He had already abandoned his "English" name to become Ngugi wa Thiong'o. "I wrote it on the only paper available to me, which was toilet paper," he told US radio broadcaster NPR. Amnesty International named him a prisoner of conscience, before a global campaign secured his release from Kamiti Maximum Security Prison in December 1978. As early as 1965, Ngugi's novel "The River Between" embarked on a critical examination of the role of Christianity in an African setting. "If the white man's religion made you abandon a custom and then did not give you something else of equal value, you became lost," he wrote. He went into self-imposed exile in 1982 after a ban on theatre groups in Kenya, moving first to Britain then to the United States. In 1986, he published one of his best-known works, "Decolonising the Mind", a collection of essays about the role of language in forging national culture, history and identity. When Ngugi returned home on a visit in 2004, he was mobbed by supporters at Nairobi's airport. "I have come back with an open mind, an open heart and open arms," he declared. Days later, he and his wife were attacked by armed men: she was raped and he was beaten up. It was not clear whether robbery was the sole motive or whether the assault was politically motivated. Margaretta wa Gacheru, a sociologist and former student of Ngugi, described him as a national icon. "To me he's like a Kenyan Tolstoy, in the sense of being a storyteller, in the sense of his love of the language and panoramic view of society, his description of the landscape of social relations, of class and class struggles," she said. In addition to fiction, the father-of-three, who became a professor of comparative literature at the University of California Irvine, also published essays and three memoirs.

Kenyan author and literary giant Ngũgĩ wa Thiong'o dies
Kenyan author and literary giant Ngũgĩ wa Thiong'o dies

The Citizen

time29-05-2025

  • The Citizen

Kenyan author and literary giant Ngũgĩ wa Thiong'o dies

Wa Thiong'o was widely regarded as East Africa's most influential writer. Renowned Kenyan author and literary giant Ngũgĩ wa Thiong'o has died at the age of 87. His daughter, Wanjiku Wa Ngũgĩ, confirmed her father's death in Atlanta, Georgia, on Wednesday. 'Good fight' 'It is with a heavy heart that we announce the passing of our dad, Ngũgĩ wa Thiong'o, this Wednesday morning, 28th May 2025. 'He lived a full life, fought a good fight. As was his last wish, let's celebrate his life and his work. Rîa ratha na rîa thŭa. Tŭrî aira!' Wa Ngũgĩ said. Wa Ngũgĩ added that the family's spokesperson Nducu Wa Ngugi will announce details of his 'celebration of life soon'. 'I am me because of him in so many ways, as his child, scholar and writer,' his son Mukoma Wa Ngũgĩ wrote on X. 'I love him – I am not sure what tomorrow will bring without him here. I think that is all I have to say for now.' It tears my heart to say that my father, Ngugi Wa Thiong'o passed away earlier today. I am me because of him in so many ways, as his child, scholar and writer. I love him – I am not sure what tomorrow will bring without him here. I think that is all I have to say for now. — Mukoma Wa Ngugi (@MukomaWaNgugi) May 28, 2025 ALSO READ: Radio legend Darren Scott dies at 61 after battling cancer 'Influential writer' Ngũgĩ wa Thiong'o was widely regarded as East Africa's most influential writer and sought to forge a body of literature reflecting the land and people from which he came, and not follow in the footsteps of Western tradition. He was tipped to win the Nobel Prize for Literature countless times, leaving fans dismayed each time the medal slipped through his fingers. The academic and softly-spoken writer also lived a life as dramatic as his novels. Colonialism Ngũgĩ wa Thiong'o's criticism of post-colonial Kenya, in which he described the violence of the political class and the newly rich as 'the death of hopes, the death of dreams, and the death of beauty,' brought him into frequent conflict with the authorities. He explored the troubled legacy of colonialism through essays, plays and novels, including 'Weep Not, Child' (1964), 'Devil on the Cross' (1980), and 'Wizard of the Crow' (2006). In his first collection of essays, 'Homecoming,' he described himself as a 'stranger in his own country.' Jail But his anger would later extend to the inequalities of post-colonial Kenyan society, incurring the wrath of the government, according to AFP. In 1977, Ngugi and fellow writer Ngugi wa Mirii were jailed without charge after the staging of their play 'Ngaahika Ndeenda' ('I Will Marry When I Want'). Born James Ngugi into a large peasant family in Kenya's central Limuru region on January 5, 1938, he spent the first 25 years of his life in what was then a British settler colony. His early works were heavily influenced by his country's battle against colonial rule and the brutal Mau Mau war of 1952-1960. ALSO READ: James Earl Jones: Voice of Darth Vader and Mufasa dies at 93

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