Tattoos may no longer be forever, but removing them is no picnic
Limitations in wavelengths also mean that not all tattoos – particularly those with thicker lines – can be entirely eliminated.
Other factors, including a tattoo's age and colours used, affect how long it takes to remove ink, but it can take anywhere from three to 20 sessions, and several years, for one tattoo to fade completely.
'Not just the ex's name'
Kelly Swift, owner of Swift Tattoo Removal in Melbourne, has been working in the industry for more than a decade. During this time, she's witnessed the increasing popularity of tattoo removal, which she says has risen in lockstep with the growing ubiquity of tattoos.
Loading
In 2023, 30 per cent of Australians had tattoos, compared with 20 per cent in 2018, while about one in four people expressed regret over a tattoo, with almost half of that cohort going on to have one removed or camouflaged.
Swift says clients' motivations for tattoo removal vary, but more people are opting for removal when they find a tattoo no longer aligns with their aesthetic, rather than removing a tattoo that may prohibit employment opportunities or that are tied to a bad memory.
'It's not so much the ex's name any more. People just want a new style,' she says.
Jess Buxton, owner of Buxton Tattoo Removal in Sydney's inner west, says evolving trends are key drivers of business.
'In the '90s, heavy tribal tattoos were on trend. A lot of people are removing those now. A lot of cultural appropriation stuff as well, like Polynesian sleeves, with people not realising that they mean things.'
Her clinic, which is housed inside a tattoo studio like Swift's, also helps clients fade tattoos to then be covered over.
'In the '90s, heavy tribal tattoos were on trend. A lot of people are removing those now.'
Jess Buxton, owner of Buxton Tattoo Removal in Sydney
Swift thinks the practice's increased accessibility may also have made people more lax about getting a tattoo in the first place.
'I get messages from people the day after they get their tattoo, and they're like, 'I made a mistake',' she says.
Swift highlights the tattoo removal process can be time-intensive and expensive.
Jason Erwin, Australian director of operations for global tattoo removal chain Removery, sees the procedure's rising popularity as part of the rise in cosmetic treatments.
'It's normalising it as part of any beauty treatment,' he says. 'Laser hair removal has been on the market for a good 20 years, and tattoo removal has only been on the market for around nine years.
'We've really seen an exponential increase in treatments, over the past three years in particular.'
He agrees that laser tattoo removal can be a long process. Many prospective clients – particularly those hoping to erase an ex's name or remove a tattoo before a wedding – expect fast results.
'It's not a quick, easy fix,' he says.
Life changing
But while more people are opting to erase ink that simply doesn't suit them any more, for some, removing a tattoo can be genuinely life changing.
Loading
In 2019, Amanda McKinnon founded Fresh Start, a program that offers free tattoo removal to those who aren't able to access or pay for it. Eligibility criteria include survivors of domestic violence or immigration detention who may have been forcibly tattooed, those recently released from incarceration looking for a fresh start, ex-gang or bikie members and those with offensive or hyper-visible tattoos.
'I had a number of clients who disclosed fairly traumatic circumstances around why they got the tattoo, but it was just unachievable for them to access tattoo removal because of the pricing,' says McKinnon, who has been working in the industry for more than a decade through her practice LaserTat in Adelaide.
One of the first of its kind in Australia, McKinnon's studio last year partnered with tattoo removal studios in Sydney, Melbourne, Brisbane and Perth to deliver the program nationwide.
An unregulated industry
There is no national regulatory framework to oversee tattoo removal operators in Australia, with regulations varying state by state. Tattoo removal operators in Queensland, for example, require a licence to practice, whereas those in NSW and Victoria do not.
'Anyone can buy a machine online and start messing people up,' says Swift, who advises people to choose a clinic using medical grade machines, with good 'before and after' photos, and to avoid those who promise results in a short period of time.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
28 minutes ago
- Sydney Morning Herald
‘Say it out loud': Singer Josh Pyke on tackling vulnerability
Each week, Benjamin Law asks public figures to discuss the subjects we're told to keep private by getting them to roll a die. The numbers they land on are the topics they're given. This week he speaks to Josh Pyke. The Australian singer-songwriter, 47, has won four ARIA Awards. He's also a children's book author, co-host of the podcast Pump Up the Jams and an award-winning film composer. His latest release is the EP, Covers. BODIES You're in your mid-40s. How's your body holding up? Oh, man, my knees are shot. I've got patella tendonitis and it's just brutal. I used to play basketball with my friends, skateboard and surf. It's so confronting that in your mid- to late-40s all that becomes so much harder. Now I've got high cholesterol and high blood pressure, for some reason. It's actually super-confronting. Are you having to change things up, as a result? I try to drink less, which I don't want to do. I've got a gym membership and take medication for high blood pressure and cholesterol. It's such a cliche, but youth is beauty. And I don't just mean aesthetic beauty: I mean that it's beautiful. You're free. I look at my kids – aged 12 and 14 – and they can just move. They're not even trying. You've been candid about living with anxiety. How are you managing it lately? Medication helps, but a lot of it has to do with just going easy on yourself. Years ago, before going on stage with the Sydney Symphony Orchestra, I remember feeling this wave of panic from the tip of my toes all the way up my body. And I'm about to step on stage in front of 2000 people at the Opera House. And I was like [shrugs], 'What are you going to do?' Wait, what do you do? I say this to my kids all the time: 'Just talk about your vulnerability. As soon as you say it out loud, it takes away 80 per cent of the fear.' Another time in Tasmania, I had the same thing: I had a panic attack, but I had to perform. I got on stage and said, 'I've just got to be open and honest about this. I had a big night last night. Sometimes that makes me have a panic attack, and I'm pretty much having one right now. But I'm grateful to play for you.' Everyone was super-cool; I even got a standing ovation. Everybody can relate to feeling vulnerable. Religious leaders preach from the pulpit. Are you conveying any message when you play from the stage? I didn't become an artist to pass on a message or try to impart wisdom. I do it because that's how I express myself, find my place in the world and figure out how to deal with traumatic things in my life, like my mum passing away. The side effect of that seems to be that people have found comfort in it, which makes them feel that they're not alone. And when people tell me that, they make me feel as if I'm not alone. How recently did you lose your mum? Just last year.

Sydney Morning Herald
28 minutes ago
- Sydney Morning Herald
He reinvented the Art Gallery of NSW. This is where Michael Brand is headed next
After a 13-year stint as director at the Art Gallery of NSW, Michael Brand is done, handing over the reins to his former deputy Maud Page. And it seems like Brand is also done with Sydney – for now anyway. The former director is packing up and relocating north to Brisbane, where he will be based for the foreseeable future. No new job yet – after more than a decade in one of the biggest roles in the Australian cultural sector, Brand needs a breather. But we hear he is set to do a bit of casual work for the Bhutanese royal family, who are hoping to establish a new museum in the picturesque, pint-sized Himalayan nation. As far as cultural icons go, Brisbane is better known for the likes of Lang Park and the XXXX brewery on the banks of the Brown Snake at Milton. Jokes aside, the Queensland capital is working hard to build its own cultural capital in its quest to become a proper global city by the time the Olympics rolls around in 2032. It now even has a few restaurants nice enough for Brand's high-end tastes. Could Brand be a part of that transformation? Watch this space. Loading Meet the press With 94 seats in the House of Representatives, you'd think the Albanese government might be feeling bold. Bold enough to take on those chumps in the Canberra press gallery, at least. But the party's 24 new MPs are still feeling a little timid about starting out at big school. On Wednesday night, the National Press Club hosted a convivial, off-record drinks for new MPs to schmooze with the press gallery.

The Age
28 minutes ago
- The Age
‘Say it out loud': Singer Josh Pyke on tackling vulnerability
Each week, Benjamin Law asks public figures to discuss the subjects we're told to keep private by getting them to roll a die. The numbers they land on are the topics they're given. This week he speaks to Josh Pyke. The Australian singer-songwriter, 47, has won four ARIA Awards. He's also a children's book author, co-host of the podcast Pump Up the Jams and an award-winning film composer. His latest release is the EP, Covers. BODIES You're in your mid-40s. How's your body holding up? Oh, man, my knees are shot. I've got patella tendonitis and it's just brutal. I used to play basketball with my friends, skateboard and surf. It's so confronting that in your mid- to late-40s all that becomes so much harder. Now I've got high cholesterol and high blood pressure, for some reason. It's actually super-confronting. Are you having to change things up, as a result? I try to drink less, which I don't want to do. I've got a gym membership and take medication for high blood pressure and cholesterol. It's such a cliche, but youth is beauty. And I don't just mean aesthetic beauty: I mean that it's beautiful. You're free. I look at my kids – aged 12 and 14 – and they can just move. They're not even trying. You've been candid about living with anxiety. How are you managing it lately? Medication helps, but a lot of it has to do with just going easy on yourself. Years ago, before going on stage with the Sydney Symphony Orchestra, I remember feeling this wave of panic from the tip of my toes all the way up my body. And I'm about to step on stage in front of 2000 people at the Opera House. And I was like [shrugs], 'What are you going to do?' Wait, what do you do? I say this to my kids all the time: 'Just talk about your vulnerability. As soon as you say it out loud, it takes away 80 per cent of the fear.' Another time in Tasmania, I had the same thing: I had a panic attack, but I had to perform. I got on stage and said, 'I've just got to be open and honest about this. I had a big night last night. Sometimes that makes me have a panic attack, and I'm pretty much having one right now. But I'm grateful to play for you.' Everyone was super-cool; I even got a standing ovation. Everybody can relate to feeling vulnerable. Religious leaders preach from the pulpit. Are you conveying any message when you play from the stage? I didn't become an artist to pass on a message or try to impart wisdom. I do it because that's how I express myself, find my place in the world and figure out how to deal with traumatic things in my life, like my mum passing away. The side effect of that seems to be that people have found comfort in it, which makes them feel that they're not alone. And when people tell me that, they make me feel as if I'm not alone. How recently did you lose your mum? Just last year.