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Rap group Wu-Tang Clan announces final tour, with stops in Vancouver, Laval, Toronto

Rap group Wu-Tang Clan announces final tour, with stops in Vancouver, Laval, Toronto

CBC24-02-2025

Wu-Tang Clan is forever, but their touring days are coming to an end.
Fans in Vancouver, Laval and Toronto will get to watch the legendary rap group — made up of RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa and previously, the late Ol' Dirty Bastard — when they kick off their final tour this summer.
The "Wu-Tang Forever: The Final Chamber" tour launches June 6 in Baltimore at the CFG Bank Arena and concludes on July 18 at Philadelphia's Wells Fargo Center.
The shows are set to take place in Vancouver on June 30 at Rogers Arena; Laval, Que., at Place Bell on July 13; and Toronto on July 14 at Scotiabank Arena.
The tour will also hit Raleigh, N.C.; Tampa, Fla.; Atlanta; Fort Worth, Texas; Houston; Austin, Texas; Tulsa, Okla.; Phoenix, Ariz.; San Diego; Los Angeles; San Francisco; Sacramento, Calif.; Seattle; Portland, Ore.; Greenwood Village, Colo.; Chicago; Detroit; Columbus, Ohio; Boston; New York and Newark, N.J.
Wu-Tang Clan will be joined by openers Run the Jewels.
Tickets go on sale Friday, local time. There is no pre-sale.
"Wu-Tang Clan has shown the world many chambers throughout our career; this tour is called The Final Chamber. This is a special moment for me and all my Wu brothers to run around the globe together one more time and spread the Wu swag, music, and culture," RZA said in a statement.
"Most importantly to touch our fans and those who have supported us throughout the years. On this tour we're playing songs we've never played before to our audience and me and our production team have designed a Wu-Tang show unlike anything you've ever seen."

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Rap group Wu-Tang Clan announces final tour, with stops in Vancouver, Laval, Toronto
Rap group Wu-Tang Clan announces final tour, with stops in Vancouver, Laval, Toronto

CBC

time24-02-2025

  • CBC

Rap group Wu-Tang Clan announces final tour, with stops in Vancouver, Laval, Toronto

Wu-Tang Clan is forever, but their touring days are coming to an end. Fans in Vancouver, Laval and Toronto will get to watch the legendary rap group — made up of RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa and previously, the late Ol' Dirty Bastard — when they kick off their final tour this summer. The "Wu-Tang Forever: The Final Chamber" tour launches June 6 in Baltimore at the CFG Bank Arena and concludes on July 18 at Philadelphia's Wells Fargo Center. The shows are set to take place in Vancouver on June 30 at Rogers Arena; Laval, Que., at Place Bell on July 13; and Toronto on July 14 at Scotiabank Arena. The tour will also hit Raleigh, N.C.; Tampa, Fla.; Atlanta; Fort Worth, Texas; Houston; Austin, Texas; Tulsa, Okla.; Phoenix, Ariz.; San Diego; Los Angeles; San Francisco; Sacramento, Calif.; Seattle; Portland, Ore.; Greenwood Village, Colo.; Chicago; Detroit; Columbus, Ohio; Boston; New York and Newark, N.J. Wu-Tang Clan will be joined by openers Run the Jewels. Tickets go on sale Friday, local time. There is no pre-sale. "Wu-Tang Clan has shown the world many chambers throughout our career; this tour is called The Final Chamber. This is a special moment for me and all my Wu brothers to run around the globe together one more time and spread the Wu swag, music, and culture," RZA said in a statement. "Most importantly to touch our fans and those who have supported us throughout the years. On this tour we're playing songs we've never played before to our audience and me and our production team have designed a Wu-Tang show unlike anything you've ever seen."

The Book of Records by Madeleine Thien
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CBC

time13-02-2025

  • CBC

The Book of Records by Madeleine Thien

In "The Sea," a sprawling, mysterious building-complex that endlessly receives migrants from everywhere and seems to exist somewhere outside of normal space and time, adolescent Lina cares for her ailing father. Having landed at The Sea with only what could be carried by hand, Lina grows up with nothing but a trio of books to read — three volumes in a series about the lives of famous "voyagers" of the past. Soon, however, she discovers three eccentric neighbours in the building who have stories of their own to share. These neighbours are Bento (who bears an uncanny resemblance to Baruch Spinoza), a Jewish scholar in seventeenth-century Amsterdam who was excommunicated for his radical thought; Blucher (whose life mirrors Hannah Arendt), a philosopher whose academic promise in 1930s Germany became a quest to survive Nazi persecution; and Jupiter (or shades of Du Fu), a poet of Tang Dynasty China whose brilliance went unrecognised by the state, and whose dependence on fickle patrons barely sustained him while lesser artists thrived. As she grows up in the building, Lina spends many hours listening to the fascinating tales of these friends. But it is only when she is finally told her father's account of how the two of them came to reside in The Sea that she truly understands the unbearable cost of betrayal in her own life. And the combined force of these stories soon sets her on her own path into the unknown future. An adventurous, voyaging novel in which time occupies space uniquely, The Book of Records holds a mirror to the idea of fate in history, interrogates questions of legacy, explores how the political factors of a collective moment may determine an individual's future, and beautifully shows the infinite joys of art and intellectual endeavour. This is the great novelist Madeleine Thien at her most remarkable, exciting, engrossing, and enriching. The Book of Records is available in May 2025. Madeleine Thien is a short story writer and novelist. She is the author of novel Do Not Say We Have Nothing, which won the Scotiabank Giller Prize and the Governor General's Award in 2016 and was shortlisted for the Man Booker Prize. Her debut novel, Certainty, published in 2006, won the Amazon First Novel Award, and was a Globe and Mail Best Book. Thien is also the author of Dogs at the Perimeter, which was a Globe and Mail Best Book, and the children's book The Chinese Violin. Her first work of fiction, Simple Recipes, won four awards in Canada and was a finalist for the Commonwealth Writers' Prize.

Why Sheung-King, the 2024 Writers' Trust Fiction prize winner, keeps coming back to transnational stories
Why Sheung-King, the 2024 Writers' Trust Fiction prize winner, keeps coming back to transnational stories

CBC

time02-12-2024

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Why Sheung-King, the 2024 Writers' Trust Fiction prize winner, keeps coming back to transnational stories

As a former international student from China living in Canada, Sheung-King is no stranger to the feelings of isolation and displacement his characters go through. Add on the weight of social and political unrest of the past 50 years in Hong Kong and you have the winning novel of the 2024 Atwood Gibson Writers' Trust Fiction Prize, Batshit Seven. In Batshit Seven, Glen "Glue" Wu has a general apathy toward his return to Hong Kong from Toronto. As a lacklustre, weed smoking, hungover ESL teacher, Glue watches passively as Hong Kong falls into conflict around him. He cares only for his sister, who is trying to marry rich, and for both an on-and-off-again relationship and the memory of a Canadian connection now lost. Government control hardens, thrusting Glue into a journey that ultimately ends in violence. Sheung-King's first novel, You Are Eating an Orange. 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Even though he's moping through life and he's despondent, he's no slouch in the intellectual department. He has these very insightful thoughts about the post-colonial condition, thinking about philosophy, thinking about colonization and decolonization. What's his take on the whole situation here? There's a sense of a connective amnesia that he feels in Hong Kong because it's so focused on finance and everyday life is very corporate. He doesn't have access to any artsy communities. He lives in the suburbs alone in an island in his childhood home. And all of this is the doing of all of the larger governments that were in charge of Hong Kong and Glue is aware that Hong Kong is designed to be a place like this. Why he longs for Canada is not only because of somebody he misses, but also back then he was more intellectually engaged, he was an activist. He had a better connection with his sister and they would go to protests together. He actually remembers a lot of his training and Marxism and decolonial theory, but it's slowly going away when he becomes more and more consumed by the kind of market forces that are used to create these empires. It's set around the Hong Kong protests and Glue's mind state is unraveling. Without giving too much away, why should we empathize with what he's going through towards the end of the book? I think in the end, Glue succumbs to all the pressure. He breaks and a lot of his ideals are falling apart and he becomes in a way lost again. But he finds himself in this place and I think a lot of people who are going through so much change in this part of Asia might, might also feel that there's nothing much else that you could do but do whatever you need to survive in this place that's designed to let you to survive. I was hanging with some friends who were visiting from Canada who I've met there and they feel like they have the pressure to enjoy all the progress and the economic growth. 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