
2025 NASCAR Odds: Shane van Gisbergen Favorite For Chicago Street Race
Last week at Atlanta, Ryan Blaney closed as the favorite (+650), but it was Georgia's own Chase Elliott (+1400) who got into victory lane, snapping a 44-race winless streak.
For this week's race, Shane van Gisbergen is the clear favorite at +185, with Kyle Larson second on the board at +650.
Who takes the checkered flag this weekend as the Cup Series heads back to Chicago? Here are the odds at DraftKings Sportsbook as of July 1. Grant Park 165 2025
Shane van Gisbergen: +185 (bet $10 to win $28.50 total)
Kyle Larson: +650 (bet $10 to win $75 total)
Christopher Bell: +750 (bet $10 to win $85 total)
William Byron: +1200 (bet $10 to win $130 total)
Tyler Reddick: +1200 (bet $10 to win $130 total)
Ty Gibbs: +1200 (bet $10 to win $130 total)
Chase Elliott: +1400 (bet $10 to win $150 total)
Will Brown: +1800 (bet $10 to win $190 total)
Michael McDowell: +2200 (bet $10 to win $230 total)
Chris Buescher: +2200 (bet $10 to win $230 total)
Alex Bowman: +2200 (bet $10 to win $230 total)
AJ Allmendinger: +2200 (bet $10 to win $230 total)
Ross Chastain: +2200 (bet $10 to win $230 total)
Chase Briscoe: +2500 (bet $10 to win $260 total)
Kyle Busch: +2800 (bet $10 to win $290 total)
Daniel Suarez: +2800 (bet $10 to win $290 total)
Ryan Blaney: +3500 (bet $10 to win $360 total)
Denny Hamlin: +4000 (bet $10 to win $410 total)
Carson Hocevar: +4000 (bet $10 to win $410 total)
Austin Cindric: +5000 (bet $10 to win $510 total)
Joey Logano: +9000 (bet $10 to win $910 total)
Justin Haley: +10000 (bet $10 to win $1,010 total)
Corey Heim: +10000 (bet $10 to win $1,010 total)
Brad Keselowski: +10000 (bet $10 to win $1,010 total)
Ryan Preece: +10000 (bet $10 to win $1,010 total)
John Hunter Nemechek: +13000 (bet $10 to win $1,310 total)
Cole Custer: +13000 (bet $10 to win $1,310 total)
Bubba Wallace: +13000 (bet $10 to win $1,310 total)
Austin Dillon: +13000 (bet $10 to win $1,310 total)
Zane Smith: +13000 (bet $10 to win $1,310 total)
Todd Gilliland: +13000 (bet $10 to win $1,310 total)
Ricky Stenhouse Jr.: +17000 (bet $10 to win $1,710 total)
Erik Jones: +17000 (bet $10 to win $1,710 total)
Noah Gragson: +20000 (bet $10 to win $2,010 total)
Josh Berry: +20000 (bet $10 to win $2,010 total)
Austin Hill: +25000 (bet $10 to win $2,510 total)
Riley Herbst: +30000 (bet $10 to win $3,010 total)
Josh Bilicki: +40000 (bet $10 to win $4,010 total)
Ty Dillon: +40000 (bet $10 to win $4,010 total)
Katherine Legge: +50000 (bet $10 to win $5,010 total)
Cody Ware: +50000 (bet $10 to win $5,010 total)
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38 minutes ago
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NASCAR Ponders Unique Elements Of New Course On Naval Base
CORONADO, Calif. — As Ben Kennedy described the roughly three-mile course where NASCAR Cup Series cars will weave through Naval Base Coronado next year, he mentioned elements that don't sound typical of a NASCAR course. There will be a turn by the aircraft carrier. Maybe some by helicopters and F-18s. Another turn onto the tarmac of the naval base, a tarmac area that could include a chicane or some esses (quick, multiple turns). Kennedy, NASCAR's chief venue officer, doesn't have the course finalized yet. He's having drivers work through a variety of elements on iRacing, the racing game simulator that has helped NASCAR work on designs for street courses and other track reconfigurations. The June 19-21 race weekend next year will be NASCAR's first on a military base and will coincide with the 250th anniversary celebration of the U.S. Navy. "You have the tarmac, which is as wide as you want to make it," Kennedy said while standing near the top of the base's control tower. "And then a lot of the roads and streets that we drove in this morning, they're five or six lanes wide. So this is going to create for some really good passing zones." Kennedy says there will probably be 10 to 15 turns on what will be a relatively flat course, with a slight decline on the frontstretch and a slight incline when they get to the road by the bay. "I don't know all the challenges they're going to face with the location," said seven-time Cup champion Jimmie Johnson, who will possibly compete in the event, as he grew up in the San Diego area. "I'm highly confident we're going to have an incredible venue, incredible backdrop and great racing." Drivers who visited the base on Wednesday didn't seem too concerned about the design of the track. "I have heard a rumor that on one of the straightaways, we will be going by a couple aircraft carriers, so that's going to be hard not to pay attention to going by those on the sea," said 2023 Cup champion Ryan Blaney. "I don't have any expectations. I know it's going to be a great layout and a great course and just a special place to be able to go run here at such a famous base. "I'm honestly really honored that they are having us and letting us do what we're going to do. And I think it's going to be a heck of a time. I'm incredibly excited about it." All three NASCAR national series will compete on the track, with the course finalized sometime this fall. "I have no clue," said 2021 Cup champion Kyle Larson. "I haven't seen any drawing or anything of anything yet. But I don't really care what the course is. I'm just happy that we're doing this. "It's going to be a fun event no matter what. It's a beautiful part of the country. You're racing on a Navy base. This is pretty surreal." Larson indicated that they won't know how the track will race until they race. "A lot of times, the weirder and crazier the tracks are, the better racing we have," Larson said. "When we think things aren't going to be right, it creates chaos and whatnot. ... We could build an oval right here. We can build a road course. I don't care. "I'm just glad that we're here racing on this base, and it should be fun." One thing that probably won't be possible (and won't be a goal) is to design a course that could limit the dominance of Shane van Gisbergen, who has won the last three road courses this year. The three-time Supercars champion has won at Mexico (where he battled stomach issues), the Chicago street course and Sonoma in the last couple of months. "Food poisoning still won't get the job done so we've just all got to get better," Blaney quipped. Bob Pockrass covers NASCAR and INDYCAR for FOX Sports. He has spent decades covering motorsports, including over 30 Daytona 500s, with stints at ESPN, Sporting News, NASCAR Scene magazine and The (Daytona Beach) News-Journal. Follow him on Twitter @bobpockrass. recommended Item 1 of 2 Get more from the NASCAR Cup Series Follow your favorites to get information about games, news and more
Yahoo
3 hours ago
- Yahoo
Fox evolved its approach to women's soccer with Euros broadcast. Were the changes enough or too late?
As Euro 2025 comes to a close, all signs point to the tournament finally enjoying its breakout moment in the United States. It culminates on Sunday in a 2023 World Cup final rematch between England and Spain — an ideal clash for attracting an American audience. While the international break still has a few more days to go, there's enough data to assess what's worked, what hasn't and where the growth of women's soccer in America goes from here. There's never been any doubt that this country watches the U.S. women's national team. The 2015 Women's World Cup win over Japan remains one of the most-watched soccer games in the country (26.7 million average viewers), only barely edged out by the 2022 men's World Cup final between Argentina and France (26.73 million). There's a massive difference, however, between casual and new fans tuning in for the USWNT during a World Cup and pulling in viewers for the Euros, or the Women's Africa Cup of Nations or Copa America Femenina, even with the presence of NWSL players at all three tournaments. Ahead of this summer of soccer, I wrote in the 'Full Time' newsletter that these overlapping events — more so than a singular Women's World Cup — would reveal the true growth of women's soccer. The Euros, of the three options, was the most instructive test of how hungry an American audience would be for non-USWNT soccer, largely because of how Fox Sports approached its broadcast presentation. Despite little promotion ahead of the tournament, Fox Sports bet big by putting most games on either the primary Fox channel or FS1, with only one match relegated to FS2. This towers over the approach from ESPN in 2022, which split the tournament between broadcast and streaming (two matches on ESPN, including the final, 21 on ESPN2 and eight on ESPN+). And is also a different world compared to the 2017 edition in the Netherlands, which entirely utilized ESPN3 and their app. Fox, which said that they would air over 130 hours of live women's soccer coverage this summer between the Euros and Copa America Femenina, has supplemented their Euros coverage with a studio show featuring analysts and former players, including Carli Lloyd, Ari Hingst, Jen Beattie and others. (Copa América, compared to the Euros, has gotten a more basic approach, with the games largely split between FS1 and FS2. The dichotomy in coverage between the two tournaments is notable.) Ahead of the Euros, Fox Sports president of insights and analytics Mike Mulvihill told Sports Business Journal that the network was targeting 50 percent growth for viewership. They've easily surpassed that number, averaging over 90 percent through the group stage with a 2025 average viewership of 306,000 compared to 2022's 161,000 viewers. France's 2-1 win over England provided the largest spike of the group stage, with 690,000 viewers, thanks to its placement on Fox and a favorable Saturday afternoon timeslot. The quarterfinals continued the trend, nearly reaching the one million viewership mark with Germany's thrilling 6-5 penalty shootout win over France (925,000 viewers). In 2022, quarterfinal viewership averaged 283,000 viewers; this summer, it has averaged out at 776,000 viewers. The number one driver is increased accessibility, but Fox has gotten other calls right, too, even as their overall strategy for soccer remains disappointingly on brand. Bringing former German international player Hingst back in as the primary expert voice has been the highlight of their studio work — with her well-researched analysis on all of the teams and her emotional connection to Germany (especially while watching Germany survive and advance into the semifinals). Fox has never gone for the banter the way CBS has leaned in on men's Champions League, but Hingst provided a blueprint that knowledge doesn't preclude fun behind a desk. Former Scotland international Beattie was a strong new addition to Fox's team, both at the desk and in the booth for color commentary alongside regular play-by-play analyst John Strong. The only flaw was her departure from Fox's studio in Los Angeles to watch the tournament in person in Switzerland (and that Fox had her pulling double duty with Copa America). Fox leaned not just on familiar voices but largely turned to established pairs for its match commentary. Jacqui Oatley and Lori Lindsey have been regular fixtures in the NWSL, as have JP Dellacamera and Lianne Sanderson. It's not surprising that Fox didn't fully invest in this area, keeping the teams in Los Angeles rather than having them in the stadium. It did, at points, cause issues, but understandable ones. It also wouldn't be a Fox Soccer broadcast without the heavy rotation of former U.S. players participating. Lloyd, who was a divisive presence during the 2023 World Cup broadcast, especially in her approach to covering the USWNT, has settled in following a couple of major tournaments' worth of reps behind the desk. Her trademark bluntness hasn't gone anywhere, but she has gotten better at pointing it in a productive direction. If Fox chose to rely solely on Lloyd for an American lens to these international tournaments, I'd find it a justifiable choice. A famous U.S. player helps bridge the gap to American fans, and using her own experience in major tournaments provides familiar reference points for the every-four-years World Cup viewer. It's not just Lloyd, though. Fox continues to stress these voices far too much, with the greatest example continuing to be former U.S. men's player Alexi Lalas. Lalas has always been the most divisive presence in Fox's coverage — the bombastic approach either works for you or it really, really doesn't. Every major tournament that Fox airs, I wonder what value Lalas adds to a broadcast to engage, entertain and inform new and returning viewers. Maybe there are still some women's soccer die-hards who still hate watch to see what Lalas will say next, but most social media commentary I see states time and time again that the existing women's soccer audience in this country is opting out of watching Fox's studio commentary. Of course, it's not a studio analyst's job to protect players or teams, or rely solely on positive commentary throughout a tournament — the 'toxic positivity' of the women's soccer space has long been an element holding the growth of the sport back. The majority of the former women's players serving Fox's studio analysts — including Lloyd — have largely balanced praising what's worked for teams and pointing out what hasn't, all with halftime or full time film. Women's soccer has, however, long outgrown the need for Lalas to serve as the default Fox perspective, shouting for shouting's sake. He has not been ever-present in this tournament, but he regained a prominent role during the Italy-England semifinal (and, presumably, the final) when viewership will peak. I'd like to think that Fox evaluates itself after every major tournament, but with the viewership increases we've seen, I expect the same strategy will persist. At the same time, Fox has lost ground in the rapidly shifting landscape for women's soccer media rights to both traditional competition and new challengers. CBS has been aggressive in signing deals with Concacaf, and most recently, picking up the rights to the women's Champions League to live alongside its men's coverage. But the big loss for Fox was to Netflix, which won the rights to air both the 2027 and 2031 Women's World Cup during FIFA's bidding process. Accessibility remains the key to viewership growth, but it is not the only ingredient for sustained growth that benefits the entire sport and media infrastructure. The players and teams of the 2025 Euros have provided exciting matches, plenty of drama and a record amount of soccer to boot, with four knockout stage games going to extra time. That's another crucial piece to keeping new and casual viewers hooked, and looking for more. But so is robust, thoughtful commentary and analysis from the media rights holder. Fox has certainly improved on this front, but has yet to shed its worst impulses. This article originally appeared in The Athletic. International Football, Sports Business, Women's Soccer, Women's Euros 2025 The Athletic Media Company


New York Times
3 hours ago
- New York Times
Fox evolved its approach to women's soccer with Euros broadcast. Were the changes enough or too late?
As Euro 2025 comes to a close, all signs point to the tournament finally enjoying its breakout moment in the United States. It culminates on Sunday in a 2023 World Cup final rematch between England and Spain — an ideal clash for attracting an American audience. While the international break still has a few more days to go, there's enough data to assess what's worked, what hasn't and where the growth of women's soccer in America goes from here. Advertisement There's never been any doubt that this country watches the U.S. women's national team. The 2015 Women's World Cup win over Japan remains one of the most-watched soccer games in the country (26.7 million average viewers), only barely edged out by the 2022 men's World Cup final between Argentina and France (26.73 million). There's a massive difference, however, between casual and new fans tuning in for the USWNT during a World Cup and pulling in viewers for the Euros, or the Women's Africa Cup of Nations or Copa America Femenina, even with the presence of NWSL players at all three tournaments. Ahead of this summer of soccer, I wrote in the 'Full Time' newsletter that these overlapping events — more so than a singular Women's World Cup — would reveal the true growth of women's soccer. The Euros, of the three options, was the most instructive test of how hungry an American audience would be for non-USWNT soccer, largely because of how Fox Sports approached its broadcast presentation. Despite little promotion ahead of the tournament, Fox Sports bet big by putting most games on either the primary Fox channel or FS1, with only one match relegated to FS2. This towers over the approach from ESPN in 2022, which split the tournament between broadcast and streaming (two matches on ESPN, including the final, 21 on ESPN2 and eight on ESPN+). And is also a different world compared to the 2017 edition in the Netherlands, which entirely utilized ESPN3 and their app. Fox, which said that they would air over 130 hours of live women's soccer coverage this summer between the Euros and Copa America Femenina, has supplemented their Euros coverage with a studio show featuring analysts and former players, including Carli Lloyd, Ari Hingst, Jen Beattie and others. (Copa América, compared to the Euros, has gotten a more basic approach, with the games largely split between FS1 and FS2. The dichotomy in coverage between the two tournaments is notable.) Ahead of the Euros, Fox Sports president of insights and analytics Mike Mulvihill told Sports Business Journal that the network was targeting 50 percent growth for viewership. They've easily surpassed that number, averaging over 90 percent through the group stage with a 2025 average viewership of 306,000 compared to 2022's 161,000 viewers. France's 2-1 win over England provided the largest spike of the group stage, with 690,000 viewers, thanks to its placement on Fox and a favorable Saturday afternoon timeslot. Advertisement The quarterfinals continued the trend, nearly reaching the one million viewership mark with Germany's thrilling 6-5 penalty shootout win over France (925,000 viewers). In 2022, quarterfinal viewership averaged 283,000 viewers; this summer, it has averaged out at 776,000 viewers. The number one driver is increased accessibility, but Fox has gotten other calls right, too, even as their overall strategy for soccer remains disappointingly on brand. Bringing former German international player Hingst back in as the primary expert voice has been the highlight of their studio work — with her well-researched analysis on all of the teams and her emotional connection to Germany (especially while watching Germany survive and advance into the semifinals). Fox has never gone for the banter the way CBS has leaned in on men's Champions League, but Hingst provided a blueprint that knowledge doesn't preclude fun behind a desk. Former Scotland international Beattie was a strong new addition to Fox's team, both at the desk and in the booth for color commentary alongside regular play-by-play analyst John Strong. The only flaw was her departure from Fox's studio in Los Angeles to watch the tournament in person in Switzerland (and that Fox had her pulling double duty with Copa America). Fox leaned not just on familiar voices but largely turned to established pairs for its match commentary. Jacqui Oatley and Lori Lindsey have been regular fixtures in the NWSL, as have JP Dellacamera and Lianne Sanderson. It's not surprising that Fox didn't fully invest in this area, keeping the teams in Los Angeles rather than having them in the stadium. It did, at points, cause issues, but understandable ones. It also wouldn't be a Fox Soccer broadcast without the heavy rotation of former U.S. players participating. Advertisement Lloyd, who was a divisive presence during the 2023 World Cup broadcast, especially in her approach to covering the USWNT, has settled in following a couple of major tournaments' worth of reps behind the desk. Her trademark bluntness hasn't gone anywhere, but she has gotten better at pointing it in a productive direction. If Fox chose to rely solely on Lloyd for an American lens to these international tournaments, I'd find it a justifiable choice. A famous U.S. player helps bridge the gap to American fans, and using her own experience in major tournaments provides familiar reference points for the every-four-years World Cup viewer. It's not just Lloyd, though. Fox continues to stress these voices far too much, with the greatest example continuing to be former U.S. men's player Alexi Lalas. Lalas has always been the most divisive presence in Fox's coverage — the bombastic approach either works for you or it really, really doesn't. Every major tournament that Fox airs, I wonder what value Lalas adds to a broadcast to engage, entertain and inform new and returning viewers. Maybe there are still some women's soccer die-hards who still hate watch to see what Lalas will say next, but most social media commentary I see states time and time again that the existing women's soccer audience in this country is opting out of watching Fox's studio commentary. Of course, it's not a studio analyst's job to protect players or teams, or rely solely on positive commentary throughout a tournament — the 'toxic positivity' of the women's soccer space has long been an element holding the growth of the sport back. The majority of the former women's players serving Fox's studio analysts — including Lloyd — have largely balanced praising what's worked for teams and pointing out what hasn't, all with halftime or full time film. Women's soccer has, however, long outgrown the need for Lalas to serve as the default Fox perspective, shouting for shouting's sake. He has not been ever-present in this tournament, but he regained a prominent role during the Italy-England semifinal (and, presumably, the final) when viewership will peak. I'd like to think that Fox evaluates itself after every major tournament, but with the viewership increases we've seen, I expect the same strategy will persist. Advertisement At the same time, Fox has lost ground in the rapidly shifting landscape for women's soccer media rights to both traditional competition and new challengers. CBS has been aggressive in signing deals with Concacaf, and most recently, picking up the rights to the women's Champions League to live alongside its men's coverage. But the big loss for Fox was to Netflix, which won the rights to air both the 2027 and 2031 Women's World Cup during FIFA's bidding process. Accessibility remains the key to viewership growth, but it is not the only ingredient for sustained growth that benefits the entire sport and media infrastructure. The players and teams of the 2025 Euros have provided exciting matches, plenty of drama and a record amount of soccer to boot, with four knockout stage games going to extra time. That's another crucial piece to keeping new and casual viewers hooked, and looking for more. But so is robust, thoughtful commentary and analysis from the media rights holder. Fox has certainly improved on this front, but has yet to shed its worst impulses.