
Bob Vylan say they have been 'targeted for speaking up' at Glastonbury
They were criticised after leading chants of "Death, death to the IDF (Israel Defence Forces)" during a livestreamed performance at the Somerset music festival on Saturday afternoon.
In a lengthy statement posted to Instagram, the British duo - Bobby Vylan and Bobbie Vylan - said: "Today, a good many people would have you believe a punk band is the number one threat to world peace. Last week it was a Palestine pressure group, the week before that it was another band."
"We are not for the death of jews, arabs or any other race or group of people," they continued.
Bob Vylan said they "are for the dismantling of a violent military machine" that "has destroyed much of Gaza".
"We, like those in the spotlight before us, are not the story. We are a distraction from the story. And whatever sanctions we receive will be a distraction," they said.
"The government doesn't want us to ask why they remain silent in the face of this atrocity? To ask why they aren't doing more to stop the killing? To feed the starving?"
They concluded: "We are being targeted for speaking up. We are not the first. We will not be the last. And if you care for the sanctity of human life and freedom of speech, we urge you to speak up too.
"Free Palestine."
On Monday, British police launched a criminal investigation into Bob Vylan and Belfast rap trio Kneecap's performances at Glastonbury.
The police are investigating both groups over public order incidents, the police statement said.
Avon and Somerset Police said a criminal investigation was being undertaken after video footage and audio from Bob Vylan and Kneecap's performances at Glastonbury were reviewed.
"Following the completion of that assessment process we have decided further inquiries are required and a criminal investigation is now being undertaken. A senior detective has been appointed to lead this investigation.
"This has been recorded as a public order incident at this time while our inquiries are at an early stage. The investigation will be evidence-led and will closely consider all appropriate legislation, including relating to hate crimes," police said in a statement.
The BBC said on Monday it "should have pulled" the live stream of Bob Vylan's performance that contained, what it called, "utterly unacceptable" and "antisemitic sentiments".
Bobby Vylan, one half of the duo, also led the Glastonbury audience in chants that included: "Free, free Palestine."
Kneecap's set was not streamed live. An edited version was later uploaded.
Bobby Vylan is the stage name of Pascal Robinson-Foster, 34, according to reports, while his bandmate drummer uses the alias Bobbie Vylan.
The group was formed in Ipswich in 2017 and are known for addressing political issues in their albums including racism, masculinity, and class.
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Douglass drew comfort and inspiration from O'Connell: "I have heard many speakers within the last four years— speakers of the first order; but I confess, I have never heard one, by whom I was more completely captivated than by Mr. O'Connell." After the Irish War of Independence, a guerrilla struggle fought from 1919 to 1921 by revolutionary paramilitary organization the IRA against British rule, there was the establishment of the Irish Republic, which resulted in partition of the island. Six of Ireland's thirty- two counties located in the north of Ireland remained under British rule. Irish Catholics in the north suddenly found themselves on the opposite side of a border from their countrymen and kin. Living among a Protestant majority who saw themselves as British, the Catholics were denied basic rights such as votes, housing, and jobs. By the 1960s, they were taking their cues from the civil rights movement in the United States by organizing protests, but these were ruthlessly suppressed. A need for protection revived Irish paramilitary operations, with some identifying as the successors of the old IRA. "Everyone was very radicalized at that stage," said Tim Brannigan, a west Belfast Black Irish Catholic who went to prison in the 1990s on IRA weapons charges. "But, of course, what the IRA did was rather than see the potential for a mass movement, they saw the potential for clandestine guerrilla struggle." The kinship between the Black American struggle and the Catholic struggle was sharply felt in Derry, a city in Northern Ireland. In August 1969, a march was organized to protest discrimination, but participants faced counterdemonstrations and a police force, the Royal Ulster Constabulary (RUC), its officers deploying water cannons and batons. Residents of the Bogside neighborhood responded by rioting. In what became known as the Battle of the Bogside, Catholic resisters declared the area autonomous territory. They erected barricades to prevent the police entering. Radio Free Derry played rebel songs as a call to locals to resist. A famous mural reading "YOU ARE NOW ENTERING FREE DERRY" was painted on a corner house signifying a police-free zone. It's still there today, an enduring symbol of the resistance. Lasting intermittently for three years, Free Derry showed the power of a community united against oppressive forces. Yet Derry would be deeply wounded by some of the most brutal sectarian violence in what would become known as the Troubles. In 1972, there was Bloody Sunday, a peaceful protest that was attacked by the British Army and resulted in the murder of fourteen civilians, a case which is still unresolved. Imprisoned for a short period for her role in the Battle of the Bogside was Bernadette Devlin. A working- class revolutionary socialist, Devlin was elected as an MP to the British Parliament aged only twenty- one. In 1969, she toured the United States to raise funds for political prisoners in Ireland. Such was her celebrity that she even made an appearance on The Tonight Show Starring Johnny Carson. As the tour stretched on, Devlin spoke increasingly about the Black American struggle, criticizing Irish Americans for failing to show unity despite the obvious parallels occurring back in their motherland. They may have been opening their wallets for her cause, but to Devlin, these Irish Americans were complicit in a similarly oppressive policing system that brought tyranny to marginalized communities. After being awarded the freedom key to New York by the city's mayor, John Lindsay, she delivered it to the local Black Panthers via her comrade, Eamonn McCann, with a message: "To all these people, to whom this city and this country belong, I return what is rightfully, theirs, this symbol of the freedom of New York." Devlin befriended Angela Davis after visiting the imprisoned Panther in 1971. Years later, Davis joined the campaign to free Devlin's daughter, Róisín McAliskey, jailed on IRA bombing charges. Addressing a protest in San Francisco, Davis declared, "Róisín must be freed and Northern Ireland released from the shackles of British imperialism!" (In his book How the Irish Became White, author Noel Ignatiev explains how the new Irish immigrants in America achieved acceptance among an initially hostile population by proving that they could be more brutal in their oppression of Black Americans. This was the start of a chasm between Irish people and Irish Americans that exists today. While in general, Irish Americans look fondly at the island many see as their ancestral home, the descendants of the Irish who stayed look at them with less affection.) Ireland's affinity for Tupac is just the latest in a mutual sense of kinship shared by Irish people and Black American activists that can be traced across centuries. The IRA and the Black Panther Party were founded to fight back against oppressive states. Both established networks of community services to provide what the state failed to offer. Both faced suppression through counterintelligence. And both sought a radical left- wing reorganization of society. The two groups, not failing to spot the parallels, used their own newspapers to report on and support each other's cause. It was instinctual for Irish freedom fighters to express solidarity with other political prisoners given their long history of imprisonment at the hands of the British state. Throughout the twentieth century, Irish prisoners used hunger strikes to protest British authority, many condemning themselves to the horrible fate of death by starvation. Playwright and politician Terence MacSwiney died after a seventy-four-day hunger strike in 1920; his demise was known to have had a profound impact on Marcus Garvey, the Jamaican Black nationalist leader. Garvey even sent telegrams to both British prime minister David Lloyd George, urging him to compromise so Mac-Swiney's life could be spared, and to Mac Swiney's priest, asking him to "convey to McSwiney [sic] sympathy of 400,000,000 Negroes." Garvey's admiration for the Irish response to colonial rule had been total. The year before MacSwiney's death, he declared, "The time has come for the Negro race to offer up its martyrs upon the altar of liberty even as the Irish has given a long list, from Robert Emmet to Roger Casement." As the Troubles in Ireland continued throughout the 1980s and into the '90s, and the Provisional IRA's bombing campaign, undertaken with the goal of ending British rule in the six counties, claimed more and more innocent lives, they struggled for support at home and abroad, dubbed terrorists rather than freedom fighters. Still, after peace on the island was achieved through the Good Friday Agreement in 1998, a younger generation, with no war to fight, but who still shout "Up the Ra," have found alternative ways to keep the spirit of resistance as part of their identity. Expressing kinship with Tupac is the contemporary version of the same mutual understanding between Irish and Black American struggle. Around the one hundredth anniversary of the 1916 Easter Rising, a key event in the Irish struggle for independence, a Facebook page was set up with the purpose of ensuring Tupac received credit for his contributions to the cause. The group's admins photoshopped Tupac into old photos, alongside Connolly, Pearse, and other heroes of the armed rebellion who'd almost all been executed for the part they played. It was for laughs, yes, but through meme culture, the group was ambiently solidifying the bond. It made a weird kind of sense: Tupac Shakur was in the original IRA. The joke wouldn't have worked with any other rapper— maybe, even, no other American.