‘Americana' Trailer: Sydney Sweeney & Paul Walter Hauser Are Chasing A Native American Artifact In Lionsgate's Modern Day Western
Here comes some Americana.
Lionsgate has unveiled trailer for the modern day Western starring Sydney Sweeney and Paul Walter Hauser, which opens August 22.
More from Deadline
'The Hunger Games: Sunrise On The Reaping' Casts Lili Taylor As Mags
Maya Hawke Joins 'The Hunger Games: Sunrise On The Reaping' As Wiress
'The Hunger Games: Sunrise On The Reaping' Casts Kelvin Harrison Jr. As Beetee
Tony Tost's Americana follows a gallery of dynamic characters as they clash over the possession of a rare Native American artifact. After the artifact falls onto the black market, a shy waitress with big dreams (Sweeney) teams up with a lovelorn military veteran (Walter Hauser) to gain possession of it, putting them in the crosshairs of a ruthless criminal working on behalf of a Western antiquities dealer. Bloodshed ensues when others join the battle, including the leader of an indigenous group and a desperate woman fleeing her mysterious past.
Halsey, Simon Rex, Eric Dane and Zahn McClarnon star alongside Sweeney.
The movie is produced by BRON Studios and Saks Pictures Company in association with Rhea Films and Hercules Film Fund / Creative Wealth Media. EPs are Aaron L. Gilbert, Steven Thibault, Alison-Jane Roney, Paris Kassidokostas-Latsis, Terry Dougas, and Jean-Luc de Fanti.
The trailer has dropped slap bang in the middle of Cannes.
The movie originally aired at SXSW 2023 and was picked up by Lionsgate several months later.Best of Deadline
Where To Watch All The 'Mission: Impossible' Movies: Streamers With Multiple Films In The Franchise
Everything We Know About 'My Life With The Walter Boys' Season 2 So Far
'Bridgerton' Season 4: Everything We Know So Far
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Springsteen's Berlin concert echoes with history and a stark warning
BERLIN (AP) — Veteran rock star Bruce Springsteen, a high-profile critic of President Donald Trump, slammed the U.S. administration as 'corrupt, incompetent and treasonous' during a concert Wednesday in Berlin. He was addressing tens of thousands of fans at a stadium built for the 1936 Olympic Games that still bears the scars of World War II and contains relics from the country's dark Nazi past. 'Tonight, we ask all who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism, and let freedom reign,' he said. Springsteen, long a political opponent of the president, has made increasingly pointed and contentious public statements in recent concerts. He denounced Trump's politics during a concert last month in Manchester, calling him an 'unfit president' leading a 'rogue government' of people who have 'no concern or idea for what it means to be deeply American.' Springsteen is no stranger to Berlin. In July 1988, he became one of the first Western musicians to perform in East Germany, performing to a ravenous crowd of 160,000 East Germans yearning for American rock 'n' roll and the freedom it represented to the youth living under the crumbling communist regime. An Associated Press news story from that period says 'fireworks steaked through the sky' and hundreds of people in the audience waved handmade American flags as they sang along to 'Born in the USA.' Almost four decades later, Springsteen issued a stark warning: 'The America that I love, the America that I've sung to you about, that has been a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent, and treasonous administration."
Yahoo
an hour ago
- Yahoo
13 of the late Brian Wilson' s finest songs to revisit
Brian Wilson's death on Wednesday at the age of 82 heralds an end to one idea of Southern California — as the temperate paradise of ascendant Americana. Exuberance and dreaminess, writerly sophistication and technical ambition, drugs and madness: Wilson's exquisite craft captured all of it, with his band the Beach Boys leaving behind a singularly inventive and exultant body of work, one that scripted and embodied California to the world. His vast catalog of incomparable achievement also contained thwarted hopes and despair amid his drug abuse and mental illness. It should be revisited in its full range today. These are a few of his hallmark accomplishments as a writer, arranger and performer. Surfer Girl (1963)Unbelievably, impossibly the first single that Brian Wilson ever wrote. So sophisticated and delicate in its moon-eyed teenage passions, full of artful melodic moves bolstered by the pure-water harmonies that would define the group. The song that set the template for a SoCal subculture, and a band to eventually rival the Beatles. In My Room (1963)Perfectly captures the loneliness and sanctity of young solitude over a lovely doo-wop arpeggio. It's a bracingly vulnerable track for a boy band to write in any era of masculinity. Warmth of the Sun (1964)What a beautiful composition to come right in the wake of the Kennedy assassination. Soaked with loss, redeemed by those radiant chord changes showing Wilson's escalating ambitions as a writer, here with Mike Love. Don't Worry Baby (1964)Riffing off the Ronettes' hit the year before, this early cut served double duty as a sincere portrait of romantic comfort and safety, and a reassurance for Wilson's own insecurities as a performer on stage and in life. The regal vocal here proved it worked. Please Let Me Wonder (1965)An absolute swoon. Wilson was ramping up to the sonic inventions of 'Pet Sounds,' but this era-transitional single captured the old lovelorn magic and dreaminess in an increasingly robust arrangement. California Girls (1965)Written with Love after the Beach Boys' first European tour, this hallmark single is diabolical in its sincerity and craftsmanship, a gobsmacked appreciation for all the world's women that probably did as much to build the Golden State's global reputation as Hollywood and the microchip. Caroline, No (1966)It's hard not to pack this list with songs from 'Pet Sounds,' but this one stands out for its poignancy about time passing and the grind of life changing a lost love. Wilson regarded it as one of his best, and with its striking instrumental palette of harpsichord and flutes, it's easy to agree. God Only Knows (1966)From the opening bait-and-switch lyric to the quiet, tidal shifts in tone and that regal outro, it may be the emblematic Beach Boys song. It will never lose its potency as a crowing statement of devotion. Go get married to it, or ponder its existential desperation. Good Vibrations (1966)Probably the definitive Beach Boys single in that it has absolutely everything they're beloved for — compositional genius, technical invention and immaculate performances spliced from four different studios into one incandescent, emblematic single. Darlin' (1967)The Beach Boys were in decline by 1967 — in health and hipness alike. Wilson revamped a song he wrote with Mike Love (for what became Three Dog Night). Now as a rollicking horn-driven soul number (with a great vocal from Carl Wilson), it became an unexpected highlight of this era for the band. Cabin Essence (1969 and 2004)A core piece of the mangled, unfinished 'Smile' sessions, the song took Wilson four decades to get right and finally release as part of his own effort to finish the LP. It's packed with ideas from all over the American songbook — Aaron Copland and western folk, run through with Wilson's own cracked impressionist view of life on the rails. Surf's Up (1971)'A blind class aristocracy, back through the opera glass you see / The pit and the pendulum drawn.' An elegy for the hopeful '60s, with a wry title that lays the band's old sunny optimism in the grave. Til I Die (1971)A wrenching composition evoking a declining Wilson's hopelessness and despair, all the more striking for its exuberant production. It feels even weightier on today of all days — 'How deep is the ocean, I've lost my way.' Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.
Yahoo
an hour ago
- Yahoo
New Doc Explores How Julia Sweeney's ‘SNL' Favorite Pat Became a Complex Nonbinary Icon
Julia Sweeney's popular Saturday Night Live character Pat gets their plaudits (and some criticism) as a gender non-conforming pioneer in a new clip from the upcoming documentary, We Are Pat, premiering exclusively on Rolling Stone. Sweeney played Pat throughout her run on SNL in the early Nineties and even got to star in a spin-off film, It's Pat. The inscrutability of Pat's androgyny was pushed to comedic extremes, effectively offering prominent, yet thorny representation for gender non-conforming people on television long before the term 'nonbinary' was being widely used. More from Rolling Stone USC's SoCal VoCals Are Pitch Perfect in 'Just Sing' Documentary Trailer See 'SNL' Spoof Mike Myers' Infamous Kanye West Moment in Elevator Sketch 'SNL': Watch Bad Bunny Perform 'NUEVAYoL,' 'PERFuMITO NUEVO' We Are Pat director Ro Haber tells Rolling Stone in an email they 'wanted to make a film about transness that had humor at the heart of it,' and kept coming back to their complicated feelings about Pat. 'Why am I laughing at something that's meant to laugh at me? Why do I love Pat? Is Pat a nonbinary icon or a transphobic trope of yesteryear?' Haber continues. 'In exploring these questions, it was really important that the film embraced a spirit of curiosity and conversation rather than cancel culture and judgment.' The new clip opens with Karam Ann, a professor of TV studies, noting the prescience of Pat and how the relatively new discussion around nonbinary identity and the use of they/them pronouns has 'reanimated Pat from the grave.' Actor and filmmaker River Gallo, who is nonbinary, adds, 'What's interesting to me about being nonbinary, and the definition of nonbinariness, is it's saying you're not these two things. It's not really definable but only by what it isn't. It's interesting thinking of Pat in those ways.' We Are Pat will have its world premiere at the Tribeca Film Festival on Sunday, June 8. It's set to feature interviews with an array of queer and trans comedians and writers, including Molly Kearney, Esther Fallick, Abby McEnany, Pink Foxx, and Roz Hernandez. Sweeney also partook in the film, as did her SNL co-star Kevin Nealon. Haber says one of the most profound things they learned while making the film was from Sweeney, who created Pat while grappling with her 'own gendered pressure as a woman trying to make it in the Ninetes boys club of comedy and SNL.' 'Pat grew out of familial and societal expectations of femininity that were placed on Julia during that time, and Pat was something of an escape for her,' Haber says. 'In the film, she says, 'It was actually a joy to be Pat because I got to have a break from having to be a girl too.' That sense of reacting to a gender expectation placed on you felt really relatable to the comics in the film and me.' { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "d762a038-c1a2-4e6c-969e-b2f1c9ec6f8a", mediaId: "4665abb0-57e9-4e09-a93a-fa846cda00cb", }).render("connatix_player_4665abb0-57e9-4e09-a93a-fa846cda00cb_2"); }); Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century
