
The cookbooks bringing us joy and changing our lives in the kitchen this spring
Spring's parade of cookbooks are bringing a lot of joy into our kitchens. We read, cooked and baked our way through dozens of them, finding respite in some newfound culinary wisdom. Ace L.A. baker Nicole Rucker of Fat + Flour gave us recipes from her new book for London Fog brownies and her signature vegan lemon lavender cookies, using simplified methods that turned her baking world around. Ari Kolender, the chef whose East Hollywood raw bar Found Oyster won us over with pristine seafood and clam shack charm, wrote 'How to Cook the Finest Things in the Sea' and helped us feel comfortable cooking all kinds of fish and shellfish. And along with chefs and other food lovers, we explored our own lived-in libraries, highlighting the cookbooks that have meant the most to us, the ones we most cherish, each for our own reasons. Here's what we're dog-earing right now.
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New York's Acclaimed Superiority Burger Is Coming to LA for One Day Only
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Yahoo
16-05-2025
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Inside the Painstaking Restoration of John Woo's ‘Hard Boiled' Set for Cannes Classics Spotlight (EXCLUSIVE)
Chow Yun-fat's bullet ballet is reloaded and ready to fire again on the Croisette. As John Woo's landmark 1992 action spectacle 'Hard Boiled' prepares for its spotlight screening at this year's Cannes Classics, Variety has uncovered the blood, sweat and digital wizardry behind saving the bullet-riddled masterpiece from cinematic extinction. More from Variety Kristen Stewart's Latvian Partner Forma Pro Films Ups Co-Pro Stakes (EXCLUSIVE) New Genre Label Chroma Launches, Partners With Fantastic Fest on Fantastic Pitches, Offering $100,000 to Winning Pitch Team (EXCLUSIVE) Filmax Rolls Out Cesc Gay's 'My Friend Eva,' Closing Italy, Germany (EXCLUSIVE) The Chow Yun-fat starrer, which had long been unavailable due to rights issues, comes to the Croisette with new revelations about the technical challenges faced during its meticulous preservation. In the film, a hard-boiled cop (Chow) who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. To get closer to the ring leaders, he joins forces with an undercover cop (Tony Leung Chiu-wai) who's working as a gangster hitman. Together, they use all means of excessive force to find them. The film also stars Teresa Mo, Philip Chan, Philip Kwok, and Anthony Wong. ''Hard Boiled' and all 156 films in the Golden Princess library have been largely unavailable outside of Asia because those rights have long been owned by Hong Kong property developer Kowloon Development Company,' explains Jordan Fields, senior VP acquisitions and originals at Shout! Studios, which spearheaded the restoration effort. 'KDC was not focused on the film business after the demise of Golden Princess Film Production in 1995.' Now, for the first time, restoration specialists have detailed the extensive work required to bring this cornerstone of action cinema back to its intended glory. The original negative, sourced from the Hong Kong Film Archive and digitized by Interface Video Production Ltd in Hong Kong, presented significant challenges. 'It was in poor condition, showing significant signs of age and wear,' reveals Michael Coronado, film restoration specialist at Duplitech. 'The most noticeable damage included frequent film tears throughout multiple reels. The iconic one-take hospital action sequence was notably marred by accumulated dust and deep vertical scratches that disrupted the visual clarity and intensity of the scene.' 'The element exhibited noticeable frame shifts and occasional warping, due to shrinkage,' he adds. The restoration team employed a sophisticated combination of Filmworkz Phoenix and Pixel Farm's PF Clean technologies. The process began with Phoenix DVO Frame Lock to stabilize the image before addressing flicker and warping issues. Among the most illuminating revelations is the extent of manual intervention required. 'One of the challenges in restoring 'Hard Boiled' was the film's intense action sequences characterized by explosions, gunfire, and rapid motion, which significantly limited automated dirt removal,' Coronado notes. 'These scenes required careful, frame-by-frame manual restoration.' A particularly challenging section emerged at the end of the fourth reel. 'Our team encountered a significant tear that had split the image across the frame,' Coronado discloses. 'To restore this section, our skilled restoration artists used clone-painting techniques by overlaying adjacent frames to repair the damaged footage.' The color grading process presented its own set of challenges. ''Hard Boiled' contains over 2900 shots throughout its 128 minute runtime, including many optical shots that had to be corrected with dynamic keyframes,' reveals supervising colorist Blake David-Blasingame of Duplitech. 'The negative was very inconsistent and had to be re-timed scene by scene, sometimes shot by shot, to maintain consistency.' The restoration culminated in a Dolby Vision HDR master, with all versions, including the P3 Digital Cinema version that will screen at Cannes, derived from this source. Henry Weintraub, restoration supervisor at Shout! Studios, describes the emotional investment in the project. 'Restoring the film was both a challenge and a labor of love,' he says. ''Hard Boiled' means a lot to so many people, myself included, and I wanted to be sure we did it justice. It was important to preserve the original look and sound design of the era, while also enhancing both to bring out their full potential.' Director John Woo has already given his stamp of approval. 'He said he was very happy with the restoration — which was incredibly rewarding to hear, especially given how personal the film is to him,' Weintraub confirms. 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Los Angeles Times
03-05-2025
- Los Angeles Times
Do you love or hate brunch?
The meal with a slice of cantaloupe at the end. Plus, breakfast burritos, Issa Rae's new pizzeria, remembering the Napa Valley icon at the middle of the 'Apostrophe War' and 'the art world's strange relationship with food.' I'm Laurie Ochoa, general manager of L.A. Times Food, with this week's Tasting Notes. Chefs famously hate brunch. It's not considered a 'serious' meal. All that day drinking. All that hollandaise sauce. And, in recent years, plate after plate of avocado toast. Would their Blood Mary-soused customers even notice if the food wasn't as sharp at brunch as at dinner? And yet, here in Los Angeles some of our best chefs are making brunch a meal to take seriously. As senior Food editor Danielle Dorsey points out in our newly released guide to 32 great L.A. brunch spots, the same scallop tostada, crudo and lobster bisque roll you find at dinner at Ari Kolender's Found Oyster, is served at brunch. Jenn Harris says 'Top Chef' star Brooke Williamson is serving elevated versions of brunch classics at Playa Provisions. Betty Hallock loves the Japanese breakfast picks at Azay, in Little Tokyo (where I'm also a regular). And at Neal Fraser's Redbird I love the tender biscuits with strawberry-rhubarb jam, duck confit chilaquiles plus shrimp and grits. Then there is the excess of Baltaire in Brentwood, 'with tableside mimosas, a Champagne cart, a Bloody Mary cart, caviar bumps and a raw bar,' Harris writes, as well as prime filet Benedict and a 'Wagyu cheeseburger stacked on a buttery brioche bun with truffle mayonnaise.' The whole thing 'feels like a lavish party, with music from a DJ and a crowd that arrives dressed for the occasion.' It all fits with what Dorsey says in the guide's introduction: 'Weekend brunch invites us to suspend belief. It's easy to pretend that eggs don't run $10 for a dozen as we order forearm-length breakfast burritos and plate-sized scrambles. Furthermore, it's an excuse to say yes — yes to adding avocado, bacon and another round of drinks.' Of course, 'The Simpsons' nailed the idea of brunch back in 1990 when Marge's bowling instructor Jacques (voiced with a full sitcom French accent by Albert Brooks) tried to seduce her with a brunch invitation: 'You'll love it. It's not quite breakfast, it's not quite lunch, but it comes with a slice of cantaloupe at the end. You don't get completely what you would at breakfast, but you get a good meal.' Columnist Jenn Harris focused this week on the breakfast burritos of Pasadena. Namely, those of the storefront spot BBAD (her current favorite) at the Pasadena Hotel and Pool lobby and content creator Josh Elkin's breakfast chimichanga available this month at Dog Haus, with special mentions for Lucky Boy Burgers and Wake and Lake. Plus, she throws in the West L.A. spot Sobuneh for good measure. 'What makes a great breakfast burrito great,' she writes, 'is the insides, the way the melted cheese fuses with the crispy potatoes on a cushion of fluffy eggs. And the construction accounts for half of the burrito's appeal.' I knew Carl Doumani only from afar, through one of his daughters, Lissa Doumani, who ran one of Napa Valley's great now-gone restaurants, Terra, with her husband, Hiro Sone. (The two fell in love when they were young chefs in the kitchen at the original Spago in West Hollywood.) At Terra, Sone was known for his exquisite fish dishes, though I was most drawn to his earthier tripe stew, which at one point he made with Rancho Gordo beans and topped with Hokkaido scallops. I also once had the chance to stay in a guest house on Doumani's Stags' Leap Winery estate (now owned by Treasury Wine Estates) when Jonathan Gold and I were asked to speak at a food writers' conference with a few other journalists, including Ruth Reichl and the Atlantic magazine's Corby Kummer at the Culinary Institute of America in St. Helena. I remember a brigade of Weber grills set up on the grounds near the main house as the sun set over the vineyards for a wine-and-barbecue dinner that we attended as workshop participants. When I heard that Doumani had died last week at 92, I thought about the beauty of the land he once owned and understood one of the reasons the Los Angeles-born developer uprooted his family and moved to the Napa Valley. Food contributor Patrick Comiskey met Doumani when he was researching the Petite Sirah chapter of his book 'American Rhône.' In his obit and appreciation of Doumani, he writes about the confusion between Stags' Leap Winery and Stag's Leap Wine Cellars, which was founded by the late Warren Winiarski and won the famed Judgment of Paris. Winiarski sued Doumani when the dormant Stags' Leap Winery was revived, leading to what became as the 'Apostrophe War' when Doumani didn't back down. (Both names were allowed to stand.) Doumani's 'general obstreperousness,' as Comiskey put it, attracted other 'like-minded winery owners' who 'came to be known as the GONADS, or, the Gastronomical Order for Nonsensical and Dissipatory [sic] Society.' The wine icon 'lived the life of a bon vivant and raconteur that amounts to a fading breed in the Valley.' We loved talking with so many readers this past weekend at our Food x Now Serving booth at the L.A. Times Festival of Books. We'll have more on the authors who appeared next week. Meanwhile, Stephanie Breijo wrote about the new initiative launched this week by cookbook store Now Serving to help those who lost their homes in the Eaton and Palisades fires rebuild their cookbook collections. You can help by either buying requested cookbooks or participating in a series of raffles to raise money to replace the books that burned. Last week's Cooking newsletter, which is sent out on Sundays — here's a link if you don't subscribe to the free newsletter — came from Food contributor Carolynn Carreño, who wrote about 'the simple and decadent combination of bread and chocolate' and included four recipes from the Times archives: Nancy Silverton's Bittersweet Chocolate Tartufo With Olive Oil-Fried Croutons, Ray Garcia's Chocolate and Banana Bread Pudding and Pinot Bistro's Chocolate Croissant Pudding and Emily Alben's Chocolate Gelt Babka With Hazelnut Amaretti Filling and Chocolate Espresso Glaze. Thanks to the sorely missed Carolina Miranda, who used to write this paper's Essential Arts newsletter (plus many more essential stories), for sending me this essay from ArtReview by Chris Fite-Wassilak, which looks at 'the art world's strange relationship with food.' 'Food is art, great,' Fite-Wassilak writes. 'So why does it need to be constantly reframed as something transgressive or new to art?'