
Three ways of eating, bound together in one perfect room
There are so many different reasons to eat out, and so many different ways to enjoy restaurants. I am not ashamed to admit that I absolutely adore it when a chef gets all silly and cheffy, mucking about with produce in ways I never thought possible. You know the kind of place: all manner of things being dehydrated, rehydrated, fermented and pickled. A three-word description on the menu in a sans serif font.
In the middle, there are those places that do it traditionally in the very best sense of the word. Parfaits worth their weight in silk next to sauces so shiny magpies tap at the window to get at them. Recipes from a hundred years ago brought up to date.
And then there are places you pop into because you know it's honest, proper food. That cafe that spreads actual butter thickly right up to the edges of fresh bread, a pot of pickles next to everything, because of course you want pickles. A whole ham on the bone cooked up at the start of the week for sandwiches and salads.
Sometimes, we get all three in one. We get Amuse Snack Bar at the top of Willis Street.
Opened by Dori Raphael in March, Amuse is the culmination of a life of hospitality experience and the realisation of a dream she has held for years. Born in London, she moved to Aotearoa at the age of 15 and dedicated most of her life to music. Travelling the world and ending up back in London studying for her masters in music, the one constant was service. She worked the floor at the famous Strawberry Fare in Wellington, then went on to work at the historic Poilâne bakery in London and found a home among the all-female staff at 26 Grains in Neal's Yard, where she was head barista for two years. When Covid hit, she moved home and began planning for a new challenge. Roles at People's Coffee and Hillside rounded off her training, and in 2025, she decided the time was right to take the leap.
Situated on the ground floor of a university hall of residence, the space itself is Tardis-like. To walk through the door is to enter somewhere totally unexpected, like your eyes have glitched momentarily from the urban sprawl of upper Willis Street and into a historic space somewhere in Italy. A concrete room, which, in the wrong hands, could feel clinical and unlived in, becomes warm and right. Antique furniture and jars of ferments and pickles fill the space, the kitchen and pantry jutting out into the room.
Anyone who has spent any time in either France or England will know of the jambon beurre, a sandwich so simple that there is simply nowhere to hide. Bread, butter, ham and cornichons. That is it. Here, the bread is a traditional demi-baguette. It is golden and blistered with two small burnt ends to nibble away at. The butter has been whipped up until it is light and frothy and spiked liberally with sea salt. Next, Raphael braises ham hocks before shredding the meat away, leaving something fatty and salty and intensely decadent. A final peppering of sharp cornichons finishes the whole thing off. This is a truly world-class version of an iconic sandwich. This is no fluke; all of the sandwiches are beyond anything this city has seen before. Egg mayonnaise is laced with tarragon and chives and served on a plump brioche roll with a fistful of greens. Salmon is cured in beetroot before it is cut generously and served on seeded bread with cream cheese and greens.
There is the Snack Plate. Yes, I am putting it in capital letters, for it is singular and profound and deserves to be recognised as such. It is the lunch we all dream of; a plate filled elegantly with all manner of picky things. There are wedges of properly crumbly cheese stacked up next to a little bunch of red grapes and a pot of brightly coloured pickles. A fistful of chopped salad full of red cabbage, greens, chewy grains and thinly sliced radish. Tomatoes dressed simply in salt and oil, a thick smudge of salty butter and a chutney that is the spirit of a European Christmas distilled down into something spreadable. All this next to four doorstop slices of their homemade malt and seed sourdough. You can add house-cured salmon, that ham hock or other bits. For me, I can't quite get past the nostalgia of a thinly sliced boiled egg. This all sounds so simple and comforting, which is why the eating is quite so magical – like going to your gran's for lunch, but your gran just so happens to be one of the best chefs in the world.
Come four o'clock, the menu changes – the amenable and polite Dr Jekyll changes form and a rambunctious Mr Hyde appears. I'm handed a menu consisting of small plates, platters, bar nibbles and a comprehensive, curated drinks list. A couple of decent bottles from Aotearoa and a few Italian gems. Cans of craft beer from across the country and a tight roster of classic aperitivo. Of all of these, it is most difficult to look past the good selection of vermouth that comes served over ice and topped up with a light soda. You can almost hear the dominoes being tapped down on the tables by the old gentlemen while the nonnas fuss around.
The small plates, much like everything else here, are so good they defy logic, expectation and all common sense. Take the rillettes with pickled cherries. Pork and duck rendered down in the oven for hours with spices and aromats before being set in a pleasing tower. On its own it is bold and wintry with big chunks of shredded meat rippled with fat. On the plate whole, and in a liquor such a deep and vibrant red that it feels as though you have accidentally stumbled on the aftermath of some terrible crime, they are all things sweet and spiced and sharp that the terrine is not.
The list of brilliance is endless. There is a mushroom parfait, lighter than is strictly possible and served with foraged mushrooms. Platters are beautiful and invoke a sense of childlike wonder, like walking through the forest with your family: cheese and cured meats nestle among pickled artichokes and seeds that have been baked in honey and are now sweet. A roulade has been made here and is enriched with tarragon and rosemary folded through. An artichoke dip sits in the centre and is a molten pot of pure luxury, and all of that bread in a pile to one side.
Some places in this world truly confound my understanding of what food and eating out can be. Amuse is a room I think about every time the opportunity to eat out comes up and a space I find myself spending more and more time in each week. It is not one single thing, but rather every single last microscopic thing I love about eating out all somehow bound tightly together in one room.

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The Spinoff
a day ago
- The Spinoff
Three ways of eating, bound together in one perfect room
At Amuse Snack Bar, the lines between ambition, tradition and comfort blur into something extraordinary. There are so many different reasons to eat out, and so many different ways to enjoy restaurants. I am not ashamed to admit that I absolutely adore it when a chef gets all silly and cheffy, mucking about with produce in ways I never thought possible. You know the kind of place: all manner of things being dehydrated, rehydrated, fermented and pickled. A three-word description on the menu in a sans serif font. In the middle, there are those places that do it traditionally in the very best sense of the word. Parfaits worth their weight in silk next to sauces so shiny magpies tap at the window to get at them. Recipes from a hundred years ago brought up to date. And then there are places you pop into because you know it's honest, proper food. That cafe that spreads actual butter thickly right up to the edges of fresh bread, a pot of pickles next to everything, because of course you want pickles. A whole ham on the bone cooked up at the start of the week for sandwiches and salads. Sometimes, we get all three in one. We get Amuse Snack Bar at the top of Willis Street. Opened by Dori Raphael in March, Amuse is the culmination of a life of hospitality experience and the realisation of a dream she has held for years. Born in London, she moved to Aotearoa at the age of 15 and dedicated most of her life to music. Travelling the world and ending up back in London studying for her masters in music, the one constant was service. She worked the floor at the famous Strawberry Fare in Wellington, then went on to work at the historic Poilâne bakery in London and found a home among the all-female staff at 26 Grains in Neal's Yard, where she was head barista for two years. When Covid hit, she moved home and began planning for a new challenge. Roles at People's Coffee and Hillside rounded off her training, and in 2025, she decided the time was right to take the leap. Situated on the ground floor of a university hall of residence, the space itself is Tardis-like. To walk through the door is to enter somewhere totally unexpected, like your eyes have glitched momentarily from the urban sprawl of upper Willis Street and into a historic space somewhere in Italy. A concrete room, which, in the wrong hands, could feel clinical and unlived in, becomes warm and right. Antique furniture and jars of ferments and pickles fill the space, the kitchen and pantry jutting out into the room. Anyone who has spent any time in either France or England will know of the jambon beurre, a sandwich so simple that there is simply nowhere to hide. Bread, butter, ham and cornichons. That is it. Here, the bread is a traditional demi-baguette. It is golden and blistered with two small burnt ends to nibble away at. The butter has been whipped up until it is light and frothy and spiked liberally with sea salt. Next, Raphael braises ham hocks before shredding the meat away, leaving something fatty and salty and intensely decadent. A final peppering of sharp cornichons finishes the whole thing off. This is a truly world-class version of an iconic sandwich. This is no fluke; all of the sandwiches are beyond anything this city has seen before. Egg mayonnaise is laced with tarragon and chives and served on a plump brioche roll with a fistful of greens. Salmon is cured in beetroot before it is cut generously and served on seeded bread with cream cheese and greens. There is the Snack Plate. Yes, I am putting it in capital letters, for it is singular and profound and deserves to be recognised as such. It is the lunch we all dream of; a plate filled elegantly with all manner of picky things. There are wedges of properly crumbly cheese stacked up next to a little bunch of red grapes and a pot of brightly coloured pickles. A fistful of chopped salad full of red cabbage, greens, chewy grains and thinly sliced radish. Tomatoes dressed simply in salt and oil, a thick smudge of salty butter and a chutney that is the spirit of a European Christmas distilled down into something spreadable. All this next to four doorstop slices of their homemade malt and seed sourdough. You can add house-cured salmon, that ham hock or other bits. For me, I can't quite get past the nostalgia of a thinly sliced boiled egg. This all sounds so simple and comforting, which is why the eating is quite so magical – like going to your gran's for lunch, but your gran just so happens to be one of the best chefs in the world. Come four o'clock, the menu changes – the amenable and polite Dr Jekyll changes form and a rambunctious Mr Hyde appears. I'm handed a menu consisting of small plates, platters, bar nibbles and a comprehensive, curated drinks list. A couple of decent bottles from Aotearoa and a few Italian gems. Cans of craft beer from across the country and a tight roster of classic aperitivo. Of all of these, it is most difficult to look past the good selection of vermouth that comes served over ice and topped up with a light soda. You can almost hear the dominoes being tapped down on the tables by the old gentlemen while the nonnas fuss around. The small plates, much like everything else here, are so good they defy logic, expectation and all common sense. Take the rillettes with pickled cherries. Pork and duck rendered down in the oven for hours with spices and aromats before being set in a pleasing tower. On its own it is bold and wintry with big chunks of shredded meat rippled with fat. On the plate whole, and in a liquor such a deep and vibrant red that it feels as though you have accidentally stumbled on the aftermath of some terrible crime, they are all things sweet and spiced and sharp that the terrine is not. The list of brilliance is endless. There is a mushroom parfait, lighter than is strictly possible and served with foraged mushrooms. Platters are beautiful and invoke a sense of childlike wonder, like walking through the forest with your family: cheese and cured meats nestle among pickled artichokes and seeds that have been baked in honey and are now sweet. A roulade has been made here and is enriched with tarragon and rosemary folded through. An artichoke dip sits in the centre and is a molten pot of pure luxury, and all of that bread in a pile to one side. Some places in this world truly confound my understanding of what food and eating out can be. Amuse is a room I think about every time the opportunity to eat out comes up and a space I find myself spending more and more time in each week. It is not one single thing, but rather every single last microscopic thing I love about eating out all somehow bound tightly together in one room.


Otago Daily Times
01-08-2025
- Otago Daily Times
Music off the leash
There's no time to hit pause, Purple Dog's frontwoman tells Seren Stevens. Formed in 2023, Ōtepoti band Purple Dog quickly became a fan-favourite among students. They bring an ethereal grace to the stage, yet their music is grounded, energetic and has crowds hollering, their indie-rock sound carrying hints of each member's musical influences. "Music is coolest when the musicians themselves love the sound they're making, and it's not homogenised by what is popular in that moment," lead singer and guitarist Imogen Foley says. "When we play together, it's a mesh of all our favourite things. I think that makes our sound quite exciting." The members of Purple Dog — Charlotte Rodgers-Foran on bass, Corey Adams on guitar, Foley on guitar and vocals, Marc Franz Calzada on guitar, and Jamie Hall on drums — met while studying a music performance paper at university. Now they are taking their love for music across the country, on their first nationwide tour. After shows in Auckland, Christchurch and Queenstown, the tour will finish with a gig in Ōtepoti Dunedin. The tour doubles as a promotion for Purple Dog's new EP, released last month, fittingly named Dog Years. Several songs on the EP were recorded at Sublime Studios in Waitaki Valley — an opportunity that arose after the band won Bring the Noise 2024. The sought-after prize for first place included a full day of recording at the studio, which was invaluable to the band. Foley explains that the EP focuses on life in your early 20s, when the days are long but the years are short. "So much can happen in a year," she says of the time. "I remember looking back on the time period that spanned when I wrote these songs, and so much happened in such a short amount of time. There was so much growth, but it went by so fast." This feeling of distorted time is captured in the EP's name. "In my mind, it's related to how one year of a human's life is seven years of a dog's life. Because time is moving weirdly at this age." On second thought, she says, laughing, and asks if anyone else feels the same. Dog Years also addresses the weight of decisions that come with being a young adult, and the struggle of untangling realities from fantasies. "Sometimes I think I'm quite dreamy, and I love imagining possibilities. But sometimes you've got to open your eyes and see what's going on. And the EP kind of deals with that too. "It carries themes of little realisations and lessons. The start of the EP is a lot more dreamy, and then it snaps into reality. It's a cycle of a fantasy, or dreamscape, and then it grows into more of a realistic, punchy ending." Foley says that the writing process has been cathartic, and a beautiful way to process feelings. Having started out writing songs by herself during the 2020 Covid lockdowns, Foley has appreciated the vulnerable experience of being able to write songs with her band now. "I think that music's taught me a lot about how to balance following your heart and following your head. It's very collaborative, and it's so important to be able to work as a team. You put your ego aside and do what's best for the team." She also speaks of the importance of creating music that represents the band, and is true to who they want to be as artists. "If you only make music to please other people, it's not sustainable. You're not making it to fuel that fire inside." Despite the trials and tribulations of being a self-managed student band, Purple Dog is beyond excited to share the long-awaited EP across the country. The experience of performing and touring is something that none of the members take for granted. Foley explains that she thinks it is incredibly important to be pushing themselves to grab life by the horns, and "get out and do as much as we can". Especially during the dog years, when time is a whirlwind of growth. "I'm most grateful for the adventure of it all. Music brings out so many cool opportunities. I feel so lucky to do all these cool things — touring, playing O-Week and making music that has a genuine, positive impact for people," Foley says. The gig Purple Dog will play Pearl Diver, Dunedin, on August 8, tickets at Under the Radar.

1News
01-08-2025
- 1News
Will Auckland's Sky World ever be returned to its former glory?
If you ask an Aucklander about Sky World Indoor Entertainment, once known as the Metro Centre, chances are they'll have a story to tell about getting lost inside the labyrinth-like interior, loitering outside Burger King or celebrating a birthday at the long-gone Planet Hollywood. But over the last decade the Queen St building has slowly decayed with numerous businesses shutting up shop and foot-traffic dropping dramatically. In 2017, RNZ reported the building remained open without a warrant of fitness for more than a year despite a "high risk" to public safety. Auckland Council confirmed the building does now have a valid warrant of fitness through to 24 August. The building spent two years on the market and as of October 2024, the owner of the building James Kwak from JNJ Holdings, said there were plans for redevelopment. ADVERTISEMENT Inside the maze-like structure of Sky World. (Source: Kwak has owned the building since 2011 when he paid $37 million for it. In 2026 the City Rail Link (CRL) is set to open with a stop called Te Waihorotiu Station just 50 metres from the building — it is expected to be the busiest station, catering for up to 54,000 passengers per hour. While it could be an opportunity for Sky World to attract more customers, remaining tenants inside the building said they had been "left in the dark" about any refurbishment plans. Most of the stores inside Sky World are empty, and the international food court has been demolished, leaving Event Cinemas, Metro Lanes, Game On arcade and Odyssey Sensory Maze. A Jack's Fried Chicken has opened within the past year. A worker at GameOn said they had "no idea" what was going on in terms of the building being renovated or sold. "I don't know… I would love it to be developed or sold. When I first heard about it I was looking forward to that." ADVERTISEMENT The food court now being empty and closed off by false walls, stopped people being able to walk through a large section of the building, the worker said, making it uninviting for customers. The worker said the building, and most of Auckland's mid-town, had taken a big hit during the Covid-19 pandemic and this was when many remaining tenants made the decision to leave. "I had a big walk-through mid-town the other day, it's a bit sad. Our building is one of the worst ones." The arcade had been a tenant at Sky World in some form, since 1999, the year the building, then Force Entertainment Centre, first opened. The worker said they had been on level two, until 2018 when they moved to the upper basement. "It's not been a great experience [recently] the building was badly hurt by Covid, and it hasn't refilled." ADVERTISEMENT An interior entrance to GameOn arcade. (Source: The arcade was lucky to have survived, and the worker said he believed this was only due to them having an entrance to the store from Queen St. He said he believed if the building could only be accessed from inside the complex, it would not still be in business. "I would like to see it in its former glory — the council, everyone, wants to see this part of town fixed." The manager of Odyssey Sensory Maze, which is hidden down in the basement of Sky World, said they had also been kept in the dark about renovations. The state of the building and their positioning in the basement did impact business, she said. "Customers often get lost trying to find us or leave bad reviews online because of the state of the building, which is something we can't control, it's not ideal. ADVERTISEMENT "Things look messy and dirty — for me, it would be nice to have some more life in it." Former tenant of Sky World, Brad Jacobs, the director of Coffee Club, said the final straw for many tenants was the cost of rent during the pandemic. "We used to trade well there, it was a good store prior to 2020, but when things got tough during the lockdowns we could not reach any fair rental agreement — we tried very hard, we begged even." But Jacobs said there was no support offered by the landlord. Coffee Club exited the building in March 2021, and Jacobs said by that stage most of the other food places had already closed. "The whole thing was ridiculous, bizarre, I still don't know what the landlord was trying to achieve. ADVERTISEMENT "By then we could see the writing on the wall — the city was falling apart, and it was not the place to be." For Sky World to thrive again, Jacobs believed it would need a clear vision. "Everyone has a story about that building, I remember I used to hang around the Borders bookstore and go to the movies, but the design is past its used by date now. "It will be sad if it just sits like that for another ten years." Rubbish and debris tossed into the corners of Auckland's Sky World building. (Source: 'An awkward building' Speaking to people passing through Sky World on a weekday, one woman said she still visited to watch a movie or go bowling. ADVERTISEMENT She remembered the food court was thriving when she was a child and hoped the complex could be rebuilt in some way. "It's quite sad seeing it so empty." Another passer-by said he had been involved with the opening of Planet Hollywood, an international movie-themed restaurant chain, when the complex was built. He remembered actor Robin Williams came down for the opening and the premier of his movie Bicentennial Man at the IMAX cinema which caused a serious buzz. "It just deteriorated over the years… it's an awkward building to get around. It's confusing with the sky ways going in every which way, it's hard to find which level you're exactly on. Bumping into another person is now a rarity at Sky World. (Source: "I just use it to cross through to the other side now." ADVERTISEMENT Another woman passing by described it as a "ghost town," while another queried whether it was closed altogether. One of the three architects behind the design of the building agreed it was past its used by date. Ashley Allen said he had been inspired by the film Blade Runner when he designed the building 25 years ago with Jamie Simpkin and Peter Diprose. The morning's headlines in 90 seconds, including fleeing driver hits house, severe turbulence hits US flight, and massive new bug found in Australia. (Source: 1News) "The brief was to create a space that becomes a dynamic escape from city living and working life. The intention was this building would be without doubt memorable and the hub for entertainment for all in Auckland City. "I have a sadness that the generation of children who enjoyed this space now as adults see its demise due to minimal maintenance, minimal refurbishments or any new innovations". He said the building was designed to be maze-like, to give people a sense of escapism and make it feel as though they had entered another world. ADVERTISEMENT "I wanted people to get lost and discover things within the building. I liked the playfulness of it, the rocket lift, the bridges almost to nowhere." The exterior of Sky World as it stands today. (Source: Entertainment centre 'still relevant' The building had gone downhill dramatically, Allen said, and every building needed to be refurbished and re-energised throughout its life. "You need to put money into it. Successful buildings need to be constantly refreshed and it's so unfortunate the owner seems to not want to spend any money on it — it's very sad." An entertainment centre needed to be refreshed every four to five years, Allen said, as technology moved on. "Entertainment is not a static approach — what's needed to entertain a 12-year-old today is not the same as what was needed 15 years ago." ADVERTISEMENT He did not believe it would take much to make the building successful again, but it would need someone to agree to spend the money. "It needs a new owner; it needs to be refurbished to get good tenants back in there or it needs to be demolished and rebuild with higher density." There are numerous empty buildings in Auckland's CBD. (Source: Allen said he did not want to see the building demolished, but he found it hard to see it in its current state. "It feels like someone is abusing your child — I'd do anything I possibly could to help the current owner out or help a new one fix it. "I just want someone to refurbish it. I'm keen for Auckland to have an entertainment hub again. All it takes is one person to start refurbishing and then people will join in." Heart of the City's Viv Beck would not comment directly on the state of Sky World, but said in general, next year's opening of the CRL would be great for the mid-town area. ADVERTISEMENT "It's certainly an opportunity… it has been challenging for businesses operating there with the ongoing construction." Beck said they were thinking about how to bring people back to the area, and she was optimistic about the long-term. "I see next year as a milestone. I think the concept of an entertainment centre is still relevant, but it needs to be an immersive experience with new technology. "The concept is something that people still want." Attempts by RNZ to reach the owner of the building James Kwak or his company JNJ Holidings have been unsuccessful. You can still catch a movie inside Sky World. (Source: The number listed on a 2022 renovation plan belonged to a man who said he had "no idea" why his number was listed. ADVERTISEMENT Voice messages left for numbers which were listed for lease enquiries on signs inside the building went unanswered, as did emails to Kwak and his company. A number listed as accounts on the company's office led to a man who said he had not worked at the company for two years and he requested RNZ "stop calling". The building's manager Tristan Kim, confirmed to RNZ the email had been received and said he would get back in touch with RNZ about whether there were any renovations underway. "I'm at a restaurant with my son — I'll call you back." By time of publication, he had not responded.