Sapthami Gowda: Women characters in Thammudu will make female audiences happy
Talking about her role in the film, Sapthami stated, 'My look here may resemble my Kantara look, but my character Ratna is very different. She brings fun in an otherwise serious storyline. My role is impactful, even if not lengthy.'
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India.com
42 minutes ago
- India.com
Meet star who romance Aishwarya Rai, once challenged many stars, then lost all his money, cleaned toilets, drive taxis to earn money, name is....
The South cinema has given numerous seasoned actors to the audience. From Rajinikanth to Kamal Haasan, there have been various actors who not only won hearts in the South but also across the globe. Today, we will talk about one of those actors who was fondly called the heartthrob of the 1990s. He made his debut with Kadhal Desam, following which he delivered several superhits and established himself as a leading star. However, there is a saying that the faster you climb the ladder of success, the quicker you come down as well — and something similar happened with this actor. The man in discussion, after being hailed as a leading hero, was soon limited to supporting roles and cameos after some of his projects flopped. If you are wondering who we are talking about, then he is none other than Mirza Abbas Ali. Who is Actor Mirza Abbas Ali? Mirza Abbas Ali was born on May 21, 1975, and predominantly worked in Tamil and Telugu cinema, along with a few Malayalam and Hindi films. He featured in notable successful films including VIP (1997), Pooveli (1998), Jeans (1998), Padayappa (1999), Suyamvaram (1999), Malabar Police (1999), and Kandukondain Kandukondain (2000). However, there was a time when Mirza faced both highs and lows. In an interview, the actor revealed that, devastated after failing his Class 10 exams and being dumped by his girlfriend, he contemplated ending his life. However, he chose not to and gave himself a second chance. After deciding to start fresh, Mirza tried his luck in the world of cinema and did find success. He became an overnight star. There was a time when he worked with actresses like Aishwarya Rai, Tabu, and more. Sadly, he then vanished from the industry. Mirza Abbas Ali faced bankruptcy not once or twice, but four times, forcing him to work as a taxi driver and clean toilets to make ends meet. In an interview, Abbas said, 'Following my initial achievements, some of my movies faced failure, leaving me financially destitute and unable to afford even basic necessities like rent or cigarettes. I soon approached producer RB Choudary, requesting work. He offered me the opportunity to be part of the film Pooveli. However, I eventually left films because I got bored. I wasn't enjoying my work.' After 2015, Mirza Abbas Ali eventually left acting and relocated to New Zealand.
Mint
2 hours ago
- Mint
Sitaare Zameen Par Box Office Collection Day 13: Aamir Khan's movie remains slow and steady, crosses ₹130 crore
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The Hindu
2 hours ago
- The Hindu
Screenwriter Vasanth Maringanti discusses quitting his software job to write ‘Uppu Kapurambu' and ‘Subham'
'Writing is a full-time job; not everyone takes to it with the intention of becoming a director,' says Vasanth Maringanti. Vasanth is the screenwriter of Telugu indie films Cinema Bandi and Subham. His next work, Uppu Kapurambu directed by Ani IV Sasi and starring Keerthy Suresh and Suhas, will stream on Amazon Prime Video from July 4. Cinema Bandi was a charming story of villagers trying their hand at filmmaking when they chance upon a high-end camera. A one-line idea from director Praveen Kandregula and Vasanth, along with Praveen and co-writer Krishna Pratyusha, turned it into an uplifting comedy drama. The recently-released horror comedy Subham, produced by Samantha Ruth Prabhu, was written by Vasanth in collaboration with filmmaker Raj Nidimoru, and explored the possibility of women being possessed while watching television soaps. In between all the laughter, the narrative worked as a commentary on gender dynamics. 'I would observe how my grandmother and others were emotionally drawn towards serials. I exaggerated that situation in a work of fiction,' Vasanth explains. Graveyard woes Uppu Kapurambu emerged when Vasanth read a news article about the lack of graveyard space in a region. 'I lead a boring life, so I try to make my stories far more interesting,' Vasanth says with a laugh, during this interview in Hyderabad. 'I wrote Uppu… in a month and a half, my fastest yet. More than just a story, how people react to a situation interests me.' Screenwriting was a natural progression of Vasanth's interest in writing. He wrote short stories in school and remembers finding a diary from 1997 in which he had penned a two-page story titled 'Dracula'. Growing up in Kakinada, like many youngsters in the Telugu states, he too studied engineering. While in college, he wrote, 'The Day After My Death,' on a whim. 'It was a bad book,' he says with a chuckle. 'I approached a store that prints wedding cards and asked if they would publish it if I paid them. Nearly 150 copies were printed and I circulated them among my family and friends.' Vasanth worked as a software engineer for 14 years with five leading MNCs. Simultaneously, he began blogging. 'All through that time, I wanted to quit,' he says. 'Writing was my escape and during that period, I wanted to assess if people enjoyed reading what I wrote. The feedback I received for my blogs helped me understand that.' He also worked on a book which was rejected by several publishing houses. A chance conversation with actor-director Anish Kuruvilla through Facebook served as a turning point. 'Anish showed interest and said the story could be an interesting film. He was kind enough to talk to me about the basics of screenwriting,' he recalls. The first step Vasanth began reading books on screenwriting and watched movies to understand screenplays. In 2017, Praveen Kandregula, then an aspiring filmmaker, made an enquiry for screenwriters in Bengaluru via social media. 'A friend suggested my name. Incidentally, Praveen and I were working in the same city and lived two kilometres apart. He narrated the one-line story of Cinema Bandi and I sensed it would not only be entertaining, but also garner critical acclaim. That is how my journey in cinema began.' Cinema Bandi streamed directly on Netflix during the pandemic. Six months later, Vasanth quit his job. 'I began getting calls from industry folks for screenwriting, but my full-time job was a limitation.' The decision to quit a well-paying job was not easy. He credits his wife for holding the fort until he found his footing in cinema. 'She is a mobile phone app developer; we have two children and it was not easy for me to let go of an assured monthly salary.' Test of patience Vasanth had grown up admiring the works of writers Mullapudi Venkataramana and Yandamuri Veerendranath, as well as writer-directors Bapu and Jandhyala. Now working on the screenplays of two new films, Vasanth says the most challenging aspect of being a screenwriter is to have the faith and patience until a screenplay is approved and a film goes on the floors. The recognition for Subham motivated him to explore writing further. 'Samantha's name being associated with the film and a theatrical release has meant instant recognition for all of us. The other day at a store, the owner introduced me to his wife and daughter as 'Subham writer', and they told me how much they enjoyed the film. It made my day.' As to the pertinent question of whether screenwriting pays bills, Vasanth pauses and answers, 'Initially it is not easy, but after one or two projects, it definitely gets better.' He also adds that direction is not in his scheme of things, at least for now. 'Many writers turn directors either for monetary reasons or when they think their stories are not being transformed accurately on screen.' Writing is what he set out to do and he is happy in that pursuit.
