Lorde Announces Fourth Album, ‘Virgin'
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Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Lorde - Credit: Thistle Brown*
After another four-year wait, Lorde is back with a new album. She announced Virgin, out June 27, on social media.
In a text blast to her fans, Lorde shared the credits for the album. It was produced by her and Jim-E Stack with contributions from Dev Hynes, Daniel Nigro, Fabiana Palladino, Andrew Aged, and Buddy Ross. '100% written in blood,' she added. The album cover looks to be an x-ray of a pelvis, with a visible belt buckle and IUD in the blue tint.
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Lorde kicked off this era with a bang when she previewed her new song 'What Was That' in Washington Square Park last week. She had announced a fan event via text blast, and by the designated start time of 7 p.m., so many people had filled up the park that the police came and shut the whole thing down. She performed the song a couple of hours later for the part of the crowd who stuck around.
The event ended up being a scene in the music video, which came out two days later. Over the weekend, 'What Was That' topped the Spotify U.S. charts, her first song to do so since 'Royals,' from 2012.
In a voice note she shared with her fans before releasing 'What Was That,' Lorde teased how she feels about her new era. 'I've never felt more intentional with every single piece of what I'm doing,' she said. 'There's such a deep ethos behind all of it, and it all braids together in the end.' The singer also called the single 'one of my favorite songs I've ever written,' before explaining its importance: 'I really think this song is the music of my rebirth.'
The new album follows her 2021 release, Solar Power. She described the album as her 'weed album' and co-produced it with Jack Antonoff (who worked with her on 2017's Melodrama) and Malay. Outside of touring Solar Power, Lorde has popped up to release new music very rarely. She covered the Talking Heads' cover of Al Green's 'Take Me to the River' for a Stop Making Sense tribute album and appeared on the remix of Charli XCX's Brat track 'Girl, so confusing.'
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43 minutes ago
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See John Wick spinoff 'Ballerina' in theaters, rent 'Sinners,' stream 'Presence' on Hulu, plus more movies to watch this weekend
We independently evaluate the products we review. When you buy via links on our site, we may receive compensation. Read more about how we vet products and deals. Hello, Yahoo Entertainment readers! I'm Brett Arnold, a longtime writer and editor at Yahoo and film critic for my podcast, Roger (Ebert) & Me, and welcome to Trust Me, I Watch Everything. I'm here to recommend what you should see in movie theaters, rent from the comfort of your couch or queue up from a streaming service you may already subscribe to. I watch it all so you don't have to. This week, Ballerina, the long-awaited John Wick spin-off starring Ana De Armas, hits theaters. If you're looking for a movie to keep you up at night, horror-thriller Dangerous Animals is a strong candidate, but don't miss out on the smash hit Sinners either. Also available is an animated take on the Predator franchise and a nostalgic documentary in Becoming Led Zeppelin. What to watch in theaters Movies newly available to rent or buy Movies debuting on streaming services you may already have Movies newly available on streaming services you may already have My "it's just good enough" recommendation: Why you should watch it: After a lengthy delay and reports of extensive reshoots, stuntman-turned-filmmaker Chad Stahelski, the brainchild of the franchise and director of all four John Wick films, was brought in to replace director Len Wiseman. One of its stars, Ian McShane, confirmed in an interview that Stahelski came onboard to "protect the franchise." He did what he could. Whenever the movie is in hyper-violent action mode, it's a lot of fun. The problem is, that awesome action is almost entirely relegated to the final 45 minutes, which leaves about an hour and 15 minutes of laborious setup. Anytime the movie slows down to get into the minutiae of the world-building or the backstory of the lead character, it's a bore, missing the mark of what makes Wick satisfying. The dark humor that punctuates the violence, a staple of the series, is firmly in tact here though, and the more inventive kills involve grenades, flamethrowers and an ice skate. Keeping with franchise tradition, it does appear that Ana de Armas does a lot of her own fighting and stunt work, and it looks great. While the reshoots clearly added the fluid action that works, they also added in John Wick himself in a way that felt unneeded, taking away from the lead character's story. I guess the writing was on the wall when the title changed from Ballerina to From the World of John Wick: Ballerina. 🍿 What critics are saying: Don't come for the storyline! Variety's Owen Gleiberman called the plot of Ballerina "pure trash," with the Los Angeles Times's Amy Nicholson calling it "a snooze." That said, the fight scenes get high marks. "These movies lie or die by their action sequences, and to its credit, this franchise expansion pack has a few good ones up its sleeve," Rolling Stone's David Fear wrote. 👀 How to watch: From the World of John Wick: Ballerina is now in theaters nationwide. Get tickets ➕ Bonus recommendation: Dangerous Animals Why you should watch it: Dangerous Animals is one of those movies in which the very premise feels like a spoiler. The opening scene is such a terrific reveal, it's hard not to imagine how much better it'd play with zero knowledge going in. So stop reading now and watch it if you're into horror or survival thrillers or shark movies. If you need more convincing, read on, because boy does it have a killer premise. It's a serial killer movie with a shark-related twist, or a shark movie with a serial killer added for good measure. Let me explain: Jai Courtney plays a serial killer, and his method of killing people is to feed them to sharks. He films these killings because to him, the 'greatest show on Earth' is watching sharks, one of the ocean's most majestic creatures, do what comes naturally to them when a warm, bloodied human body is lowered into the waters. The movie mostly focuses on the final girl trapped on his boat as she tries to free herself before the next feeding. What more do you need to know? 🍿 What critics are saying: The reception has been largely positive; Kristy Puchko at Mashable says Jai Courtney is a "rip-roaring force of nature" and praises the film as "a satisfying, sick, and devilishly smart thriller." Peter Bradshaw of the Guardian, however, isn't a fan, calling it "derivative" and declaring it "has a bargain-basement straight-to-streaming feel to it." 👀 How to watch: Dangerous Animals is now in theaters nationwide. Get tickets 🤔 If those aren't for you... :The most generic exorcism/possession movie possible, you've seen every single thing this movie throws at you. Even though stars Dan Stevens and Al Pacino, it's very low-rent. — Get tickets. :Comedian Nick Kroll and Broadway star Andrew Rannells play a gay couple in this dark comedy that starts off strong and goes off the rails about halfway through, becoming a different movie with a completely different tone. A shame, because it was cute before it went nuts. — Get tickets. My recommendation: Why you should watch it: Sinners is one of the biggest hits of the year, which is no easy feat for an original movie not based on anything that already exists, and it's easy to see why: It's as audacious as it is purely entertaining. Yes, it's a vampire movie, but it takes half the film to get there — extreme From Dusk Till Dawn vibes — and before that, it's a period piece gangster movie that patiently sets up the stakes of its story. In the end, what's revealed is that the movie works entirely on its own terms as a spectacle — about a bunch of people holing up in a single location and warding off invaders — but it also works on an entirely different level: as a metaphor about its director's feelings on making art as a Black man in an industry that's eager to exploit his perspective. Calling it a musical is a stretch, but it has a blues element that pays off well. Sinners is a hell of a swing, and even if things occasionally get messy or certain elements feel pushed to the side, its vision comes through so strong that it's an incredibly impressive feat. 🍿 What critics are saying: Sinners is also one of the best-reviewed films of the year and has a great shot at Oscar gold. David Sims at the Atlantic said it "had [him] cheering for every thrill and spill, all while mulling the deeper concerns threaded through it" and AP's Jocelyn Novek wrote, "by far the most creatively ambitious, culturally layered, artistically bold twin-led cinematic outing yet — if this sentence feels like a lot, get ready for the movie!" 👀 How to watch: Sinners is now available to rent or purchase on digital and on-demand. Rent or buy 'Sinners' 🤔 If that's not for you... : A Nicolas Cage-led, laugh-out-loud funny but also quite stressful descent into madness that recalls the Ozploitation classic Wake in Fright. "Don't live here, don't surf here!" — Rent or buy. My recommendation: Why you should watch it: Prey, the Predator prequel that brought new life to the beloved sci-fi/action franchise, shocked everyone when it debuted on Hulu a few years ago with its unique spin on the series, centering Amber Midthunder's Naru. The filmmaker behind Prey returns with the animated Predator: Killer of Killers, his first of two new Predator movies releasing this year. It's an anthology film that feels inspired by any number of viral tweets suggesting, 'We need a Predator movie set in feudal Japan,' because that's exactly what we get here. We get three separate stories — one set in Viking times, one in feudal Japan and another set during World War II that's essentially one long dogfight between U.S. soldiers and a huge terrifying Predator ship. The premise is quite simple. In each short, we learn about some badass who is the most badass fighter of their time, and then a Predator shows up to fight them. The action is incredible, unencumbered by the limits of live-action and fully embracing the fact that it's a cartoon, delivering everything you'd want to see in a Predator movie. There's one sequence that legitimately may be the best scene in any one of these movies, period. The stories do also come together in a very satisfying way. I hope they immediately announce the sequel that's set up at the end here, because even if I didn't fully jibe with the animation style, this absolutely rocks. 🍿 What critics are saying: The Guardian's Catherine Bray felt the animation was "lacking a little something," adding, "you can't help picturing how much more spectacular it would look in live action." 👀 How to watch: Predator: Killer of Killers is now streaming on Hulu. Stream on Hulu 🤔 If that's not for you... : Taraji P. Henson stars as a single mother facing a series of painful events in Tyler Perry's new movie, out now on Netflix. Netflix did not provide a review copy for critics. My recommendation: Why you should watch it: This one's an easy sell: it's a documentary about Led Zeppelin, featuring interviews with the surviving members of the band about their origins and their meteoric rise. It also features fantastic concert footage, much of which has never been seen before. It's a treat for Led Heads, even if the movie doesn't get into any of the dirty details about the animosity between them that necessitates all members being interviewed separately over the course of the film and, of course, the fact that they haven't played a show together since 2007. It's a fun, rocking trip down memory lane; if you missed it in IMAX theaters, it's now streaming on Netflix. 🍿 What critics are saying: The reception has been largely positive; Steve Pond at the Wrap correctly notes that it "offers glimpses of the band we've never seen before, but it also withholds a lot." Joshua Rothkopf at the Los Angeles Times asks, "Why are these guys so boring?" and also laments that "no other voices have been allowed," knocking the lack of historical context. 👀 How to watch: Becoming Led Zeppelin is now streaming on Netflix. Stream on Netflix ➕ Bonus recommendation: Presence Why you should watch it: Presence isn't the horror movie it's being marketed as, but it's absolutely haunting and chilling in a different way. Here, the camera is the ghost that's haunting a house, and the entire movie takes place from that perspective. The viewers are along for the ride, limited to what the ghost knows and doesn't know, as the lost soul tries to solve the case of its own death and figure out why it's haunting this What unfolds is a compelling family drama with moments of pure terror. It hits you on a deeper level and stays there rather than leave you screaming over a loud noise or a jump scare. It's certainly a horror movie, just not the register we've come to expect from the premise of 'family moves into a haunted house.' It cleverly ends up being a movie about parenting, among other themes. Director Steven Soderbergh and screenwriter David Koepp are more interested in the dynamics between the family inhabiting the house than delivering cheap thrills, and it pays off with a gut-punch of an ending. The entire cast is great, but it's particularly nice to see Lucy Liu again. 🍿 What critics are saying: Critics love Soderbergh, and this time is no different. Stephanie Zacharek at Time writes, "it's so compact, smart, and elegant that it feels quietly momentous. Without handing everything over, it gives you all you need," though the Telegraph's Tim Robey was more mixed, writing that it's "certainly not a bad time" while taking issue with certain elements. 👀 How to watch: Presence is now streaming on Hulu. Stream on Hulu 🤔 If those aren't for you... : If you thought The Accountant was silly, hold on to your briefcase and pocket protector! Ben Affleck and Jon Bernthal both return in the much, much goofier sequel, which leans into not only the humor but also becomes more of a hangout movie than you'd expect. Any grounding in reality is gone here, so your mileage may vary, even if you dug the first one. Now streaming on Amazon Prime. :Jack Quaid continues his streak of being in yet another movie where he's out to save a kidnapped woman, This time, he plays a mentally ill man who teams up with his neighbor Jeffrey Dean Morgan to solve an abduction he witnesses. It's pretty fun! Now streaming on AMC+ : This is a sweet and nice movie about a a lottery winner who lives alone on a remote island who dreams of getting his favorite musicians back together. His fantasy turns into reality when the bandmates and former lovers accept his invitation. Carey Mulligan is in it! Now streaming on Peacock. :The selling point of this movie is not only that Robert De Niro is returning to the mob movie genre, but that he's playing two distinct leading roles in it. The problem is, the characters are not related, so it's just a strange gimmick that never really makes sense outside of "wouldn't it be fun to see De Niro play against himself?" The movie is a familiar bore, but it's now on HBO Max, so if you're curious, it won't cost you anything extra. Now streaming on HBO Max. What an exhaustive week! We'll see you again next Friday at the movies.
Yahoo
an hour ago
- Yahoo
Ed Sheeran Celebrates India on Rousing Single ‘Sapphire'
Ed Sheeran has released a new single, 'Sapphire.' The song, off his forthcoming album Play, is accompanied by a music video shot in India. The video features appearances by Arijit Singh, who sings and plays sitar on the track, and Shah Rukh Khan. 'Sapphire,' produced by Ilya Salmanzadeh, Johnny McDaid, and Savan Kotecha, showcases South-Asian percussion as Sheeran sings about passion with a lover. 'Touching on your body while you're pushing on me/ Don't you end the party I could do this all week/ We'll be dancing till the morning/ Go to bed we won't sleep,' he sings on the lively track. More from Rolling Stone iHeartRadio Music Festival 2025: Ed Sheeran, Tate McRae, Mariah Carey to Perform Elton John Calls U.K. Government 'Absolute Losers' Over A.I. Copyright Plans Ed Sheeran Previews Collaboration With Dave Grohl, John Mayer ''Sapphire' was the first song i finished for Play that made me know where the album was heading,' Sheeran explained on Instagram. 'It's why I finished the recording process in Goa surrounded by some of the best musicians in India. It was an incredible creative process.' He added that he shot the music video while on tour in India because 'we wanted to showcase the beauty and breadth of the country and its culture.' 'The final jigsaw piece for me was getting @arijitsingh on the record, i'll make a post about that in a few days but it was a journey to get there and such an amazing day of music and family,' Sheeran added. 'Me and him have done a full Punjabi version of the song that will come out in the next few weeks, which has a lot more of him on it. This is the album version of the song, and my favourite song on the album. Hope you guys love it.' Sheeran will unveil his next studio album, Play, on Sept. 12. 'Play was an album that was made as a direct response to the darkest period of my life,' Sheeran shared in a statement. 'Coming out of all of that I just wanted to create joy and technicolour, and explore cultures in the countries I was touring.' The LP was recorded in all the different locations the singer-songwriter visited and completed in Goa, India. It brought a lightness back to him, giving him some of 'the most fun, explorative creative days of my life.' He first previewed the album with 'Azizam,' an upbeat, vibrant single about letting go on the dance floor, and has since shared 'Old Phone.' Play is the first installment in a new series of albums from Sheeran. It will be followed by Rewind, Fast-Forward, and Stop, continuing the tradition he started with Plus, Multiply, Divide, Subtract, and Equals. Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
New York Times
4 hours ago
- New York Times
‘Tyler Perry's Straw' Review: The Accidental Bank Robber
In 'Tyler Perry's Straw,' Janiyah (Taraji P. Henson), a single mom in Atlanta, is having a very, very, very bad day. Her morning was already ragged when the writer-director piles onto her woes a demeaning landlord, a bullying boss, a distant school administrator, a line of disgruntled grocery customers and a road-raging, off-duty police officer. Did we mention that Janiyah winds up in the wrong office at the wrong time in the wrong state of mind? As detectives arrive to a bloody crime scene at the grocery store where she clerks, Janiyah is across the parking lot at her bank, trying to cash her paycheck. Only she doesn't have identification, and the teller is being a stickler. Soon, Janiyah is waving a gun, something is flashing red in her daughter's see-through backpack and she has made hostages of the bank employees and a handful of aging customers. Sherri Shepherd portrays Nicole, the branch manager who tries to diffuse the situation, having amped it by telling the police that Janiyah has a bomb. Teyana Taylor ('A Thousand and One') brings fierce focus to a deteriorating situation as Detective Kay Raymond. The security footage at the grocery store didn't lie, but Detective Raymond intuits something more has sent Janiyah to the desperate standoff. She steps in as a negotiator. Perry, an unapologetic purveyor of melodrama, mercilessly teases the tension. Will Janiyah hurt the hostages? Will the authorities make a sad situation worse? The ending is perhaps too twisting for its own good. But Henson — so deeply committed to her character's emotional cratering — still makes us care. StrawNot rated. Running time: 1 hour 45 minutes. Watch on Netflix.
