
What's next for rejected Frisco performing arts center
The future of a proposed, but voter-rejected, performing arts center in Frisco may come down to who's elected to two City Council seats in a June runoff.
The project was intended to bring Broadway shows to the city.
Why it matters: Frisco is no longer a burgeoning suburb. Corporate offices line the highways, the Dallas Cowboys practice there, and, as the home to FC Dallas, the city will be a major player in next year's FIFA World Cup.
But the city lacks a robust arts scene.
Driving the news: Voters rejected two propositions on Saturday that would've issued $160 million in bonds to build the Frisco Center for the Arts.
It's unclear what will happen to the plans for the project. The City Council will need to discuss what's next.
"We ask for patience and grace. Regardless of our personal preferences, please trust we will be measured and thoughtful as we consider the future of this project," Mayor Jeff Cheney tells Axios in a statement.
State of play: Most council members supported the measures, and the mayor has said a performing arts center would help the city attract — and keep — businesses.
But some residents and two council candidates opposed building a performing arts center because of the cost.
The intrigue: Frisco has lost out to Nashville on some Fortune 500 company relocations, the mayor wrote on LinkedIn last week.
"The common thread is companies that want their employees to have access to arts and culture," Cheney wrote.
Nashville is notably called Music City.
Context: Frisco planned to partner with Broadway Dallas and Broadway Across America to run the 200,000-square-foot venue.
The center was designed to include several performance spaces, including a 2,800-seat theater and a smaller 300- to 400-seat community hall.
Follow the money: Prosper ISD planned to contribute $100 million from bond funds to help pay for the estimated $340 million development. The community hall would've primarily been used by the school district.
The $160 million in city bonds would have been primarily paid off by sales taxes. City officials said the bonds wouldn't have raised property taxes.
Corporate sponsorships and philanthropy was expected to cover the rest.
The other side: City Council candidate Burt Thakur opposed the propositions, pointing to Frisco ISD's project to build its own theater center.
What's next: Thakur is headed to a runoff election on June 7 against incumbent Tammy Meinershagen, who serves as the deputy mayor pro tem and lists the arts center as a City Council priority.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
15 minutes ago
- Forbes
This Is Why You Should Keep Watching Audra McDonald
THE VIEW - (5.22.14) Guest co-host and political commentator Margaret Hoover; Seth MacFarlane; ... More Sherri and Jenny dissect the latest pop culture news;Tony award nominee Audra McDonald ("Lady Day at Emersons Bar and Grill). "The View" airs Monday-Friday (11:00 am-12:00 pm, ET) on the Walt Disney Television Network. (Photo by Fred Lee/Disney General Entertainment Content via Getty Images) There is a difference between simplistic ability and that of talent, and Audra McDonald is a steady and bright emulation of both, with an extraordinary ability. A blatant force in American theater, the talent of Audra McDonald lies not only in her voice and performance range, but in the depth of her contributions to Broadway's legacy. Her career spans over three decades as both an unmatched practitioner of theater and a transformative cultural figure, redefining what's possible on the stage for women, for Black artists, and for the totality of American theater. McDonald's name is debossed in Broadway history for notable reasons. She holds a record-breaking six Tony Awards, the most for any performer, and is the only actor to have won in all four competitive acting categories with lead and featured roles in both musicals and plays. With 11 Tony nominations to date, she's also the most nominated performer in the award's history. She won her first Tony at just 23 years old for her performance in Carousel, announcing her evident coming in the game. Now, over 30 years later, her recent nomination for Gypsy has brought her 360 degree moment in a manner that is both symbolic and historic. Who would have thought, given the trials Black women have endured in the world of theater, that it would be a Black woman who now holds that title? Should McDonald win her category on Sunday night, she will break her own record once again, solidifying her place not just as the most decorated talent in Tony history, but as the living, breathing document of evolution. The Berlin born actress is not just someone you should watch. She is history in motion. NEW YORK, NEW YORK - DECEMBER 19: Audra Mcdonald speaks onstage during "Gypsy" Broadway Opening ... More Night at Majestic Theatre on December 19, 2024 in New York City. (Photo by) Her recent performance as Mama Rose in Gypsy has only cemented that legendary status. The role is historically one of Broadway's most demanding and mythic roles and McDonald brought a refined emotional complexity and sharp vocal precision to a character long associated with white actresses like Ethel Merman and Patti LuPone. Her portrayal was not just a simple rendition, it was more of a reinvention. For many, seeing a Black woman embody such an iconic role on a major stage was an act that was overdue. McDonald is the first Black woman to portray Mama Rose on Broadway, a milestone in and of itself. The production did more than reimagine what is a Broadway classic, it triggered a national conversation about who is privy to take on one of the most iconic roles in American theater. For decades, characters like Mama Rose have been treated as sacred territory and portrayed almost exclusively by white actresses. McDonald's casting directly challenged such a legacy, influencing audiences and institutions alike to reckon with long-held assumptions about race, authorship, and tradition. Her performance proved that emotional truth and theatrical power are not bound by race and that Broadway's most revered characters can, and should, be reimagined to reflect the advanced modern world. When asked by Gayle King in a recent CBS Mornings interview, 'What does the word legend mean to you when it's applied to you?,' McDonald replied with her class act humility: McDonald is just transparently a deeply grounded artist who understands her role in a lineage that is larger than herself. Actress Lena Horne in the show Broadway Rhythm, 1975. (Photo by Afro American Newspapers/Gado/Getty ... More Images) Her career is deeply rooted in a long line of Black women who have carved space in American theater under impossible odds. Long before McDonald stood center stage at Lincoln Center or belted out operatic prestige on Broadway, Black women were forcing their way into an industry that refused to see them as equals. Figures in the likes of Ethel Waters, who is among one of the first Black women to headline on Broadway in the 1930s, and the unforgettable Lena Horne, a class act multi-talent who thrived in both musical theater and film despite the racist obstructions of Hollywood, laid the foundation. Often Black women were relegated to stereotypical roles as maids, mammies, or exoticized figures. And when they did break through, it was within tight confines dictated by white producers and audiences. Waters made history integrating Broadway with her 1933 performance in As Thousands Cheer, but faced immense racism and the burden of appeasing white sensibilities. Horne, with all her elegance and vocal prowess, refused demeaning roles but paid the price with limited opportunities. Foremothers like Waters and Horne were rarely granted the institutional support afforded to white performers. Yet, they still managed to bust the door open, one so wide, that the likes of McDonald could one day walk through it. NEW YORK, NEW YORK - MAY 05: Audra Mcdonald attends the 2025 Met Gala Celebrating "Superfine: ... More Tailoring Black Style" at Metropolitan Museum of Art on May 05, 2025 in New York City. (Photo by) Walking right into that door opened by many of her predecessors, McDonald has been allowed to flourish in a wide range of roles typically denied to Black women. From Shakespeare to Sondheim, she has played characters written with no regard for race, ultimately redefining what it means to be a leading lady in American theater. Today's Black actresses continue to face typecasting, wage gaps, and underrepresentation in this creative leadership. McDonald stands as both a beneficiary of past resilience and a bridge to a new era and is representative of greater equity on and offstage. From Ragtime, Lady Day at Emerson's Bar & Grill, and A Raisin in the Sun, all roles that earned her Tony accolades, and now Gypsy, Audra McDonald's body of work is without a doubt pretty weighty. The Fresno native has shared the stage with theater legends, notable directors. And the reverb of her influence, especially on aspiring Black performers in theater arts, can never be overstated. It is fair to conclude that McDonald is at the infancy at her cultural peak. We have not seen the last of her at all. Keep watching.


New York Times
30 minutes ago
- New York Times
Tony Awards 2025 Live Updates: How to Watch and What to Expect
Broadway stars will fill the seats of Radio City Music Hall at the 78th Tony Awards, including Jonathan Groff, who is not only a nominee, but is also performing twice (in numbers for 'Just in Time' and 'Hamilton'). The Tony Awards are Broadway's biggest night, when the latest plays and musicals are introduced to a television audience of several million, any of whom might turn into a theater lover, a ticket buyer, or even an artist (so many Broadway performers and producers have stories about watching the Tony Awards as children). Here's what to expect: The ceremony is being hosted by Cynthia Erivo, who won a Tony Award in 2016 for her breakout performance in a revival of 'The Color Purple' and was nominated this year for an Oscar for playing Elphaba in the 'Wicked' film adaptation. In the years since winning the Tony, Erivo, a 38-year-old British actress, has focused on movies, television and music — she has just released her second studio album and the second 'Wicked' film comes out Nov. 21. After the Tony Awards, she'll be returning to the stage. In August she's playing Jesus in a one-weekend run of 'Jesus Christ Superstar' at the Hollywood Bowl in Los Angeles, and then early next year she'll star in a one-woman version of 'Dracula' in London's West End. Who will be performing? Much of the excitement is likely to focus on a 10th anniversary performance by the entire original cast of 'Hamilton,' which is Broadway's last huge hit. The number is expected to be a medley of the show's best-known songs. All five shows nominated for best new musical will perform songs from their shows: 'Buena Vista Social Club,' about a group of Cuban musicians; 'Dead Outlaw,' about a bandit and his outlandish afterlife; 'Death Becomes Her,' about two women whose quest for eternal youth has comical consequences; 'Maybe Happy Ending,' about a relationship between two involuntarily retired robots; and 'Operation Mincemeat,' about a bizarre British counterintelligence operation. The four shows nominated for best musical revival are also performing, including 'Floyd Collins,' about a trapped cave explorer; 'Gypsy,' about a stripper's stage mother; 'Pirates!' about a lovelorn buccaneer; and 'Sunset Boulevard,' about a faded film star. There will also be performances by two other new musicals: 'Just in Time,' about the singer Bobby Darin, and 'Real Women Have Curves,' which explores immigrant experiences through the eyes of a young woman. Sara Bareilles will join Erivo to perform during the In Memoriam segment, and the choir Broadway Inspirational Voices will join Erivo for the opening number. Who is presenting? There will be lots of household names introducing shows and presenting awards. Among them: Oprah Winfrey, Samuel L. Jackson, Keanu Reeves, Adam Lambert, Michelle Williams, Bryan Cranston, Ben Stiller, Jean Smart, Lea Michele, Danielle Brooks, Lea Salonga and Sarah Paulson. Lin-Manuel Miranda is expected to present the award for best musical. Who will win? The most-nominated shows are the musicals 'Buena Vista Social Club,' 'Death Becomes Her' and 'Maybe Happy Ending,' each with 10 nods. The prizes are likely to be quite spread out, but 'Maybe Happy Ending,' 'Sunset Boulevard' and the play 'Oh, Mary!' seem certain to get some love from voters. Many celebrities performed on Broadway this season, but several of them were not nominated for Tony Awards, and others are not likely to win. One star favored to go home with a statuette: Sarah Snook, best known for HBO's 'Succession,' is expected to win a Tony Award for playing every character in a stage adaptation of 'The Picture of Dorian Gray.'


New York Times
40 minutes ago
- New York Times
Tony Awards Red Carpet: See the Looks From Broadway's Biggest Night
Star power will be in full force at the 2025 Tony Awards. This year's nominees for drama include George Clooney, Cole Escola and Sarah Snook, and for musical roles we've got Audra McDonald, Darren Criss and Jasmine Amy Rogers. Cynthia Erivo, who plays Elphaba in the 'Wicked' movies, is hosting the televised ceremony on Sunday night, and one of the most anticipated acts is a 10th anniversary performance by the original cast of 'Hamilton.' Viewers will also get to see performances from the nine shows up for best musical and best musical revival as well as two other big new productions: 'Just In Time' and 'Real Women Have Curves.' But before the biggest names on Broadway take the stage, here's what all of the night's attendees wore to mark the occasion: