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Damian Lewis' reaction to 'ranting' autograph hunters in Cannes - after Denzel Washington's heated exchange at the film festival

Damian Lewis' reaction to 'ranting' autograph hunters in Cannes - after Denzel Washington's heated exchange at the film festival

Daily Mail​23-05-2025
Denzel Washington may have become embroiled in a heated exchange with a photographer at Cannes earlier this week, but Homeland star Damian Lewis appears better at keeping his cool.
When the actor, 54, arrived at Nice Airport on his return from Cannes Film Festival, he and his girlfriend, rock star Alison Mosshart, were accosted by a group of autograph hunters.
'One woman simply wouldn't take 'no' for an answer,' a witness told the Daily Mail's Richard Eden.
They added: 'She quickly became extremely vexed, ranting about how they had 'made' him and how he was ungrateful.
'She was shouting and finger-jabbing and had people rushing to restrain her.'
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
Yet unlike Denzel, Eton-educated Lewis 'could not have been cooler', the source said.
'He was calm, even polite, and simply let her vent while quietly clarifying that he couldn't agree with anything she was saying.'
Earlier this month Damian put on a cosy display with his girlfriend Alison at the Moët Hennessy Dom Pérignon Revelations party at London's Tate Modern.
The actor and the rocker, 46, looked as loved-up than ever as they posed for snaps inside the starry venue.
Damian and Alison have been dating for two years, after they were first spotted together in the summer of 2022.
Romance blossomed a year after Damian's wife of 14 years, actress Helen, tragically passed away in April 2021 aged 52 after a secret battle with breast cancer.
Shortly after Helen's death, Damian wrote a heartbreaking tribute to his late wife in The Times where he revealed she wanted him to find love again - joking his children said their mother 'wanted daddy to have lots of girlfriends'.
Last month, Damian poignantly opened up on how he handles grief after Helen's passing.
The Homeland actor said: 'There's a well-known psychological state in grief, or post any sort of trauma, which is called the manic defence.'
He continued: 'I have the manic defence in a very pronounced way, which is that you affirm life.
'So in amongst the inevitable days of being in a heap on the floor bawling your eyes out, there is your manic defence, which is like, 'Come on, live life, move forward, and reaffirm life'.
Damian, who has two teenage children - Manon, 18, and Gulliver, 16 - with Helen, added: 'Life is there for the taking, to be lived.
'Especially when you have two children – making sure they have a sense that everything is not over.'
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Woman shocks in extremely skimpy two-piece outfit & stunning long legs – but you'll never guess her age
Woman shocks in extremely skimpy two-piece outfit & stunning long legs – but you'll never guess her age

The Sun

time13 minutes ago

  • The Sun

Woman shocks in extremely skimpy two-piece outfit & stunning long legs – but you'll never guess her age

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Ellie Kildunne interview: Red Roses star is No 1 women's player on the planet and has an ever-growing profile... now she's ready for World Cup glory and to emulate Lionesses
Ellie Kildunne interview: Red Roses star is No 1 women's player on the planet and has an ever-growing profile... now she's ready for World Cup glory and to emulate Lionesses

Daily Mail​

time15 minutes ago

  • Daily Mail​

Ellie Kildunne interview: Red Roses star is No 1 women's player on the planet and has an ever-growing profile... now she's ready for World Cup glory and to emulate Lionesses

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England star Ellie Kildunne will start next week's Women's World Cup as the game's No 1 star 'Sometimes, I don't actually believe it! I actually got recognised on holiday while I was in Italy. I was in a restaurant in the mountains and the waitress recognised me. 'I'm proud of that. It doesn't actually change anything. But it does make me think about how do I want people to remember me and what message do I want to send? 'Most of the time it's buy tickets to watch England at the World Cup because you're going to see something special! 'The more I do, it definitely comes with more pressure. 'I don't necessarily see that pressure in a bad way. But I do see it as my responsibility to always be myself. It's easy to just say things people want to hear. That's not me. 'I want to be authentic. That's what inspires people. I don't want to go on Google and see a ChatGPT-type answer next to my name. I want to be true to myself and if I say something, I'll believe it 100 per cent. 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With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice

The Independent

time43 minutes ago

  • The Independent

With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice

For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. A homecoming for the tapestry Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. A trip not without risks Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' A renovated museum During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' ___

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