
Mr Bates Vs The Post Office wins Bafta but fight for victims ‘not over yet'
The four-part series focuses on the subpostmasters who fought to clear their names in the wake of the Horizon scandal, which wrongly convicted them of offences such as fraud because of the faulty software.
Creators of the show including actor Toby Jones who played Sir Alan Bates, writer Gwyneth Hughes and producer Patrick Spencer, hopes the Bafta win will keep the scandal at the forefront of the public's mind as subpostmasters continue to wait for compensation.
'It's not over yet. It's a complicated situation. There's several different compensation schemes going on,' Ms Hughes said at a winner's press conference shortly after receiving the award.
'They're all mired in different parts of the government. Nobody seems to know what's happening.
'Our main characters have not been paid. They haven't got their compensation. It's been going for 25 years.
'If we're on front pages tomorrow waving our very heavy statuettes, then that's bound to get it back in people's consciousness and get people to make an effort.'
Mr Bates vs The Post Office wins the BAFTA for Limited Drama 👏 #BAFTATVAwards with @pandocruises pic.twitter.com/5IxtJYiNVj
— BAFTA (@BAFTA) May 11, 2025
She also said it was 'very distressing' when she realised the scandal was happening in Britain comparing the situation to something that might occur in a country where 'little people don't have any power'.
'It's a British story. I couldn't believe it was happening in my country. When I first heard about it, I thought that can't be true, that can't be right,' she explained.
Kevin Lygo, managing director of ITV Studios, received the Special Award at the Baftas for commissioning Mr Bates Vs The Post Office, and urged all TV corporations to continue making series to 'make power to account'.
'It really falls to us to remember that these are incredibly important things that must continue to be learned,' he said on stage at the Royal Festival Hall.
'At a time when funding is tricky but not impossible, the ITV and the BBC must continue to make power to account, institutions like the post office to account.
'It is part of a long tradition on TV of these genres that true stories that shine a light on corruption, criminality, miscarriages of justice… but nothing, I think, has had quite the effects Mr Bates' has had.'
He urged for those in power to speed up the compensation process for the subpostmasters still waiting to receive payment.
'It's been successful in every way, except one, which is that they still, many of them, have not got their compensation,' he said.
'So I say to anybody who's in charge of sorting out the compensation, will you hurry up and pay these people what they do?'
Star of the show Jones described the series as being representative of the 'state of the world now'.
Speaking at the winner's press conference, Jones said: 'I think that there's something archetypal about the story that keys into the state of the world now.
'It's not just the postmasters, there's a general sense of disenfranchisement of people feeling cut off from their dreams, cut off from just a lifestyle, cut off from living their lives.'
The show's producer Patrick Spence has called for the media to continue 'spreading the message' and raise awareness about the Horizon scandal.
'I think we've done our bit. We carried the baton for a bit. We need you guys to spread the message that they haven't been paid yet,' he said.
'It's not over, and they're being bamboozled with bureaucracy, so please, we beg you, don't make us make another drama.
'Get the message out and tell them seriously if there are still people in abject poverty waiting for compensation.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
5 hours ago
- Telegraph
Hollywood star Julie Delpy: ‘I made enemies by saying no to very powerful men'
A soberly dressed British prime minister welcomes the French president on the steps of Downing Street. The leader from across the Channel puts her counterpart in the shade: she's blonde, glamorous, with intense red lipstick and elegant gold earrings. Soon, she is offering subtly cutting advice to her opposite number about the tense way the PM holds her face in the presence of photographers. Their relationship is already strained: in a hot-mic incident, the prime minister has described president Toussaint as a 'handmaiden to the far-Right'. These are the opening moments of Netflix's Hostage, a political thriller in which the two women become entwined in a ransom drama involving the husband of PM Abigail Dalton (Suranne Jones). The actress who plays the French president – the film star Julie Delpy – has just popped up on my Zoom call. I have to ask her, is her Toussaint – who talks of 'listening to my people' and appealing, on immigration, to a 'silent majority who value national identity' – based on Marine Le Pen? Did Delpy observe the National Rally leader while studying for the role? 'No, because I didn't want her to be that; it's a fictional piece and I think it would be weird to…' She halts. 'First of all, Marine Le Pen speaks very bad English; it would have been a very different vibe.' Put-down neatly delivered, she notes: 'She's actually probably less of a Marine Le Pen and more of a Macron that's kind of flirting with the extreme far-Right.' Indeed, the weaponised wardrobe and one-upmanship chime well with the sitting president. Yet there's little of that in the 55-year-old Delpy, whose dress code is more cool professor than power dresser. But she certainly understands Toussaint's hunger to hold on to her role. 'I think for some women, and I'm not even talking in politics, for some women, power is very important. Even in my business, I've seen women fight so hard to get somewhere that they can become more fierce than certain men, because they had to battle twice as hard.' Showbusiness is relentless, to be sure, and Delpy has been part of it since she was a teenager. Her parents were both actors, her father a theatre director, when the great French film director Jean-Luc Godard put her on screen at just 14, capturing her intelligent mien as 'Wise Young Girl' in his 1985 film Détective. Within two years, she was turning heads in Bertrand Tavernier's Beatrice; by her mid-20s, Delpy had starred in Krzysztof Kieslowski's revered Three Colours trilogy, and become internationally adored in the quintessential indie romance Before Sunrise (1995). She played Céline, who steps off a train to explore Vienna with a passenger she's just met, Ethan Hawke's Jesse. 'It wasn't rape, it was manipulation' Her view of the film industry at the time she joined it still shocks. 'Everyone knows, in France, there are people walking around making movies who were openly dating 13-year-olds in the 1980s,' she once stated. Today, she remembers saying it to a French newspaper, how it described a generation of creepy men twisting 1960s ideals of 'sexual liberation'. 'Oh, you know, it's 'sexual freedom', blah, blah, but I was very against it… it wasn't rape, it was manipulation.' For her, as a teenager, the manipulation came in the form of 'flirting letters, love letters. I've received a lot of those, you know. I was constantly getting [them], trying to get me to cave in, when I was 13, 14, 15'. They came from 'mostly directors, by the way, it wasn't producers so much,' she adds. But the predatory tactic was generally the same. 'It was the artist and the 'muse',' she notes, with irony. Being part of that milieu, her parents were wise to it. 'My mom was very, very determined to stop me being a victim of that system. So she taught me, really young, to protect myself. And when I got to the US, I had to navigate the same thing. And I got a few enemies by saying no to very, very, very powerful men. I still had a career, but I did miss a lot of opportunities because I refused to comply.' The pressures she describes are well understood now, in the post- Weinstein era. Delpy has straightforward views about those who abuse their position. On her celebrated countryman Gérard Depardieu, 76, who was convicted in May of sexually assaulting two women on a film in 2021: 'If he's [an abuser], he has to be punished for it,' she says. 'I don't excuse – he's an incredibly talented actor, but, you know, nothing excuses sexual abuse.' 'One of the worst feelings of my life' Delpy, meanwhile, has forged a fascinating career as a writer, director and actress, which includes a role in the so-bad-it's-good An American Werewolf in Paris. Does she regret that one? 'Well, listen, [some] people love that film. So it's really funny every time someone comes up to me and says, 'I love Werewolf'. Even young people. I'm like, 'Why did you even watch this?'' She also starred in two sequels to Richard Linklater's paean to impulsive connection – Before Sunset (2004) and Before Midnight (2013), for both of which she received Academy Award nominations as a co-writer with Linklater and Hawke. She believes she and her co-star deserved script credits for the first film, too. 'We were naive young actors,' she says. 'It was not a tweaking exercise, because I know the difference, so I'm not going to pick that film as my favourite because I don't think it's right.' Not being credited for her work, she says, was 'one of the worst feelings I've had in my life'. Fans still hanker for a fourth film, but Delpy confesses to reservations about how the story was resolved in Before Midnight, with the couple, now married parents, having a volcanic row that ends in rather implausible reconciliation. 'To this day, I don't love that ending,' she says. 'Maybe because I had nothing to do with it. That's an ego thing. But, um, I think the guys kind of did their little ending, and it didn't resonate for me that much.' They have talked about a fourth film, she admits. 'Richard sent us an email, possibly about my character dying of cancer. And I thought about it, and I was like, 'Really?'' She feels the characters represent the study of a relationship over decades, 'and to have her die at 50… It confused me a lot. Because I'd say women have so much to say in their 50s – I was a bit concerned that maybe Richard was not really understanding that.' Is Hollywood dying? The film industry continues to struggle post-Covid lockdowns, with audiences dropping alarmingly for everything but blockbusters and low-budget horror. Is Hollywood dying? 'If films don't survive, it's a huge part of culture that's collapsing,' Delpy warns. She foresees difficult times ahead, though, with new threats emerging. 'When power becomes more overbearing and more controlling, more totalitarian, which is the era we are entering, I think art can be [seen as] a danger, can be a voice that people want to control.' Political events in the US, she explains, are 'really worrisome… We are at that place, I think, where people are concerned that democracy might be in danger, which is never a good thing, no matter what your political views are. 'Those structures are at stake right now in the US. I don't think we're there in France yet. In England, I imagine that there's still a strong democratic system, but it's being eroded.' It's clear she is not aligned with Toussaint's views. 'I believe it's easier to blame immigration than to blame a system falling apart by itself,' she says. It's an effective tactic, she adds. 'It worked 100 years ago. It worked 200 years ago. It's working now.' Did playing Toussaint give her a sense that she would like to influence politics more directly? 'I'm not a very greedy person,' she says, 'and I'm not ready to make compromises, so I'll never be in politics.' Hostage is on Netflix from Thursday August 21


Scottish Sun
10 hours ago
- Scottish Sun
Celebs are making us wince in their eyewatering ‘wedgeshe' to be on trend – please just keep your privates PRIVATE
The exposing trend is taking over celebrity wardrobes and catwalk PELVIC-SORE Celebs are making us wince in their eyewatering 'wedgeshe' to be on trend – please just keep your privates PRIVATE Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) FORGET corsets or tummy-tucking Spanx - there's a new eye-watering trend that will make you wince. And need to book in regular wax appointments. Sign up for Scottish Sun newsletter Sign up 9 Jennifer Lopez is one of the many celebs to endorse the 'wedgeshe' Credit: instagram/jlo 9 Hip-high cut and thin in shape, the new trend makes fashion editor Clemmie Fieldsend wince Credit: instagram/jlo The saying goes, beauty is pain, but A-listers are bring a whole new meaning. Celebrities from Jennifer Lopez to Naomi Campbell have taken to a new look of wearing ultra high cut and ultra pelvic exposing bodysuits. Just to look at their all-in ones that look not too dissimilar to having your thong on back to front makes my whole body shivers in repulsion and in sympathy pain. I've aptly christened this the wedgeshe. Whilst , 56, has been on her Up All Night tour in various locations including Spain, Italy and Poland she has taken to the stage wearing an extreme version of the wedgshe. The rest of us wouldn't dream of wearing something so revealing and tempting the fate of a god almighty 'reveal', but not our She laughs in the face of exposing danger and continues to hop, skip and leap around stages with nearly everything on show. 9 The Jenny from the Block singer, 56, has never been afraid to wear a risque stage costume, and her latest tour has been no exception Credit: Instagram Don't get me wrong, the Jenny From The Block singer can pull it off her remarkable body but, if I were front row and in the face of, well, that - then I wouldn't be able to concentrate. 9 Naomi Campbell takes brave steps on the runway at the Dsquared2 fashion show in a wedgeshe Credit: Getty Earlier this year model Naomi Campbell, 55, took to the catwalk for fashion brand Dsquared2 wearing a long sleeved, leather wedgeshe. Complete with over the knee boots, her jutting hips were out of all to see as she strutted her stuff down the runway. But yikes, the cocktail of that powerful walk (the best in the business), leather, hot lights and nylon tights could potentially result in cystitis. Woman shocks with outfit that shows 'zero class' as she walks down the beach promenade with one butt cheek fully out 9 Doechii joined Naomi Campbell on the Dsquared2 runway in a similar look Credit: Getty Also accompanying her in February was rap power house, Doechii. The 27-year-old US star wore her wedgeshe with heeled lace up boots and a waist belt. How she could breathe, let alone rap, with all that restrictive gear on it beyond me. Model Rosie Huntington-Whiteley made her never-ending legs look even longer in February at a post-BAFTA Vogue party. 9 Rosie Huntington Whiteley strikes a pose at a BAFTA party in a leather wedgeshe Credit: Getty The 38-year-old mum of two looked sensational in a black leather wedgeshe with sheer black tights, six inch stilettos and a fluffy shawl. The feathered cover-up does seem a little bit unnecessary considering everything else is exposed, but this is fashion after all. 9 Dua Lipa modelling for Yves Saint Laurent Credit: Instagram When Dua Lipa signed up to be the face of fashion and beauty brand Yves Saint Laurent, I'm sure wearing a wedgeshe wasn't listed in the T's&C's. But the trooper that she is, the 29-year-old strapped into her belted number that not only was suffocating on the pelvic area but also had cut outs at the side for one of the brands campaigns. I'm no marketing genius but I doubt anyone was looking at the lipgloss they were selling - or was it mascara? 9 Ashley Roberts attends London Fashion Week February in a tartan bodysuit Credit: Getty 9 Bianca Censori at Milan Fashion Week wearing a PVC wedge and matching plastic boots Credit: Getty Other wedgeshe fans include Ashely Roberts, 43, who wore a daring look to Fashion Week and of course, if there's a controversial trend you know Bianca Sensori has tried it. The 30-year-old however didn't go for the chastity belt style, but a somewhat more breathable apron style, but still in it was made of rubber. If this trend continues to grow, I urge you high street brands and shoppers to not start making wedegshe looks for party season. Keep your standards high and your privates private.


Daily Mirror
a day ago
- Daily Mirror
'Compulsively watchable' Second World War series is based on heartbreaking novel
The series is available to watch on Channel 4's streaming service and is based on Mary Wesley's novel of the same name Lovers of period drama are in for a real delight as a captivating Second World War series is now available to stream at no cost whatsoever. Channel 4 is the proud broadcaster of this gem, which first graced television screens back in the early 90s and even snagged a BAFTA nomination for Best Drama Serial in 1993. The narrative unfolds within the picturesque confines of Helena Cuthbertson's Cornish country abode, with the series' name inspired by a scenic stretch of land between her house and the coastal cliffs where pivotal moments occur. Cornwall's reputation as a prime setting for exceptional period dramas remains unchallenged. The role of Helena Cuthbertson is portrayed by none other than Felicity Kendal of The Good Life fame, with Toby Stephens as Oliver Ansty, Jennifer Ehle as Calypso, and Tara Fitzgerald as Polly. READ MORE: BBC viewers praise 'incredible' period drama as 'one of the greatest' on iPlayer Spanning from just before the outbreak of the Second World War to its aftermath in the mid-1980s, The Camomile Lawn has earned acclaim from enthusiasts as "ingenious". Mary Wesley's novel kicks off with a family gathering in Cornwall during the tranquil summer preceding the global conflict, reports Cornwall Live. When the family reconvenes for a funeral almost fifty years on, they come to terms with the profound effects the war had on their lives. Wesley was spurred to pen The Camomile Lawn following the passing of her second husband, an event that left her in financial ruin. Drawing from her own experiences, parts of the book reflect Wesley's formative years, with the Cornish house mirroring Boskenna - the historic settlement - where she spent considerable time during her younger days. Audiences expressed their views on the adaptation, with Antony Taylor declaring: "Simple and ingenious story, wonderful cast, perfect direction and a script full of sparkle. Watch it and love it." Drawing in over seven million viewers during its debut broadcast, The Camomile Lawn became Channel 4's highest-rated drama of all time – a milestone it maintained as of 2022. One admirer commented on IMDb: "The Camomile Lawn is one of my favourite British TV adaptations." Notmicro described it as "Compulsively watchable and great fun", continuing: "I'd been curious for years to see this thing, both because of the very interesting actors, and the period setting. "Now I've just watched the British DVD, and found that its absolutely brilliantly done, and compulsively watchable. "It takes some time getting accustomed to the affected and presumably somewhat archaic upper-middle-class accents assumed by some of the actors." The Camomile Lawn is available to watch on Channel 4's streaming service.