
'Mahavatar Narsimha' box office collections day 20: Rs 185.50 cr and counting; Telugu occupancy holds steady midweek
Ashwin Kumar's 'Mahavatar Narsimha' continues its impressive run at the box office, showing no signs of slowing even as it enters its third week.
According to early estimates from Sacnilk, the film collected around Rs 4.50 crore (all languages) on its 20th day.
This has pushed the epic movie's total India net earnings to Rs 185.50 crore.
This performance comes after a strong 19-day haul of Rs 181 crore.
Weekend peaks, weekday stability
Mahavatar Narsimha - Official Malayalam Trailer
After opening with Rs 1.75 crore on day one, 'Mahavatar Narsimha' hit a high of Rs 23.5 crore on its third Sunday.
Monday and Tuesday of this week saw a natural drop. On the positive side, the collections remain steady which is a sign that the film has found a loyal audience base.
Notably, the Hindi version has contributed the largest share to the earnings.
This was followed by Telugu, while the Kannada, Tamil, and Malayalam versions.
Occupancy trends in Telugu markets
For its 20th day, the Telugu 3D version recorded an overall occupancy of 16.32%, with night shows performing the best at 22.08%. The 2D version saw a slightly lower average at 14.33%. But still drew consistent crowds, particularly in the evening and night slots.
'Mahavatar Narsimha' is now eyeing the Rs 200 crore mark. Meanwhile, the movie's collections are expected to be affected due to the strong competition from 'Coolie' and 'War 2' on August 14.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
Sevastopol: New Container Houses – Take A Look At The Prices!
Container homes | Search ads
Learn More
Undo
DISCLAIMER: The box office numbers in this article are compiled from our proprietary
sources and diverse public data. While we strive for accuracy, all figures are
approximate unless explicitly mentioned, offering a fair representation of the project's
box office performance. We are open to feedback and suggestions on
toientertainment@timesinternet.in
.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
28 minutes ago
- India.com
This blockbuster changed the fate of every star, gave Bollywood two new superstars, even the villain became a legend, film was.., lead actors were...
This blockbuster changed the fate of every star, gave Bollywood two new superstars, even the villain became a legend, film was.., lead actors were... In the ever-evolving world of cinema, many films come and go, but some films redefine Indian cinema and leave a deep and everlasting impression. One such example of this is a film that was released in the year 1975. This film was not just a commercial hit, but it was a cultural revolution that redefined storytelling, characterisation, and cinematic scale in India. Even after 50 years of its release, it maintains the status of a cult classic and is remembered fondly for its iconic dialogues, powerful storytelling, and unforgettable characters. Yes, the film that we are talking about is none other than the cult classic Sholay. What's interesting is that when this film was first released, it received an underwhelming response. In fact, in the first three days, the film failed to perform at the box office, leaving the makers worried. As per the reports, the climax was even considered for alteration, and the film was nearly re-released with changes. But destiny had other plans. After the fourth day, the tides turned, and theaters were full for this film. What happened later was nothing that anybody predicted. This film got so much love and appreciation that it created a history of running for over five years at Mumbai's iconic Minerva theatre, a record that very few films have matched. Blockbuster that gave Bollywood two new superstars Not only was this film a commercial hit, but it gave Bollywood its two new superstars. It turned the cast into overnight legends. Amitabh Bachchan as Jai and Dharmendra as Veeru became household names, while Sanjeev Kumar's role as the tough yet emotional retired police officer, Thakur, remains one of his most iconic performances. Hema Malini as Basanti and Jaya Bhaduri as Radha brought elegance and emotion to the story. But it was Amjad Khan's portrayal of the dreaded dacoit Gabbar Singh that became immortal in Indian pop culture. Even today, his dialogues 'Kitne aadmi the?' and 'Jo darr gaya, samjho mar gaya' resonate with the audience and echo after years. Record-Breaking Success Speaking of its budget, this film was shot extensively in the rocky terrains of Ramanagara in Karnataka; the shoot spanned nearly two and a half years. As per the reports, the film was made on a staggering budget of Rs 3 crores. The film earned gold at the box office; it collected Rs 35 crores worldwide and was marked as one of the highest-grossing Indian films of its time. Even today, Sholay resonates with the audience and continues to inspire filmmakers and entertain the audience.


Hans India
28 minutes ago
- Hans India
Amruta Khanvilkar finally lays her hands on Maharashtra State Film Awards trophy, shares pictures with loved ones
Mumbai: Actress Amruta Khanvilkar, who works in Marathi and Hindi cinema, is celebrating her first Maharashtra State Film Awards. The actress was honoured with the Best Actress award for 'Chandramukhi' at the 60th and 61st Maharashtra State Film Awards. The actress has now finally returned to India, and laid her hands on the trophy. On Saturday, the actress took to her Instagram, and shared a series of pictures in which she can be seen holding the trophy. She also penned a long note in the caption, expressing her gratitude, and shared how every ounce of dedication of the team helped in putting together 'Chandramukhi'. She wrote, 'Finally holding the trophy… Thank you, Maharashtra State Awards, for this honour that I will cherish forever. With this, a deep longing and a beautiful journey find their destination. I can't thank the people, the cast, and the crew of Chandramukhi enough — every single effort and every ounce of dedication made this film possible'. She further mentioned, 'A heartfelt thank you to each one of you for walking this path with me. But my most sincere gratitude is to my god n him alone. In ways I can never fully put into words, you always have my back… and this moment is proof of your grace. Shree Swami Samartha. Om namah shivay @filmcitymumbai_ #maharashtrastateawards #chandramukhi #bestactress (sic)'. Maharashtra State Film Awards are awarded by the Government of Maharashtra to Marathi language films and artists. They were first doled out in 1963. The Maharashtra State Film Awards are adjudicated by an independent jury jointly formed by the Department of Cultural Affairs, Government of Maharashtra. The jury typically comprises eminent personalities from the film industry. A separate jury is constituted for the awards recognizing literature on cinema. The awards aim to promote artistic excellence in cinema and incentivize filmmakers, technicians, and producers.


Indian Express
28 minutes ago
- Indian Express
‘Aamir Khan had a problem with my scene, he told Mahesh Bhatt': Tiku Talsania recalls getting ‘really worried' before conversation with star
Aamir Khan's relentless pursuit of perfection is no secret in the Hindi film industry. Known for diving deep into the nuances of every script he takes on, the actor is famously known to call for reshoots if a scene doesn't sit right with him, even if it's just a minor detail. Veteran character actor Tiku Talsania, in a recent conversation with Friday Talkies, recalled one such moment during the making of Mahesh Bhatt's Dil Hai Ki Manta Nahi, when he worked with Aamir for the first time. Sharing the anecdote, he said, 'Only about 15 days were left for the film's release. Bhatt saab called me and said, 'Tiku, where are you? Come to Film City.' I asked, 'What happened?' He said, 'Arey, this Aamir yaar…' The moment I heard that, I knew something was wrong. Bhatt saab told me, 'He has a problem with the scene you did with him.' I got really worried and told my wife, 'See, this is what happens when you get a good scene, it'll probably get cut now because of him.' If Bhatt saab is naming Aamir, then it must be that only.' He continued with a laugh, 'But when I reached the set, Aamir was the first one to get up and respectfully offered me his chair. He said, 'Sir, sir, please come, sit.' That made me even more sure the scene was about to be cut!' However, what followed changed his impression of the superstar completely. 'Then he said something so beautiful, I still remember it. He told me, 'I've seen the film 25 times, and the only thing that bothers me is the scene where I take money from you. My character shouldn't be accepting that money. Even when I take money from Pooja's grandfather later, it's the money I spent on her, not a reward. So if I take money from you, the whole character arc will feel wrong.'' Tiku then asked him what they should do. 'He said, 'You still hand me the money like you did earlier, but this time I won't accept it.' That's the genius of Aamir Khan. He touched my heart that day. He thinks about the film, about everything. Watching your own film 25 times just to reflect and fix one detail, that's no small thing.' Also Read | Sitaare Zameen Par: If you need Aamir Khan to manipulate you into being a good person, maybe you're beyond redemption Tiku also shared another incident from the sets of Mahesh Bhatt's Hum Hain Rahi Pyar Ke, where Aamir and he collaborated again. This time, the actor's commitment extended to an entire scene that he didn't feel was working. 'I had reached the set and saw Aamir's father standing there, agitated. He told me, 'Look at this Aamir, he's cancelled the shoot!' Then I met Aamir and asked him if the shoot was really off. He explained to me, 'If it's just you, Mushtaq and me, this scene won't reach its full potential. We've already sung a full song, we've made 2,500 shirts in the film. I need the whole crowd for this to become a triumphant moment.'' A similar incident occurred on the sets of Dil Hai Ki Manta Nahin, where Anupam Kher revealed that Aamir Khan took issue with his performance and raised it with director Mahesh Bhatt. In an interview with Siddharth Kannan, Kher explained: 'He wasn't upset with me personally, but with my interpretation of the climax. My character tells his daughter to abandon her groom at the altar — I played it with a comic touch, thinking only an irrational man would say that. Aamir didn't like it and complained to Bhatt saab, even though he was just a co-actor.' Interestingly, Hum Hain Rahi Pyar Ke was also the film where Aamir took on screenwriting duties, co-writing the screenplay with actor and writer Robin Bhatt. The film, an unofficial remake of the Hollywood classic Houseboat, was both a critical and commercial success, much like Dil Hai Ki Manta Nahi.