
Moroccan-Italian Designer Zina Louhaichy Styles Her Favorite Gandouras
Zina Louhaichy doesn't just wear a lot of hats - she wears them well. 'I carry so many hats,' she laughs. 'And I love hats.' The metaphor writes itself.
Based in New York, Louhaichy is a Moroccan-Italian actress, designer, photographer, and creative polymath who approaches getting dressed as both art and armour. 'Your outfit is a story—how you feel that day, what you want to say, or what you want to protect,' she says. 'Some days it's like, I want to be seen. Other days it's: I don't want to talk to anyone, but I still want to slay.'
Often, that feeling draws from home. North African silhouettes, textures, and jewellery regularly anchor her looks. 'There's something so luxurious and grand about Moroccan fashion—it's all about layering, gold, mixing prints and textiles. Even the way we wear kaftans or takchitas, it's always been about showing up and showing out. That's where I get my maximalism from.'
Her own brand, Louhaichy, channels that same energy. Handmade and deeply personal, it leans into fashion as storytelling - with humour, heritage, and drama all stitched in.
At just 22, Louhaichy is as comfortable behind a camera as she is in front of it, sewing silhouettes, directing campaigns, and building a fashion label between takeout orders and existential crises. To understand her style is to enter a world where a Moroccan djellaba flirts with Vivienne Westwood energy, a lace top doubles as emotional armour, and a single gold bangle might spark a conversation about diaspora identity before the Uber even arrives. She treats fashion like she treats art - fluid, feral, and fabulously unserious. 'It's like creating a character for the day,' she shrugs. 'Then at night, you take it all off - and you're still you.'
And who exactly is that? Someone who wants to write, direct, style, sew, perform, and provoke - all in one look. 'They all merge,' she explains. 'Whatever I make, it's a Zina project.' Whether it's a lacey ode to the unboxing of North African womanhood or a cheeky graphic tee that reads All My Exes Live in Morocco, her work is grounded in a joyful kind of rebellion. 'I just want to have fun,' she says. 'I want to mix silhouettes, make things sweaty, and never lose my sparkle.'
In this SceneStyled SELECTS, Zina curates five head-turning outfits straight from the Zina-verse - spanning nostalgic 2000s references, Eid auntie glamour, and cosmic cowboy realness. Expect pink. Expect pins. Expect chaos with a point. Just don't expect her to be one thing.
Look One | Gallery Night In L.E.S
'It's merging the styles of New York. I had a bit of fun with it—I put some designer items that I do not own yet, but inshallah, soon. It's wearing my pride on my sleeves. It's sleek, it's classy, and it's Louhaichy.'
Pairing the flowing black gandoura with over-the-knee suede boots, Luar sunglasses, and her own structured top, creating a silhouette that's sharp yet rooted in cultural pride. A Yankees cap nods to the city that raised her.
Men's Moroccan Gandora
Louhaichy | Noire Belle Top THE ROW | Bindle Medium leather tote bag
ALAÏA — Suede over-the-knee boots
Luar | Double Eyewear - Black/Grey
Iseder — NY Ring "Black"
New Era MLB New York Yankees Pillow Box Series Ball Cap Navy
Look Two | 2000s Maghrebiya It-Girl
'This is so me in a look. The djellaba, and being able to pin it up on the side—I can use safety pins to show the tights and the sunglasses—it's very 2000s and reminds me of being a young girl in New York City.'
Velvet leopard print meets sheer thigh-highs, shield sunglasses, and a Tamagotchi charm. It's Y2K with a Maghrebi twist—cheeky, confident, and entirely hers.
Moroccan Djellaba
Calzedonia | 20 Denier Sheer Thigh-Highs in Black
Juicy Couture | Red Handbag
Pink Tamagotchi | Lots of Love Electronic Pet
Yankees Bamboo Earrings
ISABEL MARANT | Bekett hidden-wedge sneakers
Jet Set Candy | MetroCard Ring
Motorola | Hot Pink Razr Flip Phone
Look Three | Eid @ Daar Dyal Mweema
'This is a bit of an elevated look. I wanted to include MENA brands—Eid at my Mweema's house—so it's a merging between NYC and the traditional Amazigh jewellery. Giving a new look to the wedding caftan.'
A sentimental celebration look blending traditional and contemporary MENA references. Layering a vintage white Moroccan caftan with silver Alexis Bittar jewellery, a lace keffiyeh from Nazzal Studio, and bold Amazigh pieces- rendering something sacred but utterly modern.
Vintage Moroccan White wedding Caftan New Berber Kabyle Amazigh headpiece
Alexis Bittar | Molten Silver Knuckle Ring
Alexis Bittar | Molten Puffy Teardrop Earrings
Atlal From Galbi | Ballerina Roots Galbi
Nazzal Studios | Lace Keffiyeh Long
Amazigh Necklace
Look Four — Shopping Spree In Soho xx
'It's Vivienne Westwood X Louhaichy X NYC X Morocco. The fabrics juxtapose against each other—they're very harsh—and then the lace and the mesh creates this light and airy look.'
She's stomping through Soho with fibula earrings, frilly socks, a plaid skirt, and yellow Balenciaga—no rules, just brilliance.
Folkwear | Blue Stripped Djellaba (pinned up with safety pins to show skirt)
Chopova Lowena | Plaid Print Midi Length Skirt
Balenciaga | City leather bag in yellow
For Love & Lemons | Knee Hight Frilly Socks In Cream
Handmade silver fibula earrings
Amazigh Vintage Tribal Necklace
Manolo Blahnik | Maysale Leather Mules
Look Five | Chilling @ Home AKA (DND Unless You Brought Atay)
'I would wear this scarf around my head. I own all of these pieces. I always wear my Allah necklace—this is really how I chill at home. If you're coming, bring something. I like a lot of pink.'
Her softest, pinkest self—a home gandoura in rose, vintage slippers, gold bangles, and the necklace she never takes off. This is Zina Louhaichy's Sunday softness, accessorised with henna and boundaries.
Moroccan Home Gandoura In Pink
Tisbinit | Amazigh Traditional Scarf, Silk
MOANI bangles set - Gold Bangles
Crystal & gold Allah (SWT) pendant and necklace
Bamboo Heart Hoop Earrings 14K Yellow Gold-Plated Silver 925
My Meemaw's Slipper | Women's Chinese Slippers Sandals Slip in Pink
Henna
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Mid East Info
9 hours ago
- Mid East Info
Before the bell rings, squeeze in a full day of fun, games, school-ready shopping and a mind-bending new adventure at Dubai Parks™ and Resorts
started at Dubai Parks™ and Resorts. From 9 August to 7 September 2025, families can dive into the ultimate end-of-summer adventure with Back to School, Back to Fun, a limited-time experience blending playful school-ready moments, indoor adventures, and plenty of family-friendly fun across RIVERLAND™ Dubai, MOTIONGATE™ Dubai, Real Madrid World, and LEGOLAND® Dubai. This year, school prep comes with a playful twist, as families can shop themed merchandise across MOTIONGATE™ Dubai, LEGOLAND® Dubai, and Real Madrid World with exciting limited-time discounts. From backpacks to novelty supplies that keep the holiday energy going, families can tick off the school list between coasters, arcades, and character encounters, because shopping is just more fun when it comes with a side of thrills. But that's not all! Kick off the day at RIVERLAND™ Dubai, where entry starts from AED 25 online and AED 30 at the gate. This scenic district is more than just a walkway; it's a playground for all ages. Start with Perplex City , the latest attraction, a surreal walkthrough filled with immersive light, sound, and storytelling. Tickets start from AED 70 per person, offering access to eight interactive rooms, from the Underwater Palace to the Enchanted Forest and the glowing Willow Tree at its heart where each space responds to movement and sound. Families can also explore Neon Galaxy Indoor Playground , a colourful, multi-level space packed with climbing zones, obstacle courses, and interactive games designed for younger visitors. Entry tickets to Riverland can be redeemed toward these attractions, allowing guests to enjoy more by simply paying the difference. When it's time to refuel, there's no shortage of flavour-packed dining options, from dinosaur-themed bites at T-Rex Café to classic Italian favourites at Viva Ristorante , and relaxed Irish pub-style meals at The Keg . Whether warming up or winding down, RIVERLAND™ Dubai is the perfect place to press pause and soak up the atmosphere between the thrills. MOTIONGATE™ Dubai Then it's lights, camera, action at MOTIONGATE™ Dubai, where families can step straight into the movies. Soar through the skies on Madagascar Mad Pursuit , one of the fastest rollercoasters in the region, or join Po for a high-energy martial arts mission in Kung Fu Panda: Unstoppable Awesomeness , a 4D simulator packed with laughs and action. For those chasing flight and fantasy, Dragon Gliders offers a suspended rollercoaster adventure through the Forbidden Islands, glide with Hiccup and Toothless from the grandeur of the Great Hall to the craggy cliffs high above Berk. With added treats for shoppers and back-to-school retail offers scattered throughout, it's the perfect place to end the holidays with something memorable. Real Madrid World Football fans can swap the field for full-on fantasy at Real Madrid World, the world's only Real Madrid-themed park. At The Real Challenge , families can take on sports-themed arcade games, skill zones, and digital challenges that bring out everyone's competitive side. Over at Meet the Stars , guests can pose with life-sized legends in a dynamic digital gallery packed with iconic moments and selfie-worthy scenes. There's even a chance to gear up for the new term with Real Madrid merchandise and free gifts with every purchase. LEGOLAND® Dubai Get ready for school with a brick-tastic day of creativity and family fun at LEGOLAND® Dubai and LEGOLAND® Water Park, the only LEGO®-themed destination in the Middle East for families with kids aged 2–12. With 60+ rides, shows, and hands-on activities, kids can build, explore, and get inspired — just in time for the new school term! At the Theme Park, battle dragons in a medieval castle, enjoy LEGO® Studios 4D, and test your own LEGO® creations. Then splash into the Water Park, float along the Build-A-Raft River, and cool off in kid-friendly play zones. Don't miss MINILAND, with 20+ million bricks recreating iconic landmarks like Burj Khalifa, the Pyramids, and a giant LEGO® A380! Keep the fun going with a fully themed stay at LEGOLAND® Hotel — packed with surprises, in-room treasure hunts, and non-stop LEGO fun. With the Back to School 2-for-1 offer, families can enjoy double the fun, and give kids a playful head start on the term ahead. Two parks, one hotel, and endless play await. Whether stocking up for school, chasing a final summer thrill, or just looking for a cool, stress-free day out, Dubai Parks™ and Resorts brings it all together in one place. For more information and bookings, please visit:


Al-Ahram Weekly
3 days ago
- Al-Ahram Weekly
Sunlit frames - Culture - Al-Ahram Weekly
As the Mediterranean sun blazes across the summer festival circuit, Arab cinema is claiming its rightful place with shining clarity. From Venice to Locarno, Toronto to Karlovy Vary, this season has seen an unprecedented lineup, with Arab voices and visions making waves on the world stage. But this isn't just about representation or numbers; it's about nuance, craft, and the multiplicity of Arab storytelling that refuses to be reduced to a single frame. The 82nd Venice Film Festival (27 August-6 September), in particular, was an unexpected mirror reflecting back the region's troubled, poetic, and urgent pulse. For the first time in the festival's history, Morocco was named the featured country at the Venice Production Bridge. Moroccan producers will pitch five projects under the VPB Focus banner, with additional works-in-progress showcased in Final Cut in Venice and immersive installations featured in the XR program, a landmark recognition that signals Morocco's evolving cinematic momentum. But beyond institutional recognition, the Moroccan cinematic voice is also making itself heard artistically—most notably through one of its most acclaimed contemporary auteurs: Maryam Touzani. Touzani's latest film, Calle Malaga, makes its world premiere in the festival's Spotlight section, an official selection dedicated to showcasing bold and genre-defying works that challenge and reinvent the relationship between film and viewer. Calle Malaga marks Touzani's Spanish-language directorial debut. Co-written with longtime collaborator Nabil Ayouch, the film stars Spanish icon Carmen Maura as Maria Angeles, a woman determined to preserve her childhood home in Morocco against her daughter's plans to sell it. Set between intimate memory and looming loss, the film extends Touzani's fascination with the personal as political, quietly radical, emotionally layered, and deeply human. Following its Venice debut, the film will continue its journey across the Atlantic with a North American premiere at the 2025 Toronto International Film Festival, featured in the prestigious Special Presentations section. Born in Tangier in 1980, Maryam Touzani has become a leading voice in Moroccan cinema. Her debut Adam (2019) and follow-up, The Blue Caftan (2022) were both selected as Morocco's official submissions for the Academy Awards, garnering global acclaim for their delicate exploration of womanhood, repression, and resistance. *** Despite the absence of world premieres by Egyptian filmmakers this summer, Egypt's Film Clinic — founded by producer, screenwriter, and distributor Mohamed Hefzy — maintained a striking presence at the 82nd Venice Film Festival. Since its founding, the Cairo-based company has positioned itself as a vital force in championing emerging filmmakers across Egypt and the wider Arab world. This year, it has co-produced and/or handles the regional distribution of three Arab films making their world premieres at Venice. Leading the trio is Hijra by Saudi filmmaker Shahad Ameen, premiering in the official Spotlight section. The film marks Ameen's return to Venice following her acclaimed debut Scales (2019), and her second collaboration with Film Clinic. A poetic road movie, Hijra follows a grandmother and her two granddaughters on a journey across the Saudi desert — a meditation on loss, belonging, and generational connection. Shot at nine diverse locations, from AlUla and Tabuk to Jeddah and NEOM, the film brings together a wide network of Arab collaborators, with Film Clinic also handling MENA distribution through its indie arm. Also backed by Film Clinic, Cotton Queen — the debut feature by Sudanese director Suzannah Mirghani — is featured in the Critics' Week. Set in a Sudanese cotton-farming village, the film centres on a teenage girl who becomes the focal point of a tense power struggle when a young businessman proposes marriage. The film is co-produced with Mad Solutions, a leading Egypt-based distribution entity founded by Alaa Karkouti and Maher Diab, specialised in supporting emerging cinema in the region, and marks Mirghani's transition from award-winning shorts to long-form storytelling. The company's third Venice title is Roqia, a chilling Algerian horror by Yanis Koussim, also screening in the Critics' Week. The story unfolds between past and present as a disciple fears that his aging mentor, a traditional healer battling Alzheimer's, may unleash a buried evil. Film Clinic Indie Distribution is handling MENA rights. Also worth noting is that the Egyptian-British award-winning actor Amir El-Masry participates in the closing film of the Venice Film Festival this year, Nights of Hero 100, directed by Julia Jackman. The film stars Emma Corrin, Nicholas Galitzine, and Richard E. Grant. *** Palestine owns the heart of the international festival circuit this summer. At Venice, the main competition is led by one of the season's most urgent and emotionally shattering films: The Voice of Hind Rajab, directed by Tunisian auteur Kaouther Ben Hania. The hybrid feature reconstructs the final, globally broadcast phone call of six-year-old Hind Rajab, killed during the Israeli bombardment of Gaza in January 2024. Ben Hania, fresh from her Oscar-nominated Four Daughters, delivers a cinematic act of mourning that is also a moral reckoning. In the Orizzonti Shorts section, Coyotes by Said Zagha marks a historic first as the inaugural Palestinian short selected in this competitive lineup. The film, anchored by Maria Zreik and Ali Suliman, explores grief and resilience through a lean, powerful narrative. Meanwhile, at the Locarno Film Festival (6-16 August), Palestinian filmmaker Kamal Aljafari returns with With Hasan in Gaza, a meditative road movie built from rediscovered MiniDV footage. Written, directed, shot, edited, and produced by Aljafari himself, the film follows a journey across Gaza in 2001 with a local guide, Hasan, whose fate remains unknown. 'It is a film about the catastrophe,' Aljafari states, 'and the poetry that resists.' Also in Locarno's Concorso Internazionale, Still Playing by Mohamed Mesbah depicts a father and video game creator navigating Israeli army raids in the West Bank while crafting digital worlds where parents can no longer protect their children. The film blurs the line between resistance and resignation. Baisanos, a collaborative work by Chilean-Palestinian siblings Andrés and Francisca Khamis Giacoman, offers a different lens on identity and memory. Through the loyal fans of the Deportivo Palestino football club in Chile, the film opens a dialogue between diaspora and homeland, dream and return. In Toronto (TIFF, 4-14 September), Annemarie Jacir's long-awaited Palestine 36 will have its world premiere. Set during the 1936 uprising against British colonial rule, the film reimagines a key moment in Palestinian history with an international cast that includes Jeremy Irons, Hiam Abbass, Liam Cunningham, Yasmine Al Massri, and Saleh Bakri. Shot by legendary French cinematographer Hélène Louvart, it is poised to be a landmark in Jacir's already formidable career. The Karlovy Vary International Film Festival (4-12 July) also amplifies Palestinian voices. All That's Left of You by Cherien Dabis screened in the Special Screenings section. Set in the West Bank in 1988, the film freezes at a pivotal protest scene before the mother of the protagonist breaks the fourth wall and takes the audience through 70 years of dispossession, from the Nakba to the present. The cast includes Palestinian icons Saleh and Mohammad Bakri alongside Dabis herself. In the same festival, anthropologist and filmmaker Diana Allan presented Partition in the Imagina section. A conceptual work shot on 16mm film, it combines colonial newsreels and recruitment propaganda with the voices and songs of recently displaced Palestinian refugees in Lebanon. The result is an unsettling, layered meditation on the aftershocks of partition past and present. *** In addition to Cotton Queen by Sudanese director Suzannah Mirghani, which headlines the Venice Critics' Week, two other Arab female filmmakers make striking feature debuts on the international stage this season. At Venice, in the Out of Competition Non-Fiction section, Libyan director Jihan Kikhia presents My Father and Qaddafi, a deeply personal excavation of trauma, politics, and memory. In 1993, her father Mansur Rashid Kikhia — a former Libyan diplomat and peaceful opponent of Qaddafi — disappeared in Cairo. The film traces her mother's nineteen-year search for truth and Jihan's own reckoning with the silences surrounding his fate. Intimate yet political, the documentary reveals how entire lives and legacies can vanish under the weight of dictatorship, and how the survivors carry the absence forward. Meanwhile, at the Toronto International Film Festival (4-14 September), Jordanian filmmaker Zain Duraie will premiere Sink in the Discovery section. A searing, empathetic drama, Sink centres on a mother's struggle to navigate her son's deteriorating mental health, brought to life with emotional nuance and heightened by the lush cinematography of Farouk Laâridh (Four Daughters). TIFF describes the debut as 'a magnificent portrait' and a breakthrough for a vital new voice in Arab cinema. *** This summer's festivals offered striking variations on the wars that have fractured the Levant and Iraq for decades. At Locarno, two powerful films by acclaimed Iraqi directors confront the aftermaths of conflict through deeply personal lenses. Tales of the Wounded Land, screening in the Concorso Internazionale section, marks Abbas Fahdel's latest act of witnessing. 'My film was born from the need to bear witness to a war that shattered our lives and homes,' he states, 'and to show how, despite everything, resilience and humanity continue to flourish amid the ruins.' Set in southern Lebanon, the film is an intimate chronicle of a war that lingered for 18 months, capturing the lives of those trapped in its shadow. Through the voices of family, friends, and neighbours, Fahdel documents the silent labour of survival—of rebuilding, mourning, and preserving dignity amid loss. In Piazza Grande, Mohamed Jabarah Al-Daradji's Irkalla: Gilgamesh's Dream reimagines the mythic in post-war Baghdad. 'Irkalla is my return to a wound that never healed — a myth reborn through the soul of a child,' Al-Daradji explains. 'Not just a film, but a whispered resistance against silence.' The story follows nine-year-old Chum-Chum, a diabetic dreamer who believes the Tigris hides a gate to the underworld where he can reunite with his lost parents. Similarly, the Proxima Competition at Karlovy Vary International Film Festival features TrepaNation, a raw and explosive autobiographical film by Syrian filmmaker and visual artist Ammar al-Beik. Set in a refugee camp near Berlin in 2014, the film documents his seven-month stay in a cubicle where, to survive he films, rebels, and archives. Czech film historian Karel Och describes it as 'the result of ten years of editing; the intensive autobiography intersects the history of Europe and the Middle East, and film history, too.' *** North African cinema, in which questions of homeland and exile often intertwine, continues to assert its bold presence across the summer festival circuit. At Locarno's Concorso Internazionale, controversial Franco-Tunisian director, screenwriter, and actor Abdellatif Kechiche returns with the latest installment of his sprawling saga, Mektoub: My Love. Known for his naturalistic style and emotionally charged portraits of youth and desire, Kechiche is a polarising yet pivotal figure in contemporary cinema. His new film follows Amin, who returns to Sète after studying in Paris, still clinging to his dream of becoming a filmmaker. A chance encounter with an American producer and his wife Jess, who is chosen as the potential lead of Amin's script The Essential Elements of Universal Existence, opens a new chapter, yet fate, unpredictable as ever, has its own script to follow. In Piazza Grande, Hafsia Herzi, who launched her acting career in Kechiche's La Graine et le Mulet — a role that earned her a César and Venice's Best New Actress award — makes her mark as a director with La Petite Dernière (Little Sister). Based on the acclaimed novel by Fatima Daas, the film follows the inner world of a young Muslim woman in Clichy-sous-Bois, a Parisian suburb, as she navigates her sexual identity, faith, and fractured relationships. 'Reading the book was an instant crush,' Herzi notes. 'As a woman, I was deeply moved. I immediately thought: I've never seen a character like this on screen. This story is truly universal.' Elsewhere in Fuori Concorso, Tunisian director Mehdi Hmili gives us Exile, a surreal and politically charged drama. The story centres on Mohamed, a steelworker haunted by the death of a friend in a workplace accident, now living with a piece of rusted metal lodged in his skull. As the rust invades his body, he becomes a reluctant martyr — rising against corruption and transforming into a symbol of sacrifice and resistance. Hmili, who debuted with the 2016 Thala My Love — a love story set during the Tunisian revolution — continues to fuse the personal with the political in hauntingly poetic ways. * A version of this article appears in print in the 7 August, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:


CairoScene
4 days ago
- CairoScene
Egyptian-Lebanese Model Sabrina Khaled Masters Minimalism After Dark
This is how to look like a princess every day, and with minimal effort. Aug 08, 2025 Egyptian-Lebanese model Sabrina Khaled has a knack for dressing minimally without losing any of the impact. Her style - what she calls 'elevated casual chic' - is rooted in family. Fashion entered her life early, shaped by the people closest to her and the places they took her. 'My mum is my anchor, my backbone, my style icon and critic,' Khaled tells SceneStyled. 'I look up to her - she gave me space to experiment growing up. And she always rocked a suit - because she needed to. I think that's where my love of power dressing comes from.' Her late father, she says, introduced her to fashion as a form of culture. 'He was my fashion and travel connoisseur. From a young age, we'd go on yearly shopping trips across Europe. He taught me everything I know about haute couture in Milan and Paris.' For this edition of SceneStyled Selects, Khaled curates a wardrobe of pieces she'd wear from a mix of regional and global labels - minimal, considered, and entirely her own. LOOK 1: WEDDING GUEST - REFINED GLAMOUR 'When choosing dresses for weddings,' tells us Khaled, 'I always strive for a unique yet classic look. This Nafsika dress has long been on my radar, with the drop waist hemline and balloon skirt with subtle flower details that add a feminine touch on such a dark background. Pairing it with my personal jewelry from Imad Baadarani makes the outfit complete.' Nafsika Skourti | The Garden Gown Amina Muaddi | Agnese Sandal Black Patent Imad Baadarani | Custom jewellery Vanina | Rose des Vents Bucket Neat bob blowout Glass skin, minimal Milk | Lip + Cheek Stick in dusty rose Dior | Forever Glow Maximiser in pink MAC | Lip pencil in Soar LOOK 2: MONOCHROMATIC POWER STRUGGLE 'I always look out for an impressive suit to add to my wardrobe each season. I believe that having at least one good suit in your wardrobe is essential, to say the least. Adding a masculine touch has always been my strong suit (pun intended) when playing dress-up - it gives me a boost of flair!' The Row | Azul wool suit - styled with nothing underneath. YSL | Lee Slingback Pumps in patent leather YSL | Cassandre Leather Belt in hot wine Jewellery stack: Jessica Mccormack Earrings: multi piercings Hermès | Kelly II Sellier Mini Rouge H Box Calf Leather Palladium Hardware Side part messy bun Ahood | Lip Liner in Chunky Mother Naked | Lip Treat in Tres Leches LOOK 3: SKIRT-ING AROUND 'I love experimenting with different silhouettes and textures,' tells us Khaled, 'Lace has always been a favorite of mine; it's cheeky with a side of class! Mixing and matching fabrics, prints, and cuts are crucial when elevating a simple look. You can pair this asymmetrical skirt with a simple white tee, sneakers, and a cool pair of sunnies for a more casual setting! Pairing this look with animal print heels is the cherry on top! I love chunky jewellery, and I have been eyeing Okhtein's collection for a long time now - I love their pieces so much.' Erdem | Asymmetric ruffled taffeta maxi skirt Dolce & Gabbana | Bow-detail cotton-blend lace bralette Andrea Wazen | Carol mule in leopard Okhtein | Bond Necklace in full gold Marzook | Pill bag in gold YSL | Lash Clash Extreme Volume Mascara in brown Hair: Sleek bob blowout LOOK 4: STRATEGIC ALLIANCE - FEM x MASC 'I'm all for an asymmetric fashion moment. This Vanina bustier can be styled up or down, depening on the occasion. Usually, I would style it with a pair of straight-cut jeans and mules fora day event, but for an evening affair, pairing it with cigarette tuxedo trousers fits better. I also paired it with my all-time favourite grungy flats from Miu Miu for a comfortable night out - and layers of mixed metal accessories. I think mixing metals is KING!' Vanina | Noeud De Papillon Bustier Victoria Beckham | Cropped tux trouser in ivory Miu Miu | Satin ballet flats Okhtein | Feluka clutch in rose gold Kamushki | Ayut Al Kursi Tear Drop Pendant Rainbow K | Earring Large Magnetic Bracelets: Rainbow K | Stack of mixed metals LOOK 5: KEEPING IT LIGHT - literally 'I love myself a peekaboo moment. I love organza, it's such a resilient yet malleable fabric, and it comes in so many forms. I'm pairing these iconic mesh pants with an oversized sweater for more coverage. I'm styling this look with an elevated fashion-forward Simone Rocha sneaker - and more mixed metals.' Acne Studios | Mohair and wool blend sweater in beige Khaite | Trenton silk organza wide-leg pants Simone Rocha | Ballerina grip trainer in duck egg Benedetta Bruzziches | Pondy in Coriandolo Low messy short hair ponytail Okhtein | Stacked mixed metals Okhtein | Rings Okhtein | Bracelets Supergoop | Glowscreen SPF 40 Sephora | Waterproof 12HR Retractable Eyeliner Pencil in brown