logo
Kerry family's story during laying of Transatlantic Cable to be explored in new Siamsa Tíre show

Kerry family's story during laying of Transatlantic Cable to be explored in new Siamsa Tíre show

The Cable is a one-man show which explores how a family's emotional struggles mirror a world on the brink of a communication revolution in 1866, when the Transatlantic Cable was laid in Valentia Island.
The Transatlantic Cable ran from Valentia Island to Newfoundland, spanning over 3,000 kilometres beneath the Atlantic Ocean, and revolutionised global communication by reducing message transmission across continents from weeks to mere minutes.
The Cable is said to be a poignant exploration of loss, hope, and the universal longing for connection.
The show is written and will be performed by Mike Kelly while it is co-produced by Siamsa Tíre and directed by the acclaimed Aidan Dooley, creator of Tom Crean: Antarctic Explorer.
The show blends visual storytelling shaped by Mike Kelly with original music by Dave McGilton, lighting design by John Hurley, and the direction of Aidan Dooley.
Audiences are promised a compelling narrative of personal and historical transformation set against one of Ireland's most dramatic landscapes.
Writer and performer of the play Mike Kelly said the production is about more than a piece of history.
'It's about the way we reach for each other across distances, how technology transforms us, and the enduring ties of family and love,' Mike said.
Director Aidan Dooley said returning to Siamsa Tíre with a story rooted in Kerry's soil and soul is incredibly meaningful.
'The Transatlantic Cable is a symbol of global connection, and this play brings that down to a deeply personal level — showing how progress and pain often walk hand in hand,' Aidan stated.
ADVERTISEMENT
Siamsa Tíre CEO Angela Ryan Whyte said her organisation is proud to present a work so deeply rooted in Kerry's heritage yet so resonant with today's world.
'The Cable speaks to the miracle and the paradox of connection: how a technological leap in the 1800s brought people closer, while today, despite constant digital contact, we often feel more emotionally distant,' Angela said.
'It's a universal story that speaks to everyone told through a local lens — beautifully crafted, musically rich, and emotionally powerful.'
The Cable will run nightly at 8pm from July 17 to July 20 at Siamsa Tíre.
Individual tickets for the show cost €29 and concession tickets cost €27.50. They can be purchase at www.siamsatire.com or by calling 066 7123055.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

New play tells tale of transatlantic cable that put Kerry at centre of the world
New play tells tale of transatlantic cable that put Kerry at centre of the world

Irish Examiner

time15-07-2025

  • Irish Examiner

New play tells tale of transatlantic cable that put Kerry at centre of the world

Describing himself as a London-Ballinskelligs man, actor Mike Kelly has written a play about a seismic event on Valentia Island, off the west coast of Kerry, which took place in 1866. Known as the 'eighth wonder of the world,' the laying of the transatlantic cable from the island to Heart's Content in Newfoundland spanning 3,000km, revolutionised global communications by reducing the transmission time of messages across continents from weeks to mere minutes. Aidan Dooley, who wrote and performed the award-winning Tom Crean: Antarctic Explorer, has come on board to direct the play in a new telling, co-produced by Siamsa Tíre. Kelly, who grew up in London and spent idyllic childhood holidays in Ballinskelligs where both his parents were from, began to think about the timing of the cable installation. It was relatively close to the famine. Emigration was rife. 'What really got my creative juices going was how the historical event might have felt for a local family at the time,' says Kelly. His play centres around a fictional family, the O'Sullivans. They have waved 'goodbye' to their daughter, Kitty and are waiting desperately to hear from her in her new base in New York. A precious letter could take weeks or months to arrive. When the play opens, Kitty has emigrated six months previously. 'On the O'Sullivans' doorstep, a world-changing thing is about to happen. Their son, Micheál works at the cable station. So the parents are hoping that Micheál's presence at the station may help them to get some sort of word to New York. Into the mix is an English character, Bartholomew, also working at the cable station. He throws up some plot twists.' Kelly has also written about the relationships between the Irish and the wealthy people from America and England who arrived on Valentia Island for the launch of the cable. 'These people are going around dressed up in the best of everything. They are in stark contrast with the lives the islanders were living. On the one hand, there is huge hope and excitement at something almost incomprehensible. On the other hand, there is some resentment as well which I explore in the play.' The Valentia Island cable station. Picture: Irish Examiner Archive The resentment emerges when it transpires that using the cable to send a telegram across the ocean would have been prohibitively expensive for the islanders. 'A fairly big part of the plot is whether the people can use the cable or not.' Kelly says he has taken artistic licence regarding how the famine affected the Valentia Islanders. 'Relatively speaking, the islanders would have fared better than others on dry land, but in the context of my story, the Famine is a huge backdrop with a lot of emigration.' Also, Kelly's tragic experience of loss informs his play. 'Unbelievably, I lost my brother [in a road accident in 2014] and my sister [to cancer in 2016] in the space of a year and a half. We were very close as siblings so it was very traumatic. The pain and devastation it had on my mother feeds into the play. There are specific references in the play that are taken from what mum and I went through at the time. I suppose there's a degree of healing there as well. But some of the raw pain is in the play.' Kelly's mother is the inspiration behind Mairead O'Sullivan, the central mother character in the play. 'The character has my mother's feistiness and humour. My mother is in a hospital bed now as she has been immobile since having a stroke. But she has the nursing staff in Valentia Care Home doubled over with laughter most days. She's an extraordinary woman.' Kelly, who lives in the Cotswolds in Gloucestershire regularly visits his mother and is always delighted to inhale the Kerry air. He hopes to end his days somewhere in the Kingdom. Since graduating from LAMDA (London Academy of Music and Dramatic Arts) in 1997, Kelly has been working as a professional actor. He had a cameo part in the Ridley Scott movie, The Martian, starring Matt Damon. Kelly was based in Budapest for a long time. He was involved in a three-man theatre company there. 'We did a whole range of plays. A huge amount of US and UK film productions and theatre happen there because of the studios there and all sorts of locations.' The timing of The Cable fits in with the Valentia Island cable celebrations. There will be an exhibition in the lobby of Siamsa Tíre in Tralee featuring photographs and an actual part of the cable itself, as well as live music. The Cable will be performed at Siamsa Tíre, Tralee, from July 17-20.

Kerry family's story during laying of Transatlantic Cable to be explored in new Siamsa Tíre show
Kerry family's story during laying of Transatlantic Cable to be explored in new Siamsa Tíre show

Irish Independent

time12-05-2025

  • Irish Independent

Kerry family's story during laying of Transatlantic Cable to be explored in new Siamsa Tíre show

The Cable is a one-man show which explores how a family's emotional struggles mirror a world on the brink of a communication revolution in 1866, when the Transatlantic Cable was laid in Valentia Island. The Transatlantic Cable ran from Valentia Island to Newfoundland, spanning over 3,000 kilometres beneath the Atlantic Ocean, and revolutionised global communication by reducing message transmission across continents from weeks to mere minutes. The Cable is said to be a poignant exploration of loss, hope, and the universal longing for connection. The show is written and will be performed by Mike Kelly while it is co-produced by Siamsa Tíre and directed by the acclaimed Aidan Dooley, creator of Tom Crean: Antarctic Explorer. The show blends visual storytelling shaped by Mike Kelly with original music by Dave McGilton, lighting design by John Hurley, and the direction of Aidan Dooley. Audiences are promised a compelling narrative of personal and historical transformation set against one of Ireland's most dramatic landscapes. Writer and performer of the play Mike Kelly said the production is about more than a piece of history. 'It's about the way we reach for each other across distances, how technology transforms us, and the enduring ties of family and love,' Mike said. Director Aidan Dooley said returning to Siamsa Tíre with a story rooted in Kerry's soil and soul is incredibly meaningful. 'The Transatlantic Cable is a symbol of global connection, and this play brings that down to a deeply personal level — showing how progress and pain often walk hand in hand,' Aidan stated. ADVERTISEMENT Siamsa Tíre CEO Angela Ryan Whyte said her organisation is proud to present a work so deeply rooted in Kerry's heritage yet so resonant with today's world. 'The Cable speaks to the miracle and the paradox of connection: how a technological leap in the 1800s brought people closer, while today, despite constant digital contact, we often feel more emotionally distant,' Angela said. 'It's a universal story that speaks to everyone told through a local lens — beautifully crafted, musically rich, and emotionally powerful.' The Cable will run nightly at 8pm from July 17 to July 20 at Siamsa Tíre. Individual tickets for the show cost €29 and concession tickets cost €27.50. They can be purchase at or by calling 066 7123055.

Netflix's 'greatest' gangster movie with fans all saying same thing
Netflix's 'greatest' gangster movie with fans all saying same thing

Irish Daily Mirror

time06-05-2025

  • Irish Daily Mirror

Netflix's 'greatest' gangster movie with fans all saying same thing

Scoring a massive hit with a 92 per cent on Rotten Tomatoes, the 2018 Indonesian action flick The Night Comes for Us is an unapologetic display of pure storytelling and intensity that grabs you by the throat. The brainchild of Timo Tjahjanto, who both penned and directed the movie, it began life as a screenplay, morphed into a graphic novel, and finally exploded onto the screen as a full-blown cinematic experience. The film reunites Joe Taslim and Iko Uwais of The Raid: Redemption fame, along with Julie Estelle, Sunny Pang, Zack Lee, and Shareefa Daanish, delivering a powerhouse cast. The Night Comes for Us doesn't hold back with its fight scenes – think dizzyingly brutal and gratuitously bloody – spinning the tale of ex-triad enforcer Ito (Joe Taslim) who goes rogue to save a young girl from the gang's clutches, thus putting himself in the crosshairs as his former cronies and a legion of ruthless killers—led by childhood friend and Pencak Silat sensation Iko Uwais as Arain—hunt him down. Diving into his role, Joe Taslim opened up to Film School Rejects saying: "All the credits for choreography, I think, goes to Iko Uwais and his team. They design all the fights, the structures. He would jump in to give his ideas to shape the fights, to freshen up the tone of the movie and stuff. This movie was supposed to happen actually in 2014 and something happened so it has to be in a coma.", reports the Express. The film is streaming on Netflix now (Image: (Image: Eriekn Juragan/Netflix)) "So we trained actually three, four years ago for the movie. We refreshed the training but we changed a little bit of the choreography." In 2022, director Timo Tjahjanto shared that while a sequel to the film "is still not official", he remains hopeful and had publicly confirmed that he has created a storyline centred around Julie Estelle's character, The Operator. Deadpool and Cable co-creator Robert Liefeld expressed immense admiration for the film and its director, as he posted on X (the new Twitter) lauding the work: "Give Timo Tjahjanto ALL the money for Deadpool 3! ! ! ! Holee mother of God, I have seen the future of action films and it is TIMO TJAHJANTO! !". He also highlighted the influence of Indonesian cinema on global action movies and suggested that these filmmakers should be given major comic book properties to adapt: "The Indonesian cinema is providing so much influence on action films worldwide. Give these filmmakers big comic book IP's to play with. Heck, even a stand alone Cable film under the helm of @Timobros would break the mold." While the film received some flak for its violent content, the consensus among critics was overwhelmingly positive. One critic acknowledged the extreme nature of the violence, stating: "This is incredibly violent to the point of disturbing. Nonetheless, the fight scenes are some of the best I've ever seen. But this is a very dark and depressing story." Fans all say the same thing (Image: (Image: Eriekn Juragan/Netflix)) Another reviewer praised the film's impact on the action genre, remarking: "The Night Comes For Us is a dynamite two hours and for those of us missing the action films of old, it's a breath of fresh air." Speculation is rife that the movie could expand into a full-blown franchise, with one critic saying: "Action fans could hardly wish for anything more than what's served up in The Night Comes for Us. The film's hardcore constituency will be wanting more of this from [Timo] Tjahjanto, and a sequel, prequel, or even franchise would not surprise from here." Another critic was equally impressed, adding: "An utterly thrilling ride from the first second to the last, The Night Comes For Us is one of the best action movies of recent years." Viewers are also sharing the buzz, with one delighted fan saying: "As a die-hard action fan, I went into this movie with high expectations-and it still managed to blow me away. The action sequences are intense, brutal, and beautifully choreographed. It's a full-on adrenaline rush from start to finish. This one's a must-watch for any action junkie." Echoing the sentiments, another said: "I still come back and watch this film from time to time. I love the fight choreography. Even after watching it a few times, I still cringe on a few moments when I see blades go in places they shouldn't. This is right up there with The Raid films for me." Taking a dig at Hollywood, another viewer praised the distinctive style of Indonesian cinema, as they said: "Quick, gruesome, stylish which personifies Indonesian movies. Iko Uwais and Joe Taslim were awesome as usual and Hollywood should learn from them." An audience member was left totally wowed by the film's excellence, raving: "Absolutely fantastic movie. Some of the best action directing and some of the best action choreography I've ever seen. The relationship between Iko and Arian is incredibly tragic and compelling. Exceeded my expectations in every way." The Night Comes For Us is streaming now on Netflix.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store