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"I'm a Britain's Got Talent finalist and I don't think I've had more than £500 in my bank"

"I'm a Britain's Got Talent finalist and I don't think I've had more than £500 in my bank"

Wales Online22-05-2025
"I'm a Britain's Got Talent finalist and I don't think I've had more than £500 in my bank"
Britain's Got Talent finalist Vinnie McKee is thinking about what the prize money could mean for him.
BGT: Simon Cowell reveals he's 'a quarter Scottish'
A finalist on Britain's Got Talent has opened up about what winning the show's grand prize of £250,000 would mean to him, revealing he's uncertain if he's ever had more than £500 in his account.
Vinnie McKee stunned the panel during his audition for this season, leaving KSI, Simon Cowell, Amanda Holden, and Alesha Dixon in awe with his voice.

The Scottish singer performed a dynamic operatic rendition of The Proclaimers' I'm Gonna Be (500 Miles), eliciting such admiration from Simon that Vinnie earned the coveted Golden Buzzer, catapulting him directly into the live shows.

Overwhelmed with emotion, he expressed: "Things like this don't happen to people like me."
Currently employed at a holiday park, Vinnie is among the eight acts who, thanks to the public's vote, have clinched a spot in the final.
In a recent interview, Vinnie discussed potential plans for the impressive £250,000 prize fund. He confessed he hadn't given it much thought, even joking he might "pass out" from the shock of winning.
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Vinnie McKee on Britain's Got Talent
In a conversation with Yahoo!, he disclosed: "I don't think I've had any more than £500 in my bank."
The 30-year-old also discussed the challenging times his family has endured following his brother's passing and mentioned his parents' unwavering support.

He added: "My mum is my best friend, and my dad is my best friend. We are such a close family. They're 70 this year. So I would probably get them a wee apartment so they don't have to use their pension to pay their rent anymore."
Reflecting on the life-changing moment since he first stepped onto the Britain's Got Talent stage, Vinnie has described the variety show as "the most incredible experience in my life," also expressing: "I hope it never ends now."
Vinnie is heading into the finals
(Image: (Image: ITV) )

He continued: "Life is so short, my brother passed away last May and it broke the family a little bit."
Vinnie reminisced about his mum's encouragement to audition for Britain's Got Talent following his brother's death, describing the Golden Buzzer moment as "a whole turnaround moment."
Recalling the emotional experience during the show, he said: "When the confetti fell on stage, I looked up to the sky and I just thought to myself: 'Thanks for that.' He was watching me that day."
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Britain's Got Talent airs on Saturday at 7pm on ITV1 and ITVX.
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Edinburgh Fringe theatre reviews: Kanpur: 1857
Edinburgh Fringe theatre reviews: Kanpur: 1857

Scotsman

time37 minutes ago

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Edinburgh Fringe theatre reviews: Kanpur: 1857

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... THEATRE Kanpur: 1857 ★★★★☆ Pleasance Courtyard (Venue 33) until 24 August Monstering the Rocketman ★★★★☆ Pleasance Dome (Venue 23) until 24 August NORTH INDIA, 1857; and in the aftermath of the rebellion against British rule that imperial history calls the Indian Mutiny, a man stands strapped to the mouth of a cannon, awaiting the horrible and mutilating death prescribed by the British as punishment for rebels and their allies. The British officer in charge of the public execution sees himself as a civilised man, though, perhaps willing to free his prisoner, if he will give up information about rebel leaders; and so he probes and interrogates, demanding that the prisoner both inform and entertain, in the face of death. Advertisement Hide Ad Advertisement Hide Ad Kanpur: 1857 by Niall Moorjani | Contributed This is the situation around which Scottish-Indian writer Niall Moorjani builds the powerful new one-hour play Kanpur: 1857, winner of this year's Pleasance Theatre Charlie Hartill Award. With a little light-touch historical information projected behind the action, and powerful live accompaniment from brilliant Scottish tabla musician Sodhi, the show emerges as a fascinating hour of reflection on the psychology of colonialism, and the related politics of gender. The prisoner, it emerges, is a peaceful storyteller who rests being defined as a 'man', and is deeply in love with a famous hijra or non-binary courtier turned rebel leader; and the storyteller questions not only the rigid sexual intolerance increasingly imposed by the British in India, but also the mentality of empire which responds to one angry and horribly violent act of rebellion, costing the lives of dozens of British women and children, with a vast war of retribution, killing hundreds of thousands. Moorjani's play is beautifully written, full of a lyrical sense of the beauty of India and its culture, and of those moments when Indian and British cultures can share their poetry and music; both Moorjani himself, as the prisoner, and co-director Jonathan Oldfield, as the all-too-charming officer, deliver richly complicated performances. 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Advertisement Hide Ad Advertisement Hide Ad Henry Naylor in Monstering the Rocketman | Contributed Against a projected backdrop of shrieking 1980s headlines, Naylor tells the story of Sun editor Kelvin MacKenzie's campaign in tremendous style, focusing on the figure of a naive but ambitious young reporter recently recruited by The Sun, but never hesitating to sketch the monstrous characters who dominated 1980s newsrooms in the vivid detail that also pervades the whole narrative, brilliantly evoking the atmosphere of that era in London and the UK. It's an ugly story, but one that, exhilaratingly, ends on a far more hopeful note than many at the time expected. It stands as both a vital historical record and a warning, as new waves of intolerance begin to target groups even more vulnerable than gay men were, back in those days of Section 28, and the early years of the Aids epidemic. 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My Festival: Dawn Steele
My Festival: Dawn Steele

Scotsman

timean hour ago

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My Festival: Dawn Steele

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Outlander's Sam Heughan details season 8's 'very emotional' final scene
Outlander's Sam Heughan details season 8's 'very emotional' final scene

Daily Record

time2 hours ago

  • Daily Record

Outlander's Sam Heughan details season 8's 'very emotional' final scene

The Jamie Fraser star opened up about the end of Outlander Outlander actor Sam Heughan has reflected on the final-ever take on the Starz series, not long after announcing an exciting new role and teasing "loss" in the last outing. Speaking in a recent interview, the 45-year-old Scottish actor was asked about his final day filming on Outlander, with the star teasing the last scene he shot with co-star and fellow executive producer Caitríona Balfe. Heughan said: 'There were a lot of goodbyes over a long period of time, but the very last day, myself and my co-star [Balfe] had a scene that was very long and we had to shoot this. 'And they had invited all the crew from the building to come and watch the last take. There were about several hundred people watching, which also adds pressure. 'It was very emotional. Caitríona, I think, was fair to say… I was watching her on her close up and her lip was quivering the whole time. She couldn't control it and I think shut down a bit. 'I think I was like, 'I have to get through this' and then obviously at the end it all came out but wonderful. 'What an amazing journey to go on, and I am really very thankful,' he added on The Travel Diaries with Holly Rubenstein podcast. However, Heughan didn't divulge any details from the scene. Given television is rarely shot chronologically, it may not have been the last scene of Outlander. Nonetheless, speculation is rife that Outlander's final moment will feature a scene between Jamie's ghost and Claire in 1940s Inverness before she goes through the stones. Outlander's author Diana Gabaldon has previously said she will be ending her novel series with this scene and promised fans would be left in tears. On the flip side, the TV series has hugely diverged from Gabaldon's books after it was confirmed in season seven that the show would take a different path to the source material. So, those familiar with the books might find plenty of twists and turns in the show that weren't in the novels. Heughan's words come after Starz confirmed Outlander eighth and final season would be hitting screens in early 2026 at San Diego Comic-Com and dropping a first look teaser. Although there's something of a wait, Outlander fans are in for a treat with prequel series Outlander: Blood of My Blood premiering this week with a double-bill special. The show follows Jamie and Claire's parents and their respective love stories. Unlike the parent series, Blood of My Blood simply uses the Outlander novels as a jumping off point and charts new terrain without any source material for guidance. Starz has already renewed Blood of My Blood ahead of the season one premiere, showing the network's commitment and confidence in the series. ‌ This also means that once Outlander wraps up, fans still have more to sink their teeth into from the same universe. Outlander: Blood of My Blood premieres on Starz on August 8 and on Prime Video via MGM+ on August 9 The Travel Diaries with Holly Rubenstein podcast is available now wherever you get your podcasts

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