
Donatella Versace out as creative director of the Milan fashion house after 28 years - Style - Life & Style
Donatella Versace has been replaced as creative director of the Italian luxury fashion house founded by her late brother Gianni Versace, assuming the new role of chief brand ambassador, Versace's U.S. owner Capri Holdings announced on Thursday.
Versace will be replaced by Dario Vitale, who most recently was design director at the Miu Miu brand owned by the Prada Group. His appointment is effective on April 1.
Versace, 69, welcomed Vitale, emphasizing in a statement that 'championing the next generation of designers has always been important to me,'' while Vitale, 41, thanked Versace for 'her trust in me.'
Versace was thrust into the role of creative director in 1997 after her brother's murder in Miami, at first tentatively and then with a boldness that led to some big runway and red carpet moments. They included a healing and celebratory tribute to Gianni Versace on the 20th anniversary of his death, featuring supermodels that he helped create alongside a new generation of celebrity model, and Jennifer Lopez in an even skimpier version of the jungle dress that nearly broke the internet at the 2000 Grammys, reprised on the Spring-Summer 2020 runway.
Versace acknowledged the difficulty of her transition as she took from her brother, known for his sexy silhouettes and purposely loud prints and of the Versace Medusa and Greca motifs. Under Donatella, Versace became synonymous with the power woman she herself projected, despite periods of self-doubt.
'I asked why I took so long to find my way,' she told reporters ahead of the anniversary show. 'The first few years I wasn't sure of myself. I made mistakes. But you learn from your mistakes.'
The creative shift comes amid speculation that the Prada Group is in talks to buy Versace from Capri Holdings, which paid 2 billion euros (currently $2.2 billion) for the fashion house in 2018. The U.S. group also owns Michael Kors and Jimmy Choo.
Miuccia Prada acknowledged interest in the brand on the sidelines of Milan Fashion Week last month, while Versace made no comment at what was to be her last runway show. Versace symbolically wore a vintage jacket that Gianni made for her in 1992, inspired by the powerful Miss S&M collection.
Capri Holding's statement made no mention of any plans to sell Versace, but the arrival of a designer from Miu Miu is only likely to fuel speculation of a possible deal.
Versace received an outpouring of love and support on social media posts marking the shift from younger designers she has championed, including Roberto Cavalli creative director Fausto Puglisi and former Valentino designer Pierpaolo Piccoli, along with tens of thousands of fashion fans.
'I hope I've made you proud so far,' Versace wrote in an Instagram post celebrating her and her brother's major moments in Versace's nearly 50 years.
They included photos of Gianni and Donatella together, and major Versace celebrity moments featuring Lady Diana, Naomi Campbell, Elton John, Adele, Taylor Swift, Gigi Hadid, Lady Gaga, Madonna, Jane Fonda and many more.
Versace CEO John D. Idol said in a statement that the creative shift was 'part of a thoughtful succession plan for Versace.' He called Vitale 'a strong leader,'' and expressed confidence that 'his talent and vision will be instrumental to Versace's future growth.'
As chief brand ambassador, Versace 'will continue to champion the Versace brand and its values,'' Idol said.
Versace represented 20% of Capri Holdings 2024 revenue of 5.2 billion euros. Capri recently laid out strategic plans to rebalance the Versace portfolio to return the brand to its more daring roots, increase sales of accessories and win back entry-level consumers put off by a post-pandemic focus on higher net-worth clients.
During the presentation, Idol acknowledged that Versace had recently struggled in menswear 'where the historical ... customer was used to us being very, very loud. And we've gone much quieter.'
Versace said she was 'thrilled' that Vitale would join Versace and that she was 'excited'' to see the brand her brother founded in 1978 'through new eyes.'
'It has been the greatest honor of my life to carry on my brother Gianni's legacy. He was the true genius, but I hope to have some of his spirit and tenacity,'' she said in a statement. 'In my new role as chief brand ambassador, I will remain Versace's most passionate supporter. Versace is in my DNA and always in my heart.''
Follow us on:
Facebook
Instagram
Whatsapp
Short link:
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CairoScene
a day ago
- CairoScene
Ferragamo's Soft Bag Lands in Cairo
Ferragamo's Soft Bag Lands in Cairo Now available in Cairo, Ferragamo's Soft Bag brings curved volume, crafted leather, and design fluency to Egypt's fashion set. Ferragamo's Soft Bag - fresh off its global Spring/Summer 2025 campaign, 'The Birth of a Crush' - has arrived in Egypt, available at Ferragamo First Mall, the Downtown Katameya Mall flagship, and online via Sculpted from semi-glossy nappa leather and velvety suede, the Soft Bag balances curve, volume, and control. Pleated sides add depth. A single metal piercing detail draws the eye, reinforcing the form without interrupting the flow. Reimagined by Creative Director Maximilian Davis from an archival silhouette, the bag carries the imprint of Ferragamo's legacy through a thoroughly modern lens. Designed in three sizes, it adapts fluidly, complete with foldaway double handles and a detachable shoulder strap. Color options speak to seasonal confidence: black, brick, and concrete. Each shade works as a quiet signature, designed to move easily through long days, soft evenings, and everything in between. The materials do the storytelling. Every texture - whether smooth, matte, or velvet-finished - reflects the house's commitment to Italian craftsmanship at its most intimate and precise. Alongside the Soft Bag, Cairo boutiques are carrying the brand's signature pieces, from Gancini loafers and Hug bags to reversible belts, silk scarves, and fine accessories. The arrival of the Soft Bag also expands Ferragamo's footprint in Egypt. With dedicated spaces at First Mall and the Downtown Katameya Mall flagship, as well as access through the brand's newest designs now sit directly within reach of Cairo's most discerning fashion audience.


CairoScene
4 days ago
- CairoScene
SPOTLIGHT: Saudi Bags Label Dania Shinkar Delivers Playful Luxury
Dania Shinkar's bags don't just hold your essentials - they also hold attention. The Brand Sculptural, playful, and precise, Dania Shinkar's bags sit somewhere between accessory and object. With Saudi roots, Italian production, and an Irish HQ, the label is geographically unbound - but its identity is distinct. The Design Language Bold curves, clever details, and a measured dose of drama define the collection. The Mini Gaga and Mila bags, with their spherical handles, could easily pass as modern sculpture. The Dana bag plays with perspective, using a double-frame illusion to trick the eye - a quiet design sleight of hand that happens to be Shinkar's personal favourite. The Mila, slouchy and jewelled, has all the presence of a protagonist. Dania Shinkar in Three Words 'Contemporary, nostalgic, and sustainable,' says Dania Shinkar, founder and creative director. The Founder Shinkar holds both a BA and MA from the London College of Fashion. Her interest in design was sparked early, watching her mother dress for special occasions. 'I was fascinated by how she paired her accessories and curated every detail of her look,' she says. That early instinct matured into a design philosophy rooted in experimentation. 'There are no rules in fashion' is the lesson she carried from London, and it shows. Her work leans into texture, form, and silhouette - unafraid of unexpected embellishments or vintage references. The Muse Saudi culture is central to Shinkar's design lens. She draws inspiration from Jeddah's Al Balad district, the coral reefs of the Red Sea, and antique jewellery. 'Architecture informs my shapes, while art influences my use of colour,' she tells SceneStyled. Her bags may echo heritage, but their execution is unmistakably contemporary - thanks to the precision of Italian artisans, whom she calls the 'undisputed masters of leather goods.' 'I love revisiting classic silhouettes and giving them new context,' she adds. Her reimaginings of the '90s baguette and hobo bag offer a quiet nod to nostalgia, made current through detail and structure. The Craft Shinkar's work is detail-driven, right down to her choice of materials. She combines silky satin and structured Italian leather with crystal embellishments and vintage-inspired hardware. Everything is intentional: the curved handles, the metal closures, the colour palette that moves from caramel neutrals to pastel blush to deep, metallic red. Even her sustainability practices feel specific. She uses ethically sourced leather and eco-conscious acetate, repurposing leftover scraps into sleek cardholders. The Process 'Playful luxury' is how she frames her work - serious craftsmanship with room for joy. Ideas come quickly. 'Sometimes I see a design so clearly, I have to sketch it on the spot,' she says. From there, it's about refining proportions, prototyping with 3D paper models, and iterating until the final product holds. 'I'm always thinking about the person who'll carry it - how it feels in their hands, how it fits into their life.' If she had to imagine her bags on anyone, it would be Carrie Bradshaw. And if you're styling one? 'Let the bag lead,' she says. Whether worn against head-to-toe neutrals or thrown over something oversized and undone, the goal is to give it room to speak. The Verdict Dania Shinkar's bags don't shout - but they don't need to. With a language of their own, they balance nostalgia and modernity, fun and form. They look just as at home at a gallery opening as they do on a brunch banquette - or simply sitting still on a side table, catching the light.


CairoScene
4 days ago
- CairoScene
Eid Al-Adha at Four Seasons Nile Plaza
Eid Al-Adha at Four Seasons Nile Plaza This Eid, unwind at Four Seasons Nile Plaza with redesigned rooms, three serene pools, and a diverse dining lineup -from Egyptian classics to riverside Italian to Cairo's most stylish late-night spot. By the time the sun hits the terrace on the fifth floor of Four Seasons Hotel Cairo at Nile Plaza, there's a steady rhythm to the day: the sound of water shifting in the pools, families reading under umbrellas, the faint clink of cutlery from the tables just beyond the loungers. This is not the Cairo most people expect. This Eid Al-Adha, the hotel is inviting guests to experience the city from a different vantage point—where the mood is lighter, the pace slower, and the moments more deliberate. The Fifth Floor Is the Pulse The hotel's elevated terrace is more than an amenity—it's where the stay unfolds. Three outdoor pools are spaced across a landscaped deck, surrounded by wide loungers, soft greenery, and the kind of layout that actually gives guests room to breathe. If you're booked into a Pool Terrace Room or Suite, you step out directly onto the space—no elevators, no detours. You wake up, slide open the door, and the day begins. Rooms That Get the Balance Right The newly redesigned Premium Rooms and Suites have been updated with a soft, contemporary touch. Designed by PYR, the interiors feel fresh but not over-styled: clean lines, neutral tones, natural materials. There are Egyptian coffee table books, small art pieces that don't try too hard, and terraces that face either the Nile or the city skyline. The atmosphere is calm, but not minimal—more edited than stripped back. Dining That Anchors the Stay Food is central during Eid, and the hotel has range. Zitouni, the all-day Egyptian restaurant, hosts an expansive Eid buffet for the first five days of the holiday. Dishes are rooted in tradition - fatta, lamb with freekeh, house-made sweets - served in a space that feels festive without being overdone. If you're after something lighter, Riviera offers Italian coastal cuisine built for summer: fresh seafood, handmade pastas, bright vegetables, and desserts that land gently. It's ideal for a late lunch or a dinner timed to catch the light shift over the river. At Byblos, the Lebanese restaurant, the mezze is authentic, the grill delivers, and the poolside setting is lively in all the right ways. For something with more edge, Bullona holds its place as Cairo's most styled-up nightspot. It's where seafood dishes meet strong cocktails and live DJ sets, and where the room is half locals, half guests who know their way around a late night. A Spa Built for Pause Tucked just off the pool terrace, the spa operates at a lower frequency. No forced serenity, no over-fragranced hallways - just a menu of solid, effective treatments and the option to book a couples' experience built for the holiday. Whether you go for a massage, a facial, or just the quiet, the space delivers on what it's there to do. Cairo, Looser Around the Edges Outside the hotel, the city feels wide open during Eid. There are felucca rides on the Nile at sunset, pop-ups in Zamalek, art shows still running in Garden City, and souks that stay lively long into the night. And on the horizon, the much-anticipated Grand Egyptian Museum is expected to open its doors - housing the full Tutankhamun collection and shifting the cultural centre of gravity just slightly westward. An Eid That Lingers The Stay Longer – Fourth Night Free offer gives guests space to take their time. The pace here doesn't press. The service holds quietly. Whether you're visiting for the long weekend or turning it into a full week, the hotel gives you the stretch you need—and the quiet to enjoy it.