Maya Jama looks sensational in busty red mini-dress as she returns for Love Island Aftersun
The TV presenter put on both a busty and leggy display as she wowed in a gorgeous red mini-dress.
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Commanding attention as always, she flaunted her long pins in the stunning number.
Her tresses were effortlessly styled as always as they swished down to her hips.
The 30-year-old ensured she stole the show as always as she got chatting to her regular guests Amy Hart, Ash Holme and Joe Baggs.
this series and has impressed time after time.
Ahead of the series, Maya told The Sun: 'We're doing all archive, vintage, Nineties runway inspired.
"They're all from hidden archives.
"The designers have been hunting them down for the last few months for me.
'Everything should have a runway reference.
"It's going to be very vintage.'
But the star is going to have to tread carefully, adding: 'It's all stuff that I can't rip or ruin because it has to go back after!'
Love Island's Maya Jama looked incredible in skintight dress on Aftersun
Love Island 2025 full lineup
Harry Cooksley: A 30-year-old footballer with charm to spare.
Shakira Khan: A 22-year-old Manchester-based model, ready to turn heads.
Megan Moore: A payroll specialist from Southampton, looking for someone tall and stylish.
Alima Gagigo: International business graduate with brains and ambition.
Tommy Bradley: A gym enthusiast with a big heart.
Helena Ford: A Londoner with celebrity connections, aiming to find someone funny or Northern.
Ben Holbrough: A model ready to make waves.
Dejon Noel-Williams: A personal trainer and semi-pro footballer, following in his footballer father's footsteps.
Aaron Buckett: A towering 6'5' personal trainer.
Conor Phillips: A 25-year-old Irish rugby pro.
Antonia Laites: Love Island's first bombshell revealed as sexy Las Vegas pool party waitress.
Yasmin Pettet: The 24-year-old bombshell hails from London and works as a commercial banking executive.
Emily Moran: Bombshell Welsh brunette from the same town as Love Island 2024 alumni Nicole Samuel.
Harrison Solomon: Pro footballer and model entering Love Island 2025 as a bombshell.
Giorgio Russo: The 30-year-old will be spending his summer in the sun, potentially his sister Alessia's successful tournament at the Euros in Switzerland.
Departures:
Kyle Ashman: Axed after an arrest over a machete attack emerged. He was released with no further action taken and denies any wrongdoing.
Sophie Lee: A model and motivational speaker who has overcome adversity after suffering life-changing burns in an accident.
Blu Chegini: A boxer with striking model looks, seeking love in the villa.
Malisha Jordan: A teaching assistant from Broxbourne, Hertfordshire, who entered Love Island 2025 as a bombshell.
Shea Mannings: Works as a scaffolder day-to-day and plays semi-pro football on the side.
Caprice Alexandra: The 26-year-old bombshell owns a nursery in Romford.
Poppy Harrison: The bombshell broke up with her boyfriend after finding out she would be in the villa
Will Means: The fourth fittest farmer in the UK according to Farmers' Weekly in 2023 entered the villa as a bombshell
Megan Clarke: An Irish actress part of the OG line-up.
Remell Mullins: Boasts over 18million likes and 500k followers on TikTok thanks to his sizzling body transformation videos.
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Give me a chance, I say – I mean in recent years. 'Yes, right! Well, in the beginning I don't think casting directors rated me. A casting director said to me once, 'Dear Anne, you always help us out when we're absolutely desperate.' Meaning they'd tried everyone else in the business and no one was available. On Desert Island Discs, Kirsty Young said to me, 'Your career's the wrong way round.' I said to her, 'I think it's the right way round actually.' Most people have success in their 20s and then it starts to fade away. Mine's just got better and better and better.' In 2010, she was awarded an MBE, presented by the queen, upgraded to a CBE in King Charles's 2025 new year honours list. Reid was actually famous in her 20s – again a household face rather than name, as Ken Barlow's first wife, Valerie, in Coronation Street. She made her debut in 1961, and was electrocuted by hairdryer a decade later – still one of the iconic soap deaths. Reid says she was desperate to leave. 'I said, 'I have to go – I'm going mad.'' Was she bored? 'Oh yeah! I was so frustrated. I didn't get a laugh in nine years.' She thinks that being in Coronation Street pigeonholed her as northern and working class. Didn't she tell casting directors that she was privately educated and more than capable of playing posh? 'Honey, have you ever met a casting director? Once you've done Coronation Street, you're working class. I do think that hangs about.' Even if she was married to the upwardly mobile teacher Ken Barlow? 'Well, he's pseudo-middle class!' she says dismissively. 'God, I don't know how he's stayed in there so long. I would have gone totally bonkers.' I tell her William Roache is in his 65th year on the Street. She looks aghast. 'It suits some people, but it doesn't suit me. No! I would have been in the funny farm by now, darling.' It was on Coronation Street that she met Eckersley, who wrote many of the scripts. She adored him, and tells me how wise and witty he was. 'My husband was the funniest man in the world. You know that thing Clive James said: 'A sense of humour is just common sense dancing'? Wonderful saying! Pete had that pinned up on his office wall. Michael Parkinson said he was the funniest man he'd ever met, and so did Victoria Wood.' She married Eckersley in 1971, the year she left Coronation Street, and got pregnant soon after with their son Mark. But life didn't work out as she had planned. First her mother became ill and then Eckersley was diagnosed with cancer. She became a full-time carer and mother. In 1981, Eckersley died. 'He was ill for a very long time. It was a miracle that he survived that long. We were both 45. Terribly young when I think about it now. I can't really talk about that much.' She looks upset. 'Mark was nine.' How did she cope? 'People deal with these things. You just get on. I wish I'd been the person I am now. I'm much wiser now. I was a fool when I was young.' In what way? Well, she says, Mark had a top education at boarding school, became head boy and went on to the University of Oxford, where he met his wife, but she's still not sure she did the right thing in sending him away. 'He's lovely. He's a film editor. And I've got two lovely grandsons. Family's the most important thing in my life.' When Reid finally returned to work, she'd been away for 12 years, and it felt as if she had to start again with bit parts on TV and in repertory theatre. Wood gave her a break in Dinnerladies in the late 1990s. By now Reid was in her 60s, and this is when she thinks her career really began. She'd never done comedy before except at Rada. 'The relief of working with people like Vic was so lovely. Yeah! Yeah, sad!' And I can see her travelling back to the days working with Wood, the comic genius who died aged 62 in 2016. 'Sad that she's gone. She could never have imagined that she would die before me. Vic was a huge talent. Absolutely huge!' It was The Mother that transformed Reid's career as a serious actor. In an early interview, she said she'd love to be cast in a role where she had to come out of the sea in a bikini and be made love to by James Bond. Here she got her chance, with Daniel Craig, 33 years her junior (and not yet cast as Bond). Reid played the part with such tender yearning and uninhibited passion. The film, directed by Roger Michell and written by Hanif Kureishi, was groundbreaking. Beforehand, we only seemed to see older women with noticeably younger men if it was played for laughs or weirdness (Harold and Maude) or they were famous beauties (Anne Bancroft in The Graduate, and even then she was only six years older than Dustin Hoffman). 'The Mother changed my life,' she says. Did she realise how radical the part was? 'Not really, no. Roger used to say, 'It's a film about this old granny.' I was only 68!' You were a baby, I say. 'Of course I was, but it's because he was only 40 or something. He said 'We can't cast Julie Christie because everyone wants to fuck Julie Christie!', the implication being that no one in their right mind would want to fuck me.' That's outrageous! 'I know! I know. He said, 'I wanted to cast somebody you wouldn't notice if you passed them in Tesco.' Thanks a lot! You can see why I don't feel I've been valued, can't you!' She smiles. I tell her I think it was a brave film. 'Yeah, but I think they wanted to shock people. I mean all that business about leaning down and giving a …' She stops herself for once. Blowjob, I suggest. 'Yes! And the actual sex was very unromantic. I thought all that was rather ugly, personally. I don't think it was necessary. Nooooo! But young men want to shock the public. And Hanif, who I love dearly, certainly does. I do think it could have been more about the emotion than the shocking thing. I found some of it disappointing. I haven't watched it for years.' It's really good, I say. 'Well I did win the Film Critics' best actress award. That was really important.' Then she changes her mind. 'Oh, it doesn't matter! Who remembers, darling?' At the time, she said it was important to show that sexual desire doesn't simply disappear in older people. 'I don't think it does, really,' she says. What about now, 22 years on? 'Oh, now would be ridiculous, darling, but there you go! No, I don't really think about it.' But what she does think about is desire in general – to push herself, to have fun, to make the most of her life. Reid says it drives her nuts when people in their 60s tell her their best days are behind them. 'A dear friend said it to me yesterday: 'Oh, I'm 62 now – I might never do another play.' Then a taxi driver – I live in black cabs – said, 'It's all over now.' He was in his early 60s, and you think My God! Well, if you don't need those years, give them to me because I could do with them. So many of the most wonderful things in my life have happened since I was 68! I hadn't done cabaret then. I'd not done Last Tango in Halifax. Travelling – I've been all over the place. I can't bear negativity! I can't bear it, and I get so angry with people who give up.' Now she's on a roll. 'I'm a real optimist. I always see the best side of things. My father-in-law was the most divine man, an English teacher, and he said happiness is not something you find – it's something you take with you. Some people will always be miserable, and some people will always find the upside and be happy.' Reid never remarried after Eckersley died. Have there been partners? 'Ah well, that's for me to tell you.' Go on, then. 'No, no, I don't talk about my private life.' Is there anybody in her life at the moment? 'Nononononono! Not for a good long time. I don't like living with anybody. I'm very happy on my own. I just prefer to be on my own. I can get up at two in the morning and play the piano if I feel like it. Yeah. I've got wonderful friends, and I like to get up and do what I want to do. If I want to go to New York today and I've got the money I'll go, I don't have to ask anybody or say, 'D'you want to come with me?'' She pauses. 'I used to think it might be quite nice to be American, but I don't now!' She cackles, and doesn't even mention his name. 'God! What a nutcase!' She says she's having a riot touring the play. Every night she and her co-stars Caroline Quentin and James Dreyfus stay up late at night shooting the breeze. Sometimes they are joined by Dromgoole's daughter Grainne, who is also in the play. 'Dominic worries about us. He thinks I'm too wild. He's always saying, 'Go to bed! Go to bed!' because he worries that I live the life too much! But blow that! That's half the fun.' As for the future, she's hoping to take the play to New York, is writing a cabaret that she plans to perform later in the year, and wants to finally get on with her memoir. There's obviously no point in talking about retirement, I say on the way out. She laughs at the idea. Then, with the sweetest voice, she gives me a warning: 'If you write anything horrible about me, darling, I'll come round and put a bomb through your letterbox and blow your house up.' Perhaps we should reconvene in 10 years' time if we're still about, I suggest. 'You don't know! I might be.' And she heads off, singing: 'I'm gonna live for ever, I'm gonna learn how to fly!' By Royal Appointment is at the Mayflower theatre, Southampton, 9-12 July; Richmond theatre, London, 22-26 July; the Yvonne Arnaud theatre, Guildford, 29 July-2 August; and the Lowry, Salford, 5-9 August
