Loose Women DROPPED from ITV schedule as This Morning is extended in huge shake-up today
ITV has once again made changes to its daytime schedule, removing
2
Loose Women bosses are also reportedly axing a huge part of the show amid ITV budget cuts
Credit: Shutterstock Editorial
The talk show typically airs every weekday from 12:30pm to 1:30pm, but will be off the air for the next six days.
In its place, This Morning, hosted today by
Following that, viewers will see the ITV Lunchtime News and ITV News London, before coverage of Royal Ascot begins at 1:30pm and continues until 6pm.
It comes as
READ MORE ON LOOSE WOMEN
Producers have decided to drop the live studio audience
next
year as part of a series of cost-cutting changes to its daytime programming.
The show will return in 2026 with a reduced run of just 30 episodes - and without the 100-capacity crowd.
It follows broader budget reductions across the channel, which also include halving Lorraine's airtime to 30 minutes and airing it only during school term times.
Producers' decision to drop the audience is understood to be a cost-saving measure, as it is managed by an external company that provides security and a warm-up act.
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However, the change has prompted concern among production staff and presenters, including Ruth Langsford, Kaye Adams, Nadia Sawalha and
A source told
Watch as Kaye Adams breaks silence on Loose Women cuts
"It's what sets the series apart from the rest of ITV daytime and now there are massive fears that viewers will switch off completely.
"The only concern now is to cut costs and having a live studio audience can be expensive, with the added need for security and a warmup artist.
"Presenters already know how it feels to broadcast the show without an audience because that's what happened during the pandemic, and they all know it creates low mood and lack of atmosphere."
An ITV source tells The Sun: "While there is a proposal to not have a studio audience for Loose Women from 2026, that doesn't necessarily mean that we'll never have a studio audience again, it just won't be in the same way as it is now.
"At this stage we are still exploring new ways of working and producing the show when we move to a new studio next year."
Last week,
Speaking on her podcast,
The 62-year-old confessed: 'It did come out of the blue.
"I didn't anticipate it, which is probably stupid in retrospect. You get into a sort of rhythm of life.
"I had a couple of sleepless nights I have to say, because it's just like the rug's been pulled from under your feet – what has been familiar.'
Kaye, who is one of Loose Women's main anchors, said: 'It's going to have an impact. Lots of people will lose their jobs completely which is terrible. It's a huge change.
'But I gave myself a talking to and I listened to my own advice for once – change is hard, but it can be good.
'The past is a trap, don't fear the future – I'm telling myself all these things. And maybe this is the nudge that I needed to make some changes in my life and I'll just have to go with it.'
It has been rumoured that the pool of Loose Women panellists will be reduced as part of the cutbacks, which will be introduced from January.
So far none of the hosts know if their livelihoods are at stake.
It is not yet known whether younger panellists, such as former Love Island contestant
Kaye who joined the Loose Women panel from its first series in 1999, said: 'It's well documented of course. They're having to make cuts and it will affect Loose Women and to be perfectly honest we have no idea at this point what is going to happen.'
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Producers have decided to drop the live studio audience next year
Credit: ITV
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Irish Examiner
a few seconds ago
- Irish Examiner
Frank Grimes obituary: Dublin breakthrough led to long career on stage and screen in Britain
When he burst on to the stage of the new Abbey theatre in Dublin in 1967, Frank Grimes, who has died aged 78, was acclaimed as the finest young actor of his generation. That first impact was made as a 19-year-old in a revival of Frank O'Connor's The Invincibles, a controversial piece about the assassination of the then chief secretary of Ireland Lord Frederick Cavendish and his deputy Thomas Burke, in 1882. But it was as the young Brendan Behan in Borstal Boy (1967) that Grimes hit the big time. Behan's rollicking autobiographical novel was adapted by Frank McMahon, with Niall Toibín as the older Behan relating the story of the renegade roisterer on a bare stage. Frank Grimes and Sorcha Cusack as Barry and Helen Connor in 'Coronation Street' in 2008. Picture: ITV/Shutterstock It was a smash hit in Dublin and Paris, and then on Broadway in 1970, where Tomás Mac Anna's production won the Tony award and Grimes was voted most promising actor by 20 New York critics. In a sense, his subsequent stage career, mainly in London in the 1980s, was something of a deflation, though he invariably cleaned up the best reviews in plays by David Storey and Chekhov, and, in 1984, as a mercurial Christy Mahon in JM Synge's Playboy of the Western World on the Edinburgh fringe — all of these directed by Lindsay Anderson, who was Grimes's mentor when he first moved to London in the 1970s. Fair City and Coronation Street Latterly, Grimes was best known for his roles as Fr Lawlor in Fair City, and as the unpredictable Barry Connor on ITV's Coronation Street. Between 2008 and 2015, Grimes appeared in 55 episodes of the ITV soap opera, with his wife, Helen, played in the first season by Sorcha Cusack and in later episodes by Dearbhla Molloy. Frank Grimes as Fr Lawlor and TP McKenna as Tom Mitchell in RTÉ's 'Fair City' in 2004. Picture: RTÉ Photographic Archive He also appeared in episodes of Casualty, The Bill, Doctors and Mrs Brown's Boys. Grimes's best performance on television, however, came in RTÉ's Strumpet City (1980), adapted by Hugh Leonard from James Plunkett's novel, in which he played a beautifully-modulated, mild-mannered Fr O'Connor, a Catholic curate in a chaotic Dublin under British rule around the time of the 1913 Dublin lockout. The wonderful cast included Donal McCann, Cyril Cusack, David Kelly, and Peter O'Toole. Dublin upbringing Born in Dublin, the youngest and seventh child of Evelyn (nee Manscier) and Joseph Grimes, a train driver, Frank was educated at St Declan's secondary school by the Christian Brothers, where he excelled at basketball, algebra, and geometry. He trained at the Abbey and, after his success there, moved to London. He began his collaboration with Lindsay Anderson and David Storey in two plays at the Royal Court — The Farm (1973), as the feckless only son returning to an outraged family gathering with news of his impending marriage to a divorced, middle-aged woman; and as an art student in Life Class (1974), with Alan Bates as the art teacher and Rosemary Martin the model. Frank Grimes won a Jacob's Award for his portrayal of Fr O'Connor in RTÉ's acclaimed television 1980 adaptation of James Plunkett's 1969 novel, 'Strumpet City'. Both of Grimes's performances were luminous, truthful and technically adroit. He played the young Seán O'Casey for RTÉ in The Rebel (1973), a documentary drama by John Arden and Margaretta D'Arcy, and made his only appearance at the Royal Shakespeare Company in O'Casey's masterpiece, Juno and the Paycock; Trevor Nunn's 1980 revival at the Aldwych featured a mostly Irish cast headed by Judi Dench and Norman Rodway as Juno and Captain Boyle. Shakespeare and Chekhov Grimes's Hamlet in 1981, directed by Anderson, was the first Shakespeare at the Theatre Royal, Stratford East, since 1957, but it seemed tame and tight-lipped after Jonathan Pryce's electrifying Royal Court version in the previous year. He was back on track, though, in Anderson's all-star cast in The Cherry Orchard at the Haymarket in 1983 (with Joan Plowright as Ranevskaya, Leslie Phillips as Gaev), stuttering out Trofimov's revolutionary rhetoric before apologetically concluding that, when the day dawns, he would be there — 'or … I shall show others the way'. In 1987 at the Old Vic, in Anderson's revival of a 1928 American comedy, Holiday, by Philip Barry, with Malcolm McDowell and his then wife Mary Steenburgen alongside, Grimes was another memorably reluctant rabble-rouser, drunkenly excoriating the American rich, said Michael Billington, with 'a felt-tipped dagger'. Two years later, at the National Theatre, he was a friendless academic in psychological meltdown as Colin Pasmore in The March on Russia, David Storey's adaptation of his 1972 novel, Pasmore. Another minefield of a domestic drama, it was directed by Anderson in the manner of one of his and Storey's earlier family reunion collaborations, In Celebration (1969). In an impeccably-acted production, Grimes was both participant and observer at the celebratory rites of a family at odds, if not war. Supporting roles on the big screen Grimes played supporting roles in several notable films, including Richard Attenborough's A Bridge Too Far (1977), and in Anderson's The Whales of August (1987), starring Bette Davis and Lillian Gish as two elderly sisters on the Maine coast. He also appeared in Britannia Hospital (1982), the third of Anderson's blistering 'Mick Travis' trilogy. Grimes wrote several plays. Anderson directed his first, The Fishing Trip, at the Croydon Warehouse in 1991 and, before the director died in 1994, was helping him prepare his own one-man show, The He and the She of It, expressing a lifelong obsession with, and devotion to, James Joyce. Grimes married the actor Michele Lohan in 1968, and they had two sons, David and Andrew. After he and Michele divorced, he married the actor and art teacher Ginnette Clarke in 1984. Frank and Ginnette lived in New York from 1982 to 1987, after which they settled in Barnes, west London. His son David died in 2011. Grimes is survived by Ginnette and their daughter, Tilly, by Andrew, and by seven grandchildren, Emily, Hedy, Martha, Reuben, Toby, Monti and Oskar, and two siblings, Eva and Laura. Frank (Francis Patrick) Grimes, March 9, 1947 - August 1, 2025 The Guardian
The Irish Sun
a few seconds ago
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The Irish Sun
26 minutes ago
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