
After shuttering in the pandemic, an ArcLight theater gets a second act
Following $10 million in upgrades, CinemaWest Beach Cities will have 16 screens and a Pink's Hot Dogs restaurant that will serve alcohol and also be open to non-moviegoers.
It will be the 18th location for CinemaWest, a Petaluma-based theater chain that operates cineplexes in California and Idaho, and a flagship location for the company 'on par with private screening rooms at major studios,' owner Dave Corkill said.
CinemaWest Beach Cities will be the first theater to open in Los Angeles County in 2025 and one of only a handful that may open this year, according to IJM Enterprises, a movie theater development consultant.
With moviegoing habits scrambled in the age of streaming, movie theaters have lost some of their luster as anchor tenants at shopping malls and other commercial centers. CinemaWest's landlord, though, is banking on the theater being a key draw at Continental Park, a 100-acre commercial development with 3 million square feet of office space, restaurants, shops and a hotel.
'I don't believe that a movie theater is the key to attracting office tenants,' landlord Richard Lundquist said, 'but I do feel that the movie theater attracts restaurants, which then attract office tenants, so they all go hand in hand. I do feel it will draw business.'
Lundquist is chief executive of Continental Development Corp., which developed the sprawling complex that straddles Rosecrans Boulevard in the cities of El Segundo and Manhattan Beach. Other new additions to Contintental Park are an Erewhon market set to open next month and Mattel's television and movie production studios that will open in late spring, he said.
In keeping with a movement across the theater industry, CinemaWest Beach Cities will offer features that mimic the experience of watching a movie at home such as reclining seats. But it will also have elements available only in a commercial setting such as a 4DX theater that will incorporate on-screen visuals with a variety of motion seat effects, scents, and such environmental effects as rain, lightning, fog and wind. Construction on that theater is expected to be completed next month.
There is also a theater with an expansive screen format called ScreenX, a multi-projection system with a 270-degree field of view that extends the image across the main screen onto the theater right- and left-side walls that is intended to immerse the audience in the movie.
It also has a giant-screen theater with Dolby Atmos surround sound.
Pink's, a well-known Los Angeles restaurant in the Fairfax District, will open a branch at the theater serving hot dogs, hamburgers and milkshakes. It will also have a full bar.
ArcLight launched in 2002 at the Cinerama Dome in Hollywood with a pioneering luxury experience that has since become more mainstream. ArcLight had 11 locations, including six in the Los Angeles area, which closed in March 2020 as theaters were ordered shut for the pandemic.
ArcLight management announced in April 2021 that it would not reopen its theaters.
The CinemaWest theater opening is a bright spot in a rough period for the movie business. L.A.'s film production community recently finished an unsettling year as 2024 marked the second lowest level of production in Los Angeles ever, according to the nonprofit agency FilmLA. It topped only 2020, the year of pandemic-related shutdowns.
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Newsweek
19 minutes ago
- Newsweek
Meet the Gen-Z Man Devoted To Living in the 2000s Era
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Though he has not yet reached his late 20s, Terry Cairo lives as if the clock has been turned back by two decades. With frosted tips, flip phones and a Bratz doll collection that could rival a toy store from 2004, the Florida-based content creator has built his life—and his online following—around the sounds, styles and beachside energy of the late 1990s and early 2000s, transforming his home into a Y2K time capsule. "I always loved all the cool outfits I saw characters wearing in movies and on TV and always admired what I saw the adults wearing in my own life," Cairo told Newsweek. "The music from that era is also just superior and super nostalgic!" Cairo was only a child when the decade was in full swing, but his fascination with it started early. Today, he describes himself as a "niche nostalgia content creator" with a dedicated space in his home tinged in what he calls "spooky island core"—an aesthetic inspired by the 2002 live-action Scooby-Doo movie. "The room includes hibiscus flowers, beach-themed Bratz and Barbie dolls, surfboards, and Scooby-Doo obviously," he said. From left: Terry Cairo poses with a flip phone; and in a Von Dutch cap. From left: Terry Cairo poses with a flip phone; and in a Von Dutch cap. @terrycaiiro The aesthetic spills into his wardrobe, with pucca shell necklaces, vintage Abercrombie hibiscus shorts, rash guards and Von Dutch caps making regular appearances whether or not he is near the water. His social media accounts, under the handle @terrycaiiro, showcase his wide array of 2000s relics: DVDs of pop star films, shelves of childhood toys, thrift store fashion finds, early-2000s video games and full tours of his themed bedroom. Posters of Britney Spears and other chart-topping icons from the time line his walls, while 2000s pop hits often play in the background, making the room a full sensory experience of the era. Cairo's devotion to the decade also stems from his love of beach culture, which he believes does not get the recognition it deserves. "I feel like the 2000s summer scene is super underrated and it should be appreciated more," he said. "Growing up in the 2000s I just always loved the beach and jamming out to music! "As an adult I wanted to move to Florida, which is where I live now, to fully get that beach experience! I love going to local tiki bars and shopping at little beach shops!" In line with his image, Cairo sports brands that were once staples of surf shops and mall storefronts in the 2000s, including Abercrombie and Von Dutch. His everyday life blends modern content creation with activities that keep him immersed in the bygone era: surfing, antiquing, photography, watching early-2000s films and searching thrift stores for more memorabilia. He began making YouTube videos about his passion for the decade's games and gadgets in 2024, later moving on to TikTok where he now has over 15,000 followers. "It is super fun," he said. "And I have also had many opportunities from growing online such as collaborating with some of my favorite 2000s brands." Living Like It's the 2000s Among his most prized possessions is a small but cherished flip phone collection, featuring two models from his childhood and others he has picked up secondhand. In an age dominated by smartphones, his old devices serve as both nostalgic keepsakes and reminders of a slower, less connected time. For Cairo, keeping the 2000s alive is also about breaking away from the narrow definitions of what adulthood should look like that is often projected on social media. "I feel like there is this stigma on what an adult should be and how they should live their lives," he said. "I think more adults should feel comfortable being themselves and experimenting with hobbies and not feeling so forced to lock themselves in this box that this world tells you to be. "You can love and have passion for whatever you like at any age!" From left: Terry Cairo's DVD collection; and Cairo wearing his surfing gear while holding a surfboard. From left: Terry Cairo's DVD collection; and Cairo wearing his surfing gear while holding a surfboard. @terrycaiiro Cairo's devotion to the early 2000s mirrors a broader wave of Gen Z nostalgia, where younger audiences are romanticizing trends from before the smartphone era. From low-rise jeans to the tactile satisfaction of flip phones and disposable cameras, many in Cairo's generation are embracing the aesthetics and slower pacing of a pre-streaming, pre-constant-notification world. Fashion and lifestyle brands have taken note, with several, including Hollister and Coach, rising in popularity and making new collections inspired by the styles of the era. As for Cairo, whether he is posting a "2000s unboxing," heading out to the surf in retro gear or flipping open a thrifted Motorola, Cairo is committed to sharing the joy and creativity the decade has inspired in him.


NBC News
12 hours ago
- NBC News
Vampires, romance and billionaires: The bite-size Chinese shows gaining U.S. fans
HONG KONG — As U.S. television series produce longer and fewer episodes, a new genre from China is gaining American fans by going in the opposite direction. Known as minidramas, micro dramas or vertical dramas, they are soap operas condensed into a minute or two per episode. Each show, reminiscent of a telenovela, is split into dozens of chapters, each about two minutes long and with all the soapy elements: cheesy romance, over-the-top drama and abundant cliff-hangers. 'The revenge ones, oh, my God, they're so good,' California-based retail business owner Jacarius Murphy told NBC News in a video interview. Murphy is a fan of the minidramas, known as duanju in Chinese, which focus heavily on romance, revenge and fantasy. The stories tend to involve wealthy characters such as a chief executive who's secretly a vampire or a billionaire living a double life — characters often played by American actors. 'People want this fast dopamine hit, and they can snack on it while they're waiting,' said Anina Net, an American actress based in Los Angeles who has worked on minidramas for the past four years. The genre originated in China, where production companies have tapped into the popularity of short-form, vertical-produced, TikTok-style video content. About half of China's 1.4 billion people consume dramas in this style, according to a report released in March by the state-owned China Netcasting Services Association. The industry made $6.9 billion in revenue last year, more than China's total box office sales. The shows are 'still quite limited in genre, mostly romance-focused, with sweet, domineering CEO tropes and modern settings,' said Kaidi Dai, a Shanghai-based minidrama producer. Now, having figured out the Chinese market, the same companies are expanding into the U.S., where minidramas are finding success just a few years after the failure of Quibi, a short-lived, short-form mobile streaming service. The shows are available on platforms such as ReelShort, DramaBox and GoodShort, which offers free episodes and in-app purchases as well as subscriptions. Minidramas cost far less to make than standard TV shows and can make millions of dollars in revenue through a combination of user purchases and advertising. But adapting them to the U.S. market takes some tweaking, said Chinese filmmaker Gao Feng, also known as Frank Tian, who has a minidrama production company based in New York. Rather than remaking Chinese shows, his company hired longtime U.S. residents to craft stories that would appeal to American audiences. 'I believe that scripts determine 65-70% of a project's success,' he said in an interview. 'Apart from werewolves, CEO romances and hidden identities, we should explore new genres.' While many short dramas have been based on successful Chinese stories, 'if a platform cannot innovate continuously, it will face significant challenges,' he added. Among the most popular shows is 'The Double Life of My Billionaire Husband,' which tells the story of a woman whose husband is better off financially than he appears. All 60 episodes can be viewed in less than 70 minutes on ReelShort, the California-based, Chinese-backed minidrama platform that released it in 2023. 'Hilariously bad, oddly addictive,' reads one IMDb review of the show, which had more than 485 million views on ReelShort as of Friday. The Chinese-backed short-video app has vied with TikTok as the most popular product in the entertainment section of Apple's U.S. app store. 'The short videos on TikTok have laid a solid foundation for the popularity of short dramas,' Yan Min, who helped organize an industry conference in China last year, said in an interview. Min said ReelShort and other companies were advertising on platforms such as YouTube and TikTok to attract new users, catering to the 'evolving viewing habits of younger generations, who have grown up with platforms like TikTok and are accustomed to short, engaging content.' U.S. entertainment companies have taken notice of the trend. Netflix said in May that it was testing a vertical feed made up of clips from its shows and movies, while Disney said last month that it was investing in DramaBox through its accelerator program. Though minidramas seeking U.S. audiences are increasingly using actors with American backgrounds, they often shoot in scenic Chinese locations like the coastal city of Qingdao, with its Western-style villas and architecture, for greater authenticity. 'We seek actors and screenwriters who grew up in the U.S. and naturally embody an American style. Then we incorporate some Chinese elements,' said Ann An, a Beijing-based freelance producer for several minidramas made for foreign audiences. Turnarounds are incredibly fast in the industry as producers strive to keep costs low. An said a show can finish filming in 10 days, with a budget of under $70,000. The biggest key to the success of minidramas, though, is the cliff-hangers, which push viewers to keep paying for the next episode. 'The scriptwriters know exactly where to place these cliff-hangers, and they execute them very well,' said Apple Yang, a minidrama director based in London. That helps explain the appeal of minidramas even if their overall quality is sometimes 'underwhelming,' said Ying Zhu, a professor at Hong Kong Baptist University's Academy of Film. 'Make the dialogue real and less mechanic. Make it funny when possible and biting when needed,' Zhu said. 'One minute can pack in a lot of info if done well.'


Chicago Tribune
a day ago
- Chicago Tribune
Blind models work the runway at fashion show for the visually impaired
Brenda Nicholson waited in the Nordstrom fitting room, listening intently as the staff described the colors, textures and cut of the outfits hanging on a rack. She typically gravitates toward clothing with pops of color, but this time Nicholson selected a gold, mesh-embroidered dress that cut down to her ankles. She chose the outfit based on the staff's vivid description and the way it felt when she touched the material. When a partially blind model's eyes can't help, she must rely on her other senses — touch and hearing, in this case — to help ready her for the runway. Nicholson was one of 10 visually impaired models who walked in the Beautiful Lives Fashion Show earlier this month at the CD Peacock Mansion in Oak Brook. The inaugural event celebrated the idea that everyone can enjoy clothing — even if they experience it in a different way than most. 'Good fashion feels like the textures that send tingling sensations through your fingers,' said Beautiful Lives Project co-founder Bryce Weiler, who has been blind since birth. 'Textures mean something.' The show's models were students at the Chicago-based Illinois Center of Rehabilitation and Education-Wood, which offers vocational and life skills training for blind and visually impaired adults. Students can receive instruction on everything from cooking and computers to reading braille and crossing eight-lane streets. The event gave many participants their first exposure to modeling — something several said they had never considered. 'Is the runway ready for me?' model Monty Rogers, who lost his sight more than three years ago, asked his fellow models. Rogers said he has always had a sense of style. Prior to selecting his runway outfit, he wore a patterned kilt with 'pride colors' and knee-high socks. A former telephone engineer and photographer, Rogers motioned to his outfit: 'I still have aesthetics,' he said. Rogers, who feels almost all his clothes before buying, selected jeans and a striped, navy blue sweater with a soft jacket. The sweater's collar, lifted and distinct from the sweater's main material, framed his neck, which was accessorized with a thin chain. 'I'm blind as hell and I'm still a fashionista,' he said. In a 'vacation vibe' salmon shirt with khaki pants, Lawrence Lacy made his runway debut alongside experienced model Jennifer Cruz, the reigning Mrs. Illinois International 2025. Moments before walking, Lacy, who's blind, gave Cruz tips on one aspect of runway modeling that she had never encountered: how to be his guide. On a daily basis, Lacy said he uses the application 'Be My Eyes,' to assist in planning outfits. The app helps users who are blind or have low vision by providing visual descriptions of daily tasks such as navigating unfamiliar surroundings and explaining the color of an object. From his clothing needs, Lacy uses the 'Be My Eyes' to match outfits to a hanger, including specifics, 'like the color (patches) on his socks,' he said. Prior to the show, runway walkers filled out surveys, describing the styles, textures, feelings and colors they wanted to showcase most. The show's organizer, 16–year-old Aria Holtzman, then worked with the Nordstrom staff to select outfits that matched the model's personal style. 'A lot of models wanted patterns,' Holtzman said. Holtzman also accessorized the outfits with shoes and jewelry, borrowed from CD Peacock, to complete the looks. The Hinsdale teen, who is beginning her junior year at Culver Academies in Indiana, came up with the idea for the show after attending a summer camp at Vogue's New York office. She came home inspired to make fashion accessible for everyone regardless of their abilities or medical conditions. With the support of her father — CD Peacock Chairman Steven Holtzman — she teamed up with Weiler and the Beautiful Lives Project. Along with Beautiful Lives Project co-founders Weiler and Michael Gudino, Holtzman worked with CD Peacock interior designers to make sure the event space resembled a runway and was clear of obstacles that could prove difficult for models and spectators as they moved around the mansion's first floor. She also ensured the 6-foot-wide runway was wide enough for both the models and their escorts. With just 39 days to put on the show, Holtzman wrote the script and served as the evening's emcee. She also encouraged the models to make their own personalized introductions before they headed down the runway. After Holtzman introduced Lacy, he took the microphone and offered a short message of appreciation. He thanked the ICRE-W program and the Beautiful Lives Project for 'transforming me into the person you see before you.' 'Just know that anything that you love, that gets a little help, you can be a part of,' he told the audience. Rogers, during his runway walk, sang a rendition of 'Feeling Good' to the spectators' delight. 'Monty lives his life knowing that the only thing he can't do is see, ' Holtzman told the audience. But Roger wasn't the only model with a talent to display. Nicholson, who lives in downstate Bellview, was the night's last model, concluding her walk with a dance to Rebirth Brass Band's 'Do Whatcha Wanna.' Before her stepping onto the runway, organizers reminded her of the song's six-minute duration, 'I can do it,' she said without hesitation. Nicholson substituted her white cane for a translucent umbrella as the music played. The audience rhythmically clapped to keep the beat. Although the music was cut off by applause before the full song could end, Nicholson said she 'was born dancing to this.' She could do it in her sleep, she said. The models kept their Nordstrom clothing, which had been purchased for them by the Holtzman family. Although this is the first fashion show the Beautiful Lives Project participated in, Weiler said he hopes for other opportunities like it. 'We are surrounded by people who want to help (others) live out their dreams,' he said. 'To help you to find employment, and to say that there are no barriers that can hold someone back with a disability.'