logo
The All-American Rejects are having the summer of their lives: ‘We are going to savor every bit of it'

The All-American Rejects are having the summer of their lives: ‘We are going to savor every bit of it'

CNN23-07-2025
Emo band All-American Rejects are giving us one hell of a summer.
The group, who has been playing together for more than twenty years, is on a so-called House Party Tour, popping up in backyards and other unsuspecting locations for impromptu concerts.
They may call themselves 'rejects,' but the enthused crowds that have turned up at their shows prove they're far from that.
The quartet's classics – including 'Swing Swing,' 'Dirty Little Secret,' 'Move Along' and, of course, 'Gives You Hell' – were on the soundtrack of many a Millennial's high school mixtape, but these tracks are now appealing to a new generation of young people. Their resurgence sparked the band's current tour, based on their shared belief that music acts may not need all the frills of a stadium show to give concertgoers a good, and inexpensive, time.
You just need good music, youthful energy… and a big backyard, apparently.
'The live experience, the communal experience of watching something live on the floor is, I think it's coming back in every aspect of art,' lead singer and bassist Tyson Ritter told CNN in a recent interview about the band's upcoming performance at San Diego Comic-Con's Fandom party this week. 'What's great is to be able to play shows and to be not too old to still pull them off.'
After forming in Oklahoma in 1999, the All-American Rejects – who include Ritter, guitarists Nick Wheeler and Mike Kennerty and drummer Chris Gaylor – became part of the DNA of the emo music genre when they released their 2002 self-titled debut album, which included their first big hit 'Swing Swing.'
They went on to release four studio albums including their most recent, 2012's 'Kids in the Street.' After nearly a decade of not touring, the Rejects reunited in 2023 for their Wet Hot All-American Summer Tour, and got back in the studio to record an upcoming fifth album, 'Sandbox.'
The genesis of the House Party Tour started with the band's eagerness to promote 'Sandbox,' but what ensued is entirely organic, according to Ritter, who said that their intention was simply to 'get back to the place that we knew we started.'
That wound up turning into a chaotic nine-day spree of surprise shows in people's yards, following a pop-up show on the campus of the University of Southern California in Los Angeles. Fans started applying to have the Rejects come play in their neighborhoods, with video footage posted to social media showing hundreds of people lined up, rain or shine, to catch a show.
One gig in Columbia, Missouri even got shut down by police, but not before the authorities let the band play one more song.
The response has moved the band, two decades into their career, just as much as it appears to have moved their audience.
'This is the best experience that we've ever had playing music in this band and we are going to savor every bit of it,' Ritter said.
The band has captured footage of the House Party Tour up until this point, and told CNN that they are reviewing it now to potentially release something next year in conjunction with the release of the 'Sandbox' album. A 'movie,' as Ritter referred to it, 'is already in pre-production,' he said.
'We didn't realize what we did until we saw some of these little clips. There were really harrowing moments of danger… So we got out by the skin of our teeth,' Ritter added, going on to joke that 'maybe that's the name of the doc 'by the skin of our teeth.''
Wheeler added that the House Party Tour 'turned into something bigger.'
'So these nine days and what we captured is something that is a once-in-a-lifetime thing for us and for those who were there,' he said. 'I'm just stoked that somebody was there to capture it.'
Wheeler also hopes 'Sandbox' will help recreate the magic of their seminal hits that have solicited such a response from their new generation of listeners.
'People attach themselves to those legacy songs because of where they were in their lives or nostalgia,' Wheeler said. 'So I think the goal now, especially after coming off this house party thing, is creating new nostalgia.'
The All-American Rejects do have some big-ticket shows coming up.
They'll headline the Fandom Comic-Con party in San Diego on Thursday, where, according to Ritter, concertgoers can 'expect a Reject-goes-Comic-Con experience.'
They'll also be joining the Jonas Brothers on tour in October, where they'll be sure to bring that same backyard energy to the big stage.
'We're trying to open up something a little bit bigger than just people's eyes now. We're trying to open up another possibility of getting to the artists that you love, and we're so excited about what's to come,' Ritter said. 'You could call what we're doing punk rock, but it's not.'
'…It's actually pure connection,' he added.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jerry Jones says Cowboys are 'a soap opera 365 days a year' in final trailer for Netflix docuseries
Jerry Jones says Cowboys are 'a soap opera 365 days a year' in final trailer for Netflix docuseries

Yahoo

time14 minutes ago

  • Yahoo

Jerry Jones says Cowboys are 'a soap opera 365 days a year' in final trailer for Netflix docuseries

Netflix released the final trailer for its Dallas Cowboys docuseries, "America's Team: The Gambler and His Cowboys" on Monday. As the title implies, team owner Jerry Jones is the center around which the Cowboys' dynasty of the 1990s, winning three Super Bowl championships, revolves. That's been true ever since Jones bought the team in and continues to be true, if not even more so now. "The Dallas Cowboys is a soap opera 365 days a year," Jones says early in the trailer and that certainly applies to the current team with the drama regarding linebacker Micah Parsons, his contract dispute with Jones and the star pass rusher's trade demand. [Join or create a Yahoo Fantasy Football league for the 2025 NFL season] The eight-episode docuseries also provides an explanation as to why the Cowboys are so prevalent in sports headlines and discussions despite disappointing playoff results that haven't followed through on championship aspirations and not winning the Super Bowl for the past 29 seasons. During the 1990s, Dallas compiled a 101-59 regular-season record with eight playoff appearances, four conference championship games and the aforementioned three Super Bowl titles. Those championship teams yielded three Hall of Famers in quarterback Troy Aikman, running back Emmitt Smith and receiver Michael Irvin. And in the latter half of the decade, the Cowboys added a fourth future Hall of Famer in cornerback Deion Sanders. Twenty-five years later, those players are still a presence in sports media and culture with Irvin and Aikman establishing successful broadcasting careers and Sanders becoming one of the standout personalities in college football. More importantly, the Cowboys are one of professional sports' biggest brands, a American sports team with global popularity along with the New York Yankees and Los Angeles Lakers. Their players, roster moves, successes and failures, and Jones himself are a frequent topic on national sports talk TV and radio, whether they deserve to be or not. The existence of this Netflix docuseries is further proof of that. However, the 1990s Cowboys were certainly the soap opera about which Jones boasts. After buying the team, he fired legendary coach Tom Landry and hired Jimmy Johnson from college football. Johnson revitalized the roster by trading running back Herschel Walker to the Minnesota Vikings for multiple draft picks, including three first-rounders, that provided several impact players. The Cowboys and San Francisco 49ers developed a fierce rivalry. Eventually, tensions grew between Jones and Johnson arguably led to the demise of the franchise's championship prosperity. Irvin and other players were involved in many off-field scandals that made the Cowboys notorious, but also kept them drawing headlines. "America's Team: The Gambler and His Cowboys" launches on Netflix on Aug. 18.

Lucasfilm Shuts Down Rumors of Ewan McGregor's Obi-Wan Return in AHSOKA Season 2 — GeekTyrant
Lucasfilm Shuts Down Rumors of Ewan McGregor's Obi-Wan Return in AHSOKA Season 2 — GeekTyrant

Geek Tyrant

time15 minutes ago

  • Geek Tyrant

Lucasfilm Shuts Down Rumors of Ewan McGregor's Obi-Wan Return in AHSOKA Season 2 — GeekTyrant

Star Wars fandom was thrown into chaos over the weekend after a misheard comment from Ewan McGregor sparked wild speculation that he'd be returning as Obi-Wan Kenobi in Season 2 of Ahsoka . Unfortunately for hopeful fans, Lucasfilm has now confirmed, it's not happening. The confusion began during McGregor's appearance at Fan Expo Boston 2025, when he was asked which Star Wars project he's not in but still enjoys. He pointed to Ahsoka , partly because his wife, Mary Elizabeth Winstead, plays Hera Syndulla in the Disney+ series. "Well, I like watching my wife, you know, so I really enjoyed Ahsoka. I thought that was brilliantly done. It's so funny, like, you know, she's shooting the second season now, and I know. Is that a secret?' That last line sent social media into hyperspace. Some fans seemed to assume he was hinting at his own appearance in the upcoming season. The rumor spread so fast that several outlets ran with it, until Lucasfilm stepped in to set the record straight. Once the audience confirmed Ahsoka 's production wasn't a secret, he went on to share a funny peek into his home life while Winstead is filming. "Well, she is anyway. And so I just finished doing a play. So I'm at home with our son, who's four, and I take him to school and everything. And then I'm, you know, bumbling around the house, and I'd fetch a FaceTime. 'I forget that she's going to be green, you know. She pops up, and I'm like, 'Oh my God, oh yes.' You know, often she's in her trailer without all the head stuff on, but she's just green, you know. She's a very beautiful green lady, so. I love that." It's not the update Star Wars fans were hoping for, but McGregor's Jedi master won't be crossing paths with Ahsoka Tano anytime soon. While Obi-Wan Kenobi had his own Disney+ series in 2022, a second season has yet to be greenlit, despite the actor's enthusiasm for a return. As for what's next in the galaxy far, far away, The Mandalorian & Grogu movie is locked in for a May 22, 2026 release. Until then, the wait for another Obi-Wan adventure continues.

Wizards of the Coast Is Beginning to Get ‘Magic' Fans' Gripes With Less Fantastical Aesthetics
Wizards of the Coast Is Beginning to Get ‘Magic' Fans' Gripes With Less Fantastical Aesthetics

Gizmodo

time15 minutes ago

  • Gizmodo

Wizards of the Coast Is Beginning to Get ‘Magic' Fans' Gripes With Less Fantastical Aesthetics

Magic: The Gathering is having an even bigger moment than usual this year, thanks to a lot of attention around its splashy crossovers and its rapid rollout of sets. But with that attention, there's definitely been some consternation about just how wide-reaching Magic's aesthetic is getting, between experimental in-universe sets and those aforementioned 'Universes Beyond' bringing more and more licensed material into the game. In a fascinating new article looking at the major sets of the last year, the game's head designer is starting to reckon with those lessons learned… lessons that are going to make for a very interesting reaction to the game's next big collab. Today Magic head designer Mark Rosewater released his 2025 State of Design article on the official Magic website, looking back at feedback and lessons to be learned from the release of almost every major Magic set released in the last year (up to, but not including, Edge of Eternities, which released on August 1). There are lots of interesting points Rosewater makes in the piece, reflecting some of the biggest fan concerns about Magic's direction from a mechanical and aesthetic point of view, from the game's eagerness to move on from themes every set, creating an issue where mechanical elements are introduced and then left unsupported, to an awareness of the game's complexity creep from the sheer amount of interactions possible even when Magic introduces individually simplistic new mechanics. But one of the most intriguing lessons to be learned that Rosewater highlights across several of the sets covered in the piece—Bloomburrow, Duskmourn: House of Horror, Foundations, Aetherdrift, Tarkir: Dragonstorm, and Final Fantasy—is a regular criticism Magic has faced as of late: that the game has occasionally pushed its fantastical too far into elements that don't capture Magic's feel. One particular pain point Rosewater highlighted was in Duskmourn, a horror-themed set that included several more direct aspersions to classic horror media, rooted in our own world. 'Players, it seems, are not fans of what I'm going to call 'mundane modernity.' Magic has had many sets, such as Kamigawa: Neon Dynasty and The Brothers' War which push into more of a science-fiction feel, with items far more technically advanced than one would normally find in a fantasy story,' Rosewater wrote. 'That doesn't generally bother many players. Some things Duskmourn: House of Horror did for the first time bothered players, like having characters wearing and using things that we actually use: things like sneakers, or jeans, or a baseball bat. Part of fantasy is the idea that you're coming to a world that is fundamentally different than your own. Fantasy wants to be inspirational, and seeing everyday objects which are a part of all of our daily lives deflates that.' As Rosewater acknowledged, not every Magic set is rooted in explicitly fantastical material, from the sci-fantasy of sets like Edge of Eternities to collaborations in Universes Beyond like Doctor Who or Warhammer 40,000, which have fantastical elements rooted in science-fictional or real-world designs. But Magic also has a strong history of being able to root that kind of aesthetic in fantasy, which Duskmourn's more explicit horror callouts lacked. At a time when Wizards is also reckoning with the increase of non-Magic-original sets in the game, depending on the crossover, it's going to be an issue that continues to concern players (even beyond the general existence of Universes Beyond, complaints around which Rosewater acknowledged as a 'sentiment [that] continually shrinks over time'). It's an interesting thing for Rosewater to acknowledge, though, as Magic is now little more than a month away from the release of its next set, Marvel's Spider-Man. Although there are fantastical elements in a set about a superhero scientist and peculiar foes, like most of good Marvel, it's built into the so-called 'world outside our window.' The Final Fantasy set did a great job translating Final Fantasy to the world of Magic, while drawing on a myriad of aesthetics from steampunk to sci-fi to more traditional medieval fantasy, and managed to effectively balance those aesthetic styles with what players typically expect from Magic. Will Spider-Man walk the web-rope and balance that vibe, or will it end up with reactions like Duskmourn? We'll find out if there are more lessons to learn when the set hits shelves at the end of September. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store