Billie Piper ditches her pink gown for a black mini dress while Laura Whitmore slips into a red velvet look as stars let their hair down at the 2025 BAFTA TV Awards after party
Billie, 42, slipped out of her beautiful pink gown which she wore to the ceremony and changed into a black mini dress for the after party.
She paired her floaty skater dress with a trendy black and white bomber jacket which featured a zip up design.
Billie finished her more casual look with a pair of black and white strappy heeled sandals.
She toted around her belongings in a chic black leather bag as she posed up a storm alongside Layton Williams.
TV personality Laura, 40, looked glamourous in an off-the-shoulder ruby red gown which featured a very high leg split.
Billie Piper and Laura Whitmore both switched up their red carpet looks as they let their down at the 2025 BAFTA TV Awards after party at The Royal Festival Hall on Sunday
She added inches to her statuesque frame as she slipped into a pair of chunky black platform Christian Louboutin heels.
The blonde beauty, who slipped out of her earlier previous outfit of a black and white suit, opted for full glam makeup for the outing as she stepped out wearing a bright red lip.
Laura accessorised her after party look with a black suede clutch, gold earrings and a gold bangle.
Layton commanded attention at the event as he stepped out in a black structured blazer which was adorned with silver detailing.
Ekin-Su Cülcüloğlu, 30, put on a very glittery display as she stepped out in a silver glittery dress which featured a long trail and a one-shoulder.
Jessica Wright, 39, also put om a very leggy display as she stepped out in an off-the-shoulder black and silver gown which she paired with towering black stilettos
Adding a pop of colour to the evening, Pips Taylor stepped out in a bright orange ruffled layered dress which she paired gold Terri De Havilland heels.
2025 BAFTA TV AWARD WINNERS AT A GLANCE
Drama Series - Blue Lights (BBC One)
Limited Drama - Mr Bates vs the Post Office (ITV1)
International - Shogun (Disney+) - WINNER
Scripted Comedy - Alma's Not Normal (BBC Two)
Entertainment - Would I Lie To You? (BBC One)
Entertainment Performance - Joe Lycett, Late Night Lycett (Channel 4)
Strictly Come Dancing: Chris McCausland and Dianne Buswell's Waltz to You'll Never Walk Alone (BBC One)
Factual Entertainment - Rob and Rylan's Grand Tour (BBC Two)
Factual Series - To Catch a Copper (Channel 4)
Specialist Factual - Atomic People (BBC Two)
Live Event Coverage - Glastonbury 2024 (BBC Two)
News Coverage - BBC Breakfast: Post Office Special (BBC One)
Single Documentary - Ukraine: Enemy In The Woods (BBC Two)
Leading Actress - Marisa Abela, Industry (BBC One)
Leading Actor - Lennie James, Mr Loverman (BBC One)
Supporting Actress - Jessica Gunning, Baby Reindeer (Netflix)
Supporting Actor - Ariyon Bakare, Mr Loverman (BBC One)
Female Performance in a Comedy - Ruth Jones, Gavin & Stacey (BBC One)
Male Performance in a Comedy - Danny Dyer, Mr Big Stuff (Sky Comedy)
Reality - The Jury: Murder Trial (Channel 4)
Soap - EastEnders (BBC One)
Daytime - Clive Myrie's Caribbean Adventure (BBC Two) - WINNER
Current Affairs - State of Rage (Channel 4)
Shortform - Quiet Life (BBC Three)
Sport - Paris 2024 Olympics (BBC Sport)
Children's Non Scripted - FYI Investigates: Disability and Me (Sky Kids)
Children's Scripted - CBeebies As You Like It at Shakespeare's Globe (CBeebies)
Laura switched into her red gown after she graced the awards ceremony dressed in a black and white two-piece suit
Ekin-Su Cülcüloğlu, 30, put on a dazzling display as she stepped out in a silver glittery dress which featured a long trail
Esther Abrami looked elegant for the star-studded affair as she stepped out in a classic black dress which featured a one-shoulder design
The after party looked every inch the glitzy affair as the round tables featured chic pink rose table center pieces and warm candles.
The 2025 BAFTA Television Awards with P&O Cruises saw a slew of celebrities take home awards celebrating excellence in TV on Sunday, at the glitzy ceremony held in the Southbank Centre's Royal Festival Hall.
Mr. Bates vs The Post Office led the big winners of the evening, scoring two more awards to add to the ground-breaking ITV show's ever-growing list of accolades.
However, it was the BBC who came out on top, scoring 17 wins in total after a year of triumphant programming, in the ceremony - presented this year by actor Alan Cumming.
While Netflix smash Baby Reindeer and the climactic Gavin & Stacey Christmas special also won key awards.
Widely expected to claim much of Sunday evening's spotlight, Mr. Bates vs The Post Office picked up an early award for Limited Drama.
Accepting the gong from Russell Tovey and Daniel Mays, producer Patrick Spencer said: 'We could only film this because Polly Hill at ITV saved us from getting cancelled and this story only had the impact it did because the people who watched it stood up as one and demanded action with such rage, that the government had no choice but to respond.
'Our show didn't change the law, the people of this nation did. They showed in their response to Mr. Bates vs The Post Office that our country cannot abide liars and bullies.'
He added: 'May it be a warning to those who are supposed to have our backs, that they better not abuse their power.
Mr. Bates vs The Post Office led the big winners of the evening, scoring two more awards to add to the ground-breaking ITV show's ever-growing list of accolades (Toby Jones, Monica Dolan and Alan Bates pictured)
'When accepting this award, we would like to go on record that being trusted by the post-masters to tell their story has been the greatest privilege of our lives.'
ITV went on to claim a Special Award, presented by Baroness Floella Benjamin - for its work in commissioning Mr. Bates vs The Post Office.
Urging Prime Minister Sir Keir Starmer's Labour government to rush through arranged compensation payments for affected former postal employees, ITV boss Kevin Lygo said: 'Hurry up and pay these people what they are due.'
The night began with Jessica Gunning collecting the award for Best Actress after winning accolades for her portrayal of crazed stalker Martha in Richard Gatt's hugely successful Netflix drama Baby Reindeer.
Danny Dyer then forced the BBC to do some quick editing, after he let slip several swear words during his acceptance speech for best Male Performance in a Comedy.
The actor, 47, won his first BAFTA for his role as Lee in Mr. Bigstuff, and allowed his excitement to get the better of him in his typically expletive-laden speech.
After first saying: 'F***ing hell, I'm choked up', the EastEnders star then shared a sweet and hilarious tribute to Mr. Bigstuff writer and his co-star Ryan Sampson, which led him to turning the air blue once more.
Danny said: 'But I got to dedicate this to Ryan Sampson. One of the greatest things to come out of Rotherham. Which is not saying much.
However, the BBC were less than impressed by the star breaking the watershed, with host Alan being forced to issue and apology and the swears cut out of the broadcast
'But one of the best actors this country's ever produced, I'm telling you. Never done the same thing twice. Which is not something I can say.
'He wrote this part for me, so you know... I'm getting choked up again, f**k me. So you won this for me mate, I really appreciate it, thank you so much.'
He finished by addressing his two daughters Dani, 28, and Sunnie, 18, who were sat in the audience and took the opportunity to swear one last time, declaing: 'Girls, Sunnie and Dani. I've done it girls, I've f***ing done it!'
However, the BBC were less than impressed by the star breaking the watershed, with host Alan being forced to say: 'I've been asked to apologise for the naughty language there.'
And when the moment was aired just an hour later, the broadcaster made sure to trim down Danny's speech and cut out all of his curses.
Alan later accidentally let slip a swear word of his own, while presenting the prestigious BAFTA Fellowship award to journalist Kirsty Wark.
The Scottish star suffered an unfortunate blunder by mistakenly introducing the award as the 'b*****d fellowship', and upon realising his error, the mortified actor let loose yet another swear, as he sheepishly muttered: 'Oh f*** me!'
The Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, games or television.
It was a special night for Ruth Jones, who accepted the award for female Performance in a Comedy after playing the iconic Nessa for a final time in December's Gavin & Stacey finale
Over in the category for Leading Actor, Rivals star David Tennant - one of the favourites for the award - lost out to Lennie James for his starring role in BBC show Mr Loverman (seen)
Kirsty was honoured for her unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting.
It was also a special night for Ruth Jones, who accepted the award for female Performance in a Comedy after playing the iconic Nessa for a final time in December's Gavin & Stacey finale.
Accepting the award from Harriet Dyer and Patrick Brammall, she said: 'I really wasn't expecting this, so I wanted to thank the wonderful cast.
'Huge thank you to the BBC, such a fantastic institution which I am so proud to have worked with so many times.'
Turning to her writing partner, Ruth added: 'The person I would like to thank most is my dear, kind and talented friend James Corden, with whom I have shared this astonishing journey for 17-years and without whom Vanessa Shanessa Jenson would not have existed.'
Hinting at the potential of a new TV project with James, she said: 'I love you James, I love writing with you. Long may it continue.'
However the show suffered disappointment in the P&O Cruises Memorable Moment category, with blind comedian Chris McCausland and Dianne Buswell's Strictly Come Dancing waltz beating Smithy's wedding to the accolade.
Popular BBC show Would I Lie To You claimed the Entertainment Programme accolade (pictured L-R David Mitchell, Rob Brydon and Lee Mack)
Scooping one of the biggest awards of the night, British star Marisa Abela won the Leading Actress accolade for her starring role in BBC hit Industry.
Collecting her award, the tearful actress said: 'I've been filming Industry for about six years now and (production company) Bad Wolf and HBO, the fact that they let us carry on after season one is mental.'
She also said she booked the BBC series, about a group of young finance graduates, in her first year of drama school and said the role of Yasmin 'changed my life' as she has gone on to play the late singer Amy Winehouse in the film Back To Black.
Over in the category for Leading Actor, Rivals star David Tennant - one of the favourites for the award - lost out to Lennie James for his starring role in BBC show Mr Loverman.
A shocked Lennie admitted he hadn't prepared a speech, as he 'didn't think this was coming my way'.
It was the second award of the night for Mr Loverman, with Lennie's co-star Ariyon Bakare winning the Supporting Actor gong earlier that night and giving an emotional speech that moved much of the audience.
Popular BBC show Would I Lie To You claimed the Entertainment Programme accolade, with stars Lee Mack, Rob Brydon and David Mitchell causing the audience to crack up with their usual witty banter.
David said: 'We have been nominated eight times but this is the first time we have won. They actually abolished the category we were nominated for last year and so we thought next year we would be nominated in news, maybe a short-form drama on something that Prince Andrew has done.'
(L-R) Justin Marks, Rachel Kondo, Hiroyuki Sanada, Michaela Clavell, Edward L. McDonnell and Jonathan Van Tulleken with the International award for Shogun
Robert Rinder and Rylan Clark also found themselves among the winners, with BBC show Rob and Rylan's Grand Tour winning the Factual Entertainment award.
Elsewhere Joe Lycett beat Stacey Solomon, Romesh Ranganathan, Claudia Winkleman, Graham Norton, Ant McPartlin and Declan Donnelly to the Entertainment Performance award for Channel 4 show Late Night Lycett.
Meanwhile, Glastonbury won its first TV BAFTA in an astonishing 33-years for the BBC's extensive Live Event Coverage of the event at Somerset's Worthy Farm.
EastEnders also got in on the act, with the long-running BBC flagship claiming the award for Best Soap as it celebrates its milestone 40th anniversary.
The broadcasting giant claimed another gong courtesy of BBC Breakfast, with the morning show winning its first ever TV BAFTA for their Post Office Special.
The glitzy ceremony also saw powerful musical performances from pop stars Jessie J and Tom Grennan, marking Jessie's first TV performance in six years.
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The news that the actor, fashion icon and great survivor of the Swinging Sixties Terence Stamp has died at the age of 87 is somehow impossible to believe. Like another offbeat film star, Donald Sutherland, Stamp seemed to be as permanent a fixture in Anglo-American culture as it is possible to be, with his raffish, debonair personality (and famously high-profile love affairs) undercut by what could either be genuine menace or something almost otherworldly. Although Stamp did a vast number of films simply for the money, which he disarmingly confessed to have forgotten about as soon as they were completed, he was too much of a pro to be anything but interesting on screen; when he was good, there were few actors better. He played the devil, of course. 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Michael Caine famously quipped of his one-time Wimpole Street housemate that 'I still wake up sweating in the night as I see Terence agreeing to accept my advice to take the role in Alfie.' Yet Stamp dealt with being a pivotal Sixties figure with a mixture of amusement and disinterest. When he was in a relationship with Julie Christie, they were immortalised by The Kinks as 'Terry and Julie', the couple in their great song Waterloo Sunset. But although Stamp dated many of the most famous women of the age, including the model Jean Shrimpton and, it is rumoured, Brigitte Bardot, he was never interested in becoming a tabloid fixture, or indeed a screen idol. He even once said 'I never imagined I was good-looking or attractive or anything like that.' 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Apart from two appearances as the arch-villain General Zod, fleetingly in the first Superman picture and more substantially in the second, he turned his back on blockbuster films altogether for nearly two decades. If you had been a fan of the dashing actor who had exhibited extraordinary swordplay-as-foreplay in front of an obviously impressed Christie in Madding Crowd, you would have to wait until 1984's The Hit, a cool-as-ice gangster picture in which Stamp was appropriately cast as an inexplicably calm informant, to see him in anything approaching a mainstream film. Yet for whatever reason – money, a wish to act more, boredom – he then became a prolific performer in projects that were often barely worth his time and effort. Sometimes, the films were good, as in Oliver Stone's Wall Street and the uproarious Steve Martin-Eddie Murphy comedy Bowfinger. More often, they were terrible. If you remember the likes of The Real McCoy, Genuine Risk or Red Planet, that is almost certainly more than their well-paid guest actor did. There were a couple of shining exceptions. Stamp often seemed like a grave actor, which is why his occasional forays into comedy were so welcome. When he played the stately transgender woman Bernadette in the uproarious 1994 farce The Adventures of Priscilla, Queen of the Desert, he gave what could have been a thin role dignity and charisma. He was just as good a few years later in Steven Soderbergh's terrific mob thriller The Limey, in which he channelled all the strangeness and intensity from his earlier performances into a superb, indelible lead as Wilson, an enigmatic Englishman who comes to Los Angeles to seek revenge for the death of his daughter years earlier. (Stamp's delivery of the line 'You tell him I'm coming! You tell him I'm f______ coming!' is simply magnificent.) It was not until his final on-screen role in Edgar Wright's Late Night in Soho that Stamp found another director who was similarly in awe of his warped, slightly askew charisma. With his mysterious character only known as the 'silver haired gentleman', the actor brought the authentic feel of Sixties London – half glamorous, half terrifying – to his supporting role. But by then, Stamp had been happy to coast along for years, giving interviews that only contributed to his sense of enigma. Talking to John Preston for this newspaper in 2013, he remarked that 'I don't really live anywhere. I stay with friends a lot, or just travel about from hotel to hotel.' When a bemused Preston asked where his home was, Stamp simply replied 'Oh, I don't have one. Haven't done for years.' Stamp wrote three volumes of memoir (one, brilliantly, entitled Stamp Album), a far-from-terrible novel, The Night, and a cookbook with recipes intended for those who were, like him, wheat and lactose-intolerant. He should be remembered not just as a great screen actor and inimitably eccentric man, but as someone who kept a healthy degree of scepticism about show business. He once confessed to being so poor in the Nineties that he was unable to afford a bus ticket, but had his own splendidly unusual means of making money. 'Fortunately I'd bought all this white wine, Chateau d'Yquem, in the Sixties. I hadn't drunk much of it, so, whenever things got tight, I could sell a case and that would tide me over.' Somehow, selling fine wine from that decade he helped define says far more about Stamp than any number of Star Wars blockbusters might. Long may this oddball wonder be remembered and celebrated. Terence Stamp's five greatest roles 1. Billy Budd (1962) It was somehow typical of Stamp that his film debut, in which he appeared at the age of 24, saw him nominated for an Oscar and Bafta, as well as winning him a Golden Globe for New Star of the Year. The awards boards were not wrong. Stamp's performance as the saintly, beautiful new crewman on board ship during the Napoleonic Wars, who arises first the lust and then the fury of the martinet John Claggart, is remarkable, bringing a strangeness and erotic tension to what may otherwise have been a relatively formulaic naval adventure. Benjamin Britten wrote a famous opera based on the same Melville novella a decade before, and could only have wished for a Budd of the same charisma as Stamp. 2. Far From The Madding Crowd (1967) Nicolas Roeg soon became best known as a director rather than a cinematographer, but it's his photography of Julie Christie and Stamp in this quintessentially Sixties Thomas Hardy adaptation that lifts what might otherwise be a dated picture into the realms of the sublime. Stamp always looked magnificent on screen – 'bone structure…my father had it too', he once explained, in a suitably offhand fashion – but what he does here is to turn Hardy's superficially seductive but weak and vacuous rake-sergeant into a figure of such gravitational draw that it's impossible not to imagine the entire cast, male and female alike, signing up to enlist if he'll be their officer in charge. 3. Superman II (1980) 'Kneel before Zod!' Whichever version of the Superman sequel you watch – the campier, Richard Lester-directed one or the reconstructed, statelier Richard Donner incarnation – there can be little doubt that Stamp's return to mainstream cinema proved to be well worth it. It was, of course, a payday gig, but the actor needed the work, remarking that, when he received the offer of the part, 'I remember opening the envelope, and there was a tremor in my hand. I think I knew that my life was about to change.' What Stamp does so well is to underplay the character of General Zod (in stark contrast to Michael Shannon in Man of Steel), giving him a curiously detached attitude to humanity that makes the comic-book villain seem just as inimitable a Stamp character as anyone else that he played before or afterwards. He acts everyone else – even Gene Hackman – off the screen. 4. The Adventures of Priscilla, Queen of the Desert (1994) Stamp expressed a certain degree of hesitation over playing the trans character Bernadette in the camp, outrageous comedy Priscilla, not because of any latent homophobia but because, touchingly, he was unsure that he was the right actor for a role that was miles away from anything that he had ever done before. The director Stephan Elliott's belief that the English thespian would do a magnificent job in the central part of Bernadette was swiftly vindicated. While his co-stars Guy Pearce and Hugo Weaving camp it up to high heaven – as the picture demands – as a pair of drag queens, Stamp's still, often very affecting performance counts as one of this fine actor's very best. It was once hoped that he would reprise the role in a sequel, but alas events have terminally intervened on that score. 5. The Limey (1999) Stamp appeared in two outstanding gangster pictures as a mature actor, this and Stephen Frears' masterly, enigmatic The Hit. Either could have appeared on this brief list, but while The Hit perhaps belongs ultimately to John Hurt, there is no doubt that in Soderbergh's full-throated homage to Sixties crime cinema, Stamp is the USP throughout. There were undeniably times in the Eighties and Nineties – and beyond – where it felt as if the actor was simply bestowing off-the-peg gravitas to projects that barely deserved him. But here, he was allowed to channel far more profound emotions, and his performance as a scrappy avenging angel, by times tender, feral and primal, has to rank as one of his very greatest.
