
Brawl erupts between concert goers at Beyoncé's London show, second such incident in less than a month
A fight broke out amongst concert goers at singer Beyoncé's concert in London. A person took to TikTok to share a clip of the incident, which was posted on X (formerly Twitter) by Brazilian entertainment website Hugo Gloss. (Also Read | Massive fight breaks out during Beyoncé's show in Chicago as fans throw kicks and punches at each other. Watch)
In the video, just a few rows away from the stage at the Tottenham Hotspur Stadium, two men wearing cowboy outfits were seen beating another person. A few of the audience members tried to stop them. The fight broke out as Beyoncé sang Why Don't You Love Me.
The original video was shared with the words "imagine fighting in front of Beyoncé, like calm down (crying face emoji)" written on it. The clip on TikTok has been seen nearly 300,000 times since it was posted on Friday. The incident reportedly took place on Thursday, the first night of the Cowboy Carter Tour's six-show stop at Tottenham Hotspur Stadium.
However, this isn't the first time that a fight has taken place at one of Beyoncé's concerts. In May, Beyoncé's concert in Chicago turned into a battleground as some concertgoers tried to push and shove other people and tear their clothes. Chairs were knocked down. A few people tried to stop the fight by pulling people away from each other.
In London, Beyoncé paid homage to Black contributions to country music in a nearly three-hour show. The Cowboy Carter and the Rodeo Chitlin Circuit tour honours both Black performers, some of whom are featured on her Cowboy Carter album, and the venues known as the Chitlin Circuit, which provided safe spaces for Black performers in the shadows of the Jim Crow segregation period.
Beyonce, wearing an all-white bejewelled bodysuit with fringed chaps, opened Thursday night's show with American Requiem, which explores themes of saying "goodbye to what has been" – the deep-rooted talons of racism within country music – and finding a new way forward. She followed it up with a rendition of Blackbiird– a Beatles song that Paul McCartney said was inspired by the civil rights movement in the southern United States - featuring emerging Black women in country music.
On stage, Beyonce rode a mechanical bull and flew around the Tottenham Hotspur stadium in a car and giant horseshoe, belting out a medley of new and old songs across genres, uniting people from all ages and backgrounds. After finishing in London, the singer will perform three shows in Paris.
(With Reuters inputs)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
28 minutes ago
- Time of India
‘Squid Game's most terrifying game yet—and what we know about the possible spin-off series
With a new season of the iconic survival drama approaching, fresh revelations have emerged from creator and director Hwang Dong Hyuk—unveiling a game that promises to be the most harrowing yet, along with early insights into a potential Squid Game spin-off. On June 4, the official Squid Game X (formerly Twitter) page shared a video featuring director Hwang, cast members from season 3, and season 2 actor T.O.P. reacting to the trailer for the upcoming season. In the video, the director introduced what he calls 'the most dramatic and impactful game across all the seasons'—a high-stakes version of hide-and-seek. In this chilling new challenge, players are divided into two teams: blue and red. One group plays the role of attackers, while the other becomes defenders. Set inside a confined space with a ceiling painted like a starry sky, the setting's serene beauty stands in stark contrast to the brutal game that is about to unfold. The stakes appear to be higher than ever. Fan theories have already dubbed the game 'worse than marbles'—a reference to the emotionally devastating game in season one, where players were forced to compete in pairs, often leading to betrayal and loss. The Squid Game page even responded to one such fan post with a cryptic eye emoji, further fueling speculation that this hide-and-seek variant will be soul-crushing in its intensity. While no spin-off has been officially confirmed, Hwang Dong Hyuk hasn't ruled out the possibility. Speaking at the 2025 Gotham Television Awards, he teased his concept for a side story. 'If I make a spin-off, it will be a story happening between season 1 and 2. There was a three-year gap between the two seasons, so I want to show what happened during that time,' he said. As fans wait eagerly for the next installment, one thing is clear: Squid Game isn't just returning—it's aiming to shake audiences like never before.


The Print
an hour ago
- The Print
Indian gay men idolise three kinds of women. They're all missing from this era of Bollywood
The women who queer people—especially the gays—idolise fall into one of three types: the tragic figure, the camp queen, and the vamp-vixen-fierce-mother diva goddess. (There's another, shorter, more outrageous word for the last category, but it's not very PG and hence best avoided.) Most often, these women are high-fashion, irreverent, and fully realised. It's no secret: gay men love women. Their lives are deeper, their conversation more honest, their heartbreak familiar. In pop culture, this translates to armies of gay men willing to lay down their lives for their 'queens'. If you've ever encountered a Beyoncé fan on X, you'll know what I mean. When I was 12 years old and the star of my sanskar kendra—the Hindu answer to Sunday school—we did a play in which I was the only boy with 10 girls. My mother called me 'Krishna amid gopikas', bless her blindness. And while I did grow out of religion eventually, I've only grown more comfortable with my adoration for women. No one in Bollywood, at the moment, fits these criteria; it's why everything coming out of the industry is slop. And if you bring up Badhaai Do, I will be moved to violence. The summer of change If the recent rise of Shabana Azmi and Zeenat Aman tells us anything, it's that we're desperately seeking Bollywood's lost vitality. Even the West, which has a long tradition of queer icons from Judy Garland to Chappell Roan, is resurrecting the likes of Nicole Kidman and Michelle Yeoh. In India, it all began in July 2023, when three things happened in rapid succession. First, Zeenat Aman, after conquering Instagram, earned herself a feature on the cover of Vogue India. Second, Rekha appeared on the cover of Vogue Arabia in what can only be described as the photoshoot of the decade. (The technical term, I believe, is 'slay the house down boots'.) Third, Jaya Bachchan and Shabana Azmi returned to the big screen in KJo's Rocky Aur Rani Kii Prem Kahaani. Three of these women were what can be called 'fierce', which is code for subversive. The fourth one is the exact opposite, most likely by choice. But let me elaborate. Zeenat, while she was 'bold' during her time in Bollywood, wasn't ever rebellious. She didn't ruffle feathers—the right kind, at least. She was daring and perhaps outrageous, but always demure. Case in point, the way she convinced Raj Kapoor to hire her for Satyam Shivam Sundaram. It is in her arrival on Instagram, where she revealed the person behind the persona, that Zeenat became radical. Shabana was always non-conforming. But the women defined as queer icons often carry a sartorial edge. A lot of it is in fashion—a performance of such extreme femininity that it begins to undo the very institution that ordains it. Who can watch Mandi and deny her the title? Jaya, I've heard, was once profound. Perhaps she remains so, but subversive, she is not. Rekha is the only one out of these legends who wasn't making a 'comeback'—she'd never left. A line about Madonna from the Drag Race musical fits here, too: The most controversial thing she ever did was to stick around. Part of why Rekha is the embodiment of a queer icon is that she knows how the delicate line of power has to be toed. She is real, but to a point. She knows how to lure in her interviewer with a scandalous confession—only to undercut it with a paltry statement of fact. And if you need more proof, look no further than the Simi Garewal interview. Rekha responded to Garewal's befuddlement with queerness in an unbothered yet bratty 'Why not!' Yes, you heard it here first: Rekha is 'brat'. All this to say, the grandmas returned in 2023 to remind us how comfortable we'd gotten with conformity. Everyone knows that pop culture becoming hetero is a recession indicator. When was the last time Bollywood wrote a good part for a woman? Even Alia has hit a dry spell. Not that Mrs Kapoor could ever embody defiance. Priyanka Chopra was at the precipice for one hot second—before PC decided to become POC in America. Katrina, too, had potential before she went the Karva Chauth route. One name I think queers are overlooking is Mallika Sherawat—beyond a eureka mention of Hisss, we haven't been paying much attention to her. The gays certainly love Deepika and Madhuri, but these women are not quite the brat-fierce-vamp-femme fatale brand of defiant. One might call them 'mother', but I'm afraid that word has become antiquated already. Also read: Grindr is dying. The final nail in the coffin is ads Bring back subversion Rekha, Shabana, and Zeenat belong to the subversive brand of queer icons. But even the tragic figure and the camp queen are rebellious in their own way. At first, I thought of the tragic icon as a woman doomed by the narrative—Meena Kumari, Parveen Babi, Whitney Houston, Princess Diana. These were women whose suffering and loneliness drew the queers in. I'd even count Meerabai here—her power to yearn is unrivalled—but I believe I may be alone on this particular hill. I hadn't realised that the tragic women had been named so by the world—a world ruled by the very men who let these women down. They had been marked as outliers until the queers made icons out of them. Not by indulging in the sorrow of their fall, but by celebrating the art and vitality they bequeathed us. Who can listen to I Write, I Recite and not realise that Meena Kumari's depth defines her, not her death? And then there is camp. If Rekha is subversion personified, Sridevi is camp come to life. She, too, is exaggerated, irreverent, hyper-feminine, and non-conforming to the bone. But there is a wink-and-nudge to camp, a disarming playfulness. The claws are well-hidden. Kareena Kapoor, I'm forced to admit, is part of this tradition. But when camp, or fashion in general, isn't backed by any real rebellion, it becomes slay—in other words, liberal. Desi gays who stan Kareena are like the white gays who enjoy Ariana Grande: they don't really care for substance. Today, campy queens can be found in reality TV and influencer culture, be it Rakhi Sawant, Pooja Mishra, or Uorfi Javed. From this generation, though, Rakhi is the only one at par with Sridevi. The claws are there, even if power isn't. So what is it that makes a woman a queer icon? And am I saying that our lack of queer icons is a failing on the part of the women in Indian pop culture? Not really. A Rekha can't be repeated today. Our definition of celebrity has shifted, as have the ways in which we rebel. Chappell Roan is an icon, but in vastly different ways from Judy Garland. Rebellion is part of it. When women fight the karva-chauth-and-sindoor type of patriarchal assertion, they're inadvertently forming ties with the queers. And if Bollywood wants to remain relevant, it must let these women surface once again. The women queer people idolise are the ones who, through their own pain, sass, or subversiveness, create spaces where we can belong. Who'd have thought, all it takes to earn our admiration is letting us in. This article is part of a series of columns. Read the rest here. Views are personal. (Edited by Theres Sudeep)


News18
2 hours ago
- News18
Fan Fight Breaks Out At Beyoncé's London Show, Second Scuffle In Weeks
Last Updated: A fight broke out at Beyoncé's London concert, the second such incident in a month, near the stage at Tottenham Hotspur Stadium. A fight broke out during Beyoncé's concert in London, making it the second such incident in less than a month. A person who attended the show posted a video of the fight on TikTok, which was later shared on X (formerly Twitter) by Brazilian entertainment page Hugo Gloss. In the video, the camera catches two men dressed in cowboy outfits beating up another person. The incident happened just a few rows from the stage at Tottenham Hotspur Stadium, while Beyoncé was singing her hit song Why Don't You Love Me. Some fans nearby tried to break up the fight. The video was shared with a caption that read, 'imagine fighting in front of Beyoncé, like calm down (crying face emoji)." It has already been watched nearly 3 lakh times since it was posted on Friday. The fight took place on Thursday, during the first show of Beyoncé's six-night stop in London for her Cowboy Carter Tour. Sadly, this isn't the first time something like this has happened. In May, a similar fight broke out at her concert in Chicago. That time, fans were seen pushing, throwing punches, and even pulling at each other's clothes. Chairs were knocked over, and some people had to step in to stop the chaos. Despite the drama, Beyoncé put on a powerful show in London. She honoured Black artists who helped shape country music, many of whom are also featured on her Cowboy Carter album. The concert also gave a nod to the Chitlin' Circuit – a group of venues that supported Black performers during segregation in the US. Beyoncé wore a sparkling white bodysuit with fringe and started her show with American Requiem, a song about saying goodbye to racism in country music. She also performed Blackbiird, a Beatles song written about the civil rights movement, featuring rising Black female country singers. She even rode a mechanical bull and flew over the stadium in a car and a giant horseshoe. After her London shows, Beyoncé is headed to Paris for three more performances. (With inputs from Reuters) First Published: June 08, 2025, 12:34 IST News movies » hollywood » Fan Fight Breaks Out At Beyoncé's London Show, Second Scuffle In Weeks