
Pete Davidson reveals where he stands with ex-fiancée Ariana Grande
The 31-year-old comedian spoke candidly about his ex, who he was engaged to for four months in 2018, during an interview with Page Six, published on Friday. He noted that while he doesn't see Grande often, he's quite proud of her.
'When we see each other, which is few and far between, because we're not in the same circles, it's all love,' he said about the 'Positions' singer, who's nominated for the Best Actress in Supporting Role Oscar award at for her role as Glinda in Wicked. The star-studded awards ceremony will be taking place on March 2.
'I hope she wins the Oscar, I hope she takes the gold,' the Saturday Night Live alum added. 'I've had some pretty adult relationships with some pretty amazing women, and when it's ended it's been cool.'
The 'Thank U, Next' singer was engaged to the comedian in June 2018 after just two months of dating. The pair called off their engagement in October that year.
One year later, Grande opened up about her whirlwind romance, noting that meeting Davidson was 'an amazing distraction' in the wake of her breakup with Mac Miller, who died from an overdose in September 2018.
'It was frivolous and fun and insane and highly unrealistic,' she told Vogue in July 2019, adding: 'I loved him, and I didn't know him. I'm like an infant when it comes to real life and this old soul, been-around-the-block-a-million-times artist. I still don't trust myself with the life stuff.'
Davidson has been romantically linked to a range of famous faces, as he most recently ended his romance with Outer Banks star Madelyn Cline last year. He's previously dated Kim Kardashian, Kaia Gerber, Chase Sui Wonders, Phoebe Dynevor, and Kate Beckinsale.
During his time in the spotlight, fans have gushed over his relationship with some big A-listers, with his love life becoming the butt of many jokes on SNL. However, he doesn't like how his relationships are the topic of conversation.
'It was pretty humiliating and upsetting, honestly. Everyone is dating everyone and it's Hollywood. Look at Paul Mescal, Timmy [Chalamet], Barry Keough,' he told Page Six. 'But because I'm ugly, they wrote about me. I was harassed for like five years and it made my life a living hell.'
'It's embarrassing because you want people to write about your work. I was one of the youngest ever cast members on SNL and all that got pushed to the side because of who I was dating,' he added.
The Bupkis star also addressed how his love life has inspired ' big dick energy' internet slang, used to describe a man without a lot of confidence, without being cocky. However, Davidson was never a fan of that term.
'I'm a very sensitive person and it's humiliating to see a picture of yourself eating a sandwich in a pink T-shirt with the headline 'This is what BDE is,'' he said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
3 hours ago
- Telegraph
The women who could fill the Anna Wintour gap at Vogue
' No-one can replace Anna ' has long been the refrain among fashion's highest echelons. Not being a 500-year-old immortal like the Highlander, however, someone eventually must. Nothing – not even a diet of rare steak and daily tennis – can make a person live forever. And yet Anna Wintour's 37-year reign at American Vogue was so formidable that many assumed she might go on editing indefinitely. Which is why June's announcement that she would be stepping back from her day-to-day duties at Vogue came as such a surprise – and why speculation over her successor is now at fever pitch. While Wintour still holds two powerhouse titles – chief content officer of Condé Nast and global editorial director of Vogue – relinquishing the hands-on editorship of US Vogue marks the end of an era. It also signals the fading of a golden age for glossy magazines, when seven-figure salaries, chauffeured limousines and lavish expense accounts were de rigueur. Her successor, taking on the newly created role of head of editorial content, will face a daunting challenge. With magazine sales in decline, they will need to combine journalistic rigour, marketing acumen and managerial diplomacy with formidable networking skills, elite hosting and fundraising prowess – not to mention the hide of a rhinoceros. 'This is an extremely challenging role, and it's a big reach to assume that any one candidate will possess all the necessary skills,' says one well-placed source in New York. 'We talk a lot about musical chairs in the fashion industry, usually in relation to the steady turnover of designers at luxury houses. This role is likely to feel like a game of its own – only instead of chairs disappearing, it's staff and budgets.' Multiple sources say that Vogue's parent company, Condé Nast, hopes to make a decision before the next round of shows – New York Fashion Week begins on Sept 11 – suggesting an announcement is imminent. With rumours that the shortlist has been cut to single digits, we assess who might soon be wearing a smaller, meeker version of Wintour's crown. Cast your vote at the end. The frontrunner Chloe Malle, 39 The current frontrunner, Malle, studied comparative literature and writing at Brown University, landed her first internship at The New York Observer, and joined US Vogue in 2011 as social editor – despite admitting in a 2013 interview that she was 'hesitant […] because fashion is not one of my main interests in life.' An instant disqualifier, surely? Malle now serves as editor of and is well-regarded for a down-to-earth manner somewhat at odds with her privileged upbringing. She has two children with her asset manager husband and, like Wintour, is a Democrat unafraid to express her views. The Francophile Claire Thomson-Jonville, 40 Vogue editor, or cover star? Much has been made of Thomson-Jonville's 'model looks', with breathless profiles lingering on the bikini shots she shares with her 201,000 Instagram followers. Born in Glasgow, educated at Edinburgh University and once editor of indie style mag Self Service, she has been head of editorial content at French Vogue since 2021. 'Anna and I have a very similar vision […] a definite complicité,' she has said (she's fluent in French). That's not all they share: both have two children (though the father of Thomson-Jonville's remains unknown), both are exercise devotees (tennis for Wintour, yoga for Thomson-Jonville) and both are famously disciplined, rising at 5am. Where they part ways is in their fondness for motivational mantras – you wouldn't catch Wintour posting 'energy flows where intention goes'. The protégée Amy Astley, 58 Michigan State University-educated Astley is a Wintour protégé of long standing, joining US Vogue in 1993 and rising to become beauty director before being tasked with launching Teen Vogue in 2003. In 2016, Wintour handed her the editorship of Architectural Digest, which Astley swiftly transformed into a must-read with cachet and relevance well beyond the design world. A recent feature on Pamela Anderson's love of gardening underlined her sharp commercial instincts. Some insiders suggest Astley is being groomed to replace Wintour as chief content officer when she finally retires. If she ever does. The digital savante Eva Chen, 45 With magazine sales in terminal decline, who better to refine and drive Vogue's digital strategy than Instagram's head of fashion partnerships? Another Wintour protégé, Chen was recruited by the platform in 2015 and has been monetising its fashion and e-commerce potential ever since. Armed with a master's in journalism from Columbia University and a CV that spans Harper's Bazaar, Teen Vogue, Elle and Lucky (where she became the youngest editor-in-chief in the magazine's history), the question isn't so much whether Chen could do the job, but whether Condé Nast could afford her. The safe pair of hands Nicole Phelps, 53 As global director of Vogue Runway and Vogue Business – and former executive editor of the now-defunct – Phelps is a longtime Condé Nast insider who is both unflappable and well regarded. A Wesleyan University graduate with a degree in Women's Studies, she is also a confident public speaker who knows the fashion industry inside out, having cut her teeth at WWD and W Magazine before joining Vogue in 2004. With 100,000 Instagram followers and years of digital-first expertise, she is certain to be in contention. The stylist Edward Enninful, 53 Enninful's name was bound to be in the mix: Wintour hand-picked him to succeed Alexandra Shulman at British Vogue, which he led from 2017 to 2024. Rumours of a rift with his former boss are wide of the mark – it's less a case of bad blood than bad timing, even if he was once thought to covet the role. Rather than wait in the wings for Wintour's abdication, he has built his own fiefdom. In May, he announced the launch of EE72, a media and entertainment company co-founded with his sister, Akua Enninful. Next month brings the debut issue of a glossy magazine, staffed largely by former Vogue employees. 'Edward would never cede EE72 for a job at Vogue,' says a source. 'Especially when he stands to make so much revenue. Vogue is old media; EE72 is new.' Indeed. Where Condé Nast's rules around lucrative brand consultancy work remain opaque, as head of his own company Enninful can set the terms – and make a fortune in the process. The newspaper journalist Jo Ellison, 45 A former fashion features director at British Vogue, Edinburgh University-educated Ellison ticks every box on the Wintour Approvability Chart: the right experience (including extensive event-hosting of the kind Vogue increasingly needs to monetise), the right look (tall, sharp cheekbones, a wardrobe heavy on old Céline) and the right character (dry wit, little patience for fools). She also has the right job. As deputy editor of the Financial Times and, more pertinently, editor-in-chief of HTSI [formerly How To Spend It], the FT's weekend lifestyle supplement, Ellison enjoys unfettered access to luxury's highest echelons – not to mention almost any A-list name she chooses to feature. Crucially, she avoids the pressure of generating robust news-stand sales, since HTSI is not a standalone magazine. Why would she trade all this for the headaches of Vogue? Unlikely. The wild card Lauren Sánchez Bezos, 55 Could she? Would she? For many Vogue readers, it would be the stuff of nightmares. While Sánchez holds a journalism degree from the University of Southern California (pre-Bezos, she worked as a newsroom anchor and TV host), she is unlikely to be in contention for this particular role – not least because her sights may be set elsewhere. If rumour is to be believed, her husband is plotting an acquisition of Condé Nast, Vogue's parent company – a move that would change everything, should he succeed. After her cover appearance in the June issue, sources even claimed Bezos was considering buying Sánchez the title as a 'wedding gift'. Katy Perry on the cover in a space suit? Brace, brace.


Daily Mirror
5 hours ago
- Daily Mirror
Trailblazer Ellie Goldstein's life in six pictures before 'dream' debut on Strictly
Vogue cover star and BBC actress, Ellie Goldstein, who will be slipping into sequins on Strictly Come Dancing in September, has packed a lot into her 23 years Ellie Goldstein will become the first person with Down's syndrome to compete on the main series of Strictly Come Dancing this year and is sure to prove a huge hit with viewers. The plucky star has packed a lot into her 23 years, including prolific disability campaigning and working with Matel to launch the first Barbie with Down's syndrome. She was also the first woman to appear on the cover of Vogue with Down's syndrome two years ago. It comes as some fans fear for the future of Strictly after its recent drugs scandal. So, as we wait for September to see Ellie in action on-screen, where she'll waltz around the dance floor, making history again, here's a look at her inspirational life... 1 of 6 Vogue cover star 2 of 6 Catwalk queen 3 of 6 Launches first Barbie doll with Down's syndrome 4 of 6 Disability campaigner 5 of 6 BBC actress 6 of 6 Strictly star MORE ON Strictly Come Dancing


Daily Record
6 hours ago
- Daily Record
Kilmarnock sisters will share the stage at The King's Theatre new production Shrek the Musical
For Niamh and Freya Lee, October will mark not just another show, but a shared milestone in their young careers Kilmarnock sisters are set to share the stage for the very first time in a major musical production this October. A 10-year-old Niamh Lee and 16-year-old Freya Lee have been double cast in Shrek the Musical at The King's Theatre in Glasgow, as Young and Teen Fiona. For Niamh, this year has delivered three remarkable stage triumphs, all on the historic stage of the King's Theatre. In January, she captivated audiences and critics alike in the title role of Annie, earning standing ovations and glowing industry and press coverage. By April, she had swapped the plucky optimism of America's favourite orphan for the poignancy and purity of Little Cosette in the UK amateur premiere of Les Misérables. Her performance was hailed as "breathtaking" by audiences and industry watchers alike and even caught the attention of London-based talent agents. Now, Niamh is set to return to the King's Theatre once again in October, stepping into the emerald world of Shrek the Musical as Young Fiona. In an extraordinary twist, she will share the stage with her older sister Freya, who has been cast as Teen Fiona in the production by Pantheon Theatre Company. Niamh said: "Young Fiona is such a fun character to play, she's full of energy and dreams, and I can't wait to bring that to life on stage. I feel really lucky to have been given this opportunity. "It's amazing to be playing Young Fiona, and to be doing it alongside my sister makes it even more special. "We've grown up watching each other perform, so to be in the same show, and playing the same character, is amazing. Freya has been helping me, and I've been encouraging her too. It's really nice to share the experience and the excitement with someone who knows exactly how it feels. "I'm really grateful to Pantheon for this opportunity and I can't wait to work again with some of the fantastic directors and producers I've had the chance to perform with before. The cast is full of incredibly talented people. I think audiences are going to love it." Freya, who will be balancing rehearsals with starting her fifth year at the prestigious Dance School of Scotland's Musical Theatre course, added: "The training I've received at the Dance School has been incredible, the teachers really push you to be your best and give you the skills to succeed on stage. "Being cast as Teen Fiona is such an exciting challenge, and getting to share the experience with my little sister is just the icing on the cake. "We've never performed together in a show like this before, so to both be playing Fiona at different ages is special." Theatre Company is promising a production packed with energy, colour, and show-stopping performances. The show will take place from Tuesday, October 7 until Saturday, October 11 and will bring all the beloved characters from the Oscar-winning smash hit film to life on stage. Freya shared: "I really hope people leave feeling uplifted and happy. Shrek is such a feel-good show with a brilliant message about being yourself and accepting others for who they are. There's a lot of humour, great songs, and some really touching moments too. If people go home humming the tunes and feeling a bit more joyful than when they came in, then we've done our job! "Seeing all the different elements, the music, the choreography, the costumes, start to click into place is great. "I like the scenes where the different versions of Fiona are on stage together, Young, Teen, and Adult Fiona. It's a clever way to show her journey, and also one of the moments that makes me smile the most because I get to share it with Niamh." Niamh added: "I love getting to know the cast and seeing how talented everyone is. Every rehearsal feels like so much fun. Marina Kelman who plays Princess Fiona was previously the star of Evita and her voice is just incredible. I love working with her, she is so talented and looks after us all. So many of the cast are so funny, and David our Producer always makes it so enjoyable." Ticket demand for Shrek the Musical has been phenomenal, with the Saturday matinee performance already sold out well ahead of opening night.