In photos: Ozzy Osbourne in Chicago
Zoom in: While Ozzy is from England, his music brought thousands of Chicago fans together over the years.
Ozzy and his band Black Sabbath have played everywhere from the Rosemont Horizon to the Aragon Ballroom.
He also brought the "Ozzfest" tour to the New World Music Theatre in Tinley Park in the 1990s.
In the photo above, Ozzy appeared at Rolling Stone Records in Norridge in 1981.
Ozzy's last Chicago-area concert was with Black Sabbath at the United Center in 2016. They also performed at Lollapalooza in 2012.
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Fox News
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Kelly Osbourne posts treasured moment with late father Ozzy Osbourne
Kelly Osbourne is sharing some of her favorite memories with her dad, Ozzy Osbourne, as she continues to mourn his death. The 40-year-old reality star took to Instagram stories on Saturday morning to share a sweet moment between the two of them while filming his A&E show "Jack & Ozzy's World Detour," per Page Six. In the clip, Ozzy can be seen jumping into the passenger seat of Kelly's RV, as she tells him "Morning, I got this song in my head I have to play it for you." The two then begin to dance together as they both sing along to "Paradise" by George Ezra. Kelly can then be heard telling her dad, "I love you," to which he responds, "I love you more." "One of the best Ozzy moments ever!" she wrote above the video. The Prince of Darkness died on Tuesday at the age of 76, just weeks after reuniting with Black Sabbath for a final performance with the band in Birmingham, England. "It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning," the family said in a statement provided to Fox News Digital. "He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time." Kelly first broke her silence after her father's death on Thursday, writing on Instagram stories, "I feel unhappy I am so sad. I lost the best friend I ever had." Following his death, a source told People magazine the rock legend was "surrounded by family" before he passed and was at "peace" in the moments before his death. "[Sharon's] deepest hope was fulfilled, and this is her focus now," a source told the outlet. "Ozzy's final days were spent in England, surrounded by family, music and in the place he called home. He was in peace." In addition to Kelly, Ozzy is also survived by his wife of 43 years, Sharon Osbourne, and their children, Aimée and Jack Osbourne, as well as his three children from a previous marriage, Jessica, Louis and Elliot. Jack's ex-wife, Lisa Stelly, also paid tribute to the Black Sabbath frontman on Instagram, sharing photos of him with his grandkids, writing in the caption, "The world got Ozzy. We got Papa." "One of one. Larger than life. It hurts to say goodbye, but what a gift it was to have him," she continued. "We will never stop missing you."
Indianapolis Star
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Ozzy didn't corrupt America's youth. He exposed the hypocrisy of their elders.
Ozzy Osbourne is dead, and some Christians may believe that the devil ushered him straight to the gates of hell. Few pop culture icons were as important, or as controversial, as Osbourne. The British-born rocker became the avatar of American culture wars more than a half-century ago by attempting to showcase the hypocrisy of modern religion. Osbourne launched his career in the late 1960s. Sensitive to cultural currents, he recognized what was happening not just in music, but also in religion and politics. He used it to build on the image of rock as subversive and countercultural. From the start, Osbourne understood how to bring attention to his art. Calling his band Black Sabbath sent a clear message. He aimed to subvert, not honor, Christianity. He integrated crosses, demonic imagery and symbols of the devil such as bats into his performances to highlight what he saw as the absurdity of organized religion. Osbourne sang lyrics in his first album about a 'figure in black' that directed him, and in another song, he took on the persona of Satan himself: 'My name is Lucifer, please take my hand.' In Black Sabbath's "Paranoid" album, released at the height of the Vietnam War, he sang 'War Pigs,' a song in which Satan laughed and spread his wings as political and military elites led the Western world to the doorstep of the apocalypse. Opinion: How faith becomes a weapon: 'If I can't understand it, it's not Christian' Such allusions to the demonic continued in album after album. Osbourne's career developed parallel to a new understanding of Satan. In the post-World War II era, the devil assumed a more prominent role in American life. Anton LaVey's founding of the Church of Satan in 1966 celebrated Satan as a symbol of rebellion, individualism and secular liberation. In other words, Satan was the opposite of everything anxious Cold War parents wanted to instill in their kids. Artists drew on this revamped Satan in their work. Films like "The Exorcist" (1973) and "The Omen" (1976) brought Satan − and fears of Satan's ability to inhabit human bodies − into the imaginations of millions of people. Osbourne made those themes central to his music. In the 1980s, while Osbourne was still releasing albums, fears of satanic ritual abuse swept across the United States. Christian conservatives fretted that Dungeons & Dragons, Ouija boards and horror films were gateways to demonic influence. High-profile cases like the McMartin preschool trial and the publication of memoirs about escaping satanic ritual abuse fueled widespread panic. Law enforcement agencies conducted seminars on occult crime, therapists uncovered repressed memories of ritual abuse and talk shows amplified claims of underground satanic cults. The panic revealed deep anxieties about child safety, cultural change and the perceived decline of Christian values in American society. Perhaps, parents and religious leaders wondered, was Osbourne driving kids into satanism? Perhaps his music was brainwashing the nation's youth? Conservative Christians − including evangelicals, Catholics and Latter-day Saints − believe in a cosmic battle between angels and demons that directly influences human affairs. They believe that unseen spiritual battles determine real-world outcomes, particularly in culture, politics and morality. Opinion: Kan-Kan Cinema is elevating Indy's cinema culture Many of them also believed they had to protect children from music like Osbourne's. This framework encouraged social conservatives to interpret issues like abortion, LGBTQ+ rights and the de-Christianizing of culture as evidence of demonic influence, necessitating counteraction through prayer, activism and political engagement. Osbourne and the genre of hard rock that he helped to promote contributed to their fears. In their minds, Osbourne was encouraging youth to rebel. And he was. Osbourne's fans understood what the rock star was doing. They loved it. The more angry Osbourne could make their parents, and the more he could rile up moral crusaders, the better. And he agreed. Playing with the devil became a hallmark of his long career. Briggs: Born into Jim Crow, she lived to witness DEI debates From witch hunts in Salem to conspiracy theories driving QAnon, Americans have used Satan to facilitate a politics of fear. They have used him to justify persecution, fuel moral panics, shape political and cultural battles, and assess global crises and war. But there has always been another side to Satan, the one Osbourne captured. His devil wasn't the horned villain of Christian nightmares but a trickster, a rebel, a symbol of freedom from sanctimony. In Osbourne's hands, Satan gave a theatrical middle finger to hypocrisy and lifted up a mirror to a society obsessed with sin, and he laughed. His life reminds us that sometimes, dancing with the devil is really just refusing to march in lockstep with the saints.
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