
Coronation Street exit confirmed after collapse horror - but it's not Lauren
Coronation Street will soon air a big exit on the ITV soap while details remain under wraps, following a spiking at a party leaving one character rushed to hospital
There's an exit looming on Coronation Street, amid Lauren Bolton being rushed to hospital in a bad way.
The character was accidentally spiked with LSD at a party, leaving her hallucinating and suffering an accident. Lauren had imagined seeing her abuser Joel Deering, the father of her son Frankie.
Despite killing Joel last year, Lauren hallucinated that the villain was back and was out to get her. Events led to her running into the factory, and as she went to leave she fell down some steps.
On Wednesday the character wasn't feeling well, and she was soon rushed to hospital when she collapsed. With Aadi Alahan fearing the worst after Lauren accidentally drank his drink that had the LSD in, Carla Connor stayed with Lauren at the hospital.
It was soon revealed that Lauren had broken ribs and a ruptured spleen after her fall, and Carla began to question what had happened to her that night. As Lauren explained that she had not even drunk that much alcohol, Carla began to wonder if she'd been spiked and took her suspicions to partner Lisa Swain.
Detective Lisa agreed that a drug test could be conducted with Lauren's permission, with Lauren also keen to get to the bottom of it all. Soon enough with Lauren "in a bad way" in hospital, Carla was asking the other party goers about the events and whether there were drugs.
She got no answers, with Lisa then asking colleague Kit Green to have a word with Aadi and the others to find out what went down. With an exit for one character confirmed, is it going to be bad news for one of the party goers?
It could well be the case as Aadi is leaving the show amid him covering up the drugs drama. It was reported earlier this year that actor Adam Hussain was leaving the role after five years.
The actor then spoke out to confirm the news, ready to move on to new adventures. But could this be paving the way for his exit, and might he be sent to prison for what happened to Lauren?
There's also trouble for two other characters, as we edged closer to finding out what Summer Spellman and Nina Lucas were covering up. The pair took LSD at the party, before it was revealed that something bad had been witnessed by them.
On Wednesday night, the girls continued to try to figure out what happened the night before, retracing their steps. But as Nina vowed to go to the police, concerned over what had gone on, Summer told her they could not speak to anyone.
While the show did not give away what had happened and what they saw or did, it was confirmed that they had "left someone to die". Who the mystery person is remains to be seen.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Spectator
an hour ago
- Spectator
‘Too bohemian for Bournemouth': the young Lawrence Durrell
These legendary lives need the clutter cleared away from them occasionally. Lawrence Durrell and his brother Gerald turned their family's prewar escape to an untouched Corfu into a myth that supplied millions of fantasies. It still bore retelling and extravagant expansion recently, if the success of ITV's series The Durrells is any sign. (One indication of that pleasant teatime diversion's accuracy: the actor playing Larry, Josh O'Connor, is 6ft 2in. Larry himself was a whole foot shorter.) How Louisa Durrell, struggling with life in Britain after returning from India, went in a bundle with her children to a Greek island of cheap Venetian mansions, heat and innocent adventure is always going to have its appeal. What the Corfu idyll leaves out is why we should be interested in the story in the first place. Lawrence Durrell was a very good novelist, and this episode was only one of many that contributed to his work. That probably needs saying, since he is out of fashion today for a number of reasons. One is that his books, full of extravagant evocations of exotic places and pleasures, no doubt appealed to a British readership in the 1950s that was starved of such things. But how do the delights of Corfu, or indeed Alexandria, stand up when any of us can hop on a plane and sample them for ourselves? A second reason is connected: Durrell's literary style is undoubtedly baroque, his concept of a novel's structure sometimes baffling (especially in the late Avignon Quintet) and in general open to accusations of over-indulgence. I read the Alexandria Quartet recently for the first time since I was at school, and was surprised by how well it had survived – a steely, bloodthirsty thriller of betrayal, deals and gun-running coagulating out of innocent romantic delusion. Individual episodes, such as the duck shoot in Justine, are wonderfully exciting; and the prose, which I had expected to find overblown, can be startlingly close to the Martin Amis of the 1980s: Melissa's dressing-room was an evil-smelling cubicle full of the coiled pipes that emptied the lavatories. She had a single poignant strip of cracked mirror and a little shelf, dressed with the kind of white paper upon which wedding cakes are built. Here she always set out the jumble of powders and crayons which she misused so fearfully. A further reason for Durrell's unfashionableness is, of course, precisely the biographical expansion, and not just the Corfu fantasy. Sappho, his daughter from his second marriage, set down in her diary details of her sexual abuse by him before committing suicide, just as his character Livia, based on Sappho, had been described as doing. These things can destroy a novelist's reputation. For the moment, his story is still worth telling, and although this is not the first or most important biography, it has a strong appeal – which is partly accidental. Michael Haag, who had already written books about Alexandria and the Corfu episode, was at work on a full biography when he died in 2020. This turned out to be complete up till the end of the war, with Durrell only just starting on what would be Justine. Profile Books has decided to publish it as it stands, which in fact is an alluring decision. What we have is that most interesting approach of literary biographies – the formative years before fame. Durrell hardly ever lived in Britain, and indeed in later years the question sometimes arose of whether he was a British citizen at all. He was born in India in 1912, the son of a brilliant engineer (the wonderful loop at the top of the great Darjeeling railway is his father's work). Some memories of Indian life must have fed into the grotesquery he was capable of as a novelist. When his sister was bitten by her pet spaniel, rabies terrors meant that they had to carry the dog's severed head in a canister on a long train journey to be tested. The family was not quite Raj top-drawer, but Durrell was nevertheless sent back to school in England, and lived with his returning mother in a succession of inappropriately ostentatious houses. Aged 19, he was told by her that he was too much for Bournemouth. 'You can be as bohemian as you like, but not in the house. I think you had better go somewhere where it doesn't show so much,' she said. A brief and raucous Bloomsbury period followed; a noisy marriage; and then the celebrated decampment en masse to Corfu. It was not quite as idyllic in all respects as it has been painted. The young Durrells' enthusiasm for nude sunbathing with each other and visiting friends of both sexes (startlingly documented here in photographs) was one thing the Corfiots jibbed at. The decisive period, however, to which Haag devotes most space, was 1940s Egypt. At the outbreak of hostilities, Durrell had been evacuated with his wife Nancy and infant daughter Penelope Berengaria from Kalamata in the Peloponnese. The experience of war in Egypt was tumultuous, and the mix of different cultures, officialdom, idealists, high society and bohemian life is exactly what makes the Alexandria Quartet so enthralling. The Durrells' marriage broke down and Nancy departed in is hard not to conclude that the war, the heady experience of grand café society and the sense of being at the centre of things had changed Larry fundamentally. Soon he was in a tempestuous relationship with the unstable Eve, who became his second wife and ultimately the disturbing Melissa of the Quartet. As captivating as this novel sequence is, it shows (as Haag frankly admits) that Durrell's experiences did not quite equip him to write about the political situation. It has always been agreed that it would have been impossible for his character Nessim, a Copt, to have been a gun-runner for Zionists in Palestine. Durrell decided to make him one because he was irresistibly drawn to the idea that, alone in the drama, Nessim would have wanted to marry the Jewish Justine out of calculation rather than passion. Though it reveals the limits of what Durrell could accept about the time and place he lived in, the Quartet has its own reality. What he observed turns into a compelling statement, made of smoke and steel. It ought to return to fashion in time. Haag's book is highly readable and elegantly put together, and, if unintentionally, produces a satisfying whole by stopping where it does. In fact, I suspect that the second half of Durrell's life, especially the late years – full of tragedy, bad conduct and an undeniable decline in talent and readability – would not be as enjoyable an experience. We end with him returning to his beloved Greece after the war and starting to work on Justine, a book which hit the British reading public in 1957 at exactly the right moment. A full biography, on the other hand, would have to include Sappho's suicide; the dismal and incomprehensible final volumes of the Avignon Quintet (the last of which Faber returned to be revised, so little impressed were they); and Durrell's death in 1990, before the French state could seize his property for non-payment of taxes. I met him briefly in London in 1983; the strange thing now is that I have absolutely no impression of his being as short as he actually was. His presence was immense. Though this is a good biography, I have a request of publishers in general. Lawrence Durrell has been done often, and very respectably. In the course of Haag's descriptions of life at the British Embassy and British Council in wartime Egypt, the name of Robert Liddell comes up. Liddell was also a seriously good novelist, and one who often appears as the adviser and friend of writers such as Barbara Pym, Elizabeth Taylor and Ivy Compton-Burnett. His story – he was abused as a child, abandoned England after the death of his beloved brother, and lived in Egypt and Greece – could be gripping. Might a publisher, for once, commission not a life we've heard several times but one of this remarkable but still strangely neglected novelist?


Scottish Sun
an hour ago
- Scottish Sun
Watch shock moment Alima explodes at Remell after sleepover kisses with Poppy as Emily breaks down over Conor
Will Remell get away with cracking on with Poppy? CRACK ON? Watch shock moment Alima explodes at Remell after sleepover kisses with Poppy as Emily breaks down over Conor THIS is the shock moment that Alima exploded at Remell after sleepover kisses with Poppy. On tonight's episode of the long-running ITV2 show, four contestants were dumped from the villa. Advertisement 6 Tomorrow's episode will see Alima accuse Remell of being 'fake' Credit: ITV2 6 The star is left in shock after he kissed Poppy in the sleepover twist Credit: ITV2 6 He chose to stick with Alima despite his connection with the bombshell Credit: Shutterstock Editorial The reverberations of the new sleepover twist are set to completely rock the infamous majorca villa. Fans previously demanded that producers axe Remell Mullings after he wasted no time getting to know one of the new bombshells. He declared that he was "not occupied" during his stint in the main villa, despite seemingly appearing happy to be coupled up with Alima. Alima was left fuming after the video of this conversation was sent to the rest of the unsuspecting contestants via text. Advertisement Remell was very flirty with Poppy as the pair snuggled together in bed and shared a number of kisses. In the end, Poppy was one of the four stars to have been dumped from Love Island along with fellow bombshells, Caprice and Will. As a result of Helena's decision to couple up with Giorgio, Shea found himself single and a text broke the news that he was also dumped from the show. But as Emily and Dejon Noel Williams also prepare to return to the villa to their current couples, how will the others react? Advertisement In a teaser clip for tomorrow's episode Alima can be seen to explode at Remell because of his behavior. "It was all fake!", she declared in anger. "All the recoupling speeches, everything!" Four dumped Love Island stars revealed as mass dumping rocks the villa As Remell tried to plead his case and insist he was being genuine, Alima was not having any of it as she insisted: "It was [fake!]." Meanwhile viewers will also see Emily break down in tears over her romance with Conor. Advertisement He will tell her that he shared a kiss with Meg on the terrace, which will leave her devastated. Speaking to some of the guys whilst sobbing, she declared: "I didn't f******* expect nothing from him." She added: "He can f*** off!" This was whilst Connor looked completely ashen-faced whilst relaxing in the bedroom as the drama heats up. Advertisement 6 Conor pulls Emily for a chat as he explains his dalliances with Meg on the terrace Credit: ITV 6 Emily will be left devastated as she breaks down to the other boys Credit: ITV2 6 Her former couple partner looked glum as the drama kicked off around them Love Island continues on ITV2 and is available to stream on ITVX.


Daily Mirror
3 hours ago
- Daily Mirror
Lauren Goodger 'back with Charles' as they enjoy double date with TOWIE cast
Reality TV star Lauren Goodger has all but confirmed her rekindled relationship with ex Charles Drury after the pair were seen enjoying a double date with her Towie co-stars Junaid Ahmed and Joe Blackman Lauren Goodger appears to have confirmed a reunion with Charles Drury after months of speculation, as the pair enjoyed a double date with her Towie co-stars. The 38-year-old reality star and Charles, 26, share their three-year-old daughter Larose and separated in 2022 following the heartbreaking loss of their baby daughter, Lorena. Rumours about their reconciliation have been swirling for a while, but Lauren's recent repost of Junaid Ahmed's Instagram story -captioned 'Double dating @joeblackman_98 @laurengoodger @ - strongly suggests they're back together. The group spent the evening at Cinnamon, an Indian restaurant in Epping, marking Lauren's first public appearance with Charles in a long time. Their reunion first sparked buzz after a joint TikTok live session with Junaid and Joe, Lauren's first live video on the platform in over a year. Reflecting on their co-parenting journey last year, Lauren told MailOnline: 'It has not been easy, but we're at a place at the minute where it is running smoothly. Charles sees Larose very regularly. It's a lot of travelling for me because he lives 3.5 hours away, and I meet him in the middle. It's not ideal but it is what it is.' The couple endured a devastating tragedy in 2022 when their newborn Lorena died during childbirth. Lauren had been thrilled to welcome their second child just months after Larose, describing Lorena as the 'most beautiful healthy baby she'd ever seen' before her life was cut short by complications. Reflecting on the tragic loss of her daughter, Lauren told Mirror that, sadly, it is a pain that never leaves - but is one you gradually learn to live with. 'Nothing can make it better and I don't think anything can change the loss, the pain never leaves you,' says Lauren, whose daughter Lorena was born with the umbilical cord knotted and around her neck and passed shortly after labour, despite a 'textbook' pregnancy. 'Lorena was a beautiful baby, there was no complications with me or her and it never should have happened. She should be with us now,' says Lauren. Though she admits you never stop grieving, the TOWIE star says it's important to remember not to blame yourself, something she found herself doing, after losing Lorena. 'You go back and think, 'Should I have been in hospital rather than a home birth? Should I have done this, or done that? But I had a home birth the year before and it was absolutely fine, so there was nothing that could have been done. I think when anyone loses anyone, we think about what we should have done. As a parent, you just keep going over it. "You think, 'Why me? What have I done wrong?' But in time you heal, and that's the positive part. You never get over it but you do learn to live with it.' Admitting that the loss not only impacts parents as singulars, but it can also 'break' a relationship, Lauren says: 'Losing a child can give a massive strain on the relationship - it can make or break you. It can break families but I really do hope that they stick together and get through it because they're going to need each other. "That's one bit of advice I'd give to anyone, stick together and you'll get through it together,' continued Lauren. Lorena wasn't Lauren's first child - with the star already sharing Larose, who turns four next month, with Charles. Lauren said being a mum that got her through the grief of losing a child, admitting that she threw all of her focus into Larose.