
Jeff Bezos and Lauren Sanchez hit with more wedding chaos in £15m nuptials
Amazon boss, Jeff Bezos, has pulled out all the stops for his lavish Venetian wedding to former journalist, Lauren Sanchez - but things haven't quite gone to plan
Jeff Bezos and Lauren Sanchez have suffered another wedding setback ahead of their eye-wateringly expensive nuptials. The Amazon boss, 61, is pulling out all the stops for the lavish bash in Venice this week, which is rumoured to have set him back a staggering $20,000 (£15m).
Jeff and Lauren, 55, who arrived in Italy today, were supposed to be hosting a star-studded party at the 16th-century Scuola Grande della Misericordia as part of a multi-day celebration. However, after angry locals threatened to throw inflatable crocodiles into the canal outside the venue, they've moved the do to a fortress. But, in more bad news for the starry-eyed pair, another one of the historic venues that billionaire, Jeff, has chosen for his wedding is not looking its best - because it's covered in scaffolding.
The uber glam three-day event will feature a party held at the breathtaking 15th Century Madonna dell Orto church in Venice's quaint Cannargio district tomorrow night.
In preparation, security guards have now blocked off entrances where the bash will be held, but what guests will be met with when they arrive at the venue is the iconic bell tower covered in scaffolding, reports MailOnline.
This has left locals wondering if mega mogul, Jeff, may have booked the venue after a quick Google image search, without realising it's actually in a state of repair.
It comes after the divisive figure was forced to relocate his lavish Venice wedding celebrations after furious residents threatened to blockade the city's historic canals with inflatables. Jeff had planned to host a A-list-packed party at the 16th-century Scuola Grande della Misericordia.
However, amid growing backlash from locals who accused him of 'shutting down Venice,' he has reportedly now moved the event to a more secure venue.
Some protesters vowed to toss inflatable crocodiles into the canals, blocking celebrity guests from arriving by gondola or water taxi. 'This is a big victory for us,' declared Tommaso Cacciari, a member of the No Space for Bezos protest group. 'Who would have thought that we could change the plans of one of the richest men on the planet?'
The wedding will now take place at the Arsenale - a vast, fortress-like complex of shipyards and warehouses once used to build Venetian warships.
However, in another potential headache for Jeff and Lauren, their guestlist has reportedly been leaked after several of the bride-to-be's glam squad's name were seen on a list clutched by a tour guide welcoming the wedding party to Venice.
Among the attendees are two famous make-up artists - and a drag queen tailor, who are all rumoured to be helping Lauren look her best for her big day.
She's certainly going to make sure all eyes are on her - despite the scaffolding.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
14 minutes ago
- Times
Wedding mystery surfaces as Bezos arrives in Venice
Jeff Bezos arrived in Venice on Wednesday for his three-day wedding celebration as protests against the Amazon tycoon continued and town hall officials revealed he had not registered to marry in the city. Bezos, 61, and his bride-to-be, the journalist Lauren Sánchez, 55, waved from a water taxi when they arrived at Aman Venice hotel overlooking the Grand Canal. A canopy was erected on a floating dock to allow guests to disembark out of sight of photographers. Luxury yachts and an estimated 95 private jets are bringing in the couple's 200 guests — reportedly including Bill Gates, Leonardo DiCaprio and Sir Mick Jagger — to the wedding, which is said to have cost about $50 million. President Trump's daughter Ivanka, her husband, Jared Kushner, and their three children arrived on Tuesday, prompting authorities to beef up security, helped by a €13,500 contribution from Bezos for police overtime, a town hall source said.


Spectator
17 minutes ago
- Spectator
‘Too bohemian for Bournemouth': the young Lawrence Durrell
These legendary lives need the clutter cleared away from them occasionally. Lawrence Durrell and his brother Gerald turned their family's prewar escape to an untouched Corfu into a myth that supplied millions of fantasies. It still bore retelling and extravagant expansion recently, if the success of ITV's series The Durrells is any sign. (One indication of that pleasant teatime diversion's accuracy: the actor playing Larry, Josh O'Connor, is 6ft 2in. Larry himself was a whole foot shorter.) How Louisa Durrell, struggling with life in Britain after returning from India, went in a bundle with her children to a Greek island of cheap Venetian mansions, heat and innocent adventure is always going to have its appeal. What the Corfu idyll leaves out is why we should be interested in the story in the first place. Lawrence Durrell was a very good novelist, and this episode was only one of many that contributed to his work. That probably needs saying, since he is out of fashion today for a number of reasons. One is that his books, full of extravagant evocations of exotic places and pleasures, no doubt appealed to a British readership in the 1950s that was starved of such things. But how do the delights of Corfu, or indeed Alexandria, stand up when any of us can hop on a plane and sample them for ourselves? A second reason is connected: Durrell's literary style is undoubtedly baroque, his concept of a novel's structure sometimes baffling (especially in the late Avignon Quintet) and in general open to accusations of over-indulgence. I read the Alexandria Quartet recently for the first time since I was at school, and was surprised by how well it had survived – a steely, bloodthirsty thriller of betrayal, deals and gun-running coagulating out of innocent romantic delusion. Individual episodes, such as the duck shoot in Justine, are wonderfully exciting; and the prose, which I had expected to find overblown, can be startlingly close to the Martin Amis of the 1980s: Melissa's dressing-room was an evil-smelling cubicle full of the coiled pipes that emptied the lavatories. She had a single poignant strip of cracked mirror and a little shelf, dressed with the kind of white paper upon which wedding cakes are built. Here she always set out the jumble of powders and crayons which she misused so fearfully. A further reason for Durrell's unfashionableness is, of course, precisely the biographical expansion, and not just the Corfu fantasy. Sappho, his daughter from his second marriage, set down in her diary details of her sexual abuse by him before committing suicide, just as his character Livia, based on Sappho, had been described as doing. These things can destroy a novelist's reputation. For the moment, his story is still worth telling, and although this is not the first or most important biography, it has a strong appeal – which is partly accidental. Michael Haag, who had already written books about Alexandria and the Corfu episode, was at work on a full biography when he died in 2020. This turned out to be complete up till the end of the war, with Durrell only just starting on what would be Justine. Profile Books has decided to publish it as it stands, which in fact is an alluring decision. What we have is that most interesting approach of literary biographies – the formative years before fame. Durrell hardly ever lived in Britain, and indeed in later years the question sometimes arose of whether he was a British citizen at all. He was born in India in 1912, the son of a brilliant engineer (the wonderful loop at the top of the great Darjeeling railway is his father's work). Some memories of Indian life must have fed into the grotesquery he was capable of as a novelist. When his sister was bitten by her pet spaniel, rabies terrors meant that they had to carry the dog's severed head in a canister on a long train journey to be tested. The family was not quite Raj top-drawer, but Durrell was nevertheless sent back to school in England, and lived with his returning mother in a succession of inappropriately ostentatious houses. Aged 19, he was told by her that he was too much for Bournemouth. 'You can be as bohemian as you like, but not in the house. I think you had better go somewhere where it doesn't show so much,' she said. A brief and raucous Bloomsbury period followed; a noisy marriage; and then the celebrated decampment en masse to Corfu. It was not quite as idyllic in all respects as it has been painted. The young Durrells' enthusiasm for nude sunbathing with each other and visiting friends of both sexes (startlingly documented here in photographs) was one thing the Corfiots jibbed at. The decisive period, however, to which Haag devotes most space, was 1940s Egypt. At the outbreak of hostilities, Durrell had been evacuated with his wife Nancy and infant daughter Penelope Berengaria from Kalamata in the Peloponnese. The experience of war in Egypt was tumultuous, and the mix of different cultures, officialdom, idealists, high society and bohemian life is exactly what makes the Alexandria Quartet so enthralling. The Durrells' marriage broke down and Nancy departed in is hard not to conclude that the war, the heady experience of grand café society and the sense of being at the centre of things had changed Larry fundamentally. Soon he was in a tempestuous relationship with the unstable Eve, who became his second wife and ultimately the disturbing Melissa of the Quartet. As captivating as this novel sequence is, it shows (as Haag frankly admits) that Durrell's experiences did not quite equip him to write about the political situation. It has always been agreed that it would have been impossible for his character Nessim, a Copt, to have been a gun-runner for Zionists in Palestine. Durrell decided to make him one because he was irresistibly drawn to the idea that, alone in the drama, Nessim would have wanted to marry the Jewish Justine out of calculation rather than passion. Though it reveals the limits of what Durrell could accept about the time and place he lived in, the Quartet has its own reality. What he observed turns into a compelling statement, made of smoke and steel. It ought to return to fashion in time. Haag's book is highly readable and elegantly put together, and, if unintentionally, produces a satisfying whole by stopping where it does. In fact, I suspect that the second half of Durrell's life, especially the late years – full of tragedy, bad conduct and an undeniable decline in talent and readability – would not be as enjoyable an experience. We end with him returning to his beloved Greece after the war and starting to work on Justine, a book which hit the British reading public in 1957 at exactly the right moment. A full biography, on the other hand, would have to include Sappho's suicide; the dismal and incomprehensible final volumes of the Avignon Quintet (the last of which Faber returned to be revised, so little impressed were they); and Durrell's death in 1990, before the French state could seize his property for non-payment of taxes. I met him briefly in London in 1983; the strange thing now is that I have absolutely no impression of his being as short as he actually was. His presence was immense. Though this is a good biography, I have a request of publishers in general. Lawrence Durrell has been done often, and very respectably. In the course of Haag's descriptions of life at the British Embassy and British Council in wartime Egypt, the name of Robert Liddell comes up. Liddell was also a seriously good novelist, and one who often appears as the adviser and friend of writers such as Barbara Pym, Elizabeth Taylor and Ivy Compton-Burnett. His story – he was abused as a child, abandoned England after the death of his beloved brother, and lived in Egypt and Greece – could be gripping. Might a publisher, for once, commission not a life we've heard several times but one of this remarkable but still strangely neglected novelist?


Daily Mirror
an hour ago
- Daily Mirror
Lauren Goodger 'back with Charles' as they enjoy double date with TOWIE cast
Reality TV star Lauren Goodger has all but confirmed her rekindled relationship with ex Charles Drury after the pair were seen enjoying a double date with her Towie co-stars Junaid Ahmed and Joe Blackman Lauren Goodger appears to have confirmed a reunion with Charles Drury after months of speculation, as the pair enjoyed a double date with her Towie co-stars. The 38-year-old reality star and Charles, 26, share their three-year-old daughter Larose and separated in 2022 following the heartbreaking loss of their baby daughter, Lorena. Rumours about their reconciliation have been swirling for a while, but Lauren's recent repost of Junaid Ahmed's Instagram story -captioned 'Double dating @joeblackman_98 @laurengoodger @ - strongly suggests they're back together. The group spent the evening at Cinnamon, an Indian restaurant in Epping, marking Lauren's first public appearance with Charles in a long time. Their reunion first sparked buzz after a joint TikTok live session with Junaid and Joe, Lauren's first live video on the platform in over a year. Reflecting on their co-parenting journey last year, Lauren told MailOnline: 'It has not been easy, but we're at a place at the minute where it is running smoothly. Charles sees Larose very regularly. It's a lot of travelling for me because he lives 3.5 hours away, and I meet him in the middle. It's not ideal but it is what it is.' The couple endured a devastating tragedy in 2022 when their newborn Lorena died during childbirth. Lauren had been thrilled to welcome their second child just months after Larose, describing Lorena as the 'most beautiful healthy baby she'd ever seen' before her life was cut short by complications. Reflecting on the tragic loss of her daughter, Lauren told Mirror that, sadly, it is a pain that never leaves - but is one you gradually learn to live with. 'Nothing can make it better and I don't think anything can change the loss, the pain never leaves you,' says Lauren, whose daughter Lorena was born with the umbilical cord knotted and around her neck and passed shortly after labour, despite a 'textbook' pregnancy. 'Lorena was a beautiful baby, there was no complications with me or her and it never should have happened. She should be with us now,' says Lauren. Though she admits you never stop grieving, the TOWIE star says it's important to remember not to blame yourself, something she found herself doing, after losing Lorena. 'You go back and think, 'Should I have been in hospital rather than a home birth? Should I have done this, or done that? But I had a home birth the year before and it was absolutely fine, so there was nothing that could have been done. I think when anyone loses anyone, we think about what we should have done. As a parent, you just keep going over it. "You think, 'Why me? What have I done wrong?' But in time you heal, and that's the positive part. You never get over it but you do learn to live with it.' Admitting that the loss not only impacts parents as singulars, but it can also 'break' a relationship, Lauren says: 'Losing a child can give a massive strain on the relationship - it can make or break you. It can break families but I really do hope that they stick together and get through it because they're going to need each other. "That's one bit of advice I'd give to anyone, stick together and you'll get through it together,' continued Lauren. Lorena wasn't Lauren's first child - with the star already sharing Larose, who turns four next month, with Charles. Lauren said being a mum that got her through the grief of losing a child, admitting that she threw all of her focus into Larose.