Quannah Chasinghorse, RZA & Fernando Meirelles Team Up For Eco Doc ‘Beautiful Resistance' From UK Indies Make Waves & Pollen
EXCLUSIVE: Indigenous model and actress Quannah Chasinghorse is set to lead documentary Beautiful Resistance (working title), about Indigenous justice and the climate crisis.
Chasinghorse, the 22-year-old Alaskan native land defender will be the film's protagonist and executive producer alongside Oscar-nominated City Of God, The Constant Gardner and The Two Popes filmmaker Fernando Meirelles and Grammy-winning Wu-Tang Clan member RZA who is also producing the film's score.
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The film, which is aiming for a late 2025 production start, is co-produced by UK duo Sarah Macdonald of Make Waves and Alexander Asen of Pollen, whose previous collaborations include environmental docs The Great Green Wall — which debuted at Venice — and Blue Carbon, which sold to CNN, Canal+ and others.
Beautiful Resistance will follow Quannah as she straddles two different worlds: the glamour of high fashion and the urgent fight to protect the Arctic National Wildlife Refuge, one of the world's last true wildernesses, from oil drilling and climate destruction. Set against the backdrop of Trump's 'Drill, Baby, Drill' pledge, the project begins as a battle to save her sacred lands but spirals into a global reckoning, spanning Alaska's melting tundra to typhoon-ravaged villages in the Philippines, Louisiana's sacrifice zones, and courtroom battles in New Zealand.
Quannah, who previously co-narrated Bad River alongside Edward Norton and featured in hit series Reservation Dogs, is joined on the project her mother, Jody Potts-Joseph, a Han Gwich'in leader and advocate who serves as an executive producer on the film. Executive producers also include serial entrepreneur and Trace Magazine founder Claude Grunitzky, and Philippe de Bourbon.
RZA said: 'Hip-hop and activism have always been linked. Whether it's fighting injustice in the streets or fighting for the future of our planet, real culture speaks truth to power. Beautiful Resistance isn't just telling a story—it's standing on the frontline of history.'
Quannah Chasinghorse added: 'The most beautiful thing about being raised in the movement, is seeing love be embodied in the most powerful way. Our resistance is fueled by our resilience and ancestral strength, keeping us rooted in culture, and remaining focused in what the mission is. Indigenous peoples worldwide have proven to be stewards of the land for millennia, being the least to contribute to the climate crisis and being the most impacted. Telling these stories, uplifting and including the voices with the lived experiences is crucial to creating solutions. Beautiful Resistance is going to be a beautiful and inspiring journey into the fight for justice.'
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USA Today
30 minutes ago
- USA Today
Who was Stockton Rush? OceanGate CEO focus of Titan implosion documentary
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Los Angeles Times
37 minutes ago
- Los Angeles Times
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Yahoo
an hour ago
- Yahoo
Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry
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'If we did have incentives, Mexico would be so much more appealing,' noted Celis who has a slew of productions in the pipeline, including the latest fiction features from Lila Avilés ('The Chambermaid'), Tatiana Huezo ('The Echo'), Eliza Miller ('Hurricane Season') and the directorial feature debut of lauded stop-motion animation artist, Sofia Carrillo. The issue of a nationwide location filming incentive is being discussed and coordinated closely with the Presidency and the Ministry of Economy, according to Saldaña. 'In Mexico City, the film industry makes up nearly 12% of the city's GDP, reflecting significant investment. The President is well aware of its importance — hence her joint announcement with Netflix. Discussions are ongoing in the Ministry of Economy's Creative Industries roundtables, alongside cultural institutions like the film institute Imcine, the Ministry of Culture led by Claudia Curiel, and various industry chambers,' he asserted. Asked if Netflix foresees any challenges to fulfilling its $1 billion commitment to Mexico, Carolina Leconte, Netflix VP of Content for Mexico, responded: 'We've been producing original content in Mexico for a decade now, so we've built strong local partnerships with cast and crew, in front of and behind the camera, and we continue to grow alongside each other.' 'We always strive to tell better stories and to apply learning as the industry evolves in the newest production standards and technologies, and luckily Mexico has so much talent and so many stories to tell,' she added, listing a slew of projects underway. These include: 'Las muertas,' the first series from film director Luis Estrada ('Herod's Law') and Mexican Revolution period series 'Mal de amores,' based on the novel by Ángeles Mastretta. It has recently kicked off production on four new series: 'Santita,' 'Love 9 to 5,' 'I'm Not Afraid' (No tengo miedo) and 'Corruptors' ('Los corruptores'). The state of Jalisco, whose capital of Guadalajara hosts a number of cultural activities, including the Guadalajara International Film Festival (FICG), a book festival and a gay pride parade among others, launched a 40% cash rebate on production and post-production expenditures in 2023. The incentive is luring more companies to set up shop there in order to avail of the rebate, open to those who have had offices in the region for at least three years. Non-resident producers would need to forge a co-production deal with a Jalisco-based producer to avail of the rebate. News broke at FICG that post-production house Chemistry joined forces with its Guadalajara-based counterpart Semillero Estudios in order to better tap the perks. Netflix has shot Season 3 of 'The Manny' as well as 'Snakes and Ladders' in Guadalajara while AppleTV+ was shooting its Eugenio Derbez series 'Acapulco' in Puerto Vallarta. While Jalisco has yet to reach Mexico City-levels in terms of crew and department heads, the state boasts a wealth of locations. 'Barring snow, we have cities, we have deserts—in other words, Jalisco offers a wide variety of locations, which isn't the case, for example, in Mexico City where if you wanted a beach location, it would take at least five hours to get there. We have a clear geographic advantage in that sense, plus, we have great food – and of course, tequila and mezcal,' said Filma Jalisco film commissioner Alejandro Tavares, who added that it hosts an average of five to six international audiovisual projects a year. 'We organized a fam trip here for producers from Los Angeles, directly in coordination with the Los Angeles Consulate. It was great that they came to see firsthand how easy it is to do things here — co-productions, etc. As you know, Hollywood is facing major issues right now, so they're looking for new filming destinations,' he said, adding: 'Jalisco has a big advantage over other states in Mexico, mainly due to its connectivity. Two of the country's top five airports are in Jalisco, and we have direct flights to Canada, Europe and the U.S.' Guadalajara has also become an animation hub with the Guillermo del Toro-backed film school El Taller del Chucho spearheading the genre. Over the weekend during the Guadalajara Festival El Taller unveiled 'Sira,' an ambitious hybrid animated feature co-produced with Spain, written by actor-writer-director Ángeles Cruz. Also, 'They're doing a lot of work with students, thanks to strong ties with the University of Guadalajara; It's become a key training ground for up-and-coming filmmakers and a talent pipeline for the animation industry,' Tavares noted. Around 20 animation studios have been working on several international projects, including some from Marvel. FICG's opening night film, Mexico's first stop motion animated feature 'I Am Frankelda' was post-produced in Guadalajara and tapped the cash rebate. Some of the pics in FICG's Made in Jalisco section used the cash rebate, most notably 'Abracadaver' and 'Over the Waves' ('Sobre las olas'). 'The political push by other states to develop their regions has benefited everyone, as a greater number of developed regions means more audiovisual industry growth and production services coming to Mexico,' said Saldaña. 'We are open to exploring locations where the story calls for it, and we continue to explore new regions,' said Netflix's Leconte, adding: 'So far, we have filmed in over 50 locations in 25 states – for example in Oaxaca ('El secreto del río'), Baja California ('Gringo Hunters'), Puebla ('Mal de amores'), San Luis Potosí ('Pedro Páramo' and 'Las muertas'), Tijuana ('Santita') and Veracruz ('No tengo miedo'), among others.' Said Saldaña: 'We're planning to fully leverage Mexico City's infrastructure and are working to diversify the permitting process. The goal is to shift filming away from the usual central areas – like Roma, Condesa, and Coyoacán, which are typically featured – and instead spotlight and give visibility to other parts of the city, such as Iztapalapa, with its deep cultural roots, and Azcapotzalco. We're also focusing on boroughs with significant protected natural areas, like Milpa Alta, Magdalena Contreras and Tlalpan. In short, we're aiming to bring more exposure to these underrepresented, ecologically and culturally rich areas of Mexico City.' And to partly address the beach issue, the city is working on an agreement with the famous coastal resort town of Acapulco. 'Our goal is to revive the audiovisual corridor between Acapulco and Mexico City, with the initiative led by the Tourism Ministry. We're deeply invested in restoring Acapulco's rich cinematic legacy and its long-standing history in film,' Saldaña said. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'