'Fightland' series from 50 Cent to explore world of British boxing
1 of 3 | Curtis "50 Cent' Jackson (L) is joined by his girlfriend Jamira Haines during an unveiling ceremony honoring Jackson with the 2,686th star on the Hollywood Walk of Fame in 2020. He is behind a new series about British boxing for Starz. File Photo by Jim Ruymen/UPI | License Photo
June 13 (UPI) -- Music artist, actor and producer Curtis "50 Cent" Jackson is set to executive produce the drama series Fightland, Starz announced Friday.
The show follows underground boxing in Britain, and filming kicks off in London later this year.
The eight-episode series follows a boxing champion who returns to London after doing time "to seek vengeance against the crime family he thinks betrayed him," according to an official synopsis.
The series is produced through 50 Cent's G-Unit Film & Television.
"I anticipate this to be more successful than anything I've done before," he said in a press release. "Boxing's raw stakes are gonna take it to another level."
50 Cent's production company is behind Starz's Power franchise and For Life on ABC.
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Griffith was so taken with Nabors' shy, drawling stage persona that he cast him as the guileless, good-natured gas station attendant in Mayberry. Gomer quickly became a fan favorite, and Nabors was promoted to series regular during the 1963–64 season. Between 1965 and 1969, Andy Griffith remained the heart of The Andy Griffith Show, though the series—and his role in it—began to evolve. Don Knotts had departed at the end of Season 5 in 1965, and with Barney Fife gone, the show gradually became more of an ensemble, shining the spotlight on supporting players like George Lindsey (Goober), Howard McNear (Floyd), and others, while Jim Nabors had already left for his own spinoff, Gomer Pyle, U.S.M.C., in 1964. Behind the scenes, Griffith took on a larger role as executive producer, though his focus was more on winding the series down than building it up. In 1968, after eight successful seasons, The Andy Griffith Show ended its run, but CBS kept Mayberry alive through Mayberry R.F.D., with Griffith appearing in the first episode and a few transitional appearances before bowing out entirely. By the decade's end, he was eager to explore more dramatic territory, though the shadow of Mayberry was never far behind. Don Knotts successfully transitioned to a film career during this period, signing a multi-picture deal with Universal Pictures. Believing that Andy Griffith intended to end the show after five seasons, Knotts chose not to renew his contract and left The Andy Griffith Show in 1965. His first major post-Mayberry film, The Ghost and Mr. Chicken (1966), a comedy-mystery tailored perfectly to his persona, was a surprise box office success and confirmed his bankability as a leading man in family comedies. He followed it with a string of similarly styled films, including The Reluctant Astronaut (1967), The Shakiest Gun in the West (1968) and The Love God? (1969), each reinforcing his image as the jittery but lovable underdog. Knotts also returned to Mayberry briefly, guest-starring in the 1966 episode 'The Return of Barney Fife,' a performance that earned him his fifth Emmy Award. As Ron Howard entered his early teens, he remained a steady presence on The Andy Griffith Show through its final season in 1968. His portrayal of Opie evolved during these years—shifting from wide-eyed innocence to a more thoughtful, grounded character that reflected both his and the series' growth. Outside of Mayberry, Howard continued building his résumé with roles in both film and television. In 1965, he starred in Village of the Giants, a campy sci-fi teen comedy, and made guest appearances on shows like I Spy and Daniel Boone. Jim Nabors became a major TV star during this period, thanks to the phenomenal success of Gomer Pyle, U.S.M.C., which premiered in 1964 as a spinoff of The Andy Griffith Show and ran through 1969. As Gomer, Nabors brought his signature blend of wide-eyed innocence and Southern charm—along with his trademark 'Gollllllly!'—to a military setting, playing hilariously against Frank Sutton's blustery Sgt. Carter. The sitcom was a ratings juggernaut, consistently landing among the top 10 shows on television. Remarkably, Nabors never abandoned his musical roots—CBS regularly spotlighted his voice through guest appearances and musical variety specials. In 1969, at the peak of his popularity, Gomer Pyle ended by Nabors' own choice, as he sought to expand his horizons. That fall, he launched The Jim Nabors Hour, a variety show that blended comedy sketches with musical performances, which was his first major effort to move beyond Gomer while still embracing the qualities that made him beloved. 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Throughout the early 1970s, Don Knotts continued to carve out his niche in family-friendly comedy. He starred in How to Frame a Figg (1971), a lighthearted satire of small-town bureaucracy and one of the last films under his Universal Pictures contract. In 1970, he launched The Don Knotts Show, a comedy-variety series that showcased his slapstick sensibility and knack for sketch comedy, though it only lasted one season. He also teamed up with Disney for several projects, most notably The World's Greatest Athlete (1973), in which he played the bumbling assistant to a college coach played by John Amos. Knotts filmed The Apple Dumpling Gang with Tim Conway in 1974 (it would be released in 1975), marking the beginning of one of his most enduring comic partnerships. This was a formative era for Ron Howard, marking his transition from child actor to teenage television star. 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With Gomer Pyle, U.S.M.C. behind him, he launched The Jim Nabors Hour in 1969, which ran for two seasons, ending in 1971, but Nabors remained a fixture on television. He became a beloved regular on The Carol Burnett Show, where his recurring guest appearances turned into a tradition—Burnett famously called him her 'good luck charm' and made sure he appeared in the season premiere each year. Nabors also focused on his music career, releasing a steady stream of albums featuring gospel, easy listening and romantic standards. Between 1975 and 1979, Andy Griffith began embracing darker, more complex roles that stood in sharp contrast to his Mayberry image. A key example was the 1974 made-for-TV movie Winter Kill, in which he played a small-town police chief tracking a serial killer. Although it wasn't picked up as a series, it served as a prototype for several similar projects. Griffith reprised variations of that lawman role in TV pilots like Adams of Eagle Lake (1978) and Deadly Game (1977), each continuing his push into more dramatic territory. During the late 1970s, Don Knotts enjoyed a career resurgence, thanks in large part to his popular collaborations with Tim Conway in a string of family-friendly Disney comedies. Their pairing kicked off with The Apple Dumpling Gang (1975), a box-office hit that introduced audiences to their hilariously mismatched chemistry. They followed it with Gus (1976), a slapstick romp about a mule who becomes a football star, and reunited again for The Apple Dumpling Gang Rides Again (1979). This period marked Ron Howard's transition from beloved TV actor to budding filmmaker. He spent the second half of the decade starring as Richie Cunningham on Happy Days, which had become a full-blown cultural phenomenon by the mid-1970s. But behind the scenes, his creative ambitions were shifting. Howard took film courses and began directing short films, gradually building his confidence behind the camera. In 1977, he made his feature directorial debut with Grand Theft Auto, a car-chase comedy produced by Roger Corman. Howard not only directed but also starred in the film and co-wrote the script with his father, Rance Howard. Despite its modest budget, the movie was a box-office success and proved that Howard's talents extended well beyond acting In the latter half of the 1970s, Jim Nabors leaned further into his music and variety roots. He released a steady stream of albums during this time, focusing on easy listening, gospel, and patriotic standards—genres that resonated with his loyal fanbase. Nabors became a popular draw at venues ranging from Las Vegas showrooms to state fairs and concert halls. Between 1980 and 1984, Andy Griffith made meaningful strides in his long-standing goal of being recognized as a dramatic actor. He took on darker, more morally ambiguous roles in made-for-TV films like The Demon Murder Case (1983), where he played a skeptical defense attorney, and Fatal Vision (1984), a chilling true-crime drama in which he portrayed the father of a convicted killer. These performances helped reshape his public image and proved he could handle serious, layered material. At the same time, Griffith stayed active in lighter fare, including The Yeagers (1980), an unsold pilot that featured him in a more familiar, folksy role. He also lent his warm voice to commercials and public service campaigns. During the early 1980s, Don Knotts lent his voice to animated specials and made occasional TV guest appearances, including a 1982 episode of Fantasy Island and a handful of variety programs. But the most significant development during this period came in 1979—continuing into the early '80s—when he joined the cast of Three's Company as the flamboyant landlord Ralph Furley. Brought in after Norman Fell and Audra Lindley departed for the spinoff The Ropers, Knotts injected new life into the show with his trademark expressions, flashy wardrobe and nervous energy. This was the pivotal period when Ron Howard fully transitioned from actor to filmmaker. Though he remained on Happy Days through 1980, he departed the series at the end of Season 7 to focus on directing—having already demonstrated promise with his feature debut Grand Theft Auto (1977). In the years that followed, he directed several made-for-TV movies, honing his skills and attracting attention in Hollywood. His breakthrough came with Night Shift (1982), a fast-paced comedy starring Henry Winkler and a breakout performance by a then-unknown Michael Keaton. Produced by Howard's longtime mentor Garry Marshall, the film was both a critical and commercial success, establishing him as a rising director. 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Created by Dean Hargrove and produced by Fred Silverman, the character debuted in a two-hour NBC pilot movie before launching as a weekly series. Audiences quickly embraced Griffith in the role, which allowed him to channel the warmth of Sheriff Andy Taylor while adding a sharper, more assertive edge. Also in 1986, Griffith reunited with his original Andy Griffith Show castmates for the nostalgic TV movie Return to Mayberry, a ratings hit that momentarily brought Mayberry back to life. After Three's Company ended in 1984, Don Knotts remained active in television through guest appearances, variety specials and retrospectives celebrating his earlier work. He reunited with Andy Griffith in 1986 for a memorable guest role on Matlock, playing Les Calhoun—a quirky, meddlesome neighbor—in the episode 'The Captain.' The performance was so well-received that Knotts returned for several more guest spots on the show, bringing a dose of comic relief that complemented Griffith's more serious turn. 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In the late 1980s, Jim Nabors focused primarily on his music career, touring nationally and headlining venues in Las Vegas and Hawaii, where he had made his permanent home. Though acting roles became less frequent, he remained a familiar presence through talk shows, variety specials, and nostalgic tributes—especially those celebrating The Andy Griffith Show. While he occasionally stepped back from performing due to health concerns, Nabors continued to draw enthusiastic crowds In the early 1990s, Andy Griffith was firmly reestablished as a television star, thanks to the ongoing success of Matlock. The legal drama remained a dependable ratings performer on NBC until 1992, when the network unexpectedly canceled it. ABC quickly picked up the series, where it continued with new episodes through the mid-1990s. During this time, Griffith also lent his familiar voice to commercials and television specials, and made occasional appearances on talk shows and in classic TV retrospectives. Beyond his recurring role as Les Calhoun on Matlock, Don Knotts continued to stay active in entertainment during the early 1990s. He lent his voice to various animated projects and children's programming, and remained a welcome presence on talk shows, game shows and nostalgic specials. In 1991, he appeared in The Magical World of Disney special, The Legend of the Ruby Silver, and made cameos in other family-friendly productions. In 1991, Ron Howard directed Backdraft, a big-budget action drama about Chicago firefighters that combined emotional depth with impressive visual effects. He followed it with Far and Away (1992), an ambitious historical romance starring Tom Cruise and Nicole Kidman. Though reviews were mixed, the film performed well internationally and underscored Howard's expanding scope as a filmmaker. During this period, he also continued to build Imagine Entertainment, the production company he had co-founded with Brian Grazer in the mid-1980s. By the early '90s, Imagine had become a respected name in both film and television. Living full-time in Hawaii, Jim Nabors devoted himself primarily to live performances during the early 1990s, touring with his musical revue and continuing to release albums centered on inspirational, gospel and patriotic themes. In 1991, he returned to the Indianapolis 500 to sing 'Back Home Again in Indiana,' reviving the tradition that had become one of the race's most anticipated moments. With Matlock concluding its run in 1995, Andy Griffith shifted back into occasional acting roles, appearing in a mix of television movies and specials. In 1996, he starred opposite Naomi Judd in the heartwarming holiday TV movie A Holiday to Remember, and also made a memorable comic turn as a spoof villain in the Leslie Nielsen comedy Spy Hard. In 1998, he took on a dramatic role in the TV movie A Justice for All (also known as Crime in the Streets), continuing his exploration of morally complex characters. In the latter half of the 1990s, Don Knotts significantly slowed his on-screen activity but remained a familiar presence through select film and voice roles. He appeared in the comedy Big Bully (1996) and voiced the narrator in the animated musical Cats Don't Dance (1997). In 1998, he made a brief but memorable cameo as the TV repairman in Pleasantville, and in 1999, he voiced the character of Muff Potter in the animated film Tom Sawyer. On television, he guest-starred in a 1994 episode of Burke's Law and lent his voice to the animated TV movie Jingle Bells (1999), part of the Rankin/Bass holiday revival. The late 1990s marked a peak creative period for Ron Howard. In 1995, he directed Apollo 13, a gripping historical drama about NASA's ill-fated lunar mission, which earned widespread acclaim and was nominated for nine Academy Awards. He followed it with Ransom (1996), a high-stakes thriller starring Mel Gibson, which became a major box-office success. Howard spent the remainder of the decade developing and producing projects through Imagine Entertainment and closed out the '90s with EDtv (1999), a media satire about the rise of reality television. In the final years of the 1990s, Jim Nabors maintained a comfortable and respected career focused largely on music and nostalgia-driven appearances. Living quietly in Hawaii with his longtime partner, Stan Cadwallader, Nabors largely stepped back from the spotlight but remained a beloved public figure. He continued to sing at the Indianapolis 500 and toured selectively, performing at concert halls, patriotic celebrations, and special events. Between 2000 and 2004, Andy Griffith remained a beloved figure in American pop culture. Although he had won a Grammy Award back in 1997 for I Love to Tell the Story: 25 Timeless Hymns, the album continued to resonate with listeners into the 2000s, reflecting Griffith's deep faith and musical roots. On television, he made a rare dramatic appearance in a 2001 episode of Dawson's Creek, portraying a grieving grandfather in one of the series' more emotional installments. In 2003, The Simpsons playfully referenced his Matlock persona in a parody episode—though Griffith himself did not provide the voice. In the early 2000s, Don Knotts enjoyed a late-career resurgence, returning to sitcom television with a recurring role as quirky neighbor Mr. Wiggle on 8 Simple Rules for Dating My Teenage Daughter. He also reunited with longtime friend Tim Conway for stage shows and nostalgic appearances, including interviews and TV specials reflecting on their comedic legacy. In 2003, Knotts recorded his voice for Disney's Chicken Little, released after his death in 2005. Ron Howard entered the 2000s at the height of his directing career. In 2001, he helmed A Beautiful Mind, the acclaimed biopic of mathematician John Nash, which won Best Picture and earned Howard the Academy Award for Best Director. The film's success solidified his place among Hollywood's top-tier filmmakers. He followed with The Missing (2003), a dark western thriller starring Cate Blanchett and Tommy Lee Jones. Though less commercially successful, it was praised for its bold tone and direction. Meanwhile, through Imagine Entertainment, Howard produced the cult hit Arrested Development, which premiered in 2003, serving as executive producer and narrator. In the early 2000s, Jim Nabors had largely retired from show business, living quietly in Honolulu with Cadwallader. Following his earlier liver transplant, he focused on his health and personal life but remained a cherished public figure. In the final active years of his career, Andy Griffith made select appearances that reinforced his status as a beloved television icon. In 2007, he delivered a standout late-career performance in the indie hit Waitress, playing the gruff but tender diner owner—a role that introduced him to a new generation. He also lent his voice to documentaries and specials focused on faith, patriotism and classic TV. In 2005, Griffith was awarded the Presidential Medal of Freedom, honoring his lasting contributions to American culture. n his final years, Don Knotts remained a cherished figure, even as his health declined due to lung cancer and respiratory complications. His last major role was voicing Mayor Turkey Lurkey in Disney's Chicken Little (2005), a fittingly playful farewell for one of TV's greatest comic actors. Knotts passed away on February 24, 2006, at age 81. Tributes poured in, including from Andy Griffith, who remembered him as 'a wonderful man, a dear friend and a fantastic actor.' His legacy as a comedic legend remains enduring. Ron Howard's momentum as a filmmaker remained strong in the late 2000s. In 2006, he directed The Da Vinci Code, the blockbuster adaptation of Dan Brown's novel starring Tom Hanks. Despite mixed reviews, it grossed over $750 million worldwide and launched a successful film franchise. Howard followed with Frost/Nixon (2008), a critically acclaimed political drama that earned five Oscar nominations, including Best Picture and Best Director. During this period, he also continued producing acclaimed TV content through Imagine Entertainment, including Friday Night Lights and Arrested Development. Between 2005 and 2009, Jim Nabors remained largely retired, living quietly in Honolulu with Stan Cadwallader. Though no longer acting or recording, he continued his cherished tradition of singing 'Back Home Again in Indiana' at the Indianapolis 500. While far from the spotlight, he remained a treasured symbol of television's golden age, remembered fondly for his warmth, humor and remarkable voice. In his final years, Andy Griffith made only a handful of public appearances but remained a revered figure in American popular culture. In 2010, he appeared alongside Brad Paisley in the music video for 'Waitin' on a Woman." Though his health was declining, he occasionally took part in interviews and tributes celebrating The Andy Griffith Show and Matlock. That same year, he was awarded North Carolina's Order of the Long Leaf Pine, one of the state's highest civilian honors. Griffith passed away on July 3, 2012, at his home on Roanoke Island at age 86. His death marked the end of an era, with tributes pouring in for a man long regarded as the embodiment of decency, wisdom and humility. In the early 2010s, Ron Howard continued to thrive as both a director and producer. He directed The Dilemma (2011), a dark buddy comedy starring Vince Vaughn and Kevin James, which received mixed reviews. Behind the scenes, he remained active with Imagine Entertainment, producing acclaimed series like Parenthood and contributing to the streaming revival of Arrested Development. He also began work on major projects, including the adaptation of Dan Brown's Inferno and the Jay-Z concert documentary Made in America (2013). During this period, Jim Nabors enjoyed a quiet retirement in Hawaii, largely stepping away from public life. In 2011, he made one of his final high-profile appearances at the Indianapolis 500, performing his traditional song, which he'd been doing for nearly 40 years. In 2013, he publicly confirmed his longtime relationship with Stan Cadwallader, announcing they had married in Seattle shortly after same-sex marriage became legal in Washington. The news was met with widespread affection. Though no longer performing, Nabors' legacy endured through reruns of The Andy Griffith Show and Gomer Pyle, U.S.M.C., where his sincerity and warmth continued to resonate with generations of viewers. Jim Nabors died on November 30, 2017, aged 87. In 2015, Ron Howard directed In the Heart of the Sea, a visually ambitious maritime drama starring Chris Hemsworth. While it underperformed at the box office, it reinforced Howard's command of large-scale storytelling. He earned widespread acclaim with The Beatles: Eight Days a Week – The Touring Years (2016), which won the Grammy for Best Music Film. In 2018, Howard entered the Star Wars universe, stepping in to complete Solo: A Star Wars Story after the original directors' departure. Though reviews were mixed, Howard was praised for steering the film to completion under tight constraints. Throughout the 2020s, he remained prolific via Imagine Entertainment, producing high-profile films and series. He directed Hillbilly Elegy (2020) for Netflix—critically divisive but Oscar-nominated for Glenn Close—and expanded his documentary work with Rebuilding Paradise (2020) and We Feed People (2022). As of 2025, Howard continues to be a vital creative force, with a career spanning decades, genres and formats. 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