One Place honors early educators during Teacher Appreciation Week
JACKSONVILLE, N.C. (WNCT) — One Place to join students, families, and educators in the celebration for Teacher Appreciation Week from May 5-9, 2025.
Teacher Appreciation Week is a great way to celebrate and show appreciation to local teachers and early educators for their hard work, dedication, and impact on children's lives.
'We extend our deepest gratitude to the incredible early educators of Onslow County servingin childcare programs, family childcare homes, Early Head Start Child Care PartnershipPrograms, Three School, and NC Pre-K. Your dedication and passion for nurturing young mindslay the foundation for a brighter future,' Chief Early Education Officer at One Place, Autumn Bishop said. 'Early Childhood Education is not just a profession; it is a calling that shapes thelives of children and their families.'
One Place plans to host many events to celebrate and honor local early educators who dedicate their time and talent to nurturing these young minds.
The events include:
May 6: Paint & Sip
May 7: Bingo Night at TNT Bingo
May 8: Dinner and Cooking Demonstration
'We are proud to host three special events in recognition of the invaluable contributions madeby our early educator workforce,' NC Pre-K director at One Place, Courtney Wandishin said. 'The events are a token of our deep appreciation for their dedication to creating safe, nurturinglearning environments for our youngest learners. Their commitment does not go unnoticed.'
All events are no cost to attend. Pre-registration is required.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Every Song From SEVENTEEN's 10th Anniversary Album ‘Happy Burstday,' Ranked
From captivating Billboard upon their debut as the unexpectedly large 13-member boy band to now setting new Boxscore records for K-pop acts, SEVENTEEN is throwing a party to celebrate their 10th anniversary. The group marks the triumphant milestone with the new album, Happy Burstday, which captures every facet of their decade-long K-pop evolution while initiating a new chapter for the band in its next decade. More from Billboard Lady Gaga's 'Wednesday' Character Confirmed, First Six Minutes of Season Two Released Miley Cyrus Talks Pop Star Peers, 'Winding Down' Her Focus on Mainstream Success After 'Something Beautiful' Alf Clausen, Emmy-Winning Composer for 'The Simpsons,' Dies at 84 From the explosive rock-infused roar of the opening track 'HBD' to the declarative dance-pop single 'THUNDER,' the LP makes the bold claim that SEVENTEEN isn't just celebrating the past but charging headfirst like a buffalo into new territory. For the first time, each member delivers a solo spotlight across 13 brand-new tracks — a true testament to their individual strengths — while still coming together for three new group tracks, including the all-English cut 'Bad Influence,' produced by Pharrell Williams. Along with Pharrell in the mix, Happy Burstday lets the SEVENTEEN members write and produce songs with their longtime creative collaborators such as Bumzu and Shannon Bae, while also welcoming new names like Timbaland, BTS' longtime producer PDogg and K-indie singer Ha Hyunsang, among others. Whether delicate piano ballads or gritty club cuts, the solo songs reveal fresh dimensions of Woozi, Hoshi, Jeonghan, Wonwoo, Joshua, DK, Jun, Mingyu, The 8, Seungkwan, Vernon, and Dino's talents as individual artists and creators — and further underscore the momentousness of this milestone record. As SEVENTEEN celebrate a decade together with these 16 new groups and solo tracks, here are Billboard's rankings of all the songs across Happy of the most exciting aspects of a SEVENTEEN album listening experience is the experimentation showcased throughout the records. Making a surprise premiere during January's Louis Vuitton Fall/Winter 2025 runway show, Pharrell Williams debuted the collaboration, which was finally released in its official form five months later. 'Bad Influence' is a low-pitched, bass-heavy ode to living without worries as the album's only all-English track. It's unusually understated for a group that has some of the most bombastic and impactful singles, not to mention Pharrell's Grammy-winning body of work. While we're all for the Pharrell x SVT linkup — and the song is no doubt a bop and a half — the change up to a subtle sound might have been a little too unexpected and we'd like to hear them all go back into the studio soon. One of the most unexpected genre jumps on Happy Burstday, '99.9%' lets rapper Wonwoo try on a throwback jazz concept complete with twinkling piano, crisp percussion, and bold brass horns. The sweet, confessional track reminds us that the rapper is capable of far more music beyond the Hip-Hop Unit's signature sound and that he's got a soft side delivering Korean lyrics that translate to cute lines like: 'You'd say, 'Am I really that special?'/ Smiling while hiding your heart/ But my heart is already at 100%/ So don't worry — I'm sure.' 100% swoon-worthy. While the timing of Wonwoo's mandatory military enlistment this year may have prevented him from participating in creating the track (with Woozi writing and help co-compose the song), we're eager to hear Wonwoo's full work on future solo tracks. While it's every Carat's dream to go clubbing with Mingyu, his dance-ready rap track is a fun shift for the rapper-singer-model; however, we don't get to hear nearly enough of him throughout, as the production takes over large parts of the song. However, this may have been a deliberate choice, as Mingyu flexes his production skills, credited as a co-composer of 'Shake It Off' alongside rising hip-hop producer ioah. Still, we want more Mingyu! And as evidenced by global campaigns for brands like Calvin Klein and Innisfree, as well as recent appointments as brand ambassadors for Dior and Snickers, the world does, too. As the first member of SEVENTEEN to enlist in his mandatory military service, Jeonghan's voice returning to listeners through such a lovely, gospel-inspired ballad track makes the track all the more special. And it's no 'Coincidence' that Jeonghan perfectly embodies this track with his emotional delivery enhancing such a delicate piece. Once again, likely due to his military enlistment last year, Jeonghan did not participate in the writing or production of this track, but it makes us all the more eager to hear what he creates when he releases more of his own solo music. DK's 'Happy Virus' might be the most perfectly titled solo track as the vocalist with the big grin takes this light-rock/pop to deliver lines like, 'I'll be there for you…smile, smile, smile' in a song that's sure to infect listeners with the all the fuzzy, warm feelings. The subtle country influences on the track make it another unforeseen genre exploration on Happy Burstday, pairing well with DK's messages of wanting to help heal and protect one's wild to think SEVENTEEN's youngest member Dino, who debuted with the group when he was only 16, is now an adult, whipping out mature songs like 'Trigger,' co-crafted by BIGHIT MUSIC producer Pdogg. We get to truly hear his growth as a vocalist through the falsetto-heavy chorus, which feels like a genuine declaration that Dino is no longer a baby. 'Skyfall' is the first of the SEVENTEEN members' solo tracks in Happy Burstday's tracklist with THE 8 kicking the energy back up after the Pharrell Williams–produced 'Bad Influence.' Subtle electronica beats surround THE 8's light delivery before booming 808s, hard synthesizers, and bustling breakbeats enter the mix, creating a euphoric blend that represents the singer-dancer-model's hope to let go and drift like a feather. In a cool nod to his crossover appeal, 'Skyfall' includes lyrics in Korean, English and THE8's native Chinese. Beyond the excitement surrounding three new group songs and a solo track from each member, the biggest surprise when SEVENTEEN revealed its Happy Burstday tracklist had to have been the featured guest appearance from Timbaland on Hoshi's track, 'Damage.' The track opens with a funky bassline hook that screams classic Timbaland with the Performance Unit leader introducing the track by announcing himself and SEVENTEEN's main producing member with 'Hoshi, baby/ Prod. by Woozi and…' before Mr. Mosley drops his signature 'Timbo' tag. With contributions from Hoshi, Woozi, Timbaland, and some of his go-to collaborators such as Angel 'BabeTruth' Lopez and Federico Vindver, 'Damage' feels like a balanced mix of the two artists' worlds. We would to see each side push the other into a more experimental place next time, like the best Timbo bangers, but we'll gladly take this smooth solo song for now. A cool rush of electro-pop beats punched up by electric guitar riffs star alongside Jun in the infectious 'Gemini.' In one of the album's best-written cuts, 'Gemini' paints a poignant picture using the celestial twin's zodiac sign to represent aching over a lost love, as if the other half of its soul has been lost. With his birthday on June 10, 1996, Jun is a true, multifaceted Gemini, as evidenced by his talents in singing, rapping, dancing, composing, acting, hosting, and modeling, all demonstrated over the past 10 years alongside and composed by Seungkwan with introspective indie songwriter Ha Hyunsang of the band Hoppipolla, the classic power ballad 'Raindrops' recalls the special moments with someone who may be gone but remains in one's heart. The emotional track is bound to stir up intense feelings as Seungkwan details the happiness and pain of his memories, ultimately coming to terms with his feelings and deciding that everything is all right. While Seungkwan has not confirmed the meaning of the song, many interpreted 'Raindrops' as a tribute to his late friend Moonbin, a member of the K-pop group ASTRO, who tragically passed in 2023. Fans have discovered a past interview with the late singer where he shares a memory of him and Seungkwan walking in the rain together. The sentimental lyrics now tied to this memory make this a poignant tribute track that Seungkwan can be proud to dedicate to his dear friend. Vernon has shown his tastemaker music preferences through solo collaborations with the likes of A. G. Cook, Charli XCX, Omega Sapien, Tobi Lou, Drunken Tiger and Rina Sawayama, while shouting out his love for rising stars like 100 gecs and Bladee. With production that recalls William Orbit's spacey pop-rock stylings, 'Shining Star' once again showcases his artistic range with a track that employs starry metaphors to remind the listener that they still shine, even when they're feeling burned out. Speaking of William Orbit, can we link him, Vernon, Woozi, and the crew together for a special track on the next SEVENTEEN album? As the member producing a majority of the songs on SEVENTEEN's albums, Woozi had a hand in two of the group songs and five solo songs for Happy Burstday. But for his solo track, the musical mastermind rather unexpectedly does not have any credits, instead singing a track written by Bumzu (who has been a producer with the group since their debut single 'Adore U'), who co-produced the track with Kitae Park (who has credits across several SVT albums including their sophomore record, Boys Be). The musical admiration and closeness among the three is crystal clear in 'Destiny,' with references to some of Woozi's most famous productions, as the star angelically delivers the introspective lyrics about embracing the inevitable highs and lows in one's unfurling is intrinsically linked with SEVENTEEN after a decade as the team's leader — which is probably why his solo track 'Jungle' sounds as if it could be a track sung by all 13 members. Celebrating the group and their fans' journey together, 'Jungle' delves into a hard-hitting, hip-hop sound that has consistently embraced throughout his career, dismissing negativity and focusing on the positive. He sings and spits through English and Korean lyrics: 'I don't need respect, our lives are different/ I need fans, when I have them, it's perfect/ I need love, even if the world changes, that doesn't.' Written entirely by 'Jungle' is the final track on Happy Burstday to leave listeners with a lasting reminder that SEVENTEEN is a group from K-pop's 'third generation who's been rising for 10 years' and plans to keep on doing so in the years to come. Opening with no-frills synth beats that hint at the song being a simple dance track, Joshua delivers one of the most satisfying songs on Happy Birthday with 'Fortunate Change.' Soothing synthesizers and warm guitar riffs blend with Joshua's breezy tenor and falsetto deliveries, creating a song that forgoes traditional song structure without a second verse or repeating refrain yet still feels fully whole and encompassing as a standout solo cut. The acid jazz influences of 'Fortunate Change' are among the most unexpected yet refreshing sounds on the record. Plus, Joshua's joy is palpable through the song as he sings about seeing the world in a new light thanks to love. It's a universal message that SEVENTEEN can dedicate to fans, and fans can share back with them. But one can also dedicate the song to a lover, friend, team, colleague, group, relative, or anyone else you want to say, 'Thanks for coming to me.' The appropriately titled 'HBD' opens Happy Burstday with one of SEVENTEEN's most rock & roll tracks to date. However, as with most SEVENTEEN tracks, there are numerous twists and turns as 'HBD' is infused with influences of big-room EDM and breakbeat percussion for a truly explosive listening experience. Using birthdays to symbolize rebirth, the band shares their mantras to live as authentically as possible and light up life like the candles on a birthday cake. They chant in Korean and English, 'Today, it's my way/ Light a candle, make a wish — it'll all come true/ Happy birthday to you…/ Tonight is my celebration night, I won't stop for anything.' As the first of 16 new tracks on Happy Burstday, 'HBD' very much settles the listener into the true musical journey of SEVENTEEN's latest album, which marks their most expansive set of genres and styles together the song to represent SEVENTEEN after a decade is no easy task (Billboard's Abby Webster somehow pulled off the impossible task of selecting their 10 best songs), but 'THUNDER' feels like the kind of track that captures the true electricity surrounding the group at this moment. With an undeniable whistle hook incorporated throughout to give it universal Top 40 appeal, 'THUNDER' is a booming surge of complex, powerful K-pop that allows each of the 12 members on the record to shine through its various shifts and shakes. (13th member Jeonghan was the first member to serve his mandatory South Korean military service and seemingly enlisted before recording.) The lyrics show a more mature SEVENTEEN that's still bursting with rebellious youth as they try out more adult lines like 'Now I'm funked up, step on the gas,' but also has SVT's signature sense of knowing one's self (Vernon boasts, 'Rumors spread like fire, chatter everywhere/ Now they're crowding around, ah, what a feeling'). Produced by SEVENTEEN's longtime producer Bumzu (who is sometimes referenced as their '14th member' given how many songs he's done with the group) with Woozi and helping on the lyrics and composition, 'THUNDER' also brings in an offbeat element that only SEVENTEEN can make work, with a chorus mostly made up of the guys trading off the chant, 'ALO! ALO! T.H.U.N.D.E.R. ALO! ALO!' It's explosive, it's captivating, and it's unlike any song out there. 'THUNDER' does a worthy job of serving as the representative single for SEVENTEEN's 10th-anniversary album, indicating that the group will continue its musical greatness for the next decade and beyond. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
4 hours ago
- Yahoo
SEVENTEEN Have a Good Time Being a ‘Bad Influence' in Futuristic Video For Pharrell-Produced Single
SEVENTEEN slink into a gloomy, post-apocalyptic world filled with old school technology in the video for their Pharrell Williams-produced single 'Bad Influence.' The 13-member K-pop boy band dropped the visual from their new HAPPY BURSTDAY album on Wednesday (June 11) and fans will surely be picking through the arresting clip directed by Beomjin for days looking for Easter eggs. The video for the English-language single opens with the singers locked in reflective glass pentagons as they sing about wanting to have a good time while seeming like they're not having one at all. After escaping from the enclosure, they get chased around a brutalist structure by robot dogs singing, 'And I had time to think about it/ But life would be so much better without it/ I don't want it at all/ But, hey, I wanna have a good time' over Pharrell's insistent, fuzzed-out beat. More from Billboard DJ Akademiks Denies Taking Payola From Drake During Kendrick Battle Raekwon and Ghostface Killah Release Trailer for 'Only Built 4 Cuban Linx' Documentary Orlando Bloom Says This Rocker Inspired His 'Deep Cover' Character Who Takes Himself 'Too Seriously' And while the song is about having a good time, the action makes it seem like that is a stretch. Dressed in Blade Runner-like leather jackets designed by Japanese fashion house sacai, they stand around while an unseen member plugs an analog cord into a headphone jack that reads 'Good' as an old school dot matrix printer spits out the lyrics and a few of the guys ghost ride their old school muscle cars. The sci-fi action takes a bizarre turn halfway through when they enter a red zone filled with white mannequin heads wearing blindfolds as one of the singer's puts a checkmark next to 'bad' on a checklist that includes 'lost,' 'sad,' 'raw,' 'happy,' 'innocent' and other emotions. There is also an M.C. Escher-like stairway to nowhere, a bath in a swamp of vintage audio tape, contemplative posing on a pile of tires and moody standing around in dimly lit rooms in the dream sequence-like series of shots that leave more questions than answers HAPPY BURSTDAY debuted at No. 2 on the Billboard 200 album chart, landing the group their seventh top 10-charting album. Watch the 'Bad Influence' video below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
4 hours ago
- Yahoo
Tony Gilroy on Giving ‘Andor' a ‘Hopeful' End, Bringing Back K-2SO, and Episode 10's Revealing Backstory
On Tuesday, Disney+ dropped the last three episodes of 'Andor,' wrapping up the series and directly setting up 'Rogue One.' It's not typical that a television show needs to pass its baton to a film made almost a decade earlier, and 'Andor' creator Tony Gilroy did not want to approach the show's final episode in a typical way, either. While on this week's episode of the Filmmaker Toolkit podcast, Gilroy talked about fighting against the need to incorporate one final big decision or turning point in wrapping up the series heading into 'Rogue One.' More from IndieWire 'Murderbot' Review: Alexander Skarsgård's Goofy-Great Apple Series Wants Us to Watch TV, Together How 'Love, Death and Robots' Season 4 Made the Ultimate Cute Little Guy 'Episode 12 is really its own thing where we didn't put a lot of pressure to jack anything up,' said Gilroy on the podcast. 'This is kind of a 'deliver the pizza' episode, and the pizza is emotional, and everybody settled into it, and we took the pressure off ourselves.' Gilroy specifically wanted to go out on a hopeful note. 'Andor' Season 2 was about the personal sacrifices and impossible choices characters faced in taking on the cause of the nascent rebellion, and the series creator felt as if 'Andor' had earned the right to end with a measured note of optimism. 'We're really putting the audience through some amazingly difficult journeys [of] what time does to people that hopefully you care about, and [what] time, under these really extreme circumstances and these extreme adventures that they're on, does to them,' said Gilroy. 'So there's a lot of attrition at the end. There's a lot of sadness at the end. But really, in the end, this is the beginning of 'A New Hope.' What's going to come out of this is the phoenix of the Rebellion.' The last three-episode cycle 'Andor' also saw K-2SO (voiced by Alan Tudyk) back into the fold, returning to the prominent supporting role that the modified KX-series security droid plays in 'Rogue One.' It's a move Gilroy purposefully delayed and left to the series end. As Gilroy explained on the podcast, his initial involvement with 'Andor' was as a friend to the franchise, giving notes to Lucasfilm on its initial plans for a 'Rogue One' prequel series. In addition to his advice to take a 'back-to-the-studs' approach to Cassian Andor's (Diego Luna) arc, which would become the basis of his own series, he highly recommended they abandon their ambitious plans for K-2SO. 'I was saying, I don't think you can have K-2 all the way through this show, which they kept wanting to try to do because that was the, 'Let's have a Butch and Sundance' show,' said Gilroy of the initial plans to have Cassian and the droid go on 40-episodes worth of missions together — a proposal that reminded the 'Rogue One' writer of his own story struggles with K-2. 'He's the worst piece of luggage in the world. He's not a spy, you can't take him undercover, he's seven feet tall. KX units are so inhibiting. If you watch 'Rogue' with that in mind, how many times is he is not allowed to get out of the ship, or 'I have to wait here and do something.'' In a series which, at its core, is about supplying an emotional understanding of what brings characters of all stripes to fight a fascist Empire, Episode 10 is arguably the holy grail of 'Why We Fight' Rebellion backstories: Luthen (Stellan Skarsgård) and Kleya (Elizabeth Dulau). Gilroy said very early on he knew he would explore Luthen's backstory, and was saving it for a key storyline of the stealthy underground leader for near the end of 'Andor.' 'I had a variety of backstories that Stellan and I spoke about early in the first season,' said Gilory. 'The one thing he didn't want was he didn't want revenge. He said, 'I don't want it to be a revenge story. I see that in some of the other characters, and I think that's the one I don't want.' The ultimate Episode 210 storyline, and the incorporation of Kleya, as an almost adopted daughter, into Luthen's backstory, was motivated and inspired by the talents of Dulau. Gilroy and Skarsgård had both been impressed by the previously unknown actress's talents, and wanted to give her and the character the opportunity to spread their wings before saying goodbye. 'Elizabeth Dulau, who plays Kleya, was such an incredible surprise. It's her first job. She came right out of RADA, and we had a couple of actresses who were signed up for that part, who got offered other things along the way, and we let them go. And suddenly we have this young actress [who we don't really know,' said Gilroy. '[Her] audition's very good, and her scenes are very good, but how good is she? And oh my God, you start to realize what someone can do. She's a Meryl Streep. I mean, she's just astonishing.' To hear Tony Gilroy's full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, or your favorite podcast platform. You can also watch the full interview at the top of the page or on IndieWire's YouTube page. Best of IndieWire The 19 Best Thrillers Streaming on Netflix in May, from 'Fair Play' to 'Emily the Criminal' Martin Scorsese's Favorite Movies: 86 Films the Director Wants You to See Christopher Nolan's Favorite Movies: 44 Films the Director Wants You to See
