logo
Tony Gilroy on Giving ‘Andor' a ‘Hopeful' End, Bringing Back K-2SO, and Episode 10's Revealing Backstory

Tony Gilroy on Giving ‘Andor' a ‘Hopeful' End, Bringing Back K-2SO, and Episode 10's Revealing Backstory

Yahooa day ago

On Tuesday, Disney+ dropped the last three episodes of 'Andor,' wrapping up the series and directly setting up 'Rogue One.' It's not typical that a television show needs to pass its baton to a film made almost a decade earlier, and 'Andor' creator Tony Gilroy did not want to approach the show's final episode in a typical way, either.
While on this week's episode of the Filmmaker Toolkit podcast, Gilroy talked about fighting against the need to incorporate one final big decision or turning point in wrapping up the series heading into 'Rogue One.'
More from IndieWire
'Murderbot' Review: Alexander Skarsgård's Goofy-Great Apple Series Wants Us to Watch TV, Together
How 'Love, Death and Robots' Season 4 Made the Ultimate Cute Little Guy
'Episode 12 is really its own thing where we didn't put a lot of pressure to jack anything up,' said Gilroy on the podcast. 'This is kind of a 'deliver the pizza' episode, and the pizza is emotional, and everybody settled into it, and we took the pressure off ourselves.'
Gilroy specifically wanted to go out on a hopeful note. 'Andor' Season 2 was about the personal sacrifices and impossible choices characters faced in taking on the cause of the nascent rebellion, and the series creator felt as if 'Andor' had earned the right to end with a measured note of optimism.
'We're really putting the audience through some amazingly difficult journeys [of] what time does to people that hopefully you care about, and [what] time, under these really extreme circumstances and these extreme adventures that they're on, does to them,' said Gilroy. 'So there's a lot of attrition at the end. There's a lot of sadness at the end. But really, in the end, this is the beginning of 'A New Hope.' What's going to come out of this is the phoenix of the Rebellion.'
The last three-episode cycle 'Andor' also saw K-2SO (voiced by Alan Tudyk) back into the fold, returning to the prominent supporting role that the modified KX-series security droid plays in 'Rogue One.' It's a move Gilroy purposefully delayed and left to the series end. As Gilroy explained on the podcast, his initial involvement with 'Andor' was as a friend to the franchise, giving notes to Lucasfilm on its initial plans for a 'Rogue One' prequel series. In addition to his advice to take a 'back-to-the-studs' approach to Cassian Andor's (Diego Luna) arc, which would become the basis of his own series, he highly recommended they abandon their ambitious plans for K-2SO.
'I was saying, I don't think you can have K-2 all the way through this show, which they kept wanting to try to do because that was the, 'Let's have a Butch and Sundance' show,' said Gilroy of the initial plans to have Cassian and the droid go on 40-episodes worth of missions together — a proposal that reminded the 'Rogue One' writer of his own story struggles with K-2. 'He's the worst piece of luggage in the world. He's not a spy, you can't take him undercover, he's seven feet tall. KX units are so inhibiting. If you watch 'Rogue' with that in mind, how many times is he is not allowed to get out of the ship, or 'I have to wait here and do something.''
In a series which, at its core, is about supplying an emotional understanding of what brings characters of all stripes to fight a fascist Empire, Episode 10 is arguably the holy grail of 'Why We Fight' Rebellion backstories: Luthen (Stellan Skarsgård) and Kleya (Elizabeth Dulau). Gilroy said very early on he knew he would explore Luthen's backstory, and was saving it for a key storyline of the stealthy underground leader for near the end of 'Andor.'
'I had a variety of backstories that Stellan and I spoke about early in the first season,' said Gilory. 'The one thing he didn't want was he didn't want revenge. He said, 'I don't want it to be a revenge story. I see that in some of the other characters, and I think that's the one I don't want.'
The ultimate Episode 210 storyline, and the incorporation of Kleya, as an almost adopted daughter, into Luthen's backstory, was motivated and inspired by the talents of Dulau. Gilroy and Skarsgård had both been impressed by the previously unknown actress's talents, and wanted to give her and the character the opportunity to spread their wings before saying goodbye.
'Elizabeth Dulau, who plays Kleya, was such an incredible surprise. It's her first job. She came right out of RADA, and we had a couple of actresses who were signed up for that part, who got offered other things along the way, and we let them go. And suddenly we have this young actress [who we don't really know,' said Gilroy. '[Her] audition's very good, and her scenes are very good, but how good is she? And oh my God, you start to realize what someone can do. She's a Meryl Streep. I mean, she's just astonishing.'
To hear Tony Gilroy's full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, or your favorite podcast platform. You can also watch the full interview at the top of the page or on IndieWire's YouTube page.
Best of IndieWire
The 19 Best Thrillers Streaming on Netflix in May, from 'Fair Play' to 'Emily the Criminal'
Martin Scorsese's Favorite Movies: 86 Films the Director Wants You to See
Christopher Nolan's Favorite Movies: 44 Films the Director Wants You to See

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

24 Hours of Le Mans 2025: How to watch, start time, TV channel and more
24 Hours of Le Mans 2025: How to watch, start time, TV channel and more

Yahoo

time23 minutes ago

  • Yahoo

24 Hours of Le Mans 2025: How to watch, start time, TV channel and more

If you buy something through a link in this article, we may earn commission. Pricing and availability are subject to change. It's time for the 93rd 24 Hours of Le Mans — the prestigious, high-speed endurance race that closes out motorsport's informal triple crown (following the Monaco Grand Prix and Indianapolis 500). A full 24 hours of action in Le Mans begins Saturday, June 14, at 10 a.m. ET/7 a.m. PT. You can tune into the 24 Hours of Le Mans via HBO Max's sports add-on or on MotorTrend TV. Here's what else you need to know, plus how to watch live. How to watch the 24 Hours of Le Mans: Date: Saturday, June 14 Advertisement Time: 10 a.m. ET TV channel: MotorTrend TV Streaming: Max 24 Hours of Le Mans start time: The 24-hour endurance race will begin with the waving of the French tricolour flag at 10 a.m. ET on Saturday, June 14. 24 Hours of Le Mans channel: You can tune into all 24 hours of racing in Le Mans on MotorTrend TV, and streaming live via the B/R Sports add-on on Max. How to watch the 24 Hours of Le Mans without cable: Disney Watch 24 Hours of Le Mans coverage Max, Disney+ and Hulu bundle (ad-free) The Disney+, Hulu, Max bundle gets you exactly what it sounds like: access to Disney+, Hulu and Max. If you go ad-free ($29.99/month) you'll save up to 38% off compared to individually paying for all three services — and gain access to the 24 Hours of Le Mans — and everything else on the B/R Sports add-on. If you don't already have access to these platforms, this is a great option that really covers your bases, streaming-wise. You'll get access to three vast libraries, fully stocked with everything MCU, all those Disney princesses (new and old), Hulu's robust catalog of shows on-demand the day after they air, including the latest episodes of Abbott Elementary, Grey's Anatomy and more, and the most recent seasons of The Last of Us, The Pitt and The White Lotus. $29.99/month at Disney 24 Hours of Le Mans entry list: Here's the entry list for the 2025 24 Hours of Le Mans. 24 Hours of Le Mans schedule: All times Eastern. Friday, June 13 Porsche Sprint Challenge: 3:30 a.m.-4:15 a.m. Ford Mustang Challenge – Race 1: 5:00 a.m.-5:45 a.m. (Ford Performance YouTube/Peacock) Advertisement Saturday, June 14 Ford Mustang Challenge – Race 2: 2:45 a.m.-3:30 a.m. (Ford Performance YouTube/Peacock) Road to Le Mans/Le Mans Cup (LMP3 & GT3) – Race 2: 4:05 a.m.-5:05 a.m. (Le Mans Cup – live timing) 24 Hours of Le Mans – Warm-up: 6:00 a.m.-6:15 a.m. 24 Hours of Le Mans – Race: 10 a.m. (Max, MotorTrends TV) Sunday, June 15 24 Hours of Le Mans – Race finish: 10 a.m. (Max, MotorTrends TV) More ways to watch 24 Hours of Le Mans:

Tell Us The Pettiest Reason You Stopped Dating Someone
Tell Us The Pettiest Reason You Stopped Dating Someone

Yahoo

time24 minutes ago

  • Yahoo

Tell Us The Pettiest Reason You Stopped Dating Someone

Not all breakups involve massive betrayals or intense drama. Sometimes, people call it quits over something other people consider really small or superficial. And if you've ever broken up with someone over something "trivial" because it was a dealbreaker for you, I want to hear your story! For example, maybe you'd been dating a guy for a month, and then the first time he took you to his apartment, he had a mattress on the floor with no bed frame and had black tape completely covering his windows instead of curtains. Related: Create A Magical Candy Store To Find Out Which Magical Realm You Live In Or maybe you dated someone, and they were great, but it was always just too hard for you to find parking by their house, so you just broke up with them. Related: Pick Your Favorite Movie Per Disney Era And We'll Guess Your First Initial Perhaps you broke up with a guy because one too many times you caught him with his eyes open while you guys were making out. Or maybe you had a boyfriend who you absolutely HATED how he dressed. Like, it was so bad that every time you guys scheduled a date, you were anxious about what he was going to show up in. So tell us the small, petty reason why you dumped your partner. Tell us in the comments or use the anonymous form below: Also in Community: Which Lana Del Rey Song Are You At Your Core? Also in Community: EVERYONE Has A Dinosaur Personality Twin, So It's Time To Find Out Yours Also in Community: Build Your Dream House And I'll Guess What Your Hobby Is

Disney, Universal Slam AI Company As 'Bottomless Pit Of Plagiarism' In Scathing Lawsuit
Disney, Universal Slam AI Company As 'Bottomless Pit Of Plagiarism' In Scathing Lawsuit

Yahoo

time35 minutes ago

  • Yahoo

Disney, Universal Slam AI Company As 'Bottomless Pit Of Plagiarism' In Scathing Lawsuit

Disney and NBCUniversal joined forces in the first lawsuit of its kind against the artificial intelligence image company Midjourney on Wednesday, accusing it of copyright infringement. 'We are bringing this action today to protect the hard work of all the artists whose work entertains and inspires us and the significant investment we make in our content,' Kimberly Harris, NBCUniversal's executive vice president, told CNBC. The companies' lawsuit, filed in the U.S. District Court for the Central District of California, alleges that Midjourney sought 'to reap the rewards' of Disney and Universal-copyrighted characters by selling an AI image-generating service 'that functions as a virtual vending machine, generating endless unauthorized copies' of their copyrighted works. 'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism,' the lawsuit reads. 'Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing.' Midjourney did not immediately respond to HuffPost's request for comment. The AI company made $300 million last year from its image service, which allowed subscribers to simply enter a text prompt to request any of the Disney or Universal characters to perform an action, according to the lawsuit. The AI then generates and displays a high-quality image of the character. The lawsuit lists several Disney or Universal-owned characters Midjourney generated, including Shrek, Darth Vader, Thanos from the 'Avengers' series, and the Minions characters from 'Despicable Me.' Horacio Gutierrez, chief legal and compliance officer for The Walt Disney Company, said in a statement to HuffPost that Disney's 'world-class IP is built on decades of financial investment, creativity and innovation—investments only made possible by the incentives embodied in copyright law that give creators the exclusive right to profit from their works.' He added, 'We are bullish on the promise of AI technology and optimistic about how it can be used responsibly as a tool to further human creativity.' The lawsuit contends that 'Midjourney could easily stop its theft and exploitation' of intellectual property since the AI service controls what copyrighted content it selects. However, Midjourney chose not to use copyright protection measures, even when Disney and Universal sent cease-and-desist letters, according to the suit. The lawsuit accuses Midjourney of promoting its AI tools using Disney and Universal characters, and says the AI company has already begun using such characters to train its video service. The companies are now asking for a jury trial to determine damages, which could include some of Midjourney's profits. 'Midjourney's bootlegging business model and defiance of U.S copyright law are not only an attack on Disney, Universal, and the hard-working creative community that brings the magic of movies to life, but are also a broader threat to the American motion picture industry which has created millions of jobs and contributed more than $260 billion to the nation's economy,' the lawsuit reads. College Student Allegedly Created Undressed Images Of Classmates With AI, Then Sold Them Top AI CEO Warns Lawmakers To Prepare For Tech To Gut Entry-Level Office Jobs Chicago Sun-Times Faces Backlash After Promoting Fake Books In AI-Generated Summer Reading List

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store