Tell Us The Pettiest Reason You Stopped Dating Someone
Not all breakups involve massive betrayals or intense drama. Sometimes, people call it quits over something other people consider really small or superficial. And if you've ever broken up with someone over something "trivial" because it was a dealbreaker for you, I want to hear your story!
For example, maybe you'd been dating a guy for a month, and then the first time he took you to his apartment, he had a mattress on the floor with no bed frame and had black tape completely covering his windows instead of curtains.
Related: Create A Magical Candy Store To Find Out Which Magical Realm You Live In
Or maybe you dated someone, and they were great, but it was always just too hard for you to find parking by their house, so you just broke up with them.
Related: Pick Your Favorite Movie Per Disney Era And We'll Guess Your First Initial
Perhaps you broke up with a guy because one too many times you caught him with his eyes open while you guys were making out.
Or maybe you had a boyfriend who you absolutely HATED how he dressed. Like, it was so bad that every time you guys scheduled a date, you were anxious about what he was going to show up in.
So tell us the small, petty reason why you dumped your partner. Tell us in the comments or use the anonymous form below:
Also in Community: Which Lana Del Rey Song Are You At Your Core?
Also in Community: EVERYONE Has A Dinosaur Personality Twin, So It's Time To Find Out Yours
Also in Community: Build Your Dream House And I'll Guess What Your Hobby Is
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
34 minutes ago
- Yahoo
Is Prince Harry's Latest Gesture the Ultimate Princess Diana Tribute?
Is Prince Harry's Latest Gesture the Ultimate Princess Diana Tribute? originally appeared on Parade. Prince Harry recreated an iconic moment from his childhood with his mom, Princess Diana, during a recent trip to Disneyland with his wife Meghan Markle, and their children, Prince Archie and Princess Lilibet. A video posted to Markle's Instagram page showed the Duke and Duchess of Sussex as they enjoyed all the rides and attractions with their children. The couple reportedly spent two days vacationing at the park. However, some eagle-eyed fans couldn't help but compare the videos and clips to a moment in time when the late Diana took Harry and his brother, Prince William, to another Disney park. In August 1993, Princess Diana vacationed with her sons, Prince William and Prince Harry, at Disney World in Orlando, Florida. The trip happened shortly after Diana's separation from Prince Charles. The family enjoyed the log flume ride and other park favorites. Photos captured the princess and her sons as they rode the attraction, which splashes guests into a pool of water. Parade Daily🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 In Markle's new reel, she, Harry, and their children rode the same ride. It is unclear whether or not this was the first time the ex-royal family member had ridden the log flume since going on it with his late mother. Per PEOPLE Magazine, in 1993, Diana and her sons were allowed to have their moment on the water ride alone, as it was closed off to other parkgoers. It is unclear if Harry was given the same high-profile treatment during a visit with his family. Other pictures from Meghan's Instagram featured a Little Mermaid-themed cake for her daughter, the family having fun on numerous rides, and the couple going on Space Mountain, among other Disney activities. The Duchess of Sussex wrote, "Thank you @disneyland for giving our family two days of pure joy!" She utilized Peggy Lee's 'It's a Good Day' as a background song choice. Is Prince Harry's Latest Gesture the Ultimate Princess Diana Tribute? first appeared on Parade on Jun 10, 2025 This story was originally reported by Parade on Jun 10, 2025, where it first appeared.
Buzz Feed
an hour ago
- Buzz Feed
Best Disney Classic Movie Quiz
Now listen, I love Tangled and Moana as much as the next person, but there's just something about classic Disney that will always be magical. But with SO many older flicks, which one remains supreme? I'm leaving that tough question in your hands here with this Showdown bracket:
Yahoo
2 hours ago
- Yahoo
Miley Cyrus' Latest Experimental Career Stunt Is ‘Beautiful' But Unnecessary
We probably don't need to spare much sympathy for Miley Cyrus. A nepo baby and child star who seems to have emerged from her early Disney days relatively unscathed and with plenty of fans intact, Cyrus has lived a life of privilege no matter what personal hardships she may have endured along the way. Her last album, 2023's Endless Summer Vacation, included 'Flowers,' a massive mid-career hit that won her a Grammy. Yet there are times when Cyrus seems underestimated, even underrated, at least compared to fellow thirtysomething pop stars Taylor Swift or Lady Gaga, where their every move is treated as a seismic event and a Madonna-like reinvention of their latest 'era.' The Cyrus pop-star discography isn't as polished as the Taylor's Versions. But that also means her experiments—the oddball 90-minute psychedelic album she made with the Flaming Lips; the '80s rock homage Plastic Hearts—feel genuinely risky, not because she's touching some third rail of controversy (though she used to occasionally dabble in that) but because she's allowing for the possibility of actual artistic failure in a way that seems removed from many of her peers. There are songs on Miley Cyrus and Her Dead Petz that no mega-selling pop diva in her right mind would release, which is exactly what makes it worth listening to. In her eclecticism, Cyrus also risks the appearance of self-conscious effort, of trying too hard to keep pace with some imagined pop zeitgeist that she might have accidentally captured circa her 2013 breakout album Bangerz. (Whether for that reason or some other unknown factor, she seems to be the last 2010s-era pop star the influential music publication Pitchfork still feels comfortable slagging on.) Which brings us to Something Beautiful, her latest release, accompanied by a 53-minute accompanying 'visual album' that premiered at the Tribeca Festival and will play in U.S. theaters for one night on June 12. Cyrus's own, much-circulated description for this project is that she wanted to make 'The Wall, but with a better wardrobe and more glamorous and filled with pop culture.' She's got the wardrobe part down, and, in a generic sense, the glamor. But it's hard to discern much of The Wall or other notable pop culture influences from the Something Beautiful movie because, mostly, it's a bunch of music videos. At their core, that's what most 'visual albums' are: the long-standing practice of, now eventized close to feature length, making accompanying clips for every track on a given record, intended to add up to something more immersive, cross-referential, and conceptual than a simple listening experience. In that context, it's hard to ignore how decidedly non-conceptual Something Beautiful really is, as an album and especially as a sort-of movie. The film, credited to Cyrus, her frequent video director Jacob Bixenman, and pop-punk video mainstay Brendan Walter, is mostly an hour's worth of the star walking, strutting, and/or dancing, often on her own. Sometimes she's on a soundstage; sometimes she's in a real location. Sometimes she struts from a real location into a soundstage. 'Pretend You're a God' makes extensive use of a wind machine tossing around Cyrus's impressive mane of hair. 'Walk of Fame' takes place in part on, you guessed it, Hollywood's Walk of Fame. 'Every Girl You've Ever Loved' has an appearance from Naomi Campbell, reciting her spoken-word bits from the song in what looks like an abandoned warehouse. You know, just like The Wall. The thing is, most of these segments make fine music videos—retro, even, in their simplicity. Perhaps not coincidentally, the best videos tend to accompany the album's best songs: the aural and visual explosions of the title track, the ebullient soft-focus shimmy of 'End of the World,' and the playful undressing/redressing of 'Easy Lover,' which looks like it was one of the segments shot on celluloid (there are credits for dailies and lab processing in the film's final roll). Like most of the recent Miley records, Something Beautiful is uneven but stylically confident with some great tracks, and her early career on TV has given her an easy sense of how to play to the camera. She's good at this. That doesn't make Something Beautiful a concept record, or particularly in need of a full-length visual accompaniment. It's pleasant enough to watch, but it's hard to justify old-style MTV content as a pay-per-view experience in a movie theater. (It almost gives you a twinge of sympathy for the fans who bought tickets for the Tribeca screening of the film, then were incensed to realize it was not, in fact, a concert.) The biggest conceptual swing is that the last 10 minutes of the film are filtered through an old CRT television set—that is, footage of Cyrus plays on the TV, and the camera captures it from there, giving it a blue filter and some intentional visual noise. It's a neat video-of-a-video effect, and Cyrus certainly seems qualified to comment on the glamorous distortions of image-making. But Something Beautiful doesn't really get there, even as an allusive gesture. It does, however, underline Cyrus's strengths as an artist. Her voice (which, she recently revealed, is caused by a medical condition she's reluctant to treat any further, having grown understandably attached to her own distinctive rasp) is powerful enough to bop around different subgenres of pop, while her cultural awareness of the Old Ways maintains her old-fashioned sense of glamor. Good records and music videos are a fine vehicle for her talent and ambition; a visual album feels like unnecessary accessorizing for a star who already has a whole lot.
