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Committee asks BBC boss for view on ‘what went wrong' with Glastonbury coverage

Committee asks BBC boss for view on ‘what went wrong' with Glastonbury coverage

Wales Online15 hours ago
Committee asks BBC boss for view on 'what went wrong' with Glastonbury coverage
The BBC has faced strong criticism for continuing to livestream the performance of punk rap duo Bob Vylan, which is now the subject of a criminal police investigation
Tim Davie was at Glastonbury Festival when pro-Palestine chants were broadcast by the BBC
(Image: PA Wire/PA Images )
A Government committee has written to BBC director-general Tim Davie asking him for a "personal assessment of what went wrong" with the broadcaster's Glastonbury coverage.
The BBC has faced strong criticism for continuing to livestream the performance of punk rap duo Bob Vylan, which is now the subject of a criminal police investigation, at the festival on iPlayer.

They led chants of "Death, death to the IDF (Israel Defence Forces)" during their set on the West Holts Stage on Saturday, with the broadcaster providing on-screen warnings about discriminatory language on its platform.

It later apologised on Monday and said the chants held "antisemitic sentiments" that were "unacceptable".
Irish rap trio Kneecap, who are also facing an Avon and Somerset Police investigation, appeared on the same stage directly after Bob Vylan and led the Glastonbury audience in "Free Palestine" chants.
It has since been revealed that Tim Davie was at Glastonbury when the pro-Palestine chants were broadcast.
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In a letter sent to Mr Davie by the Culture, Media and Sport Committee on Tuesday, chairwoman Dame Caroline Dinenage asked the BBC boss 12 questions after saying its coverage had caused "widespread concern".
Culture Secretary Lisa Nandy previously said that "several" editorial failures "becomes a problem of leadership" during a statement on the BBC's coverage to the Commons.
Among the questions, Dame Caroline said: "Before the festival started, did the BBC consider streaming all or part of its Glastonbury coverage with a short time delay, to allow room to respond to events if necessary?"

The Conservative MP went on to ask how many BBC staff and contractors were working at Glastonbury or on its coverage, if staff with the authority to cut Bob Vylan's live stream were present during their performance and whether ending the live stream was discussed mid-performance.
Dame Caroline then asked: "At what level were the decisions made to not stream Kneecap live and to stream Bob Vylan live, but with a warning on screen?"
The letter asked if the BBC had a contingency plan for the event and who was responsible for forming and actioning the plan, before asking if the broadcaster would review its Editorial Guidelines and guidance for live output "to ensure they are fit for live streaming".

The Tory MP added: "In summary, what is your personal assessment of what went wrong and what (are the) key lessons that the BBC will take away from the experience of live streaming Glastonbury 2025?"
Dame Caroline said she hoped for Mr Davie's response to the questions within two weeks.
Avon and Somerset Police said it had launched a probe into both the Bob Vylan and Kneecap performances after reviewing video footage and audio recordings, with a senior detective appointed to lead the investigation.

A force spokesman said: "This has been recorded as a public order incident at this time while our inquiries are at an early stage.
"The investigation will be evidence-led and will closely consider all appropriate legislation, including relating to hate crimes."
In response to criticism of their performance on Tuesday, Bob Vylan said in a statement posted on Instagram that they were being "targeted for speaking up" and that "a good many people would have you believe a punk band is the number one threat to world peace."
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The statement said: "We are not for the death of Jews, Arabs or any other race or group of people.
"We are for the dismantling of a violent military machine. A machine whose own soldiers were told to use 'unnecessary lethal force' against innocent civilians waiting for aid.
"A machine that has destroyed much of Gaza."
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EXCLUSIVE Harry Styles' new love interest Ella Kenny is seen for the first time since their steamy Glastonbury kiss as it's revealed she is friends with singer's ex girlfriend's stylist
EXCLUSIVE Harry Styles' new love interest Ella Kenny is seen for the first time since their steamy Glastonbury kiss as it's revealed she is friends with singer's ex girlfriend's stylist

Daily Mail​

timean hour ago

  • Daily Mail​

EXCLUSIVE Harry Styles' new love interest Ella Kenny is seen for the first time since their steamy Glastonbury kiss as it's revealed she is friends with singer's ex girlfriend's stylist

The producer Harry Styles was seen kissing at Glastonbury has been pictured for the first time since their steamy night together. Ella Kenny was spotted grabbing some lunch in central London on Wednesday, four days after kissing Harry in the early hours. The London-based producer dressed for the heat in a silvery vest and low-slung jeans with a beaded belly chain as she headed to a cafe for a coffee and bite to eat. She added tinted shades and silver flip flops to her ensemble, looking relaxed as she strolled back to work. Ella is a producer who has worked at a studio in London for around three years, producing 'crossplatform content' for businesses such as record companies and fashion brands. She has worked alongside Nia Archives, as well as produced music videos for artists such as Rachel Chinouriri, and Slow Thai, as well as Anne-Marie and Aitch's huge hit PSYCHO. Harry (pictured at Glastonbury), partied into the early hours with pals at Worthy Farm on Saturday where he was seen getting very close to 28-year-old producer Ella Former One Direction star Harry, 31, partied into the early hours with pals at Worthy Farm on Saturday, where he was seen getting very close to the 28-year-old. On Monday, Ella took her Instagram page public to share her first photo from her time at the festival, looking on cloud nine as she posed in the sunshine with her pals in a reposted snap on her Stories. The Bournemouth University graduate put on a leggy display in a pair of tiny black short and a simple white button-up shirt as she wrapped an arm around friends Nia Archives and Jessica Skeete-Cross. Jessica is a stylist for ES Magazine, who has worked with big names like Maya Jama, Robert Pattison, Letitia Wright, Cara Delevingne and in an interesting twist - Harry's ex-girlfriend, Taylor Russell. She and Harry already knew each other prior to the festival, but it remains unknown if their passionate exchange was a one-off. Reportedly, the Watermelon Sugar star was in the VIP section with a group of pals when Ella arrived and kissed him on the cheek multiple times, before he led her to the dance floor where they shared their very public smooch. Speaking about the kiss to The Sun, a source said: 'Harry and Ella had fun together at Glastonbury and shared a kiss on the dancefloor. 'They had a good time in the moment but it doesn't mean it will evolve into anything. They just got on and had a snog. 'But she seems like a normal, down-to-earth girl which is different from some of the big stars he's dated before.' She added tinted shades and silver flip flops to her ensemble, looking relaxed as she strolled back to work A representative for Harry has been contacted by MailOnline for comment. Harry's last public snog was with supermodel Emily Ratajkowski when they were spotted snogging in Tokyo in 2023. The pair were seen dancing with each other in the Japanese capital as they stood alongside a silver people carrier while sheltering from the rain under an umbrella. They shared a number of kisses on the street outside, appearing not to care who saw them while in full view of onlookers. Reportedly, the Watermelon Sugar star was in the VIP section with a group of pals when Ella arrived and kissed him on the cheek multiple times As well as Taylor and Emily, Harry has been previously linked with a string of A-list women, from Taylor Swift to models Kendall Jenner and Camille Rowe, and actress Olivia Wilde. Harry - who has an estimated net worth of $140million - has kept a low-profile throughout 2025 as he enjoys time out of the spotlight since wrapping his Love On Tour tour in 2023.

And now let's bomb Glastonbury
And now let's bomb Glastonbury

Spectator

time3 hours ago

  • Spectator

And now let's bomb Glastonbury

A small yield nuclear weapon, such as the American W89, dropped on Glastonbury in late June would immediately remove from our country almost everybody who is hugely annoying. You would see a marked reduction in the keffiyeh klan, for a start, and all those middle-class Extinction Rebellion protestors would find, in a nanosecond, that their rebellion was pointless, because extinction had arrived even more summarily than they expected. Go on, glue yourselves to that, Poppy and Oliver. Street drummers, liberal politicians, provo vegans, radical rappers, spiritual healers, Billy Bragg, that bloke who owns Forest Green Rovers, druggies, tattooed blue-haired hags, almost the entirety of middle-class London – all evaporated. I am not saying that we should do this, of course – it would be a horrible, psychopathic thing to do. I am merely hypothesising, in a slightly wistful kinda way. One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. The difference is that the BBC decided to cover it, thinking – as it unquestionably does – that the majority of the country would be cheerfully humming along with Bob Vylan's tuneful music and are entirely down with the sentiments expressed. That is the BBC's real crime. It is worth a brief digression here on the nature of protest songs, of rock musicians playing politics and whether they have an effect or not. The BBC would argue that they do have an effect, that they tap into a perhaps previously unexpressed sentiment among the wider public and hence herald great change. Au contraire. In the mid- to late-1960s, the more protest songs and festival chants there were, the further to the right swung the rest of the electorate. As evidence, I would point you in the direction of Richard Nixon's comprehensive victory in 1968 and then, after Country Joe had done his stuff at Woodstock, a landslide in 1972. They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.

Cara Delevingne kisses girlfriend Minke and shows off their matching Alanis Morissette's tattoos while side-stage for the rock star's Glasto gig
Cara Delevingne kisses girlfriend Minke and shows off their matching Alanis Morissette's tattoos while side-stage for the rock star's Glasto gig

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Cara Delevingne kisses girlfriend Minke and shows off their matching Alanis Morissette's tattoos while side-stage for the rock star's Glasto gig

Cara Delevingne kissed her girlfriend Minke as she showed off their matching Alanis Morissette at Glastonbury. The couple, who have been together since 2022, were among the celebrities who turned out for the star-studded festival at Worthy Farm. One of the most iconic performances of the weekend was 90s rock star Alanis Morissette, in what was surprisingly her Glastonbury debut. And it seems Cara and Minke are big fans of the star, as they have matching tattoos of the name of her hit song 'Ironic'. The couple were seen smooching as they posed for a selfie showing off their inkings while side stage at Alanis's gig. Cara also shared clips of her envious spot on stage while Alanis performed, later performing for snaps with the singer and Anya Taylor-Joy. Among Cara's snaps was a selfie of herself and Charli XCX as she attended the pop star's set. Cara captioned the snaps: 'GLASTONBURY!!! THANK YOU! What a year! You are in my heart forever and always!! 'Too many photos and videos to post, too much fun was had. You will missed next year but like the grass maybe we all need a year off. 'Hahahaha never. Anyway, until next time ❤️.' It comes after Cara began her sobriety journey in 2022 when she checked herself into a 12-step program shortly after photos emerged of the star looking disheveled and jittery at Van Nuys airport. Late last year in November, the supermodel clarified that she was still sober after beginning her journey in 2022. At the time, she shared Instagram photos of herself carrying a bottle of champagne to recreate an iconic 2000s moment for Halloween. She doubled down that she was still sober after a fan wrote in the comment section, 'I thought you were working on your sobriety.' Cara then simply penned in response, 'I am still sober.' It seems Cara and Minke are big fans of the star, as they have matching tattoos of the name of her hit song 'Ironic' The couple were seen smooching as they posed for a selfie showing off their inkings while side stage at Alanis's gig Back in September 2022, Cara was seen looking jittery while outside of Van Nuys airport. At one point, she walked around only in her socks and held a conversation on the phone while smoking. Another moment showed the model bending over next to her dog Alfie as a member of security stood close by. She later left the airport inside a sleek, black SUV and was spotted sticking her feet out of the backseat window. At the time, sources informed that Cara had just returned from attending Burning Man. 'She had just spent days in the desert, not eating all that much and she looked dishevelled because she hadn't had time to scrub up yet...,' an insider said. While talking to Variety last year in May, Cara opened up about being sober and stated, 'You're not alone.' She then encouraged, 'If I can do it, anyone can. But you need to communicate and be honest about it as much as you can - especially with yourself. 'I think that's what I've always done with anything in this business. Whether it's been being vocal about anxiety, depression, recovery, anything, it's just you owe it to people to talk about your struggles... 'Because being in this world is not perfect. No one is perfect. So to be honest, it's the least I can do.'

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