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Podcast star Alex Cooper accuses her Boston University soccer coach of sexual harassment in new doc

Podcast star Alex Cooper accuses her Boston University soccer coach of sexual harassment in new doc

Yahoo2 days ago

Popular podcaster Alex Cooper made startling allegations in the upcoming Hulu documentary, 'Call Her Alex,' that she was sexually harassed by her soccer coach at Boston University.
The revelation in the new Hulu doc, set to premiere on the streaming platform on June 10, comes 10 years after Cooper said she went through the ordeal, which she claimed was three years of escalating sexual harassment at the hands of former head coach Nancy Feldman until she left the team in her senior year.
'I felt a lot of anger—anger at my coach, anger at my school, and anger at the system that allowed this to happen,' the 'Call Her Daddy' podcast host Cooper said in the documentary, according to Vanity Fair. 'I don't think anyone could've prepared me for the lasting effects that came from this experience. She turned something that I loved so much into something extremely painful.'
Feldman coached BU's women's soccer team for 22 years before she retired in 2022, but Cooper said that the former coach started to 'fixate on me way more than any other teammate of mine' during her sophomore season.
Cooper was a member of the Terriers women's soccer program from 2013-15.
It was during that time Cooper alleges Feldman took an uncomfortable interest in her and would make comments about her body and her personal life, including once asking Cooper if she had sex the previous night.
The podcaster and media mogul also said Feldman would try to get her alone, put a hand on her thigh and stare at her.
In the documentary, Cooper said that any time she would try to 'resist' Feldman, the coach would tell her 'there would be consequences.'
'It was this psychotic game of, 'You wanna play? Tell me about your sex life. I have to drive you to your night class, get in the car with me alone,'' Cooper said in the doc. 'I started trying to spend as little time as possible with her. Taking different routes to practice where I knew I wouldn't run into her, during meetings, I would try to sit as far away from her as possible. Literally anything to not be alone with this woman.'
And when Cooper and her family attempted to approach Boston University officials about their claims, she said they were brushed off and officials asked her, 'What do you want?'
Cooper claims Boston University officials told her family that they would not fire Feldman, but would allow Cooper to keep her full soccer scholarship.
Cooper said that the school did not investigate her claims.
Feldman compiled 418 victories to rank 22nd all time among NCAA women's soccer coaches and was named conference coach of the year 12 times.
She was the program's only coach since 1995, when it became a varsity sport.
Boston University did not immediately respond to a request for comment by The Post.
Cooper has hinted at a traumatic experience from her time playing soccer at BU, which included interviews with Cosmopolitan and The New York Times, and it was teased in the trailer for the documentary.
The documentary premiered at the Tribeca Film Festival before its release on the streaming platform, and during a Q&A afterward, Cooper, who previously worked for Barstool Sports, said she was motivated to come forward as they were making the film.
'During the filming of this documentary, I found out that the harassment and abuse of power is still happening on the campus of Boston University, and I spoke to one of the victims, and hearing her story was horrific, and I knew in that moment, if I don't speak about this, it's going to continue happening,' Cooper said, according to Deadline.
'Call Her Daddy' became one of the most popular podcasts on the planet after debuting in 2018 and surged to second on the podcast charts behind only 'The Joe Rogan Experience,' before Cooper went over to SiriusXM last year in a massive deal.

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Boston Globe

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  • Boston Globe

Study finds little agreement between Republicans and Democrats on media sources they trust

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Best Hulu bundles: Save more than 40%
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Business Insider

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  • Business Insider

Best Hulu bundles: Save more than 40%

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Dan Fogelman and team on the making of ‘Paradise': ‘It only works if you have talented people who you trust'
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Yahoo

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Dan Fogelman and team on the making of ‘Paradise': ‘It only works if you have talented people who you trust'

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And the thought behind it was if there was too much pop culture from before and not enough created down below, at a certain point it could devastate people because everything you're listening to and seeing is made by dead people ostensibly. And so the thought was that there was a certain amount of media in houses and in rooms and in programs. But if you wanted it, you sought it out at a special place in the library. You just see a kid listening to music in the library, in the listening section, and that's where Cal goes to make his final mixtape. Speaking of music, Sid, what themes did you want to evoke with your score? Siddhartha Khosla: I was just trying to make Glenn, John and Dan happy! The beauty of working with these guys is that they treat music like it's anything else we've just talked about, like discussing it early on before even shooting a frame of anything. Dan sent me a script and then I wrote this little melody off of that script. The guys seemed to like it, and then we spent several months trying to develop it together. John would send a text saying, 'Hey, can you write me a piece of music that feels like we are trapped and we can't escape?' I recorded violins and cellos and percussion and all sorts of other instruments and looped them and messed them up. I got to feel like I'm in a band again working with these guys. So that's always special. On most television and film, composers come in really late in the process. But getting to come in really early in the process allowed us to experiment. Not only had you worked with the crew before, but obviously also Sterling K. Brown. What did he bring to the role? Fogelman: Oh, he's awful. Terrible guy, terrible actor. [Laughs.] He's the best. I mean, he's such a force as an actor. I love him in this role. It's so different than what we had just done together for so long. And he's a tremendous leader on set. He leads with his infectious laughter. It's a fun place to go to work because the most famous, biggest force on the set is the world's nicest guy. And everybody follows that lead, so it's a real pleasure always coming to set when Sterling's there. There's never any tension. And he's so good at his job. It's very rare that you find somebody who's as good at their job who's also that nice and generous. So he makes it easy. John, how did you approach writing episode 107, which was such a complicated one with its multiple timelines? Hoberg: I was lucky that one came up for me — there's a batting order. I wanted that one so bad because it had everything that I love in it. It really was just trying to find little bits of humanity sprinkled throughout that so people aren't superheroes at all. There's a speech writer who's mad on the last day of the world that a callback in his speech is being cut. Someone's annoyed that the CIA is interrupting them in front of the president. I felt like finding those little moments of humanity help at least me ground how I felt as I was writing it. Like these are actually really people in this thing and they're all in over their head. Zoe, is there one look you're proudest of? Hay: I would have to say the librarian. That was such a challenge from the very beginning before we even started shooting, Dan asked us to do a test on him, and I think we came up with about maybe 20 different looks for him, different mustaches, beards, wigs, all kinds of stuff. And then we sort of settled on the few transitions that he had, but he's a tall guy and it's hard finding disguises for him where you could lose him in the crowd visually. I think we succeeded because I don't think anybody really spotted him. Fogelman: It was such a big part of it because he's in the first episode as the assassin and then he's living in plain sight as a different character throughout the entire series. If you start going, oh, it's the librarian, it ruins it. Occasionally a person would write on Reddit, I think they're in an underground bunker; once in a blue moon somebody would hit on something. But I don't think anybody ever saw him. We had a premiere screening months ago and his own mother and agent said, we just wish we could see one that you were in — and he goes, well, I was actually in that one. And his own family didn't realize that he was the guy that played the assassin after having watched the pilot. So that was very cool. because the whole thing would have fallen on its face if it hadn't worked. Was it always intended that it was going to be him? Fogelman: I didn't know who it was going to be at the very beginning when I wrote the pilot. But then right when we gathered the writers room, one of our writers said, I think it would be cool if it was someone hiding in plain sight. What if it was a librarian? And then we're like, how are we going to do that? Then we were casting with an eye on who could pull off the performance and also who could be malleable to what Zoe was going to do to him. Requa: Some faces aren't that hideable. There were so many conversations that ended with … 'and if this doesn't work, we're [screwed].' You really do like to write yourself into corners. Fogelman: Once in a while, I'll think to myself, God, it would be really nice to just write something linear. Ficarra: We always say that. What did you all learn from making the first season that you're bringing now to the second season? Ficarra: Cut the script down early. I still haven't learned. Hoberg: I haven't learned that. Fogelman: One of the things is, you learn by the response to show. And so obviously we end our first season with Sterling heading out into the world. And that was always part of the plan. But you start learning that people love our bunker and they love our cast down there and they love the dynamics of those folks. So for season two, we're going to be out sometimes with Sterling, but we're also going to make sure we live with the stuff people love in the bunker as well. And finding that balance. It was an exciting thing to discover that it's not just that people are tuning out when Sterling's not on camera on his A storyline. People love Sinatra and Sarah Shahi and Jon Beavers and James Marsden. They love all the storylines in the world that was created down below. Give me one word to describe Season 2. Fogelman: It's very ambitious. Hoberg: I was gonna say bigger. Requa: Subjective. Ficarra: Surprising. Khosla: It's incredibly cool. I've worked on the first couple already and it's awesome. This article and video are presented by Disney/Hulu. 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