Adrian Dunbar: ‘I'm really excited about the new Line of Duty'
Working in an abattoir was a very good grounding in how difficult it is to earn £20. I still love a bacon sandwich. It gives you a perspective on life that you don't forget.
I've taken a lot of pleasure in watching Kneecap rinsing the system. [Kneecap are a controversial Irish rap group who made comments about the Israel-Palestine conflict at Glastonbury and Coachella.] They're an amazing act and they've caught the zeitgeist. But they're good people and conscientious people. I'm going to go and see them with my daughter, just to see what the craic is.
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Daily Mail
21 minutes ago
- Daily Mail
Naked Attraction host Anna Richardson details her experience dating both men and women as she reveals which gender she finds easier to be in a relationship with
Naked Attraction host Anna Richardson has revealed which gender she finds easier to date as she reflected on dating both men and women. Anna split from former Bake Off host Sue Perkins, 53, in June 2021 after eight years together, with a source stating at the time that they were both 'devastated'. She has been dating charity boss Simon Perkins since October 2022 after they met through mutual friends - whom she says brought 'a huge injection of energy' to her love life. Reflecting on her time dating both men and women, Anna explained to The Sun that being with a man is 'less complicated and less emotional'. She explained that being with a man is a 'cliché' as she quipped that 'as long as you feed them and let them watch footie' then they are happy. Anna told the publication: 'Dating a guy is, in some ways, less complicated'. 'Dating a woman means you understand each other implicitly because you're both female. 'Both parties understand that they're emotional creatures. This can be very challenging and intense, but also very exciting.' Anna was previously with partner Charles Martin for 18 years prior to beginning a relationship with Sue in in 2013 after meeting at a Halloween party. At the time of her break-up with Sue, a source told The Sun: 'It's really sad. Both Anna and Sue are devastated. 'We're all hoping they can patch things up and sort out their differences but for now it appears to be all over.' Meanwhile, in May 2022, the TV star admitted that 'you never get used to heartbreak' following their split in a revealing interview. The presenter spoke to OK magazine about love as well as her fears of growing older, admitting she's 'filled with dread' at the prospect of what could happen in the future. She explained: 'I suppose I don't know whether you become more resilient as you get older, but heartbreak is still that mystery that needs to be solved, and how you get over it and become stronger'. The couple, who dated for eight years, allegedly parted ways after Sue's reluctance to start a family, with Anna previously revealing she had thought about adopting a child and felt that 'time is running out' for her to do so. Anna went on to reveal, 'it's a really fundamental and visceral realisation [if you haven't had children] that, 'Oh my God, I can't do that anymore.' Even if I wanted to.' She added that she feels 'slow, inexorable dread' when she thinks about the next 30 years of her life, saying: 'It seems to be a bit of a decline. And it's very, very difficult.' MailOnline exclusively revealed in June 2022 that nobody else was involved in Sue and Anna's decision to split, which the couple made with 'a heavy heart'. A source said: 'The split is as amicable as these things can ever be. After so long together it wasn't an easy decision to make and they both did so with heavy hearts. 'But Sue and Anna are determined to remain friends and keep in touch. Nobody else is involved and now the pair are throwing themselves into work.' It was reported Anna moved out of their shared £2million North London home to live in Staffordshire to be close to her mum, who is caring for her father who is suffering from dementia. Speaking to The Telegraph in 2015 about the start of her romance with Sue, Anna explained she had known Sue for years, but it was a meeting her at a party after her separation from Charles, that made her realise she felt something more than just friendship. She gushed: 'When I was invited to the party, I was told Sue would be going and I felt, what, a frisson? A spark of interest? And I thought: 'Hmm, that's interesting'. There was something in the air. 'It was an extraordinary night. I was dancing on the table. It felt like a defining moment in my life.' She wasn't keen on giving herself a label in regards her sexuality at the time, after she had previously spent almost two decades with a man. 'For me, it's just a case of I am who I am. I'm not interested in being labelled gay or straight, my sexuality is fluid. I just happen to have fallen in love with a woman - simple as that,' she explained.
The Independent
23 minutes ago
- The Independent
Celebrate the Lionesses' win at Women's Euro 2025 with this England merch
Defending the title they secured in 2022, the Lionesses have won Euro 2025. The tournament concluded in Basel last night (Sunday 27 July) with a dramatic penalty shootout. Fresh from defeating Wales, Sweden and Italy, England came out on top against World Cup title holders Spain in a tense match that went into extra time. Dubbed the 'comeback queens' throughout the tournament, Alessia Russo equalised the game before penalties, where Chloe Kelly scored the winning goal. Managed by Sarina Wiegman, the side has once again secured their place in history as both the first senior England football team to win a major trophy on foreign soil and the first to win back-to-back titles. Defeating Germany 2-1 in the final match at Wembley Stadium in 2022, the team won England's first European Championship. Scenes of celebrations will take place across the country after another win, with an open-top bus parade scheduled as part of the homecoming event in London on Tuesday afternoon. Whether you're planning to show your support for the team in person, watch the celebrations from home or want a souvenir from the tournament, take a look at the best merch below. Inspired by vintage sportswear and various Lioness kits from tournaments past, this Nike shirt is designed with sweat-wicking technology to keep you comfortable while playing. The England 2025 home design uses a colourful red and blue ombre with blue panelling and the Nike and England logos. It's no surprise that Nineties bucket hats have returned this summer. The unisex style boasts a blue and red printed design with the England logo taking pride of place on the front. It could just as easily be worn to the Oasis Live tour – if you're one of the lucky masses that secured tickets. Another retro throwback, this windrunner nods to the original 80s design with an English twist. Made from 75% recycled fibres, it's great for evening kick-offs once the sun goes down. This Nike jacket for the Euros boasts a fun burgundy and navy all-over print, complete with a funnel neck and zip-up design. The English rose detailing pays homage to the football team, and an England and Nike logo are also featured on the front. The relaxed fit makes it perfect for year-round off-duty wear. This oversized T-shirt is a laidback way to show your support for the England team in the Women's Euro tournament 2025, whether at home or away. The black design features the signature Nike tick with 'Lioness' typography above.
The Guardian
24 minutes ago
- The Guardian
‘Always provided a release': why Aliens is my feelgood movie
Amid a recent IVF crisis, I turned to my husband in A&E and said, 'We should put on a cosy movie when we get home, like Aliens.' Immediately my mind flashed to the film's iconic image of gooey eggs exploding under vigorous gunfire. It seemed faintly ridiculous that Aliens was the chill-out film for this particular moment, but we watched it and, as ever, it hit the spot. I've viewed Aliens at least once a year for the last decade. It is both an excellent and terrible movie. Helmed by James Cameron in place of the original Alien director Ridley Scott, this pumped-up-on-steroids 1986 sequel retains the grisly design of its predecessor. Its walls and ceilings are covered in wet gloop and fleshy tendrils, like the insides of a giant body. Its monsters bring to life the trailblazing designs of the Swiss 'fantastic realist' artist HR Giger. Almost four decades after its release, the film's world building remains chillingly authentic, as a group of marines – plus a villainous corporate executive, heroic android, feisty lone-survivor child and Sigourney Weaver's gun-toting yet wholesome protagonist Ellen Ripley – discover then attempt to escape a nest of parasitic aliens, their nightmarishly outsized mother and her lethal henchmen. The film's high stakes are rarely far from the action while it hits just the right balance between absurd terror and genuine emotion. Like many of Cameron's movies, it simultaneously sends up and fetishizes military power, though ultimately the characters that survive are head-smart first and trigger-happy second. Its cheesy humour stops the violence from descending into cold detachment. The blusterous self-assurance of Bill Paxton's Pte Hudson is repeatedly undermined by douchebag lines like 'We just got our asses kicked, pal!' I've watched it so many times, I can picture his exact look of wide-eyed incredulity. Al Matthews' cigar-loving Sgt Apone satirises the macho marine trope, admonishing his unit with 'All right sweethearts, what are you waiting for? Breakfast in bed?' Aliens is a fast-paced, jump-scare-ridden scramble to violent demise or unlikely escape. Once it's been rewatched to death, there is a calm relief to its desperate fight for survival. I know who will live and who will perish; that the invasive titular form will ultimately not endure. In place of leaping out of my skin and hiding behind a cushion, viewing this movie now brings something else: the chance to process my own physical and emotional angst. When done well, the horror sci-fi genre functions on multiple levels, creating thrilling entertainment while also inviting its audience to digest real life experiences that are too painful or immediate to look at directly. The culturally deep-rooted terror of women's bodies and their functions is a central aspect of the movie. The young facehugger aliens attach to their victims' mouths to plant an embryo inside, which then grows in their hosts' bodies before bursting out the chest. There are undeniable parallels with the oft-unspoken horrors of pregnancy and childbirth, as well as the unsettlingly sci-fi retrievals and implantations of IVF. The movie revels in a certain revulsion at hyper-fertility and the act of birth, but it also captures the natural fears and frustrations of existing in a body that can grow and explosively eject a living being in a manner that is richly cathartic. As a psychotherapist currently in the middle of Kleinian training, I am drawn to embracing the dark side of the body. The British psychoanalyst Melanie Klein addressed the feelings of violence, rage and disgust that can be a normal part of the embodied psyche. I can't help but see her ideas woven through Aliens, as Ripley relentlessly tears through a grotesque symbol of extreme motherhood. A romcom may distract me temporarily from the bodily dread of IVF needles, speculums and dearly longed for new life, but the visceral sight of exploding eggs and torsos hits something deeper and more real. Aliens, with its invasive, parasitic monsters, finds parallels with other psychological and bodily battles that are often repressed. Over the years, this film has always provided a release, whether working through rage, sexual trauma or long Covid. It strikes the perfect tonal balance that enables momentary relief without further traumatising. After Ripley settles Newt, Hicks and Bishop into their cryo-sleep, her final long rest is well-earned and beautifully peaceful. I, too, always sleep well after watching it, my nightmare-prone mind settled knowing the on-screen and internal big beasts have momentarily been vanquished. I just have to pretend Alien 3 was never made. Aliens is available on Hulu in the US and Disney+ in the UK and Australia
